Aum (Sanskrit) The ancient Indians held that Om, when considered as a single letter ((Sanskrit character)) was the symbol of the Supreme; when written with three letters -- Aum -- it stood among other things for the three Vedas, the three gunas or qualities of nature, the three divisions of the universe, and the deities of the Hindu Trimurti -- Brahma, Vishnu, and Siva -- concerned in the creation, preservation, and destruction of the universe or the beings composing it. "The mystic formula, résumé of every science, contained in the three mysterious letters, AUM which signify creation, conservation, and transformation" (IU 2:31).

These three letters are supposed by some Hindus to have correspondences as follows: "The letter A is the Sattva Guna, U is the Rajas, and M is the Tamas; these three qualities are termed Nature (Prakriti). . . . A is Bhurloka, U is Bhuvarloka, and M is Svarloka; by these three letters the spirit exhibits itself" (Laheri in Lucifer 10:147). This word is said to have a morally spiritualizing effect if pronounced during meditation and when the mind is at peace and cleansed of all impurities.

See also OM

(See also: Aum, Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

Svaraj (Sanskrit) The self-ruling, the self-resplendent; one of the seven principal rays of the sun, "the last or seventh (synthetical) ray of the seven solar rays; the same as Brahma" (TG 315). These seven are really the entire range of the seven occult forces, or divinities, of the solar system; hence the names of these seven rays are names given to them in Hindu semi-occult philosophical literature as Sushumna, Harikesa, Visvakarman, Visvatryarchas, Samnaddhas, Sarvavasu, and Svaraj. Otherwise these seven rays are the seven solar logoi whose functions in the solar system are at once creative -- or the intelligent impulses behind cosmic evolution -- and supportive of the solar system, in addition to bringing about the various regenerating changes. The seven rays are elaborations of the Hindu Trimurti of Brahma, Vishnu, and Siva.

See also SURYA

(See also: Svaraj, Mysticism, Mysticism Dictionary, Body mind and Soul)

Three Faces Generally refers to the Hindu Trimurti -- the three-faced deity known as Brahma, Vishnu, and Siva; but also refers to the Qabbalistic Faces or Heads: the Long Face (Macroprosopus), the first Sephirah; the Short Face (Microprosopus), the lower nine Sephiroth; and the White Face (or White Head), from which the other two faces originate. The three Faces have a close analog in the three persons of the Christian Trinity in the original form of the procession -- Father, Holy Ghost, and Son -- and whether Faces or Persons, they are the three veils, masks, or personae of the one godhead: one in three, and three in one. There are similar triads in other mystically religious systems. "There are two Faces, one in Tushita (Devachan) and one in Myalba (earth); and the Highest Holy unites them and finally absorbs both" (TG 333).

(See also: Three Faces, Mysticism, Mysticism Dictionary, Body mind and Soul)

Bhutesa or Bhutesvara (Sanskrit) (from bhuta living being + isa, isvara lord)

Lord of beings, lord of manifested entities and things; a name applied to each member of the Hindu Trimurti (Brahma, Vishnu, Siva). Siva in exoteric mythology and popular superstition is supposed to possess the special status of lord of the bhutas or kama-lokic spooks, and is the special patron of ascetics, students of occultism, and of those training themselves in mystical knowledge; so that this superstitious characterization of Siva is an entirely exoteric distortion of a profound esoteric fact.

The real meaning is that Siva, often figurated as the supreme initiator, is the lord of those who "have been," but who now are become regenerates through initiation -- the mystical idea here being of the preservation of self-conscious effort through darkness into light, from ignorance to wisdom, and from selfishness into the divine compassion of the cosmic heart. In view of the karmic past of such progressed entities, their former selves in this cosmic time period are the bhutas (have-beens) of what now they are. Bhutesa is also applied to Krishna in this sense.

(See also: Bhutesa, Bhutesvara, Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

Digambara (Sanskrit) (from dis a quarter or region of the heavens + ambara sky, atmosphere; also clothes, apparel)

Sky-clothed, clothed with the elements; often applied to Siva, but likewise to advanced adepts or ascetics. Customarily Orientalists render it "without clothes," i.e., naked, applying the term to Siva in his character of an ascetic. But while the word, especially among the Jains, has come to have the significance of a naked mendicant, when applied to Siva, the third aspect of the Hindu Trimurti who permeates all things in all directions, it means "clothed with the sky."

Digambara likewise applies to adepts and high chelas because of their ability to project the percipient consciousness to a distance employing the power which in Tibet is called hpho-wa. They are then mystically considered to be free of all physical trappings, clothed with the sky or atmosphere and wandering in it free and at will.

