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Vala, Volva (Swedish, Icelandic) [possibly cognate with Greek sibylla]: In Norse mythology, the wise sibyl who instructs Allfather Odin in "the origin, life, and end of worlds." She represents the record of all the cosmic past, which is consulted by Odin, the divine consciousness-energy, as told in Voluspa, the principal lay of the poetic or elder Edda.

Vanir, Vaner, Vanr (Icelandic, Scandinavian) [plural of van wont, accustomed, lacking, defective]: Sometimes Wane. A class of Norse gods, representing the waters of space or infinitude. Because the vanagods are associated with the waters of space, they are usually believed to be water gods who were supplanted by the aesir in the course of time


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* Spiritual - Theosophy Dictionary on Vasus

Vasus (Sanskrit) A class of eight Vedic deities, each representing a host and not one single being. "The wise call our fathers Vasus, our paternal grandfathers Rudras, our paternal great grandfathers, Adityas; agreeably to a text of the Vedas" (Manu 3:284).

 
(See also: Vasus , Mysticism, Mysticism Dictionary, Body mind and Soul)
 
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* Spiritual - TheosophyDictionary on Vanir, Vaner, Vanr


Vanir, Vaner, Vanr (Icelandic, Scandinavian) [plural of van wont, accustomed, lacking, defective]
 
Sometimes Wane. A class of Norse gods, representing the waters of space or infinitude. Because the vanagods are associated with the waters of space, they are usually believed to be water gods who were supplanted by the aesir in the course of time. However, the evidence points to the vanir having a range of activity extending through far vaster realms of space. They are evidently superior to the aesir, whose dwelling is Asgard and who imbody in the worlds of the solar system, and are almost always referred to by the aesir as "the wise Vanir."
 
The vanagods are said to have battled the aesir (the war in heaven) and remained victorious in the celestial realms, while the aesir were "ousted" and descended into material spheres, where they are the regents of worlds.
 
Following the war in heaven there took place an exchange of "hostages" between the aesir and vanir, and Njord (Saturn) was a vanagod sent as hostage to the aesir. He represents the saturnian qualities, among them those of Chronos (time). His children are Frey, the earth deity, and Freya, Venus, who is the guardian and protectress of the intelligent kingdom (humanity) on earth. This suggests that Njord was an emissary or avatara from the wise vanir to the active planetary gods, and that the vanir inspire avataric figures among the aesir. There are indications also that the aesir may graduate to the stature of the wise vanagods.

 
(See also: Vanir, Vaner, Vanr, Mysticism, Mysticism Dictionary, Body mind and Soul )

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* Spiritual - TheosophyDictionary on Var


Var (Scandinavian) Goddess of vows; ninth of the 14 goddesses Asynjur of the Eddas: she hearkens to oaths and covenants, and takes vengeance on those who perjure themselves, avenging every breach of faith.
 
Closely associated with her was the tenth goddess Vor, she who is wise and of a searching spirit; none can conceal anything from her. Both are classed as handmaidens of the goddess Freya (Venus).

 
(See also: Var, Mysticism, Mysticism Dictionary, Body mind and Soul )

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* Spiritual - TheosophyDictionary on Vala, Volva


Vala, Volva (Swedish, Icelandic) [possibly cognate with Greek sibylla]
 
In Norse mythology, the wise sibyl who instructs Allfather Odin in "the origin, life, and end of worlds." She represents the record of all the cosmic past, which is consulted by Odin, the divine consciousness-energy, as told in Voluspa, the principal lay of the poetic or elder Edda.

 
(See also: Vala, Volva, Mysticism, Mysticism Dictionary, Body mind and Soul )

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* Spiritual - TheosophyDictionary on Witch of Endor


Witch of Endor The wise woman of Endor or ''Eyn-dor, mentioned in the Bible as having "a familiar spirit" (Sam 28:7-25), who called up the shade of Samuel at the request of the dejected Saul, saying: "I saw gods ascending out of the earth"; and the prophecy of Saul''s death and Israel''s fall into the hands of the Philistines proved to be correct.
 
