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| | |  Zagreus:
Spiritual - Theosophy
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Zagreus, Zagreus-Dionysos Zagreus, Zagreus-Dionysos (Greek) Dionysos was an earlier name for Bacchus. The mythos concerning Zagreus belongs to the cycle of teachings of the Orphic Mysteries rather than to mythology, so no references occur in the writings for the people, such as Homer and Hesiod. The references that have come down to our day occur principally in the manuscripts of the ancient Greek dramatists, poets, and in other ancient fragments. As cosmic evolution was taught in the Orphic Mysteries by allegory, so was the evolution of the individual soul or microcosm, centering in the mythos of Zagreus, later Zagreus-Dionysos, the Greek savior, which the Greek Dionysian Mysteries sought to unfold in dramatic and veiled or symbolic literary form. "Dionysos is one with Osiris, with Krishna, and with Buddha (the heavenly wise), and with the coming (tenth) Avatar, the glorified Spiritual Christos . . ." (SD 2:420). Zagreus has three distinct meanings: 1) the mighty hunter (the pilgrim-soul, hunting for the truth, its aeonic pilgrimage back to divinity); 2) he that takes many captives (the Lord of the Dead); and 3) the restorer or regenerator (King of the Reborn or initiates). Zagreus (later Bacchus or Iacchos) is the divine Son, the third of the Orphic Trinity, the other two being Zeus the Demiurge or divine All-father, and Demeter-Kore, the earth goddess in her twofold aspect as the divine Mother and the mortal maid. The mythos relates that Zagreus, a favored son of Zeus, aroused the wrath of Hera, who plotted his destruction. First she released the dethroned titans from Tartaros to slay the newborn babe. They induced the child to give up the scepter and apple for the false toys which they held before him: a thyrsos or Bacchic wand (symbol of matter and rebirth into material life), a giddy spinning top, and a mirror (maya or illusion). As the child was gazing at himself in the mirror, they seized him, tore his body into seven or fourteen pieces (as in the Egyptian Mystery tale of Osiris); boiled and roasted and then devoured them. Discovered in this enormity by Zeus, the titans were blasted with his thunderbolt and from their ashes sprang the human race. The titans with their false gifts symbolize the pursuing energies of the personal, material life, which enchain and delude the soul. They are earth powers which lead the soul from the path by the lure of things of sense. The dismembered body is first boiled in water -- symbol of the astral world; then roasted, "as gold is tried by fire," symbol of suffering and purification and the reascent of the victorious soul to bliss. Apollo or the Muses, at the command of Zeus, gathered the scattered fragments and interred them near the Omphalos (navel of the earth) at Delphi. The coffin was inscribed: "Here lies dead, the body of Dionysos, son of Semele," as the Zagreus myth was known only to those initiated into the Orphic Mysteries; and the Semele myth was popularly known. The exoteric myth represents the divine Son as the son of Zeus by the mortal maid Semele, Demeter-Kore in the guise of a mortal woman, to whom the still beating heart of Zagreus was entrusted when he was slain, that she might become its mother-guardian. Hera, however, poisoned the mind of Semele with suspicion when the new-forming body of Zagreus within her reached the seventh month of gestation, and Semele impelled Zeus to reveal himself to her in his true form, whereupon the mortal body of Semele was destroyed by the divine fire. The holy babe was saved from death by Zeus, who sewed the child up in his own thigh until "the life that formerly was Zagreus, was reborn as Dionysos," the risen Savior, at Easter (the spring equinox), while as Zagreus he had been born at Semele's death at the winter solstice. Here we See the myth's solar significance. The nymphs of Mount Nysa reared him safely in a cave, and when he reached manhood, Hera forced him to wander over the earth. He overcame all opposition and was successful in establishing Mystery schools wherever he went. After his triumph in the world of men, Dionysos descended into the underworld and led forth his mother, now rechristened as Semele-Thyone (Semele the Inspired), to take her place among the Olympian divinities as the divine mother and radiant queen, and later, with Dionysos, to ascend to heaven. Zagreus as Dionysos is known as the god of many names, most of which refer to his twofold character as the suffering mortal Zagreus, and the immortal or reborn god-man. Many titles also refer to him as the mystic savior. He is the All-potent, the Permanent, the Life-blood