Ida or Ila (Sanskrit) Refreshment, flow; the goddess of sacred speech, similar to Vach; in the Rig-Veda called the instructress of Manu, instituting the rules for the performing of sacrifices. The Satapatha-Brahmana represents Ida as arising from a sacrifice which Manu had performed for the purpose of obtaining offspring.

Although claimed by the gods Mitra and Varuna, she became the wife of Manu, giving birth to the race of manus. In the Puranas, she is daughter of Vaivasvata-Manu, wife of Budha (wisdom), and mother of Pururavas. In some accounts she is born a woman, becomes a man named Sudyumna, then rebecomes a woman before finally becoming a man again. This refers to the androgynous third root-race, as well as to the later part of the second root-race.

"In their most mystical meaning, the union of Swayambhuva Manu with Vach-Sata-Rupa, his own daughter (this being the first 'euhemerization' of the dual principle of which Vaivasvata Manu and Ila are a secondary and a third form), stands in Cosmic symbolism as the Root-life, the germ from which spring all the Solar Systems, the worlds, angels and the gods" (SD 2:148).

See also ILA

(See also: Ida, Ila, Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

Kwan-yin, Kuan-yin (Chinese) The Chinese Buddhist goddess of compassion, the female aspect of Kwan-shai-yin, referred to in the Stanzas of Dzyan as the triple of Kwan-shai-yin, residing in Kwan-yien-tien, "because in her correlations, metaphysical and cosmical, she is the 'Mother, the Wife and the Daughter' of the Logos, just as in the later theological translations she became 'the Father, Son and (the female) Holy Ghost' -- the Sakti or Energy -- the Essence of the three.

Thus in the Esotericism of the Vedantins, Daiviprakriti, the Light manifested through Eswara, the Logos, is at one and the same time the Mother and also the Daughter of the Logos or Verbum of Parabrahmam; while in that of the trans-Himalayan teachings it is -- in the hierarchy of allegorical and metaphysical theogony -- 'the Mother' or abstract, ideal matter, Mulaprakriti, the Root of Nature . . . a correlation of Adi-Bhuta, manifested in the Logos, Avolokiteshwara; and from the purely occult and Cosmical, Fohat, the 'Son of the Son,' the androgynous energy resulting from this 'Light of the Logos' " (SD 1:136-7).

Kwan-yin is the Chinese counterpart from one point of view of the Egyptian Isis, the Hebrew Bath-Qol -- the "daughter of the (Divine) Voice" -- and of the Hindu Vach.

"She is male and female ad libitum, as Eve is with Adam. And she is a form of Aditi -- the principle higher than Ether -- in Akasa, the synthesis of all the forces in Nature; thus Vach and Kwan-Yin are both the magic potency of Occult sound in Nature and Ether -- which 'Voice' calls forth Sien-Tchan, the illusive form of the Universe out of Chaos and the Seven Elements" (SD 1:137).

(See also: Kwan-yin, Kuan-yin, Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

Bath Qol, Bath Kol (Hebrew) (from bath daughter + qol voice)

Daughter of the voice; used in the Qabbalah to signify the female side of the logos, the daughter of the primordial light, Shechinah, and is equivalent to the Hindu Vach and the Chinese Kwan-yin. It likewise signifies the wisdom that was received by initiates -- figurated as a voice -- this wisdom being the daughter of cosmic all-wisdom. "Bath Kol, the filia Vocis, the daughter of the divine voice of the Hebrews, responding from the mercy seat within the veil of the temple . . ." (SD 1:431).

(See also: Bath Qol, Bath Kol, Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

Verbum (Latin) Word; adopted by later Latin-speaking philosophers and Christian theologians to represent the cosmic Logos (word), often used in the more concrete sense as the spoken word in reference to the vibratory power of sound; or in its application to Christos in theology.

Whether the Greek logos or Latin verbum is used, the philosophical meaning is the same and arose from the fact that a word is the audible expression of the inner, ever-active but silent idea. Hence cosmic spirit, the field of cosmic ideation, by its very activity of producing cosmic thought manifests itself as the word -- or words. A person has a thought to which he gives utterance as a word; similarly the cosmic Logos was metaphorically spoken of in Greek philosophy, especially by the Platonists, as the cosmic Word of the secret idea or thought of the cosmic intelligence. Parallel also to the Hindu Vach.