Blavatsky speaks of her as "Sedecla, the Obeah woman of Endor" (IU 1:494); Sedecla may be a transliteration of an old Hebrew name Tsedeqlah [from tsedeq righteous, just, exact, accurate] -- a possible reference to her necromantic skill. She was one of the class of psychic seeresses so well known in ancient story, whose practices were almost universally condemned.
 
Passages in holy scriptures, such as 1 Samuel, have misled many Europeans into believing that such methods of attempting to peer into the future were proper and considered morally permissible by the wise of ancient days. Yet one has but to read this chapter to
 
See that the woman knew her practice was done against the law then prevailing, which apparently made necromantic intercourse of this type punishable with death (cf 28:9). Traffic with the dead was not infrequently resorted to in ancient times, but was censured as unholy, if not evil. Such raisings of the dead have been common in all ages by necromancers, sorcerers, and traffickers in lower magic; although it is quite true that ancient legend and story provides a number of instances where people of prominence resorted in moments of desperation to such methods in an attempt to gain foreknowledge of events coming to pass: for example, the incident related by Homer of the raising of the shade of the seer Teiresias by Odysseus (Odyssey bk 11) and again the necromantic practices of Sextus, the son of Pompey, through the "witch" Erictho on the plains of Thessaly, as described by Lucan (Pharsalia Bk 6, vv. 570-820).

 
(See also: Witch of Endor, Mysticism, Mysticism Dictionary, Body mind and Soul )

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* Spiritual - TheosophyDictionary on Voluspa


Voluspa (Icelandic) [from volva, vala sibyl + spa see clairvoyantly]
 
The foremost lay of the poetic or Elder Edda, sung by the "wise sibyl" in response to Odin''s quest for knowledge. The vala represents the indelible record of the past, which here is consulted by the god Odin. Odin Allfather is the central character in Norse myths, and represents evolving consciousness, whether human, solar, planetary, or cosmic. Odin questions the vala and she responds with an account of creation and foretells the future destiny of conscious beings. From this record of the past history of the world, Odin learns about our planet''s destiny and of nine former worlds that preceded the present one. The entire process of cosmic evolution is here comprised in a thumbnail sketch, which is all but incomprehensible unless amplified by the other lays of the Elder Edda.
 
The Wagner opera cycle "The Ring of the Nibelungen" is based on the Volsupa, which relates the beginning and end of the world, and the fresh, new creation to follow. The sibyl speaks of Ragnarok, when the gods retreat from existence into their own celestial spheres, presenting a grim and fearsome prospect, but the narrative ends with a note of hope for a serene future world to follow.

 
(See also: Voluspa, Mysticism, Mysticism Dictionary, Body mind and Soul )

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* Spiritual - TheosophyDictionary on Virabhadra


Virabhadra (Sanskrit) Heroically beneficent or benevolent; an avatara of Siva, the patron of occult study and achievement. Ancient Indian myth represents him as a monster to human vision, being a thousand-headed and thousand-armed entity born of the breath of Siva-Rudra -- Siva under his form of Rudra, and therefore the great destroyer because regenerator. In the Mahabharata, Siva commissions this entity "to destroy the sacrifice prepared by Daksha. Then Virabhadra, ''abiding in the region of the ghosts (ethereal men). . . . created from the pores of the skin (Romakupas), powerful Raumas, (or Raumyas): (SD 2:182-3). This allegory refers in human history to the evolution of the "sweat-born" or second root-race and the destruction of the remnants of the first root-race.
 
Cosmically Siva-Rudra is the active force of mahat (cosmic mind), both regenerative and destructive; and following the same line of thought Virabhadra in his human application has reference to the incessant effort of the manasaputras to break forth through the veils of maya to bring mind to the mentally somnolent or imperfectly awakened earliest human races. Hence, the reference to Virabhadra as thousand-headed, -eyed, or -armed may likewise be applied to mind -- for mind is not only all seeing but all performing and all wise.

