Triumph of the Will - Influences and legacy

According to the History Place, "The legacy of Triumph of the Will lives on today in the numerous TV documentaries concerning the Nazi era which replay portions of the film... [and its] most enduring and dangerous illusion is that Nazi Germany was a super-organized state, that, although evil in nature, was impressive nonetheless."[16] Nicholas Reeves concurs, adding that "many of the most enduring images of the [Third Reich] and [Adolf Hitler] derive from Riefenstahl’s film."< ...

See also:

Triumph of the Will, Triumph of the Will - Plot, Triumph of the Will - Origins, Triumph of the Will - Filmmaking, Triumph of the Will - Response, Triumph of the Will - Themes, Triumph of the Will - Controversy, Triumph of the Will - Wehrmacht objections, Triumph of the Will - Influences and legacy, Triumph of the Will - Footnotes

Read more here: » Triumph of the Will: Encyclopedia II - Triumph of the Will - Influences and legacy

According to the History Place, "The legacy of Triumph of the Will lives on today in the numerous TV documentaries concerning the Nazi era which replay portions of the film... [Its] most enduring and dangerous illusion is that Nazi Germany was a super-organized state, that, although evil in nature, was impressive nonetheless."[16] Nicholas Reeves concurs, adding that "many of the most enduring images of the [Third Reich] and [Adolf Hitler] derive from Riefenstahl’s film."< ...

See also:

Triumph of the Will, Triumph of the Will - Plot, Triumph of the Will - Origins, Triumph of the Will - Filmmaking, Triumph of the Will - Themes, Triumph of the Will - Response, Triumph of the Will - Controversy, Triumph of the Will - Wehrmacht objections, Triumph of the Will - Influences and legacy, Triumph of the Will - Gallery, Triumph of the Will - Footnotes, Triumph of the Will - Copyright Status

Read more here: » Triumph of the Will: Encyclopedia II - Triumph of the Will - Influences and legacy

Triumph of the Will has been described as "by Nazis, for Nazis, and about Nazis".[2] The film begins with a prologue, the only commentary in the film. On a stone wall, the following text appears: On September 5, 1934, ... 20 years after the outbreak of the World War ... 16 years after the beginning of our suffering ... 19 months after the beginning of the German renaissance ... Adolf Hitler flew again to Nuremberg to review ...

See also:

Triumph of the Will, Triumph of the Will - Plot, Triumph of the Will - Origins, Triumph of the Will - Filmmaking, Triumph of the Will - Response, Triumph of the Will - Themes, Triumph of the Will - Controversy, Triumph of the Will - Wehrmacht objections, Triumph of the Will - Influences and legacy, Triumph of the Will - Footnotes

Read more here: » Triumph of the Will: Encyclopedia II - Triumph of the Will - Plot

Triumph of the Will has been described as "by Nazis, for Nazis, and about Nazis".[2] The film begins with a prologue, the only commentary in the film. On a stone wall, the following text appears: On September 5, 1934, ... 20 years after the outbreak of the World War ... 16 years after the beginning of our suffering ... 19 months after the beginning of the German renaissance ... Adolf Hitler flew again to Nuremberg to review ...

See also:

Triumph of the Will, Triumph of the Will - Plot, Triumph of the Will - Origins, Triumph of the Will - Filmmaking, Triumph of the Will - Themes, Triumph of the Will - Response, Triumph of the Will - Controversy, Triumph of the Will - Wehrmacht objections, Triumph of the Will - Influences and legacy, Triumph of the Will - Gallery, Triumph of the Will - Footnotes, Triumph of the Will - Copyright Status

Read more here: » Triumph of the Will: Encyclopedia II - Triumph of the Will - Plot

Triumph of the Will premiered on March 28, 1935 at the Berlin Ufa Palace Theater and was an instant success. Within two months the film had earned 815,000 Reichsmarks, and the Ufa considered it one of the three most profitable films of that year.[3] Hitler praised the film as being an "incomparable glorification of the power and beauty of our Movement." For her efforts, Riefenstahl was rewarded with the German Film Prize (Deutscher Filmpreis), a gold medal at the 1935 V ...