(See also: Verbum, Mysticism, Mysticism Dictionary, Body mind and Soul)

Sarasvati, Saraswati (Sanskrit) The ethereal, the elegant one; the divine consort or wife of Brahma, his feminine alter ego, a later form or aspect of Vach (voice or the Word), a title of the Third Logos in Greece as well as in India.

This parallels the Bath Qol (daughter of the voice, daughter of the Word) of mystical Hebrew thought, which can be taken either as the feminine aspect of the Logos itself, or as its daughter -- the inspiration flowing forth from, or the feminine or vehicular side of, the Logos. The goddess of hidden learning and esoteric wisdom, Sarasvati is usually shown riding on a peacock with its tail spread. She is similar to the Gnostic Sophia, to the Sephirah of the Hebrew Qabbalah, and to the Holy Ghost of the Christians.

Sarasvati is also a sacred river spoken of in the Vedas, and as a river goddess she was often invoked to bestow vitality, renown, and riches; elsewhere she is described as moving along a golden path and as destroying the monster-demon Vritra.

(See also: Sarasvati, Saraswati, Mysticism, Mysticism Dictionary)

Sophia (Greek) Wisdom. Used in a general sense by St. Paul, as when he speaks of earthly and heavenly wisdom; but by the Gnostics, especially Valentinus in his Pistis Sophia, it is the great Mother of all, corresponding to Sephirah, Isis, Vach, divine wisdom, akasa, anima mundi, and the Holy Ghost (when considered as feminine).

Sophia among the Gnostics was considered the feminine aspect of the Logos, whether the Second of the Third. The idea of a cosmic mother precedes that of the cosmic father, and Sophia is the daughter, the feminine Logos of the cosmic mother; and this feminine Logos has seven sons, constituting the ogdoad. In the human constitution, Sophia may be equated with buddhi or on a somewhat lower plane, with the buddhi-manas.

According to the Pistis Sophia, the power of Sophia resides specially in the solar Logos, whose planetary vehicle is Venus. This dual symbol has an upper and a nether pole, like akasa and the astral light. The lower pole is called Achamoth; Sophia-Achamoth is used sometimes in the sense of the lower aspect, and sometimes to denote the two poles together.

(See also: Sophia, Mysticism, Mysticism Dictionary)

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Uma-kanya (Sanskrit) [from u-ma O [child]

, do not [practice austerities]-- the exclamation addressed to Parvati by her mother + kanya maid, virgin]

The daughter of Himavat, who became the consort of Siva; also called Parvati and Durga. Uma-Kanya "being her esoteric name, and meaning the 'Virgin of light,' Astral Light in one of its multitudinous aspects" (SD 1:92). Now the goddess is worshiped as Durga-Kali (the black and inaccessible one); in this character "human flesh was offered to her every autumn; and, as Durga, she was the patroness of the once murderous Thugs of India, and the special goddess of Tantrika sorcery. But in days of old it was not as it is now. The earliest mention of the title 'Uma-Kanya' is found in the Kena-Upanishad; in it the now blood-thirsty Kali, was a benevolent goddess, a being of light and goodness, who brings about reconciliation between Brahma and the gods. She is Saraswati and she is Vach. In esoteric symbology, Kali is the dual type of the dual soul -- the divine and the human, the light and the dark soul of man" (TG 352).

(See also: Uma-kanya, Mysticism, Mysticism Dictionary, Body mind and Soul)

Speech The vocal expression of thought in language, which implies the existence of mind which has reached self-consciousness on this plane, was not fully developed in mankind until the fourth root-race.

The first root-race was devoid of mind on our plane; the second had a sound language of vowels, and its speech was largely onomatopoetic in character; the third developed in its beginning a speech which was little better than what are now known as animal sounds, but towards its end the first approximately fully developed human beings had monosyllabic speech, after the awakening of their minds by the manasaputras. Before that there was communication by what may be called thought-transference. After this monosyllabic speech, came the agglutinative, spoken by some Atlantean races, and then the inflectional language of the fifth root-race, represented by Sanskrit and its derivatives, and closely related languages such as Greek and Latin.