of the World, the majesty in the forest, in fruit, in the hum of the bee, in the flowing of the stream, etc., the earth in its changes -- the list runs on indefinitely, and is strikingly similar to the passage in which Krishna, the Hindu avatara, instructs Arjuna how he shall know him completely: "I am the taste in water, the light in the sun and moon," etc. (BG ch 7). The philosophers, dramatists, and historians who held the Dionysian mythos to be purely allegorical and symbolic take in the great names of antiquity, including Plato, Pythagoras, all the Neoplatonists, the greatest historians, and a few of the early Christian Fathers, notably Clement of Alexandria; Eusebius, Tertullian, Justin, and Augustine, also write of it. The exoteric literature of Orphism is scanty, while the esoteric teachings were never committed to writing. Outside of the Orphic Tablets and Orphic Hymns, no original material has been discovered to date. Scholars judging from the Homeric Hymn to Demeter, have held that the Eleusinian Mystery-drama was based solely on the story of Persephone; but later researches indicate that, under the influence of Epimenides and Onomakritos, both deep students of Orphism, the Orphic Mystery tale of Zagreus-Dionysos was incorporated in the Eleusian ritual, the divine son Iacchos becoming thus identified with the Orphic god-man, Zagreus-Dionysos. Cosmically this highly esoteric story refers to the cosmic Logos building the universe and becoming thereby not only its inspiriting and invigorating soul, but likewise the divinity guiding manifestation from Chaos to complete fullness of evolutionary grandeur; and in the case of mankind, the legend refers to the origin, peregrinations, and destiny of the human monad, itself a spiritual consciousness-center, from unself-consciousness as a god-spark, through the wanderings of destiny until becoming a fully self-conscious god. The key to the symbolism of Zagreus-Dionysos is given by Plato in the Cratylus: "The Spirit within us is the true image of Dionysos. He therefore who acts erroneously in regard to It . . . sins against Dionysos Himself," i.e., the inner god, the divinity in man. The legend thus contains not only past cosmic as well as human history, but contains as a prophecy what will come to pass in the distant future. (See also: Zagreus, Zagreus-Dionysos, Mysticism, Mysticism Dictionary, Body mind and Soul)
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Spiritual - Theosophy
Dictionary on
Semele, Semele-Thyone Semele, Semele-Thyone (Greek) In Greek mythology, daughter of Cadmus, founder of Thebes, and of Harmonia, a daughter of Ares and Aphrodite. The Orphic myth is a permutation of Demeter-Kore the divine spouse, who becomes Semele the mortal maid and mother of Zagreus, later Zagreus-Dionysos, the third of the great Eleusinian deities in later times. Semele is beloved by Zeus, which excites the jealousy of Hera, who accordingly contrives a plot to destroy Semele. Appearing to her in the form of her nurse, Hera insinuates that the lover is not really Zeus, and persuades Semele to ask her lover to prove his identity by appearing to her in his divine panoply and form. Reluctantly Zeus does so, foreseeing the result yet bound by his pledge to her. Semele is reduced to ashes at the sight, and the babe which she had carried for seven months is snatched from the flames by Zeus himself who, that it might complete its term, sewed it up in his thigh. The babe Zagreus was born from the thigh of Zeus as Zagreus-Dionysos, the Savior. Identified with Iacchus, the divine son of Demeter-Kore in the later Eleusinian Mysteries, he visits the Underworld and brings his mother Semele back to earth, now as Thyone (the inspired) to reign with Demeter-Kore as the radiant queen and divine mother in the Orphic Mysteries. Semele is a representative or type of the aspiring human soul which in its higher parts so passionately longs for complete union with the inner divinity, that when this unity of comprehension and being is once attained, the human soul is reduced to ashes and the son, the soul's self in its higher and newer form, is saved by the divinity within as the newly born dvija (initiate). (See also: Semele, Semele-Thyone, Mysticism, Mysticism Dictionary)
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Spiritual - Theosophy
