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tune | A Wisdom Archive on tune |  | tune A selection of articles related to tune |  |
| We recommend this article: tune - 1, and also this: tune - 2. |
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| ARTICLES RELATED TO tune | |  |  |  | tune: Encyclopedia II - Fine-tuned universe - Explaining fine-tuned universeFine-Tuning comes with caveats. The fact that a universe with different physical constants might be inhospitable to life as we know it does not necessarily mean that it is inhospitable to any form of life. Currently, there is no way of experimentally determining if a universe allows for life or not. Further, most of this universe, especially the interstellar vacuum, appears to be devoid of life; other physical constants may ...
See also:Fine-tuned universe, Fine-tuned universe - Nature of the constants, Fine-tuned universe - Meaning of universe, Fine-tuned universe - Known physical constants and possible examples of fine tuning, Fine-tuned universe - Explaining fine-tuned universe, Fine-tuned universe - Naturalism and the fine tuning argument, Fine-tuned universe - Naturalistic fine-tuned universe arguments, Fine-tuned universe - Ikeda-Jefferys argument Read more here: » Fine-tuned universe: Encyclopedia II - Fine-tuned universe - Explaining fine-tuned universe |
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|  |  |  | tune: Encyclopedia II - Tunes of Glory - PlotThe plot concerns the interactions between Major Jock Sinclair (played by Alec Guinness), the popular acting commanding officer, and his replacement Lieutenant Colonel Basil Barrow (John Mills). The two men are opposites, Sinclair being a self-made, rowdy, hard-drinking man who runs the barracks his own way, having worked his way up from a common piper. Barrow is an artistcratic, by-the-book, reserved officer from a long line of barracks COs. However, as a prisoner of war he had endured torture that left him a privately deeply troubled man. ...
See also:Tunes of Glory, Tunes of Glory - Plot, Tunes of Glory - Critical response Read more here: » Tunes of Glory: Encyclopedia II - Tunes of Glory - Plot |
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| |  |  |  | tune: Alternative
Health
Dictionary III on
Tuning Forks Tuning Forks Tuning forks are metal instruments with a handle and two prongs or tines. Tuning forks, made of steel, aluminum, or magnesium-alloy will vibrate at a set frequency to produce a musical tone, a single pure note, when struck. Tuning forks bring a beneficial resonance to the body that can help to establish a new pattern of balance, erasing the detrimental patterns caused by the negative resonance pattern of ill health. They can assist the body in returning to the resonance of harmony. (See also: Tuning Forks, Alternative Health, Body Mind and Soul)
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| |  |  |  | tune: Encyclopedia II - Stretched tuning - Intervals and inharmonicityIn tuning, the relationship between two notes (known musically as an interval) is determined by evaluating their common harmonics. For example, we say two notes are an octave apart when the fundamental frequency of the upper note exactly matches the second harmonic of the lower note. Theoretically, this means the fundamental frequency of the upper note is exactly twice that of the lower note, and we would assume that the second harmonic of the upper note will exactly match the fourth harmonic of the lower note.
On instruments strung with metal wire, however, neither ...
See also:Stretched tuning, Stretched tuning - Fundamentals and harmonics, Stretched tuning - Intervals and inharmonicity, Stretched tuning - Vibration of wire strings, Stretched tuning - Tines and reeds, Stretched tuning - Effects on tuning, Stretched tuning - References and further information Read more here: » Stretched tuning: Encyclopedia II - Stretched tuning - Intervals and inharmonicity |
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|  |  |  | tune: Encyclopedia II - Stretched tuning - Fundamentals and harmonicsIn most musical instruments, the tone-generating component (a string or resonant column of air) vibrates at multiple frequencies simultaneously: a fundamental frequency that is usually perceived as the pitch of the note, and harmonics or overtones that are multiples of the fundamental frequency and whose wavelengths therefore divide the tone-generating region into simple fractional segments (1/2, 1/3, 1/4, etc.). (See harmonic series.) The fundamental note and its harmonics sound together, and the amplitude relationships among them ...