The great number and variety of languages is evidence of the great antiquity of the human race and its extensive division and subdivision. The elaborateness of languages spoken by so-called primitive peoples, especially their frequently highly complicated and extensive vocabulary, for which their modern representatives have but little use, shows that they are remnants of once highly civilized peoples.

That the priests of Atlantis addressed their gods in the language of those gods, is a mystical statement: they addressed the regents of the elements in the sound-language appropriate to the particular element. Vach is the mystic speech by which occult knowledge is communicated to man.

See also LOGOS; MANTRAS; SOUND

(See also: Speech, Mysticism, Mysticism Dictionary, Body mind and Soul)

Aphrodite (Greek) Greek Goddess of love and beauty, in older times regarded as signifying the harmony of cosmos. Originally the daughter of Zeus and Dione, a lunar deity like Aphrodite, both being represented with the horns of the moon or of the zodiacal sign Taurus; but the same deity in ancient mystical philosophy may be at once mother, wife, and daughter -- so difficult is it to find among our common notions a symbolism that will convey the full meaning anciently intended.

Later, under Eastern influence, she was said to have been born from the sea foam and to have landed in a seashell on the isle of Cythera. A sea goddess as well as an earth goddess of gardens, groves, and springtime, she was the wife of Hephaestus and connected also with Ares and Adonis; mother of Eros.

As Aphrodite Urania, she was identified with the goddess of heaven Astarte, and later under Platonic influence came to represent spiritual love as opposed to earthly love, represented by Aphrodite Pandemos. Among her analogs are Isis, Ishtar, Mylitta, Eve, Vach, etc., all the mother of all living beings and of the gods, cosmically. The Romans identified Aphrodite with Venus, and the Egyptians with Hathor.

(See also: Aphrodite, Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

Aditi (Sanskrit) (from a not + diti bound from the verbal root da to bind)

Unbounded, free; as a noun, infinite and shoreless expanse. In the Vedas, Aditi is devamatri (mother of the gods) as from and in her cosmic matrix all the heavenly bodies were born. As the celestial virgin and mother of every existing form and being, the synthesis of all things, she is highest akasa. Aditi is identified in the Rig-Veda with Vach (mystic speech) and also with the mulaprakriti of the Vedanta. As the womb of space, she is a feminized form of Brahma. The line in the Rig-Veda: "Daksha sprang from Aditi and Aditi from Daksha" has reference to "the eternal cyclic re-birth of the same divine Essence" (SD 2:247n). In one of its most mystic aspects Aditi is divine wisdom.

Aditi has correspondences in many ancient religions: the highest Sephirah in the Zohar; the Gnostic Sophia-Achamoth; Rhea, mother of the Greek Olympians; Bythos or the great Deep; Amba; Surarani; Chaos; Waters of Space; Primordial Light; and the source of the Egyptian seven heavens. Sometimes she is linked with the Greek Gaia, goddess of earth, to denote dual nature or the mother of both the spiritual and physical: Aditi, cosmic expanse or space being the mother of all things; and Gaia, mother of earth and, on the larger scale, of all objective nature (cf SD 2:65, 269).

(See also: Aditi, Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

Cow The ancients employed certain animals as symbols to convey specific aspects of philosophical and religious teachings to the multitude, and "the cow-symbol is one of the grandest and most philosophical among all others in its inner meaning" (SD 2:470).

Generally, the cow represents the fructifying power in nature -- the Divine Mother or feminine principle. Among the Scandinavians that which first appeared at the birth of the universe was the divine cosmic cow, Audhumla, from whom flowed four streams of milk, providing sustenance to all the beings that followed.

Among the Greeks the founding of a new race was associated with the cow -- as instances, Io and Europa. In Egypt the goddesses representing the aspect of the Universal Mother are associated with cow symbols, principally Hathor and Isis. In India the cow symbol is reverenced: Kamaduh or Surabhi (the cow of plenty) represents the nourishing and sustaining vital and productive principle in nature. The goddesses of lunar type are found to be connected in symbology with the cow.