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Dionysos Dionysos (Greek) (from dio from dis old form of Zeus + Nysa) Also Dionysius. Zeus of Nysa, a mountain variously placed in Thrace, Boeotia, Arabia, India, Asia Minor, and Libya; another name is Bacchos (gk char), a form of Iacchos (from 'iachein to shout) in allusion to the Bacchic invocation. Among the Romans he is called Liber, which some connect with liber (free), calling him the liberator (cf labarum, the later mystic emblem of the Christ). He was worshiped in Athens at the Dionysia, held a position at Delphi almost equal to Apollo, and appears in the Eleusinian Mysteries. The son of Zeus and Semele, sun and moon -- hence bisexual in character and so able to be regarded at different times as a solar or lunar deity. His meaning overlaps those of Krishna, Brahma, Christos, Adonai, Mithras, and Prometheus, for he is a savior, mediator between God and man, the celestial and the terrestrial. He was also the god who sprang from the world egg, and from whom mortals in their turn sprang, uniting in himself the nature of either sex. The principal symbols of Dionysos are wine, the vine, and the grape which also typify the double meaning implied in the true Mysteries and their perversion. For wine is a symbol of the spirit of the Christ, as bread is of the body; and both were administered in the mystic rite from which the Christian sacrament is derived. When his inner god becomes manifest to the qualified initiate, his whole nature is illumined and vivified. But one who seeks the afflatus unprepared is driven mad or destroyed by his inner god. The Bacchic orgies and Dionysiac frenzy were a later profanation. In his cosmic aspect, Dionysos is the demiourgos or world-former. As Dionysos Chthonios, he is the son of Demeter or Persephone, and one of his names is Zagreus; he was torn to pieces and devoured by titans, but his heart was saved and given to Zeus. The same chthonian aspect is seen in the Dionysios Sabazios of Thrace and Phrygia. This allegory parallels the Hindu Padmapani, and his dismemberment by the cosmic titans signifies the processes of evolutive cosmic differentiation into the main hierarchies of the universe. He was likewise a personification of the sun, in its spiritual and material aspects. The esoteric Greek significance of this was taught in the Orphic Mysteries. See also ZAGREUS (See also: Dionysos, Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)
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Spiritual - Theosophy
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Bacchus Bacchus (Greek) Used by both Greeks and Romans, also called Dionysos by the Greeks, Liber by the Romans, Zagreus in the Orphic mysteries, Sabazius in Phrygia and Thrace; the same as Iacchus (connected with Iao and Jehovah). Generally represented as the son of Zeus and Semele, he is spoken of sometimes as a solar and sometimes as a lunar deity; for, like many other personifications of cosmic powers, he has both a solar and lunar (masculine or feminine) aspect. As a solar deity he has a serpent for his symbol and is a man-savior, parallel with Adonis, Osiris, Krishna, Buddha, and Christos. He is often called the god of wine, natural fertility, etc. The original, pure Bacchic rites pertained to high initiation, in which the candidate becomes conscious of his oneness with divinity. Thus Bacchus, with his symbolic serpent and wine, stands for divine inspiration. But when the keys of the sacred science were lost and symbols were interpreted literally, the rites degenerated and often became profligate. Bacchus-Dionysos also figures as the inspirer of dramatic and representative art, inspiring the individual with the divine afflatus or mystic frenzy. Originally this meant the inner communion of the candidate with his own inner god and the consequent inspiration; on a lower plane it signifies the fleeting inspiration of poet and artist, and finally it degenerated into hysteria and morbid psychic states. (See also: Bacchus, Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)
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Spiritual - Theosophy
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Kore-Persephone Kore-Persephone (Greek) (from kore maiden cf Ionic koure) The name under which Persephone was worshiped in Attica; one of the three aspects of the earth goddess Demeter, who appears as wife, mother, and daughter. Kore-Persephone was one of the three great Eleusianian deities, the other two being Demeter and Zagreus-Iacchos, her child. As one of the chief divinities in the Mysteries, Kore (as Demeter-Kore) was fit consort of the dragon god (Zeus who wooed her in the form of a dragon). Proclus, quoting Orpheus, says that when Persephone is united with the celestial Zeus she is then Demeter-Kore, but that when united with Pluto or Hades she is Kore-Persephone. It was by Kore as the spouse of Hades that the bright side of death was revealed. She thus belonged preeminently to the Eleusinian Mysteries and one of the mystical dramas enacted for the instruction of neophytes was the rape of Persephone in which she was represented as in possession of the third eye. Blavatsky places her among the kabiria (SD 2:363). Kore is also symbolized as the celestial weaver, who when carried off to the underworld by Hades is said to have left her webs unfinished. Proclus speaks of her as "weaving the diacosm of life" (Cratylus), and Claudianus tells of her weaving a robe for Demeter in which "she marks out the procession of the elements and the paternal seats with her needle, according to the laws of Mother Nature." (See also: Kore-Persephone, Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)