See also:Stretched tuning, Stretched tuning - Fundamentals and harmonics, Stretched tuning - Intervals and inharmonicity, Stretched tuning - Vibration of wire strings, Stretched tuning - Tines and reeds, Stretched tuning - Effects on tuning, Stretched tuning - References and further information Read more here: » Stretched tuning: Encyclopedia II - Stretched tuning - Fundamentals and harmonics |
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| |  |  |  | tune: Encyclopedia II - Viol - TuningThe standard tuning of the viol is in 4ths, with a 3rd in the middle (like the standard Renaissance lute tuning). For treble and bass viols the notes would be (from the highest) d',a,e,c,G,D. For the tenor viol the tuning is g,d,A,F,C,G'. The treble viol is one octave higher than the bass.
Alternate tunings (called scordatura) were often employed, particularly in the solo lyra viol style of playing, which also made use of many techniques such as chords and pizzicato, which were not generally used in consort playing. An u ...
See also:Viol, Viol - History, Viol - Construction, Viol - Viol bows, Viol - Versions, Viol - Tuning, Viol - Popularity, Viol - The viol today Read more here: » Viol: Encyclopedia II - Viol - Tuning |
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| |  |  |  | tune: Encyclopedia II - Viola - TuningViolas are tuned by turning the pegs near the scroll, around which the strings are wrapped. Tightening the string will raise the note (make it sharper) while loosening the string will lower the note (making it flatter). The A string is tuned first, typically to 440 Hz (see Pitch (music)). The other strings (D,G,C) are then tuned to it in intervals of perfect fifths, bowing two strings simulaneously. Some violas also have adjusters (also called fine tuners) that are used to make finer changes. These permit the tension of ...
See also:Viola, Viola - The form of the viola, Viola - Playing the viola, Viola - Tuning, Viola - Viola music, Viola - Violists, Viola - The viola in popular music, Viola - Audio examples Read more here: » Viola: Encyclopedia II - Viola - Tuning |
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|  |  |  | tune: Encyclopedia II - Viola - TuningViolas are tuned by twisting the pegs in the scroll, around which the strings are wrapped. Tightening the string will raise the note (make it sharper) while loosening the string will lower the note (making it flatter). The A string is tuned first, typically to 440 Hz (see Pitch (music)). The other strings (D,G,C) are then tuned to it in intervals of perfect fifths using double-stopping. Some violas also have adjustors (also called fine tuners) that are used to make finer changes. These permit the tension of the string to ...
See also:Viola, Viola - The form of the viola, Viola - Playing the viola, Viola - Tuning, Viola - Viola music, Viola - Violists, Viola - The viola in popular music, Viola - Audio examples Read more here: » Viola: Encyclopedia II - Viola - Tuning |
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|  |  |  | tune: Encyclopedia II - Stretched tuning - Vibration of wire stringsWhen a stretched wire string is excited into motion by plucking or striking, a complex wave travels outward to the ends of the string. As it travels outward, this initial impulse forces the wire out of its resting position all along its length. After the impulse has passed, each part of the wire immediately begins to return toward (and overshoot) its resting position, which means vibration has been induced. Meanwhile, the initial impulse is reflected at both ends of the string and travels back toward the center. On the way, it interacts with ...
See also:Stretched tuning, Stretched tuning - Fundamentals and harmonics, Stretched tuning - Intervals and inharmonicity, Stretched tuning - Vibration of wire strings, Stretched tuning - Tines and reeds, Stretched tuning - Effects on tuning, Stretched tuning - References and further information Read more here: » Stretched tuning: Encyclopedia II - Stretched tuning - Vibration of wire strings |
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| |  |  |  | tune: Encyclopedia II - Looney Tunes - Blue Ribbon reissuesBeginning in the 1940s, WB, in a cost-conserving effort, began to reissue its backlog of cartoons under a new program which they called Merrie Melodies "Blue Ribbon" reissues. Unfortunately, they altered the original front-and-end title sequences. The revised main title card began with the "zooming" WB logo, followed by the title logo set against a background featuring a "blue ribbon" (hence the re-release program's title) and a trophy, followed by the name of the cartoon. This revised title sequence eliminated the opening technical c ...