See also:

Triumph of the Will, Triumph of the Will - Plot, Triumph of the Will - Origins, Triumph of the Will - Filmmaking, Triumph of the Will - Themes, Triumph of the Will - Response, Triumph of the Will - Controversy, Triumph of the Will - Wehrmacht objections, Triumph of the Will - Influences and legacy, Triumph of the Will - Gallery, Triumph of the Will - Footnotes, Triumph of the Will - Copyright Status

Read more here: » Triumph of the Will: Encyclopedia II - Triumph of the Will - Response

Like Battleship Potemkin and The Birth of a Nation, Triumph of the Will has been accused of using spectacular filmmaking to promote a monstrous cause. In Germany, this movie is classified as National Socialist propaganda and its showing is restricted under post-war denazification laws, but it may be shown in an educational context. In her defense, Riefenstahl claimed that she was naive about the Nazis when she made it and had no knowledge of Hitler's genocidal policies. She also said that Triumph contains "not one ...

See also:

Triumph of the Will, Triumph of the Will - Plot, Triumph of the Will - Origins, Triumph of the Will - Filmmaking, Triumph of the Will - Themes, Triumph of the Will - Response, Triumph of the Will - Controversy, Triumph of the Will - Wehrmacht objections, Triumph of the Will - Influences and legacy, Triumph of the Will - Gallery, Triumph of the Will - Footnotes, Triumph of the Will - Copyright Status

Read more here: » Triumph of the Will: Encyclopedia II - Triumph of the Will - Controversy

"Shortly after he came to power Hitler called me to see him and explained that he wanted a film about a Party Congress, and wanted me to make it. My first reaction was to say that I did not know anything about the way such a thing worked or the organization of the Party, so that I would obviously photograph all the wrong things and please nobody — even supposing that I could make a documentary, which I had never yet done. Hitler said that this was exactly why he wanted me to do it: because anyone who knew all about the relative importance ...

See also:

Triumph of the Will, Triumph of the Will - Plot, Triumph of the Will - Origins, Triumph of the Will - Filmmaking, Triumph of the Will - Response, Triumph of the Will - Themes, Triumph of the Will - Controversy, Triumph of the Will - Wehrmacht objections, Triumph of the Will - Influences and legacy, Triumph of the Will - Footnotes

Read more here: » Triumph of the Will: Encyclopedia II - Triumph of the Will - Origins

The encampment for visiting party members. Hitler arrives at the Nuremberg airfield and can be seen exiting the plane. More night footage Members of the Labor Service parade. SA Stormtroopers parade through Nuremberg Some of the massive banners used to decorate the city. ...

See also:

Triumph of the Will, Triumph of the Will - Plot, Triumph of the Will - Origins, Triumph of the Will - Filmmaking, Triumph of the Will - Themes, Triumph of the Will - Response, Triumph of the Will - Controversy, Triumph of the Will - Wehrmacht objections, Triumph of the Will - Influences and legacy, Triumph of the Will - Gallery, Triumph of the Will - Footnotes, Triumph of the Will - Copyright Status

Read more here: » Triumph of the Will: Encyclopedia II - Triumph of the Will - Gallery

"[Triumph of the Will is] the supreme visualisation in cinematic form of the Nazi political religion. Its artistry, reinforced by the grandeur and power of the Nuremberg decor, is designed to sweep us into empathetic identification with Hitler as a kind of human deity. The massive spectacle of regimentation, unity and loyalty to the Fuhrer powerfully conveys the message that the Nazi movement was the living symbol of the reborn German nation." -- Professor Robert Wistrich[4]See also:

Triumph of the Will, Triumph of the Will - Plot, Triumph of the Will - Origins, Triumph of the Will - Filmmaking, Triumph of the Will - Themes, Triumph of the Will - Response, Triumph of the Will - Controversy, Triumph of the Will - Wehrmacht objections, Triumph of the Will - Influences and legacy, Triumph of the Will - Gallery, Triumph of the Will - Footnotes, Triumph of the Will - Copyright Status

Read more here: » Triumph of the Will: Encyclopedia II - Triumph of the Will - Themes

Unlike Der Sieg des Glaubens, Riefenstahl shot Triumph of the Will with a bigger budget, extensive preparations, and vital help from high-ranking Nazis like Joseph Goebbels. As Susan Sontag observed, "The Rally was planned not only as a spectacular mass meeting, but as a spectacular propaganda film."[5] Albert Speer, Hitler's personal architect designed the set in Nuremberg and did most of the coordination for the event.[3]< ...

See also:

Triumph of the Will, Triumph of the Will - Plot, Triumph of the Will - Origins, Triumph of the Will - Filmmaking, Triumph of the Will - Themes, Triumph of the Will - Response, Triumph of the Will - Controversy, Triumph of the Will - Wehrmacht objections, Triumph of the Will - Influences and legacy, Triumph of the Will - Gallery, Triumph of the Will - Footnotes, Triumph of the Will - Copyright Status

Read more here: » Triumph of the Will: Encyclopedia II - Triumph of the Will - Filmmaking

Like Battleship Potemkin and The Birth of a Nation, Triumph of the Will has been accused of using spectacular filmmaking to promote a monstrous cause. In Germany, this movie is classified as National Socialist propaganda and its showing is restricted under post-war denazification laws, but it may be shown in an educational context. In her defense, Riefenstahl claimed that she was naive about the Nazis when she made it and had no knowledge of Hitler's genocidal policies. She also said that Triumph contains "not one ...