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Spiritual - Theosophy
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Orphism, Orphic Mysteries Orphism, Orphic Mysteries [from Greek orphikos] Orphism originally taught of the Causeless Cause on which all speculation is impossible; the periodical appearance and disappearance of all things, from atom to universe; reimbodiment; cyclic law; the essential divinity of all beings and things; and the duality in manifestation of the universe. It postulated seven emanations from the Boundless: aether (spirit) and chaos (matter), from which two spring the world egg, out of which is born Phanes, the First Logos; then Uranus (and Gaia) the Second Logos, with Kronos (and Rhea, mother of the Olympian gods) a later phase of the Second Logos; and Zeus, the Third Logos or Demiurge -- who starts a minor sevenfold hierarchy of emanation by begetting Zagreus-Dionysos the god-man, the divine son. Characteristic of Orphic cosmogony is the important place given to the number seven. "The rise of the Orphic worship of Dionysos is the most important fact in the history of Greek religion, and marks a great spiritual awakening. Its three great ideas are (1) a belief in the essential Divinity of humanity and the complete immortality or eternity of the soul, its pre-existence and its post-existence; (2) the necessity for individual responsibility and righteousness; and (3) the regeneration or redemption of man's lower nature by his own higher Self" (F. S. Darrow). The Orphic teachings were kept intact by the Golden or Hermetic Chain of Succession down to the days of the Neoplatonists after which (as symbolically told in the archaic story of Eurydice) they were killed -- obscured or lost, so far as the public was concerned. Their keynote was consecration to the mandates of the god within: perfect purity, perfect impersonal love, perfect understanding, and devotion to the interests of humanity. The three Orphic mystery-gods were Zeus, the divine All-father; Demeter-Kore, the earth goddess as both mother and maid; and Zagreus-Dionysos, the divine son. This trinity finds its counterpart in Egyptian, Indian, Chaldean, Christian, and other religions. There were two forms of baptism, one purification by water, later adopted into the Christian ritual; and the other a ceremony in which the face of the neophyte was cleansed with a mixture of earth and bran, symbolizing the washing away of stains from the soul. The ceremony of the Eucharist was also adopted by the Christians and as Orphic ritual forbade the use of wine (substituting for it a mead of honey and milk), in the rite as adopted by the primitive Christians the neophyte drank not only wine but also milk and honey. Under Orphism, the honey symbolized not only purification and preservation, or endless life and bliss, but the secret knowledge obtained during initiation. Bees, the gatherers of honey, were emblems of the reincarnating soul, as was the butterfly; and as the bees gathered the nectar from flowers and made it into honey, so the human soul in its various peregrinations gathers from the beings and things of life the mystic experience and stores it away in the chambers of the soul. Milk symbolized knowledge, which fed the inner man, as a child of eternity, just as milk feeds the human child. Orphism flourished from before the 14th until the 6th century BC, and again, after some five centuries of obscuration, during the first four centuries of the Christian era. Plato, Empedocles, the Pythagorean teachings, some of the Greek dramatists and poets are our main source material for the earlier period, as well as the various Orphic fragments including the Orphic Tablets. These Tablets, with the Orphic Hymns, consist of eight gold plates containing inscriptions, dating from about the 4th century BC. They consist of instructions given to the soul for its journey through the afterdeath worlds or states very reminiscent of the Egyptian Book of the Dead. The keynote is spoken by the soul: "I am a child of earth and of starry Heaven, but my race is of Heaven (alone). . . . Lo, I am parched with thirst . . ." For the later period we have the writings of the Neoplatonists and their opponents, the early Christian Fathers. That the entire Orphic mythogony is intentionally allegorical does not invalidate that a great prehistoric religious reformer named Orpheus lived, worked, taught, and founded a religion as the outgrowth of a genuine Mystery school. (See also: Orphism, Orphic Mysteries, Mysticism, Mysticism Dictionary)