See also KHECHARA

(See also: Digambara, Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

Vayu (Sanskrit) Air; one of the five cosmic elements. Personified, the god and sovereign of the air and the king of the gandharvas. Agni, Vayu, and Surya formed the primeval Vedic Trimurti: " 'Agni (fire) whose place is on earth; Vayu (air, or one of the forms of Indra), whose place is in the air; and Surya (the sun) whose place is in the air' [celestial spaces]. (Nirukta.)

In esoteric interpretation, these three cosmic principles, correspond with the three human principles, Kama, Kama-Manas and Manas, the sun of the intellect" (TG 361). These three deities in this connection are three manifestations of cosmic fohat, guided and directed by cosmic mahat.

In later mythology Vayu is the father of Hanuman, the monkey-king who aids Rama in the Ramayana. The allegory of Hanuman becoming the son of Vayu by Anjuna (an ape-like monster) refers to the first glimmering of mind coming into the highest apes through the miscegenation of unevolved late third root-race and early fourth root-race humans with certain simians, themselves the descendants of a previous and parallel origin during an earlier time of the third root-race.

(See also: Vayu, Mysticism, Mysticism Dictionary, Body mind and Soul)

SYMBOL

A symbol, whose meaning is unconscious or indirect, must not be confused with a sign, which is obviously a resemblance or conscious pointer. A symbol represents something that can't be defined or expressed. Otherwise it is an allegory or a sign. A phallic symbol, for instance, is not a symbol because we know what it stands for. Nor is a skull a "symbol" of death. Nor are the cross (standing for Christ), a heart (standing for love) or a bird (standing for freedom) anything more than signs, i.e., equivalents. Examples of true symbols might be the Holy Grail, the Philosopher's Stone, or even a personalized mandala, since we have no (conscious) idea what these things represent. Most certainly of all, Christ and Buddha are symbols of human perfection. A.B. says their purpose is pedagogical, preserving encapsulizations of truth and developing intuition. Moreover, every symbol can be read in many different ways. And there are four kinds of symbols (physical, astral, numerical, geometrical). There are also symbolic "books" of the "Masters," the words of which are interpreted by color, their position above or below the line, their connection to one another and by their "key," that is, right to left (greater cycles), left to right (lesser cycles), from above down (involution), from below up (evolution).

Postmodern man tends to believe that symbols generate meanings in infinite concentric waves from their centers. Indeed, symbols come to have different meanings in different times and places. For example, the triskelion, tripes, or "three-legs of man," originally meant the 3 ages riddled by the Sphinx or three faces of the Hindu Trimurti (Brahma, Vishnu and Shiva). But in Europe, according to Goblet d'Aviella (The Migration of Symbols) it eventually came to acquire purely political meanings, standing, amongst other things, for the "Land of the Three Capes," i.e., Sicily, for Norwegian royalty and for The Isle of Man. In our time many once very fertile and numinous symbols are all but dead.

Says Carlyle: "In a symbol lies concealment or revelation." And further, "It is in and through symbols that man consciously or unconsciously lives, works, and has his being."

(See also: SYMBOL, Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul, )

One of the discs in The Ultimate Matrix Collection DVD box set - the Zion Archives - features a list, concept designs and 3D renderings of the Zion hovercraft fleet. There are actually thirteen ships listed - two of which, the Avatar and the Shiva - are not mentioned anywhere else. The Caduceus is not listed, despite appearing in Enter the Matrix. It is possible an additional ship was drafted into service during The Matrix Reloaded following the destruction of the Osiris, and the Avatar does not look particularly battle-wo ...

See also:

Other ships The Matrix, Other ships The Matrix - The rest of Zion's fleet, Other ships The Matrix - Avatar, Other ships The Matrix - Ganesha, Other ships The Matrix - Shiva, Other ships The Matrix - Vishnu, Other ships The Matrix - Ships from the Matrix video games, Other ships The Matrix - Noljinor, Other ships The Matrix - Novalis II, Other ships The Matrix - Prometheus, Other ships The Matrix - Revenant

Read more here: » Other ships The Matrix: Encyclopedia II - Other ships The Matrix - The rest of Zion's fleet

Trikaya (Sanskrit) Lit., three bodies, or forms. This is a most abstruse teaching which, however, once understood, explains the mystery of every triad or trinity, and is a true key to every three-fold metaphysical symbol. In its most simple and comprehensive form it is found in the human Entity in its triple division into spirit, soul, and body, and in the universe, regarded pantheistically, as a unity composed of a Deific, purely spiritual Principle, Supernal Beings - its direct rays  -  and Humanity.

The origin of this is found in the teachings of the pre historic Wisdom Religion, or Esoteric Philosophy. The grand Pantheistic ideal, of the unknown and unknowable Essence being transformed first into subjective, and then into objective matter, is at the root of all these triads and triplets.

Thus we find in philosophical Northern Buddhism

(1)  Adi-Buddha (or Primordial Universal Wisdom) ;

(2)  the Dhyani-Buddhas (or Bodhisattvas);

(3)  the Manushi (Human) Buddhas.

