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Tune in | A Wisdom Archive on Tune in |  | Tune in A selection of articles related to Tune in |  |
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ARTICLES RELATED TO Tune in | |
 |  |  | Tune in: Encyclopedia II - Fuging tune - Fuging tunes and fugues
The terms "fugue" and "fuging tune" have lead to confusion. A fuging tune certainly is not some kind of failed attempt to write a fugue, as an ill-informed musicologist once asserted. This is plain from the different structures of the two genres: in a fugue, the voices take turns coming in at the very beginning of the piece, whereas in a fuging tune that moment comes about a third of the way through. Moreover, in a fugue the musical material used at each entrance (the so-called "subject") is repeated many times throughout the piece, whereas ...
See also:Fuging tune, Fuging tune - Description, Fuging tune - Variety in fuging tunes, Fuging tune - History, Fuging tune - Fuging tunes and fugues, Fuging tune - Performance, Fuging tune - Footnote, Fuging tune - Books, Fuging tune - External link Read more here: » Fuging tune: Encyclopedia II - Fuging tune - Fuging tunes and fugues |
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 |  |  | Tune in: Encyclopedia II - Stretched tuning - Effects on tuningInharmonicity "stretches" harmonics beyond their theoretical frequencies, and higher harmonics are stretched proportionally more than lower. Thus, in our example of an octave, exactly matching the lowest common harmonic causes a slight amount of stretch, matching the next higher common harmonic causes a greater amount of stretch, and so on. If the interval is a double octave, exactly matching the upper note to the fourth harmonic of the lower complicates the tuni ...
See also:Stretched tuning, Stretched tuning - Fundamentals and harmonics, Stretched tuning - Intervals and inharmonicity, Stretched tuning - Vibration of wire strings, Stretched tuning - Tines and reeds, Stretched tuning - Effects on tuning, Stretched tuning - References and further information Read more here: » Stretched tuning: Encyclopedia II - Stretched tuning - Effects on tuning |
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 |  |  | Tune in: Encyclopedia II - Fuging tune - PerformanceMost gatherings of shape note singers (currently the principal singers of fuging tunes) find these tunes to be not particularly more difficult to sing than shape note music in general; the regular spacing of the entries makes it usually fairly clear when a section should come in.
Fuging tunes are a bit harder, however, for the leader, who must coordinate the fuging entrances. Some advice for leaders is posted here.
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See also:Fuging tune, Fuging tune - Description, Fuging tune - Variety in fuging tunes, Fuging tune - History, Fuging tune - Fuging tunes and fugues, Fuging tune - Performance, Fuging tune - Footnote, Fuging tune - Books, Fuging tune - External link Read more here: » Fuging tune: Encyclopedia II - Fuging tune - Performance |
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 |  |  | Tune in: Encyclopedia II - Fuging tune - DescriptionFuging tunes are sacred music, specifically, Protestant hymns. They are written for a four-part chorus singing a cappella. George Pullen Jackson has described the fuging tune as follows:
"In the fuging tune all the parts start together and proceed in rhythmic and harmonic unity usually for the space of four measures or one musical sentence. The end of this sentence marks a cessation, a complete melodic close. During the next four measures the four parts set in, one at a time and one measure apart. First the basses take th ...
See also:Fuging tune, Fuging tune - Description, Fuging tune - Variety in fuging tunes, Fuging tune - History, Fuging tune - Fuging tunes and fugues, Fuging tune - Performance, Fuging tune - Footnote, Fuging tune - Books, Fuging tune - External link Read more here: » Fuging tune: Encyclopedia II - Fuging tune - Description |
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 |  |  | Tune in: Encyclopedia II - Fuging tune - HistoryThe fuging tune arose in England in the mid eighteenth century. The first fuging tunes were generally the work of itinerant singing masters, described by Irving Lowens (see references below) as follows:
"[The singing masters were] often ill-trained by orthodox standards ... [They] wandered from village to village and eked out an existence by teaching the intricacies of psalm-singing and the rudiments of music to all who cared to learn. To supplement his generally meager income, [the singing master] frequently sold self-compiled tune-books in which psalm tunes of his own composition ... were featured as exam ...