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Spiritual - Theosophy
Dictionary on
Osiris, As-ar, Us-ar Osiris (Greek) As-ar, Us-ar (Egyptian) The most famous deity of the Egyptian pantheon, corresponding to Zagreus-Bacchus of the Eleusinian Mysteries. In Plutarch's On Isis and Osiris, Osiris is represented as the son of Nut, space and primordial matter (equivalent to the Greek Rhea) by Seb, celestial fire (Kronos). He became king of Egypt, teaching the people the worship of the gods, and husbandry, and formulating laws. His brother Set, filled with envy, brought about his destruction. Isis, his distraught wife, set out in search of the body, and finally recovered it. But Set then dismembered the body into fourteen pieces, scattering them over Egypt, of which Isis recovered all but one. After meeting with death on earth Osiris became resurrected, and then became the ruler of the other world (Khenti-Amentet). His death and resurrection depict the drama of the initiation chamber which is one interpretation of glorification or osirification of the defunct human, as mystically portrayed in the Book of the Dead. Cosmologically, Osiris is the Third Logos, containing in himself the seeds of all things and beings in the universe to be unrolled from the Logos: "the self-existent and self-creative god, the first manifesting deity (our third Logos), identical with Ahura Mazda and other 'First Causes.' For as Ahura Mazda is one with, or the synthesis of, the Amshaspends, so Osiris, the collective unit, when differentiated and personified, becomes Typhon, his brother, Isis and Nephtys his sisters, Horus his son and his other aspects. . . . The four chief aspects of Osiris were -- Osiris-Phtah (Light), the spiritual aspect; Osiris-Horus (Mind), the intellectual manasic aspect; Osiris-Lunus, the 'Lunar' or psychic, astral aspect; Osiris-Typhon, Daimonic, or physical, material, therefore passional turbulent aspect. In these four aspects he symbolizes the dual ego -- the divine and the human, the cosmico-spiritual and the terrestrial" (TG 243). Osiris' place in cosmological mythology is seen to be that of the cosmic creator; thus on a more abstract scale Osiris is equivalent to the svabhavat of Buddhist thought. As in other archaic religions and philosophies, when Osiris is considered as an individual divinity, he becomes the cosmic source from which flow forth in hierarchical series of emanations the gradually descending groups of the hierarchy of Light; and from this aspect he is the chief of all initiates of the right-hand path, who thus trace their spiritual ascendance and origin directly to the Third Logos itself. (See also: Osiris, As-ar, Us-ar, Mysticism, Mysticism Dictionary)
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Spiritual - Theosophy
Dictionary on
Demeter Demeter (Greek) (possibly from Doric da earth + meter mother) The Earth-Mother; one of the great Olympian deities, in popular mythology specially associated with the earth and its products, patron of agriculture, goddess of law and order, and protector of marriage and the birth of offspring. As the grain goddess, counterpart of the Egyptian Isis, Roman Ceres, and corn mothers, corn maidens, and harvest goddesses of the various native cultures of the Americas today, and of the early Teutonic and Scandinavian races of central and northern Europe. Popular legend describes Demeter as mother of Persephone, who while gathering flowers on the Nysian plain was seized by Hades and carried to the Underworld. Searching disconsolate for her lost child, Demeter came to the dwelling of Celeus at Eleusis, where she was hospitably received although her identity was unknown. On condition of being given the sole care of the king's son who was ill with fever, she remained and became the child's nurse. Each night she placed the child on a bed of living coals, but the mother, discovering this, snatched the child away in alarm. Demeter then revealed herself as a goddess and, declaring that had she been left alone she would have made the child immortal, she relinquished her post in wrath. Before leaving Eleusis, however, she founded a mystical school or cult to keep alive certain otherwise secret teachings about human divinity and the life after death. The Eleusinian Mysteries, reputed to have sprung from this earlier effort, dealt particularly with the