"The cow was in every country the symbol of the passive generative power of nature, Isis, Vach, Venus -- the mother of the prolific god of love, Cupid, but, at the same time, that of the Logos whose symbol became with the Egyptians and the Indians -- the bull -- as testified to by Apis and the Hindu bulls in the most ancient temples. In esoteric philosophy the cow is the symbol of creative nature, and the Bull (her calf) the spirit which vivifies her, or 'the Holy Spirit' " (SD 2:418n).

See also BULL; CALF

(See also: Cow, Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

Taurus The bull; second sign of the zodiac, a constellation containing the Pleiades. In astrology a fixed earthy sign, the night house of Venus, corresponding to the throat, neck, and base of the brain. It is the bull among the four sacred animals who are the Maharajas of the four quarters, and presides over the south. Called in Sanskrit Rishabha, dedicated to Yama, the god of the Underworld, it stands in Hindu reckoning for Pranava or Aum (12 Signs of the Zodiac). Frequently it is connected with Logos, Verbum, Vach -- for it is another form or aspect of the Third Logos.

Taurus stands for both sun and moon gods, its symbol being sometimes a bull and sometimes a cow, the Third Logos mystically being considered androgyne, differentiation into the two opposites not yet having supervened. Thus Taurus was usually connected with sun gods, such as Osiris; and at others connected with moon goddesses -- Isis, Diana, Cybele, etc. -- with the moon, and with the far higher Magna Mater (great mother), source of Taurus as the Second Logos, a distinctly feminine aspect.

Its symbol represents the cow horns which are also a symbol of the moon and lunar goddesses. "Ancient mystics saw the ansated cross, in the horns of Taurus (the upper portion of the Hebrew Aleph) pushing away the Dragon, and Christians connected the sign and constellation with Christ. St. Augustine calls it 'the great City of God,' and the Egyptians called it the 'interpreter of the divine voice,' the Apis-Pacis of Hermonthis" (TG 323).

Designated by the first letter of the alphabet, Taurus is described in many ancient systems as being number one among the signs, because this ascription took place and became static at a time in past history when Taurus opened the spring, and hence was reckoned as the first. Blavatsky suggests that the constellation Taurus was in the first sign of the zodiac at the beginning of kali yuga (3102 BC.), and consequently the equinoctial point fell therein (TG 387).

Associating the Hebrew patriarchs with the signs of the zodiac, Cain presides over Taurus (IU 2:465).

(See also: Taurus  , Mysticism, Mysticism Dictionary, Body mind and Soul)

Shechinah (Hebrew) [from the verbal root shachan to settle down or around, dwell]

An emanation, a dwelling; referring both to the primordial emanation and to the dwelling or kingdom containing the Sephiroth, collectively considered the cosmic Tree of Life. In Jewish religious and mystical thought, the cloud of glory, or veil, surrounding a spiritual or divine manifestation. In the Qabbalah, used in a cosmic sense -- termed the superior Shechinah -- as the first splendor, or divine or spiritual substance, emanating from 'eyn soph and enveloping it as a veil, from which proceeded the hierarchy of the Sephiroth. This thought corresponds to the Hindu parabrahman and its splendorous veil mulaprakriti, from which proceed the hierarchies of the manifested universe. The inferior Shechinah is associated with the tenth or lowest Sephirah, Malchuth (kingdom or dwelling), which is equivalent to the material or physical universe, as the vehicle or carrier of all the preceding hierarchies of Sephiroth.

Whatever the stage of manifestation, there may always be said to be a radiance or splendor enveloping that stage; just as in ancient Hindu philosophy, pradhana is considered the veil or emanation of Brahman. The Jews also spoke of the cloud of glory enveloping the tabernacle, and its sanctum sactorum, the holy of holies. Carrying the idea still farther, we might speak of the Shechinah which envelops the human being, his vital aura, which is the carrier of all his higher principles.

Shechinah is equivalent to Devamatri or Aditi -- mother of the gods; to Vach; the music of the spheres of Pythagoras; and the Holy Ghost in the Christian Trinity. Shechinah is always regarded as feminine in the Qabbalah, "And so it is considered in the exoteric Puranas, for Shekinah is no more than Sakti -- the female double or lining of any god, in such case. And so it was with the early Christians whose Holy Spirit, was feminine, as Sophia was with the Gnostics. But in the transcendental Chaldean Kabala or 'Book of Numbers,' 'Shekinah' is sexless, and the purest abstraction, a State, like Nirvana, not subject or object or anything except an absolute Presence.