In European conceptions we find the same: God, Angels and Humanity symbolized theologically by the God-Man. The Brahmanical Trimurti and also the three-fold body of Shiva, in Shaivism, have both been conceived on the same basis, if not altogether running on the lines of Esoteric teachings. Hence, no wonder if one finds this conception of the triple body - or the vestures of Nirmanakaya, Sambhogakaya and Dharmakaya, the grandest of the doctrines of Esoteric Philosophy -  accepted in a more or less disfigured form by every religious sect, and explained quite incorrectly by the Orientalists.

Thus, in its general application, the three-fold body symbolizes Buddha’s statue, his teachings and his stupas ; in the priestly conceptions it applies to the Buddhist profession of faith called the Triratna, which is the formula of taking "refuge in Buddha, Dharma, and Sangha". Popular fancy makes Buddha ubiquitous, placing him thereby on a par with an anthropomorphic god, and lowering him to the level of a tribal deity; and, as a result, it falls into flat contradictions, as in Tibet and China.

Thus the exoteric doctrine seems to teach that while in his Nirma kaya body (which passed through 100,000 kotis of transformations on earth), he, Buddha, is at the same time a Lochana (a heavenly Dhyani-Bodhisattva), in his Sambhogakaya "robe of absolute completeness", and in Dhyana, or a state which must cut him off from the world and all its connections; and finally and lastly he is, besides being a Nirmanakaya and a Sambhogakaya, also a Dharmakaya "of absolute purity", a Vairotchana or Dhyani-Buddha in full Nirvana! (See Eitel’s Sanskrit-Chinese Dictionary.)

This is the jumble of contradictions, impossible to reconcile, which is given out by missionaries and certain Orientalists as the philosophical dogmas of Northern Buddhism. If not an intentional confusion of a philosophy dreaded by the upholders of a religion based on inextricable contradictions and guarded "mysteries", then it is the product of ignorance. As the Trailokya, the Trikaya, and the Triratna are the three aspects of the same conceptions, and have to be, so to say, blended in one, the subject is further explained under each of these terms. (See also in this relation the term " Trisharana".)

(See also: Trikaya, Theosophy, Spirituality, Body mind and Soul, Spiritual Dictionary, )

Siva, Shiva (Sanskrit) The third god of the Hindu Trimurti (trinity): Brahma the evolver; Vishnu the preserver; and Siva the regenerator or destroyer.

Siva is one of the three loftiest divinities of our solar system, and in his character of destroyer stands higher than Vishnu for he is "the destroying deity, evolution and PROGRESS personified, who is the regenerator at the same time; who destroys things under one form but to recall them to life under another more perfect type" (SD 2:182). As the destroyer of outward forms he is called Vamadeva. Endowed with so many powers and attributes, Siva possesses a great number of names, and is represented under a corresponding variety of forms. He corresponds to the Palestinian Ba`al or Moloch, Saturn, the Phoenician El, the Egyptian Seth, and the Biblical Chiun of Amos, and Greek Typhon.

"In the Rig Veda the name Siva is unknown, but the god is called Rudra, which is a word used for Agni, the fire god . . ."; "In the Vedas he is the divine Ego aspiring to return to its pure, deific state, and at the same time that divine ego imprisoned in earthly form, whose fierce passions make of him the 'roarer,' the 'terrible' " (SD 2:613, 548).

Siva is often spoken of as the patron deity of esotericists, occultists, and ascetics; he is called the Mahayogin (the great ascetic), from whom the highest spiritual knowledge is acquired, and union with the great spirit of the universe is eventually gained. Here he is "the howling and terrific destroyer of human passions and physical senses, which are ever in the way of the development of the higher spiritual perceptions and the growth of the inner eternal man -- mystically . . . Siva-Rudra is the Destroyer, as Vishnu is the preserver; and both are the regenerators of spiritual as well as of physical nature. To live as a plant, the seed must die. To live as a conscious entity in the Eternity, the passions and senses of man must first die before his body does. 'To live is to die and to die is to live,' has been too little understood in the West. Siva, the destroyer, is the creator and the Saviour of Spiritual man, as he is the good gardener of nature. He weeds out the plants, human and cosmic, and kills the passions of the physical, to call to life the perceptions of the spiritual, man" (SD 1:459&n).

Though Siva is often called Maha-kala (great time) which, while being the great formative factor in manvantara is also the great dissolving power, to the Hindu mind destruction implies reproduction; so Siva is also called Sankara (the auspicious), for he is the reproductive power which is perpetually restoring that which has been dissolved, and hence is also called Mahadeva (the great god). Under this character of restorer he was often represented by the symbol of the linga or phallus: "the Lingham and Yoni of Siva-worship stand too high philosophically, its modern degeneration notwithstanding, to be called a simple phallic worship" (SD 2:588). It is under the form of the linga, either alone or combined with the yoni (female organ, the representative of his sakti or female energy), that Siva is so often worshiped today in India.