afterdeath states and the progress and experiences of the soul between earth lives. The great Eleusinian divinities, as far as is known, were three: Demeter-Thesmophoros as goddess of law and order; Persephone-Kore the divine maid; and Iacchos the divine son (the divine man whom it was the object of the Mysteries to bring forth from the "tomb" of the human man). Probably because of her association with Persephone, Demeter was in one of her aspects a divinity of the underworld and was worshiped as such in Sparta and at Hermione at Argolis. In the Orphic teachings Demeter is not only the earth goddess, but is also Demeter-Kore the divine maid. This aspect is twofold: as Persephone the Virgin-Queen of the Dead; and as the mortal maid Semele, mother of the mystic savior Dionysos, and later enthroned as Semele-Thyone (Semele the Inspiried). As both maid and mother she is the immortal wife of Zeus, and is also called the mother of Zeus, as an Orphic verse declares: "The goddess who was Rhea, when she bore Zeus became Demeter." In one of her aspects, Demeter is the one to whom, in the Orphic legend, is given the still beating heart of the murdered Zagreus-Dionysus. Demeter belongs to the class of the kabiria (kabir, kabiri): "beneficent Entities who, symbolized in Prometheus, brought light to the world, and endowed humanity with intellect and reason" (SD 2:363), great beings to whom are credited the invention of the arts of peace -- letters and the alphabet, law, philosophy, science, art, architecture, music, spinning, weaving, and agriculture. (See also: Demeter, Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)
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| | |  Zagreus: Encyclopedia - Canon fictionIn the context of fiction, the canon of a fictional universe comprises those novels, stories, films, etc. that are considered to be genuine (or "official"), and those events, characters, settings, etc. that are considered to have inarguable existence within the fictional universe. Usually items that are considered canon come from the original source of the fictional universe while non-canon material comes from adaptations or unofficial items. Generally, Expanded Universes are not considered canon, though there are exceptions wh ...
Including:
Read more here: » Canon fiction: Encyclopedia - Canon fiction |
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| | | | Zagreus: Encyclopedia II - Doctor Doctor Who - Changing faces The changing of actors playing the part of the Doctor is explained within the series by the Time Lords' ability to regenerate after suffering mortal injury, illness, or old age. The process repairs and rejuvenates all damage, but as a side-effect it changes the Time Lord's physical appearance and personality semi-randomly. This ability was not introduced until producers had to find a way to replace the ailing William Hartnell with Patrick Troughton and was not explicitly called "regeneration" until Jon Pertwee's transformation to Tom Baker a ...
See also:Doctor Doctor Who, Doctor Doctor Who - Who is the Doctor?, Doctor Doctor Who - Doctor who?, Doctor Doctor Who - The Doctor and romance, Doctor Doctor Who - Changing faces, Doctor Doctor Who - The Doctor's regenerations, Doctor Doctor Who - The Doctor's age, Doctor Doctor Who - Changing fashions, Doctor Doctor Who - Reprising the role, Doctor Doctor Who - Discontinuities, Doctor Doctor Who - Other appearances, Doctor Doctor Who - Footnotes Read more here: » Doctor Doctor Who: Encyclopedia II - Doctor Doctor Who - Changing faces |
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| | | | Zagreus: Encyclopedia II - Time Lord - History within the show
Time Lord - On screen.
Details of the Time Lords' history within the show are sketchy and as is usual for Doctor Who continuity, fraught with supposition and contradiction. What little has actually been established on screen, arranged roughly in chronological order, is as follows.
The Time Lords became the masters of time travel when one of their number, the scientist Omega created an energy source to power their experiments in time (The Three Doctors). To this end, Omega used a stellar manip ...
See also:Time Lord, Time Lord - Overview, Time Lord - Physical characteristics, Time Lord - Culture and society, Time Lord - Technology, Time Lord - History within the show, Time Lord - On screen, Time Lord - Spin-off media, Time Lord - Recent history, Time Lord - Partial list of Time Lords appearing in Doctor Who, Time Lord - The Doctor, Time Lord - Time Lords in the television series, Time Lord - Time Lords from spin-off media Read more here: » Time Lord: Encyclopedia II - Time Lord - History within the show |
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