 
(See also: Virabhadra, Mysticism, Mysticism Dictionary, Body mind and Soul )

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* Spiritual - TheosophyDictionary on Voodoo, Voodooism


Voodoo or Voodooism [from Fongbe dialect vodunu from vodu moral and religious life of the Fons of Dahomey]
 
A definite system of African black magic or sorcery, including various types of necromantic practice. It reached the Americas with the African slaves brought from the West Coast, and in and around the Caribbean various degrees of the cult persist and constitute a recognized if little understood social feature in the history and life of the people.
 
Especially significant in the original Fon religion are the principal temples in the sacred forests, with symbolic hieroglyphics on the walls, depicting the exploits of their kings, voodoo legends, etc., and explaining their belief in the unknowable god Meru (Great Master); this unmanifest god, too far removed from men for them to give to him any form, dealt with them through lesser gods and nature spirit, i.e., voodoo; the priestesses serving the temple in a secret cult with four degrees of initiation, and having passwords unknown to laymen; the cult of the snake or adder as the most primitive form of the religion.
 
Such findings in voodoo history, however degraded in course of time and overlaid by beliefs and customs of cruder native tribes, have the basic elements of a hierarchic religion so enveloped in mystery as to indicate an origin far beyond the creative imagination of any people. Rather, here in strange temples of dark mystery, were the lingering echoes of some ancient wisdom teaching of those who were truly "as wise as serpents." The least altered of the original system is probably the voodoo music with its solemn, insistent rhythm in the mood of prayer or an invocation. This rhythm persists, even when the ritual songs in Haiti are composed entirely of Creole words, or of a series of unintelligible sounds.
 
Counterparts of the debasing and malign system of voodoo are found elsewhere under many different names, like the left-hand Tantrika of India, and the Dugpas of Tibet. In general, all of these unholy practices date back to the abuse of spiritual knowledge and power by the late Atlanteans.

 
(See also: Voodoo, Voodooism, Mysticism, Mysticism Dictionary, Body mind and Soul )

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* Spiritual - TheosophyDictionary on Zagreus, Zagreus-Dionysos


Zagreus, Zagreus-Dionysos (Greek) Dionysos was an earlier name for Bacchus. The mythos concerning Zagreus belongs to the cycle of teachings of the Orphic Mysteries rather than to mythology, so no references occur in the writings for the people, such as Homer and Hesiod. The references that have come down to our day occur principally in the manuscripts of the ancient Greek dramatists, poets, and in other ancient fragments.
 
As cosmic evolution was taught in the Orphic Mysteries by allegory, so was the evolution of the individual soul or microcosm, centering in the mythos of Zagreus, later Zagreus-Dionysos, the Greek savior, which the Greek Dionysian Mysteries sought to unfold in dramatic and veiled or symbolic literary form. "Dionysos is one with Osiris, with Krishna, and with Buddha (the heavenly wise), and with the coming (tenth) Avatar, the glorified Spiritual Christos . . ." (SD 2:420).
 
Zagreus has three distinct meanings: 1) the mighty hunter (the pilgrim-soul, hunting for the truth, its aeonic pilgrimage back to divinity); 2) he that takes many captives (the Lord of the Dead); and 3) the restorer or regenerator (King of the Reborn or initiates). Zagreus (later Bacchus or Iacchos) is the divine Son, the third of the Orphic Trinity, the other two being Zeus the Demiurge or divine All-father, and Demeter-Kore, the earth goddess in her twofold aspect as the divine Mother and the mortal maid.
 
The mythos relates that Zagreus, a favored son of Zeus, aroused the wrath of Hera, who plotted his destruction. First she released the dethroned titans from Tartaros to slay the newborn babe. They induced the child to give up the scepter and apple for the false toys which they held before him: a thyrsos or Bacchic wand (symbol of matter and rebirth into material life), a giddy spinning top, and a mirror (maya or illusion). As the child was gazing at himself in the mirror, they seized him, tore his body into seven or fourteen pieces (as in the Egyptian Mystery tale of Osiris); boiled and roasted and then devoured them. Discovered in this enormity by Zeus, the titans were blasted with his thunderbolt and from their ashes sprang the human race.
 
The titans with their false gifts symbolize the pursuing energies of the personal, material life, which enchain and delude the soul. They are earth powers which lead the soul from the path by the lure of things of sense. The dismembered body is first boiled in water -- symbol of the astral world; then roasted, "as gold is tried by fire," symbol of suffering and purification and the reascent of the victorious soul to bliss.
 