In the Linga-Purana, Siva is said to take repeated births, in one kalpa possessing a white complexion, in another that of a black color, in still another that of a red color, after which he becomes four youths of a yellow color. This allegory is an ethnological account of the different races of mankind and their varying types and colors (cf SD 1:324).

Siva is known under more than a thousand names or titles and is represented under many different forms in Hindu writings. As the god of generation and of justice, he is represented riding a white bull; his own color, as well as that of the bull, is generally white, referring probably to the unsullied purity of abstract justice. He is sometimes seen with two hands, sometimes with four, eight, or ten; and with five faces, representing among other things his power over the five elements.

He has three eyes, one placed in the centre of his forehead, and shaped as a vertical oval. These three eyes are said to denote his view of the three divisions of time: past, present, and future. He holds a trident in his hand to denote his three great attributes of emanator, destroyer, and regenerator, thus combining all the usual qualities or functions attributed to the Trimurti. In his character of time, he not only presides over its beginning and its extinction, but also over its present functioning as represented in astronomical and astrological calculations.

A crescent or half-moon on his forehead indicates time measured by the phases of the moon; a serpent forms one of his necklaces to denote the measure of time by cycles, and a second necklace of human skulls signifies the extinction and succession of the races of mankind. He is often pictures as entirely covered with serpents, which are at once emblems of spiritual immortality and his standing as the patron of the nagas or initiates. He is often mystically personated by Mount Meru, which esoterically is both the cosmic and terrestrial axis with their respective poles.

According to the belief of most Advaita-Vedantists, Sankaracharya, the great Indian philosopher and sage, is held to be an avatara of Siva.

See also Shiva, Siva

(See also: Siva, Shiva, Mysticism, Mysticism Dictionary)

Six-pointed Star The double triangle or Solomon's Seal; in India called the sign of Vishnu, where it "is the emblem of the Trimurti three in one. The triangle with its apex upward indicates the male principle, downward the female; the two typifying, at the same time, spirit and matter."

(IU 2:270; cf also diagrams in IU 2:264-5, 452-3) The six-pointed star is found in symbolical representations of the earliest cosmogonies. When the six-pointed star is formed of two interlaced equilateral triangles -- one light with the apex pointing upward, the other dark with the apex pointing downward, both triangles being symmetrically placed with regard to one central point -- and the double figure is surrounded by a circle, the sign represents the universe, spirit and matter, the alpha and omega in the cosmos, and involution and evolution. In the Qabbalistic presentation of the figure, instead of a circle surrounding the star a serpent is portrayed as swallowing its tail, as in the seal of the Theosophical Society:

This is the Egyptian symbol of time and eternity, and of ever-recurring cycles: of birth and death, manvantara and pralaya, to which the universe and every entity within it are subject. In theosophy it symbolizes further the six forces or powers of nature, the six cosmic planes, principles, etc., all synthesized by the seventh, or central point within the star.

The apex of the light triangle symbolizes the spiritual-divine monad, having its habitat in the spiritual-divine realms; the apex of the dark triangle, the human monad, having its habitat in the middle realm of conflict between spirit and matter, the apex itself being in the worlds of manifestation, the two sides extending from it reaching upwards towards the spiritual realm and representing evolution through aspiration and efforts towards a spiritual life. On the other hand, the two sides extending downwards from the apex of the light triangle represent the rays streaming from the spiritual-divine monad to enlighten, inspire, and uplift all beings in the manifested worlds. In the case of man, the human monad represented by the apex of the dark triangle is the reflection or child of the spiritual-divine monad or inner god.

The central geometrical point, having neither length, breadth, nor thickness, represents the invisible spiritual sun, the light of the unmanifested deity. Sometimes instead of a geometrical point, a crux ansata with a circle as its zenith appears -- symbol of limitless, uncreated space, as is a cross within a circle.

Again, the pentagram or five-pointed star may take the place of the central point, in which case the pentagram symbolizes the microcosm or man, within the macrocosm or universe. "The double triangle representing symbolically, the Macrocosm, or great universe, contains in itself besides the idea of the duality (as shown in the two colours, and two triangles -- the universe of Spirit and that of Matter) -- those of the Unity, of the Trinity, of the Pythagorean Tetractys -- the perfect Square -- and up to the Dodecagon and the Dodecahedron" (BCW 3:313).

See also SENARY; SEAL OF THE THEOSOPHICAL SOCIETY

(See also: Six-pointed Star, Mysticism, Mysticism Dictionary)

Prajapatis (Sanskrit) [from praja that which is brought forth from pra forth + the verbal root jan to be born + pati lord]

The producers, evolvers, or givers of life to all on the earth's planetary chain, and hence lords of offspring in the hierarchical sense. Prajapatis is likewise applicable mutatis mutandis to larger hierarchical divisions, such as a solar system or galaxy.