See also:Fuging tune, Fuging tune - Description, Fuging tune - Variety in fuging tunes, Fuging tune - History, Fuging tune - Fuging tunes and fugues, Fuging tune - Performance, Fuging tune - Footnote, Fuging tune - Books, Fuging tune - External link Read more here: » Fuging tune: Encyclopedia II - Fuging tune - History |
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 |  |  | Tune in: Encyclopedia II - Musical tuning - Comparisons and controversies between tuningsAll musical tuning have advantages and disadvantages. Twelve tone equal temperament is the standard and most usual tuning system used in western music today because it gives the advantage of modulation to any key without dramatically going out of tune, as all keys are equally and slightly out of tune. However, just intonation provides the advantage of being entirely in tune, with at least some, and possible a great deal, loss in ease of modulation. Referring to 12-tet the composer Terry Riley, who has written music for both tuning systems, h ...
See also:Musical tuning, Musical tuning - Subjects in general, Musical tuning - Ways of tuning the twelve-note chromatic scale, Musical tuning - Tunings of other scale systems, Musical tuning - Comparisons and controversies between tunings Read more here: » Musical tuning: Encyclopedia II - Musical tuning - Comparisons and controversies between tunings |
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 |  |  | Tune in: Encyclopedia II - Pythagorean tuning - MethodPythagorean tuning is based on a stack of perfect fifths, each tuned in the ratio 3:2, the next simplest ratio after 2:1, which is the ratio of an octave. The two notes A and D, for example, are tuned so that their frequencies are in the ratio 3:2 — if D is tuned to 200 Hz, then the A is tuned to 300 Hz. The E a fifth above that A is also tuned in the ratio 3:2 — with the A at 300 Hz, this puts the E at 450 Hz, 9:4 above the original D. When describing tunings, it is usual to speak of all notes as being within an octave of each other, an ...
See also:Pythagorean tuning, Pythagorean tuning - Method, Pythagorean tuning - Discography, Pythagorean tuning - Source Read more here: » Pythagorean tuning: Encyclopedia II - Pythagorean tuning - Method |
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 |  |  | Tune in: Encyclopedia II - Tunes of Glory - PlotThe plot concerns the interactions between Major Jock Sinclair (played by Alec Guinness), the popular acting commanding officer, and his replacement Lieutenant Colonel Basil Barrow (John Mills). The two men are opposites, Sinclair being a self-made, rowdy, hard-drinking man who runs the barracks his own way, having worked his way up from a common piper. Barrow is an artistcratic, by-the-book, reserved officer from a long line of barracks COs. However, as a prisoner of war he had endured torture that left him a privately deeply troubled man. ...
See also:Tunes of Glory, Tunes of Glory - Plot, Tunes of Glory - Critical response Read more here: » Tunes of Glory: Encyclopedia II - Tunes of Glory - Plot |
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 |  |  | Tune in: Encyclopedia II - Fine-tuned universe - Explaining fine-tuned universeFine-Tuning comes with caveats. The fact that a universe with different physical constants might be inhospitable to life as we know it does not necessarily mean that it is inhospitable to any form of life. Currently, there is no way of experimentally determining if a universe allows for life or not. Further, most of this universe, especially the interstellar vacuum, appears to be devoid of life; other physical constants may ...
See also:Fine-tuned universe, Fine-tuned universe - Nature of the constants, Fine-tuned universe - Meaning of universe, Fine-tuned universe - Known physical constants and possible examples of fine tuning, Fine-tuned universe - Explaining fine-tuned universe, Fine-tuned universe - Naturalism and the fine tuning argument, Fine-tuned universe - Naturalistic fine-tuned universe arguments, Fine-tuned universe - Ikeda-Jefferys argument Read more here: » Fine-tuned universe: Encyclopedia II - Fine-tuned universe - Explaining fine-tuned universe |
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 |  |  | Tune in: Encyclopedia II - Stretched tuning - Intervals and inharmonicityIn tuning, the relationship between two notes (known musically as an interval) is determined by evaluating their common harmonics. For example, we say two notes are an octave apart when the fundamental frequency of the upper note exactly matches the second harmonic of the lower note. Theoretically, this means the fundamental frequency of the upper note is exactly twice that of the lower note, and we would assume that the second harmonic of the upper note will exactly match the fourth harmonic of the lower note.
On instruments strung with metal wire, however, neither ...
See also:Stretched tuning, Stretched tuning - Fundamentals and harmonics, Stretched tuning - Intervals and inharmonicity, Stretched tuning - Vibration of wire strings, Stretched tuning - Tines and reeds, Stretched tuning - Effects on tuning, Stretched tuning - References and further information Read more here: » Stretched tuning: Encyclopedia II - Stretched tuning - Intervals and inharmonicity |
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