"Thus it is only in the anthromorphised systems (such as the Kabala has now greatly become) that Shekinah-Sakti is feminine. As such she becomes the Duad of Pythagoras, the two straight lines of the symbol that can never meet, which therefore form no geometrical figure and are the symbol of matter. Out of the Duad, when united in one basic line of the triangle on the lower plane (the upper Triangle of the Sephirothal Tree), emerge the Elohim, or Deity in Cosmic Nature, with the true Kabalists, the lowest designation, translated in the Bible 'God'" (SD 1:618-9).

(See also: Shechinah, Mysticism, Mysticism Dictionary)

Mantra (Sanskrit) That portion of the Vedas which consist of hymns as distinct from the Brahmana and Upanishad portions. The mantras considered esoterically were originally as magical as they were religious in character, although the former today is virtually forgotten, although remembered as a fact which once was.

In the composing of the mantras the rishis of old knew that every letter had its occult significance, and that the vowels especially contain occult and even formidable potencies when properly chanted. The words of the mantra were made to convey a certain hid meaning by certain secret rules involving first the secret potency of their sound, and incidentally the numerical value of the letters; the latter however was relatively unimportant. Hence their merely verbal significance is something quite different from their meaning as understood of old.

The language of incantations or mantras is the element-language composed of sounds, numbers, and figures. He who knows how to blend the three will call forth the response from the regent-god of the specific element needed. For, in order to communicate with the gods, men must learn to address each one of them in the language of his element. Sound is "the most potent and effectual magic agent, and the first of the keys which opens the door of communication between Mortals and the Immortals" (SD 1:464).

The hidden voice or active manifestation of the latent occult potency of the mantras is called vach. The would-be magician attempting to evoke the "spirits of the vasty deep" by uninstructed chanting or singing of any ancient mantras will never succeed in using the mantras effectively in a magical way, until he himself has become so cleansed of all human impurities as to be able at will and with inner vision to enter into communion if not direct confabulation with the inner realms.

The Scandinavian runes in certain respects correspond to the Hindu mantras.

(See also: Mantra, Mysticism, Mysticism Dictionary)

Sanskrit [from Sanskrit sanskrita or samskrita]

The ancient sacred language of the Aryans, originally the sacred or secret language of the initiates of the fifth root-race. The Sanskrit language possesses voluminous and valuable works in prose and in verse, some of which, like the Vedas, date back, in the opinion of certain scholars, to the years 30,000 BC or even far beyond. Almost every phase of philosophic thought, expressed and studied in the West, is represented in one form or another in ancient Hindu literature. Besides this, these old Sanskrit writings are replete with recondite subjects dealing with the wondrous potentialities of the human spirit and mind, the building and destruction of worlds and universes, etc.

The Sanskrit language, derives from one of the earliest of the Aryan tongues, a lineal descendant of an Atlantean progenitor.

"In ancient times in India, and in the homeland of the Aryans before they reached India by way of Central Asia, this very early Aryan speech was used not only by the Aryan populace, but in the sanctuaries of the Temples was taken in hand and developed or composed or builded to be a far finer vehicle for expressing abstract religious and philosophic conceptions and thoughts. This tongue thus composed or developed by initiates of the Aryan stock, because of this formative work upon it was finally given the name Sanskrita, signifying an original natural language which had become perfected by initiates for the purpose of expressing far more subtle and profound distinctions than ordinary people would ever find needful. So great was the admiration in which the Sanskrit language thus perfected was held, that it was commonly said of it that it was the work of the Gods, because it had thus become capable of expressing godlike thoughts: profound spiritual subtleties and philosophical distinctions. Thus it was that Sanskrit is really the mystery-language of the initiates of the Aryan race; as the Senzar of very similar history was the mystery-language of the later Atlanteans; and is still used as the noblest mystery-language by the Mahatmas.