The prajapatis "are, like the Sephiroth, only seven, including the synthetic Sephira of the triad from which they spring. Thus from Hiranyagarbha or Prajapati, the triune (primeval Vedic Trimurti, Agni, Vayu, and Surya), emanate the other seven, or again ten, if we separate the first three which exist in one . . . In the Mahabharata the Prajapati are 21 in number, or ten, six, and five (1065), thrice seven" (SD 1:89-90).

These seven, ten, or more prajapatis correspond likewise to the Mazdean Amesha-Spentas or Amshaspends and the Hindu Saptarshis. The name prajapati is most commonly given to ten rishis or sages known as the mind-born sons of Brahma: Marichi, Atri, Angiras, Pulastya, Pulaha, Kratu, Vasishtha, Prachetas or Daksha, Bhrigu, and Narada. These are really collective names for the various classes of monads, each single prajapati representing also the spiritual-intellectual hierarch of his own particular hierarchy or class of monads. Hence the meaning of prajapati as lord or parent of offspring -- the ten classes of monads corresponding each to its own proper prajapati. Further the prajapatis are the parents of the seven or ten manus. The Puranic myths with their genealogies of the seven prajapatis, rishis, or manus are "but a vast detailed account of the progressive development and evolution of animal creation, one species after the other" (SD 2:253).

"The whole personnel of the Brahmanas and Puranas -- the Rishis, Prajapatis, Manus, their wives and progeny -- belong to that pre-human period. All these are the Seed of Humanity, so to speak. It is around these 'Sons of God,' the 'Mind born' astral children of Brahma, that our physical frames have grown and developed to what they are now. For, the Puranic histories of all those men are those of our Monads, in their various and numberless incarnations on this and other spheres, events perceived by the 'Siva eye' of the ancient Seers, (the 'third eye' of our Stanzas) and described allegorically. Later on, they were disfigured for Sectarian purposes; mutilated, but still left with a considerable ground-work of truth in them. Nor is the philosophy less profound in such allegories for being so thickly veiled by the overgrowth of fancy" (SD 2:284).

(See also: Prajapatis, Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

Brahma (Sanskrit) (from the verbal root brih to expand, grow, fructify)

The first god of the Hindu Trimurti or triad, consisting of Brahma, the emanator, evolver, and creator; Vishnu, the sustainer or preserver; and Siva, the regenerator or destroyer. Brahma is the vivifying expansive force of nature in its eternally periodic manvantaras. He stands for the spiritual evolving or developing energy-consciousness of a solar system which is also called the Egg of Brahma (brahmanda). Brahma is called the creator or Logos, but in the theosophic philosophy creator is simply an abstract term or idea, like army. In Burnouf's words:

"Having evolved himself from the soul of the world, once separated from the first cause, he evaporates with, and emanates all nature out of himself. He does not stand above it, but is mixed up with it; Brahma and the universe form one Being, each particle of which is in its essence Brahma himself, who proceeded out of himself" (q SD 1:380n). The Vishnu-Purana explains that created beings "although they are destroyed (in their individual forms) at the periods of dissolution, yet being affected by the good or evil acts of former existences, are never exempted from their consequences. And when Brahma produces the world anew, they are the progeny of his will . . ." (q SD 1:456n).

Brahman is both masculine and neuter, and therefore has two meanings. In the masculine (Brahma) it is the evolving energy of the cosmic egg, as distinguished from the neuter (Brahman). Brahma is the vehicle or sheath of Brahman. The Vishnu-Purana says that Brahma in its totality has essentially the aspect of prakriti, both evolved and unevolved (mulaprakriti), and also the aspects of spirit and of time. "Brahma, as 'the germ of unknown Darkness,' is the material from which all evolves and develops 'as the web from the spider, as foam from the water,' etc. This is only graphic and true, if Brahma the 'Creator' is, as a term, derived from the root brih, to increase or expand. Brahma 'expands' and becomes the Universe woven out of his own substance" (SD 1:83). Again,

"Here we find, as in all genuine philosophical systems, even the 'Egg' or the Circle (or Zero), boundless Infinity, referred to as It, and Brahma, the first unit only, referred to as the male god, i.e., the fructifying Principle. It is  or 10 (ten) the Decade. On the plane of the Septenary or our World only, it is called Brahma. On that of the Unified Decade in the realm of Reality, this male Brahma is an illusion" (SD 1:333).