See also:Looney Tunes, Looney Tunes - History, Looney Tunes - Controversy, Looney Tunes - Blue Ribbon reissues, Looney Tunes - Dubbed versions, Looney Tunes - Characters Read more here: » Looney Tunes: Encyclopedia II - Looney Tunes - Blue Ribbon reissues |
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|  |  |  | tune: Encyclopedia II - Abide With Me - Tuneinformation taken from http://www.cyberhymnal.org/htm/a/b/abidewme.htm
The tune most often heard with this hymn is Eventide (.ogg sound file), composed by William H Monk in 1861.
Alternate tunes include:
Abide with Me, Henry Lyte, 1847
Morecambe, Frederick C. Atkinson, 1870
Penitentia, Edward Dearle, 1874
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See also:Abide With Me, Abide With Me - Words, Abide With Me - Tune, Abide With Me - In Films and Television Read more here: » Abide With Me: Encyclopedia II - Abide With Me - Tune |
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| |  |  |  | tune: Encyclopedia II - Gamelan - TuningThe tuning and construction of a gamelan orchestra is a complex process. Gamelans use four tuning systems: sléndro, pélog, degung (exclusive to Sunda, or West Java), and madenda (also known as diatonis, similar to a European "natural" minor scale). In central Javanese gamelan, sléndro is a system with five notes to the diapason (octave), fairly evenly spaced, while pélog has seven notes to the octave, with uneven intervals, usually played in five note subsets of the seven-tone collection. Many or ...
See also:Gamelan, Gamelan - Varieties of gamelan ensembles, Gamelan - Balinese gamelan ensembles, Gamelan - Javanese gamelan ensembles, Gamelan - Other Indonesian gamelan ensembles, Gamelan - Non-Indonesian gamelan ensembles, Gamelan - Tuning, Gamelan - Influence on Western music, Gamelan - Gamelan outside Indonesia, Gamelan - The Netherlands, Gamelan - North America Read more here: » Gamelan: Encyclopedia II - Gamelan - Tuning |
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|  |  |  | tune: Encyclopedia II - Gamelan - TuningThe tuning and construction of a gamelan orchestra is a complex process. Gamelans use four tuning systems: sléndro, pélog, degung (exclusive to Sunda, or West Java), and madenda (also known as diatonis, similar to a European "natural" minor scale). In central Javanese gamelan, sléndro is a system with five notes to the diapason (octave), fairly evenly spaced, while pélog has seven notes to the octave, with uneven intervals, usually played in five note subsets of the seven-tone collection. Many or ...
See also:Gamelan, Gamelan - Varieties of gamelan ensembles, Gamelan - Balinese gamelan varieties, Gamelan - Javanese gamelan varieties, Gamelan - Other Indonesian gamelan varieties, Gamelan - Non-Indonesian gamelan varieties, Gamelan - Tuning, Gamelan - Influence on Western music, Gamelan - Gamelan outside Indonesia, Gamelan - The Netherlands, Gamelan - North America Read more here: » Gamelan: Encyclopedia II - Gamelan - Tuning |
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|  |  |  | tune: Encyclopedia II - Guqin - TuningTo string a qin, one traditionally had to tie a butterfly knot (shengtou jie 『蠅頭結』) at one end of the string, and slip the string through the twisted cord (rongkou 『絨剅』) which goes into holes at the head of the qin and then out the bottom through the tuning pegs (zhen 『軫』). The string is dragged over the bridge (yueshan 『岳山』), across the surface board, over the nut (longyin 『龍齦』 dragon gums) to the back of the qin, where the end is wrapped around two legs (fengzu ...
See also:Guqin, Guqin - Schools societies and players, Guqin - Historical schools and societies, Guqin - Players, Guqin - Playing technique, Guqin - Tablature and notation, Guqin - New developments in Qin tablature, Guqin - Repertoire, Guqin - Construction, Guqin - Forms, Guqin - Duanwen, Guqin - Strings, Guqin - Etymological note on the word 'string', Guqin - Tuning, Guqin - Table of common Qin tunings, Guqin - Qin aesthetics, Guqin - Manifestations of Qin music, Guqin - Footnotes Read more here: » Guqin: Encyclopedia II - Guqin - Tuning |
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