See also:

Triumph of the Will, Triumph of the Will - Plot, Triumph of the Will - Origins, Triumph of the Will - Filmmaking, Triumph of the Will - Response, Triumph of the Will - Themes, Triumph of the Will - Controversy, Triumph of the Will - Wehrmacht objections, Triumph of the Will - Influences and legacy, Triumph of the Will - Footnotes

Read more here: » Triumph of the Will: Encyclopedia II - Triumph of the Will - Controversy

Triumph of the Will premiered on March 28, 1935 at the Berlin Ufa Palace Theater and was an instant success. Within two months the film had earned 815,000 Reichsmarks, and the Ufa considered it one of the three most profitable films of that year.[3] Hitler praised the film as being an "incomparable glorification of the power and beauty of our Movement." For her efforts, Riefenstahl was rewarded with the German Film Prize (Deutscher Filmpreis), a gold medal at the 1935 V ...

See also:

Triumph of the Will, Triumph of the Will - Plot, Triumph of the Will - Origins, Triumph of the Will - Filmmaking, Triumph of the Will - Response, Triumph of the Will - Themes, Triumph of the Will - Controversy, Triumph of the Will - Wehrmacht objections, Triumph of the Will - Influences and legacy, Triumph of the Will - Footnotes

Read more here: » Triumph of the Will: Encyclopedia II - Triumph of the Will - Response

Unlike Der Sieg des Glaubens, Riefenstahl shot Triumph of the Will with a bigger budget, extensive preparations, and vital help from high-ranking Nazis like Joseph Goebbels. As Susan Sontag observed, "The Rally was planned not only as a spectacular mass meeting, but as a spectacular propaganda film."[5] Albert Speer, Hitler's personal architect, designed the set in Nuremberg and did most of the coordination for the event.[3] ...

See also:

Triumph of the Will, Triumph of the Will - Plot, Triumph of the Will - Origins, Triumph of the Will - Filmmaking, Triumph of the Will - Response, Triumph of the Will - Themes, Triumph of the Will - Controversy, Triumph of the Will - Wehrmacht objections, Triumph of the Will - Influences and legacy, Triumph of the Will - Footnotes

Read more here: » Triumph of the Will: Encyclopedia II - Triumph of the Will - Filmmaking

Leni Riefenstahl, a popular German actress, had directed her first movie called Das Blaue Licht (The Blue Light) in 1932. Around the same time she first heard Hitler speak at a Nazi rally and by her own admission was impressed. She later began a correspondence with him that would last for years. Hitler, by turn, was equally impressed with Das Blaue Licht, and in 1933 asked her to direct a film about the Nazi's annual rally in Nuremburg. The Nazis had only recently taken power amid a period of political instability (Hitler was t ...

See also:

Triumph of the Will, Triumph of the Will - Plot, Triumph of the Will - Origins, Triumph of the Will - Filmmaking, Triumph of the Will - Themes, Triumph of the Will - Response, Triumph of the Will - Controversy, Triumph of the Will - Wehrmacht objections, Triumph of the Will - Influences and legacy, Triumph of the Will - Gallery, Triumph of the Will - Footnotes, Triumph of the Will - Copyright Status

Read more here: » Triumph of the Will: Encyclopedia II - Triumph of the Will - Origins

"[Triumph of the Will is] the supreme visualisation in cinematic form of the Nazi political religion. Its artistry, reinforced by the grandeur and power of the Nuremberg decor, is designed to sweep us into empathetic identification with Hitler as a kind of human deity. The massive spectacle of regimentation, unity and loyalty to the Fuhrer powerfully conveys the message that the Nazi movement was the living symbol of the reborn German nation." -- Professor Robert Wistrich[4]See also:

Triumph of the Will, Triumph of the Will - Plot, Triumph of the Will - Origins, Triumph of the Will - Filmmaking, Triumph of the Will - Response, Triumph of the Will - Themes, Triumph of the Will - Controversy, Triumph of the Will - Wehrmacht objections, Triumph of the Will - Influences and legacy, Triumph of the Will - Footnotes

Read more here: » Triumph of the Will: Encyclopedia II - Triumph of the Will - Themes