"Sanskrit was not known as a spoken tongue to the Atlanteans in their prime, but in the degenerate or later times of Atlantis, when the earliest Aryans already had appeared on the scene of history, this early Aryan speech above alluded to, was already in existence; and the Aryan initiates were then in the course of perfecting it as their temple-language or mystery-tongue . . . Thus Sanskrit was not spoken among the Atlanteans, nor can it therefore be called an Atlantean language; although its verbal roots of course go back to earliest Atlantean times, but only its verbal roots" -- G. de Purucker

"The Vedas, Brahmanism, and along with these, Sanskrit, were importations into what we now regard as India. They were never indigenous to its soil. There was a time when the ancient nations of the West included under the generic name of India many of the countries of Asia now classified under other names. There was an Upper, a Lower, and a Western India, even during the comparatively late period of Alexander; and Persia (Iran) is called Western India in some ancient classics. The countries now named Tibet, Mongolia, and Great Tartary were considered by them as forming part of India. When we say, therefore, that India has civilized the world, and was the Alma Mater of the civilizations, arts, and sciences of all other nations (Babylonia, and perhaps even Egypt, included) we mean archaic, pre-historic India, India of the time when the great Gobi was a sea, and the lost 'Atlantis' formed part of an unbroken continent which began at the Himalayas and ran down over Southern India, Ceylon, and Java, to far-away Tasmania" (Five Years of Theosophy 179).

Blavatsky states that Sanskrit has never been known nor spoken in its true systematized form except by the initiated Brahmins. This form of Sanskrit was called -- as well as by other names -- Vach, the mystic speech, which resides in the sounds of the mantra. "The chanting of a Mantra is not a prayer, but rather a magical sentence in which the law of Occult causation connects itself with, and depends on, the will and acts of its singer. It is a succession of Sanskrit sounds, and when its strings of words and sentences is pronounced according to the magical formulae in the Atharva Veda, but understood by the few, some Mantras produce an instantaneous and very wonderful effect" (BCW 14:428n). This Vach, or the mystic self of Sanskrit, was the sacerdotal speech of the initiated Brahmins and was studied by initiates from all over the world.

"It is admitted that, however inferior to the classical Sanskrit of Panini, the language of the oldest portions of Rig Veda, notwithstanding the antiquity of its grammatical forms, is the same as that of the latest texts. Every one sees -- cannot fail to

See and to know -- that for a language so old and so perfect as the Sanskrit to have survived alone, among all languages, it must have had its cycles of perfection and its cycles of degeneration. And, if one had any intuition, he might have seen that what they call a 'dead language' being an anomaly, a useless thing in Nature, it would not have survived, even as a 'dead' tongue, had it not its special purpose in the reign of immutable cyclic laws; and that Sanskrit, which came to be nearly lost to the world, is now slowly spreading in Europe, and will one day have the extension it had thousands upon thousands of years back -- that of a universal language. The same as to the Greek and the Latin: there will be a time when the Greek of Aeschylus (and more perfect still in its future form) will be spoken by all in Southern Europe, while Sanskrit will be resting in its periodical pralaya; and the Attic will be followed later by the Latin of Virgil. Something ought to have whispered to us that there was also a time -- before the original Aryan settlers among the Dravidian and other aborigines, admitted within the fold of Brahmanical initiation, marred the purity of the sacred Sanskrita Bhasha -- when Sanskrit was spoken in all its unalloyed subsequent purity, and therefore must have had more than once its rise and fall. The reason for it is simply this: classical Sanskrit was only restored, if in some things perfected, by Panin. Panini, Katyayana, or Patanjali did not create it; it has existed throughout cycles, and will pass through other cycles still" (Five Years of Theosophy 419-20).

See also DEVANAGARI

(See also: Sanskrit, Mysticism, Mysticism Dictionary)

Brahma (Sanskrit) (from the verbal root brih to expand, grow, fructify)

The first god of the Hindu Trimurti or triad, consisting of Brahma, the emanator, evolver, and creator; Vishnu, the sustainer or preserver; and Siva, the regenerator or destroyer. Brahma is the vivifying expansive force of nature in its eternally periodic manvantaras. He stands for the spiritual evolving or developing energy-consciousness of a solar system which is also called the Egg of Brahma (brahmanda). Brahma is called the creator or Logos, but in the theosophic philosophy creator is simply an abstract term or idea, like army. In Burnouf's words:

"Having evolved himself from the soul of the world, once separated from the first cause, he evaporates with, and emanates all nature out of himself. He does not stand above it, but is mixed up with it; Brahma and the universe form one Being, each particle of which is in its essence Brahma himself, who proceeded out of himself" (q SD 1:380n). The Vishnu-Purana explains that created beings "although they are destroyed (in their individual forms) at the periods of dissolution, yet being affected by the good or evil acts of former existences, are never exempted from their consequences. And when Brahma produces the world anew, they are the progeny of his will . . ." (q SD 1:456n).