According to the Aitareya-Brahmana, Brahma as Prajapati (lord of beings) manifests himself first of all as twelve bodies or attributes, which are represented by the twelve gods, symbolizing 1) fire; 2) the sun; 3) soma, which gives omniscience; 4) all living beings; 5) vayu, or ether; 6) death, or breath of destruction -- Siva; 7) earth; 8) heaven; 9) Agni, the immaterial fire; 10) Aditya, the immaterial and invisible sun; 11) mind; and 12) the great infinite cycle, "which is not to be stopped." Brahma in one of his phases therefore is the visible universe, every atom of which is essentially himself.

Brahma "symbolizes personally the collective creators of the World and Men -- the universe with all its numberless productions of things movable and (seemingly) immovable. He is collectively the Prajapatis, the Lords of Being; and the four bodies typify the four classes of creative powers or Dhyan Chohans . . ." (SD 2:60), these four bodies being ratri (night) associated with the creation of the asuras; ahan (day) associated with the gods; sandhya (evening twilight) associated with the pitris; and jyotsna (dawn or light) associated with the creation of men.

In the beginning Brahma was Purusha (spirit) and also prakriti (matter). It is later that he separated himself into two halves -- Brahma-Vach (female) and Brahma-Viraj (male). The term Brahma is not found in the Vedas. Blavatsky correlates Adam-Qadmon, Brahma, and Mars as symbols for primitive or initial generative and creative powers typifying water and earth; also all three are associated with the color red (cf SD 2:43, 124-5).

See also BRAHMA'S DAY

(See also: Brahma, Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

Typhon (Egypt, Egyptian). An aspect or shadow of Osiris.

Typhon is not, as Plutarch asserts, the distinct " Evil Principle " or the Satan of the Jews; but rather the lower cosmic "principles " of the divine body of Osiris, the god in them - Osiris being the personified universe as an ideation, and Typhon as that same universe in its material realization.

The two in one are Vishnu-Siva. The true meaning of the Egyptian myth is that Typhon is the terrestrial and material envelope of Osiris, who is the indwelling spirit thereof. In chapter 42 of the Ritual (" Book of the Dead"), Typhon is described as "Set, formerly called Thoth".

Orientalists find themselves greatly perplexed by discovering Set-Typhon addressed in some papyri as "a great and good god ", and in others as the embodiment of evil. But is not Siva, one of the Hindu Trimurti, described in some places as "the best and most bountiful of gods ", and at other times, "a dark, black, destroying, terrible " and " fierce god"? Did not Loki, the Scandinavian Typhon, after having been described in earlier times as a beneficent being, as the god of fire, the presiding genius of the peaceful domestic hearth, suddenly lose caste and become forthwith a power of evil, a cold-hell Satan and a demon of the worst kind? There is a good reason for such an invariable transformation. So long as these dual gods, symbols of good and necessary evil, of light and darkness, keep closely allied, i.e., stand for a combination of differentiated human qualities, or of the element they represent - they are simply an embodiment of the average personal god.

No sooner, however, are they separated into two entities, each with its two characteristics, than they become respectively the two opposite poles of good and evil, of light and darkness ; they become in short, two independent and distinct entities or rather personalities. It is only by dint of sophistry that the Churches have succeeded to this day in preserving in the minds of the few the Jewish deity in his primeval integrity. Had they been logical they would have separated Christ from Jehovah, light and goodness from darkness and badness. And this was what happened to Osiris Typhon ;but no Orientalist has understood it, and thus their perplexity goes on increasing. Once accepted - as in the case of the Occultists -  as an integral part of Osiris, just as Ahriman is an inseparable part of Ahura Mazda, and the Serpent of Genesis the dark aspect of the Elohim, blended into our "Lord God " - every difficulty in the nature of Typhon disappears. Typhon is a later name of Set, later but ancient - as early in fact as the fourth Dynasty; for in the Ritual one reads: " 0 Typhon-Set ! I invoke thee, terrible, invisible, all-powerful god of gods, thou who destroyest and renderest desert ". Typhon belongs most decidedly to the same symbolical category as Siva the Destroyer, and Saturn - the "dark god ". In the Book of the Dead, Set, in his battle with Thoth (wisdom)_who is his spiritual counterpart  -  is emasculated as Saturn-Kronos was and Ouranos before him. As Siva is closely connected with the bull Nandi - an aspect of Brahma-Vishnu, the creative and preserving powers - so is Set-Typhon allied with the bull Apis, both bulls being sacred to, and allied with, their respective deities. As Typhon was originally worshipped as an upright stone, the phallus, so is Siva to this day represented and worshipped as a lingham. Siva is Saturn. Indeed, Typhon-Set seems to have served as a prototype for more than one god of the later ritualistic cycle, including even the god of the Jews, some of his ritualistic observances having passed bodily into the code of laws and the canon of religious rites of the "chosen people". Who of the Bible-worshippers knows the origin of the scape-goat (ez or aza) sent into the wilderness as an atonement ? Do they know that ages before the exodus of Moses the goat was sacred to Typhon, and that it is over the head of that Typhonic goat that the Egyptians confessed their sins, after which the animal was turned into the desert?