Apollo or the Muses, at the command of Zeus, gathered the scattered fragments and interred them near the Omphalos (navel of the earth) at Delphi. The coffin was inscribed: "Here lies dead, the body of Dionysos, son of Semele," as the Zagreus myth was known only to those initiated into the Orphic Mysteries; and the Semele myth was popularly known. The exoteric myth represents the divine Son as the son of Zeus by the mortal maid Semele, Demeter-Kore in the guise of a mortal woman, to whom the still beating heart of Zagreus was entrusted when he was slain, that she might become its mother-guardian.
 
Hera, however, poisoned the mind of Semele with suspicion when the new-forming body of Zagreus within her reached the seventh month of gestation, and Semele impelled Zeus to reveal himself to her in his true form, whereupon the mortal body of Semele was destroyed by the divine fire. The holy babe was saved from death by Zeus, who sewed the child up in his own thigh until "the life that formerly was Zagreus, was reborn as Dionysos," the risen Savior, at Easter (the spring equinox), while as Zagreus he had been born at Semele''s death at the winter solstice. Here we
 
See the myth''s solar significance.
 
The nymphs of Mount Nysa reared him safely in a cave, and when he reached manhood, Hera forced him to wander over the earth. He overcame all opposition and was successful in establishing Mystery schools wherever he went. After his triumph in the world of men, Dionysos descended into the underworld and led forth his mother, now rechristened as Semele-Thyone (Semele the Inspired), to take her place among the Olympian divinities as the divine mother and radiant queen, and later, with Dionysos, to ascend to heaven.
 
Zagreus as Dionysos is known as the god of many names, most of which refer to his twofold character as the suffering mortal Zagreus, and the immortal or reborn god-man. Many titles also refer to him as the mystic savior. He is the All-potent, the Permanent, the Life-blood of the World, the majesty in the forest, in fruit, in the hum of the bee, in the flowing of the stream, etc., the earth in its changes -- the list runs on indefinitely, and is strikingly similar to the passage in which Krishna, the Hindu avatara, instructs Arjuna how he shall know him completely: "I am the taste in water, the light in the sun and moon," etc. (BG ch 7).
 
The philosophers, dramatists, and historians who held the Dionysian mythos to be purely allegorical and symbolic take in the great names of antiquity, including Plato, Pythagoras, all the Neoplatonists, the greatest historians, and a few of the early Christian Fathers, notably Clement of Alexandria; Eusebius, Tertullian, Justin, and Augustine, also write of it.
 
The exoteric literature of Orphism is scanty, while the esoteric teachings were never committed to writing. Outside of the Orphic Tablets and Orphic Hymns, no original material has been discovered to date. Scholars judging from the Homeric Hymn to Demeter, have held that the Eleusinian Mystery-drama was based solely on the story of Persephone; but later researches indicate that, under the influence of Epimenides and Onomakritos, both deep students of Orphism, the Orphic Mystery tale of Zagreus-Dionysos was incorporated in the Eleusian ritual, the divine son Iacchos becoming thus identified with the Orphic god-man, Zagreus-Dionysos.
 
Cosmically this highly esoteric story refers to the cosmic Logos building the universe and becoming thereby not only its inspiriting and invigorating soul, but likewise the divinity guiding manifestation from Chaos to complete fullness of evolutionary grandeur; and in the case of mankind, the legend refers to the origin, peregrinations, and destiny of the human monad, itself a spiritual consciousness-center, from unself-consciousness as a god-spark, through the wanderings of destiny until becoming a fully self-conscious god. The key to the symbolism of Zagreus-Dionysos is given by Plato in the Cratylus: "The Spirit within us is the true image of Dionysos. He therefore who acts erroneously in regard to It . . . sins against Dionysos Himself," i.e., the inner god, the divinity in man. The legend thus contains not only past cosmic as well as human history, but contains as a prophecy what will come to pass in the distant future.

 
(See also: Zagreus, Zagreus-Dionysos, Mysticism, Mysticism Dictionary, Body mind and Soul )

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