Brahman is both masculine and neuter, and therefore has two meanings. In the masculine (Brahma) it is the evolving energy of the cosmic egg, as distinguished from the neuter (Brahman). Brahma is the vehicle or sheath of Brahman. The Vishnu-Purana says that Brahma in its totality has essentially the aspect of prakriti, both evolved and unevolved (mulaprakriti), and also the aspects of spirit and of time. "Brahma, as 'the germ of unknown Darkness,' is the material from which all evolves and develops 'as the web from the spider, as foam from the water,' etc. This is only graphic and true, if Brahma the 'Creator' is, as a term, derived from the root brih, to increase or expand. Brahma 'expands' and becomes the Universe woven out of his own substance" (SD 1:83). Again,

"Here we find, as in all genuine philosophical systems, even the 'Egg' or the Circle (or Zero), boundless Infinity, referred to as It, and Brahma, the first unit only, referred to as the male god, i.e., the fructifying Principle. It is  or 10 (ten) the Decade. On the plane of the Septenary or our World only, it is called Brahma. On that of the Unified Decade in the realm of Reality, this male Brahma is an illusion" (SD 1:333).

According to the Aitareya-Brahmana, Brahma as Prajapati (lord of beings) manifests himself first of all as twelve bodies or attributes, which are represented by the twelve gods, symbolizing 1) fire; 2) the sun; 3) soma, which gives omniscience; 4) all living beings; 5) vayu, or ether; 6) death, or breath of destruction -- Siva; 7) earth; 8) heaven; 9) Agni, the immaterial fire; 10) Aditya, the immaterial and invisible sun; 11) mind; and 12) the great infinite cycle, "which is not to be stopped." Brahma in one of his phases therefore is the visible universe, every atom of which is essentially himself.

Brahma "symbolizes personally the collective creators of the World and Men -- the universe with all its numberless productions of things movable and (seemingly) immovable. He is collectively the Prajapatis, the Lords of Being; and the four bodies typify the four classes of creative powers or Dhyan Chohans . . ." (SD 2:60), these four bodies being ratri (night) associated with the creation of the asuras; ahan (day) associated with the gods; sandhya (evening twilight) associated with the pitris; and jyotsna (dawn or light) associated with the creation of men.

In the beginning Brahma was Purusha (spirit) and also prakriti (matter). It is later that he separated himself into two halves -- Brahma-Vach (female) and Brahma-Viraj (male). The term Brahma is not found in the Vedas. Blavatsky correlates Adam-Qadmon, Brahma, and Mars as symbols for primitive or initial generative and creative powers typifying water and earth; also all three are associated with the color red (cf SD 2:43, 124-5).

See also BRAHMA'S DAY

(See also: Brahma, Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

Kate and Anna are sisters who write and perform together. They were born of Québécois and Irish parents in Saint-Sauveur-des-Monts, northwest of Montreal, and educated at a Roman Catholic convent school. Their songs have also been covered by a variety of other artists, including Maria Muldaur, Linda Ronstadt, Emmylou Harris, Billy Bragg, Chloé Sainte-Marie and Anne Sofie von Otter. As members of Quebec's anglophone community, the McGarrigles have also recorded and performed many songs in French. Two of their albums, Entre Lajeun ...

See also:

Kate and Anna McGarrigle, Kate and Anna McGarrigle - Profile, Kate and Anna McGarrigle - Discography, Kate and Anna McGarrigle - External link

Read more here: » Kate and Anna McGarrigle: Encyclopedia II - Kate and Anna McGarrigle - Profile

Houlgate is in the valley of the Drochon (once spelt Drauchon). The valley is mostly built up or used for animal grazing. The high parts of the town are covered by Houlgate's two woods: Le Bois de Boulogne and Le Bois de la Butte de Caumont. To the east of the centre is Houlgate golf course and the fresh water trout fishing "Etangs du Drochon". The commune is separated from Dives-sur-Mer and Villers-sur-Mer by cliffs. The cliffs to the east, having a rather dark colour, have been nicknamed the "cliffs of the dark cow ...