"And Aaron shall take the scapegoat (Azazel) and lay his hands upon the head of the live goat, and confess over him all the iniquities of the children of Israel . . . and shall send him away . . . into the wilderness" (Levit., xvi.). And as the goat of the Egyptians made an atonement with Typhon, so the goat of the Israelites "made an atonement before the Lord" (Ibid., v. 10). Thus, if one only remembers that every anthropomorphic creative god was with the philosophical ancients the "Life-giver" and the "Death-dealer " - Osiris and Typhon, Ahura Mazda and Ahriman, etc., etc. - it will be easy for him to comprehend the assertion made by the Occultists, that Typhon was but a symbol for the lower quaternary, the ever conflicting and turbulent principles of differentiated chaotic matter, whether in the Universe or in Man, while Osiris symbolized the higher spiritual triad. Typhon is accused in the Ritual of being one who "steals reason from the soul ". Hence, he is shown fighting with Osiris and cutting him into fourteen (twice seven) pieces, after which, left without his counterbalancing power of good and light, he remains steeped in evil and darkness. I

n this way the fable told by Plutarch becomes comprehensible as an allegory. He asserts that, overcome in his fight with Horus, Typhon "fled seven days on an ass, and escaping begat the boys Ierosolumos and Ioudaios ". Now as Typhon was worshipped at a later period under the form of an ass, and as the name of the ass is AO, or (phonetically) IAO, the vowels mimicking the braying of the animal, it becomes evident that Typhon was purposely blended with the name of the Jewish God, as the two names of Judea and Jerusalem, begotten by Typhon - sufficiently imply.

(See also: Typhon, Theosophy, Spirituality, Body mind and Soul, Spiritual Dictionary, )

Vishnu Visnu (Sanskrit) [from the verbal root vish to enter, pervade]

The sustainer or preserver; the second of the three gods of the Hindu Trimurti or Triad. Brahma, Siva, and Vishnu together are infinite space, of which the gods, rishis, manus, and all in the universe are simply the manifestations, qualities, and potencies. Vishnu is called the eternal deity, and in the Mahabharata and the Puranas he is declared to be the imbodiment of sattva-guna, the quality of mercy and goodness, which displays itself as the preserving power in the self-existent, all-pervading spirit. His symbol is the chakra (circle). He is identical with the Hindu Idaspati (master of the waters) and with the Greek Poseidon and Latin Neptune.

Blavatsky gives a passage about Vishnu from the Laws of Manu, with interpolated remarks (SD 1:333): " 'Removing the darkness, the Self-existent Lord' (Vishnu, Narayana, etc.) becoming manifest, and 'wishing to produce beings from his Essence, created, in the beginning, water alone. In that he cast seed . . . That became a Golden Egg.' (V.6, 7, 8, 9) Whence this Self-existent Lord? It is called this, and is spoken of as 'Darkness, imperceptible, without definite qualities, undiscoverable as if wholly in sleep.' (V.5) Having dwelt in that Egg for a whole divine year, he 'who is called in the world Brahma,' splits that Egg in two, and from the upper portion he forms the heaven, from the lower the earth, and from the middle the sky and 'the perpetual place of waters.' (12, 13.)"

In the Mahabharata (3:189:3) Vishnu says: " 'I called the name of water nara in ancient times, and am hence called Narayana, for that was always the abode I moved in' (Ayana). It is into the water (or chaos, the 'moist principle' of the Greeks and Hermes), that the first seed of the Universe is thrown. 'The "Spirit of God" moves on the dark waters of Space'; hence Thales makes of it the primordial element and prior to Fire, which was yet latent in that Spirit" (SD 2:591).

Vishnu has many names and is presented in many different forms in Hindu writings. Riding on Garuda, the allegorical monstrous half-man and half-bird, Vishnu is the symbol of Kala (duration), and Garuda the emblem of cyclic and periodical time. Vishnu as the sun represents the male principle, which vivifies and fructifies all things. The Puranas call Ananta- Sesha a form of Vishnu on which the universe sleeps during pralaya. In the allegorical Vaivasvata-Manu deluge, Vishnu in the shape of a fish towing the ark of salvation represents the divine spirit as a concrete cosmic principle and also as the preserver and generator, or giver of life. In the Rig-Veda Vishnu is a manifestation of the solar energy and strides through the seven regions of the universe in three steps. The Vedic Vishnu is not the prominent god of later times.

Vishnu as the giver of life is the source of one line of avataras. The ten mythical avataras of Vishnu are: Matsya, the Fish; Kurma, the Tortoise; Varaha, the Boar; Narasimha, the Man-lion (last animal stage); Vamana, the Dwarf (first step toward the human form); Parasu-rama, Rama with the axe (a hero); Rama-chandra, the hero of the Ramayana; Krishna, son of Devaki; Gautama Buddha; and finally, Kalki, the avatara who is to appear at the end of the Kali yuga "mounted on a white horse" and inaugurate a new reign of righteousness upon earth.