See also:

Houlgate, Houlgate - Location, Houlgate - Administrative, Houlgate - People, Houlgate - History, Houlgate - Politics and urban regeneration, Houlgate - Commerce and nightlife, Houlgate - Gastronomy and food & drink, Houlgate - Visiting royalty and famous people, Houlgate - Industry

Read more here: » Houlgate: Encyclopedia II - Houlgate - Location

Iberia was a Greek-Roman name of the ancient kingdom of Kartli in what is now Eastern Georgia which began about 302 BC and fell to the Byzantines and Persians in 580. List of the Kings of Georgia - Pharnavazians. Pharnavaz I (ca 302-237 BC) Saurmag I (ca 237-162 BC) Mirian I (ca 162-112 BC) Pharnajom (ca 112-93 BC) List of the Kings of Georgia - Arsacids. Arshak I (ca 93-81 BC) Artag (ca 81 ...

See also:

List of the Kings of Georgia, List of the Kings of Georgia - Ancient Iberia, List of the Kings of Georgia - Pharnavazians, List of the Kings of Georgia - Arsacids, List of the Kings of Georgia - Nimrodids or Second Pharnavazian dynasty, List of the Kings of Georgia - Chosroids, List of the Kings of Georgia - Interregnum, List of the Kings of Georgia - Prince of Iberia, List of the Kings of Georgia - House of Bagrationi, List of the Kings of Georgia - Princes and Kings of Kartli, List of the Kings of Georgia - King of All Georgia, List of the Kings of Georgia - King of Kartli, List of the Kings of Georgia - King of Kartli and Kakheti

Read more here: » List of the Kings of Georgia: Encyclopedia II - List of the Kings of Georgia - Ancient Iberia

Louis Armstrong once remarked that he never played the tune "Singin' the Blues" because he thought Beiderbecke's classic recording of the song shouldn't be touched. As he later said, "Lots of cats tried to play like Bix; ain't none of them play like him yet". The character Rick Martin in the novel Young Man With a Horn (1938) by Dorothy Baker was a work of fiction partially based on Beiderbecke's life. It was later made into a movie (1950) starring Kirk Douglas as Martin (with horn playing dubbed by Harry James). It was later parodied in the BBC radio series Round The Horne as "Young H ...

See also:

Bix Beiderbecke, Bix Beiderbecke - Influences, Bix Beiderbecke - Career, Bix Beiderbecke - Later influence, Bix Beiderbecke - External link

Read more here: » Bix Beiderbecke: Encyclopedia II - Bix Beiderbecke - Later influence

Persian and Byzantine conquest destroyed rule and replaced the hereditary king with a hereditary prince who continued to fight until they finally regained power with the dawn of the Arabs in the seventh century. The following is a list of those princes: List of the Kings of Georgia - Prince of Iberia. Guaram I (588-590) Stephanoz I (590-627) Adarnase I (627-637) Stephanoz II (637- 650) Adarnase II (650-684) Guaram II (684-693) Guaram III (693-748) Adarnase III Nersiani (748-760) ...

See also:

List of the Kings of Georgia, List of the Kings of Georgia - Ancient Iberia, List of the Kings of Georgia - Pharnavazians, List of the Kings of Georgia - Arsacids, List of the Kings of Georgia - Nimrodids or Second Pharnavazian dynasty, List of the Kings of Georgia - Chosroids, List of the Kings of Georgia - Interregnum, List of the Kings of Georgia - Prince of Iberia, List of the Kings of Georgia - House of Bagrationi, List of the Kings of Georgia - Princes and Kings of Kartli, List of the Kings of Georgia - King of All Georgia, List of the Kings of Georgia - King of Kartli, List of the Kings of Georgia - King of Kartli and Kakheti

Read more here: » List of the Kings of Georgia: Encyclopedia II - List of the Kings of Georgia - Interregnum