" 'In the Krita age, Vishnu, in the form of Kapila and other (inspired sages) . . . imparts to the world true wisdom as Enoch did. In the Treta age he restrains the wicked, in the form of a universal monarch (the Chakravartin or the 'Everlasting King' of Enoch) and protects the three worlds (or races). In the Dwapara age, in the person of Veda-Vyasa, he divides the one Veda into four, and distributes it into hundreds (Sata) of branches.' Truly so; the Veda of the earliest Aryans, before it was written, went forth into every nation of the Atlanto-Lemurians, and sowed the first seeds of all the now existing old religions. The off-shoots of the never dying tree of wisdom have scattered their dead leaves even on Judeo-Christianity. And at the end of the Kali, our present age, Vishnu, or the 'Everlasting King' will appear as Kalki, and re-establish righteousness upon earth. The minds of those who live at that time shall be awakened, and become as pellucid as crystal" (SD 2:483).

Again,

"If we only search for the true essence of the philosophy of both Manu and the Kabala, we will find that Vishnu is, as well as Adam Kadmon, the expression of the universe itself; and that his incarnations are but concrete and various embodiments of the manifestations of this 'Stupendous Whole.' 'I am the Soul, O, Arjuna. I am the Soul which exists in the heart of all beings; and I am the beginning and the middle, and also the end of existing things,' says Vishnu to his disciple, in the Bhagavad-Gita (ch. x)" (IU 2:277).

(See also: Vishnu Visnu, Mysticism, Mysticism Dictionary, Body mind and Soul)

Although Brahmā is prayed to in almost all hindu religious rites, there are only two temples dedicated to him in India, the more prominent of which is at Pushkar, close to Jaipur. Once a year, on the full moon night of the Hindu lunar month of Kartika (October - November), a religious festival is held in Brahmā's honour. Thousands of pilgrims come to bathe in the holy lake adjecent to the temple. There is also a famous murti of Brahmā at Mangalwedha, 52 km from Solapur district in Maharashtra. There is one more temple for Brahma in the te ...

See also:

Brahma, Brahma - Creation, Brahma - Appearance, Brahma - Vehicle, Brahma - Consort, Brahma - Temples

Read more here: » Brahma: Encyclopedia II - Brahma - Temples

Shiva is referred to as 'the good one' or the 'auspicious one'. Shiva - Rudra is considered to be the destroyer of evil and sorrow. Shiva - Shankara is the doer of good. Shiva is 'tri netra' or three eyed, and is 'neela kantha' - blue necked (having consumed poison to save the world from destruction). Shiva - Nataraja is the Divine Cosmic Dancer. Shiva - Ardhanareeswara is both man and woman. He is both static and dynamic and is both creator and destroyer. He is the oldest and the youngest, he is the eternal youth as well as the infan ...

See also:

Shiva, Shiva - Introduction, Shiva - Consorts and the Burning of Kamadeva, Shiva - Other Legends, Shiva - The Sons of Shiva, Shiva - Attributes of Lord Shiva, Shiva - Other Forms and Legends, Shiva - Schools and Views of Śivaism, Shiva - Origin Theories, Shiva - Names of Śiva

Read more here: » Shiva: Encyclopedia II - Shiva - Introduction

Shiva is One and Shiva is all. A very precise and lucid explanation of Siva is contained in Mandukya Upanishad. His is the three states of waking, dreaming, and dream less sleep for enjoyment. But He is that which is indescribable, non-changing, non-dual, ever blissful progenitor of the three states. In short: the Self of all. He is the fourth state called Turiya: "The Fourth is thought of as that which is not conscious of the internal world, nor conscious of the external world, nor conscious of both the worlds, nor dense with conscio ...

See also:

Shiva, Shiva - Shivalingas, Shiva - Introduction, Shiva - Consorts and the Burning of Kamadeva, Shiva - Other Legends, Shiva - The Sons of Shiva, Shiva - Attributes of Lord Shiva, Shiva - Other Forms and Legends, Shiva - Schools and Views of Śivaism, Shiva - Origin Theories, Shiva - Names of Śiva

Read more here: » Shiva: Encyclopedia II - Shiva - Introduction

Shiva is referred to as 'the good one' or the 'auspicious one'. Shiva - Rudra is considered to be the destroyer of evil and sorrow. Shiva - Shankara is the doer of good. Shiva is 'tri netra' or three eyed, and is 'neela kantha' - blue necked (having consumed poison to save the world from destruction). Shiva - Nataraja is the Divine Cosmic Dancer. Shiva - Ardhanareeswara is both man and woman. He is both static and dynamic and is both creator and destroyer. He is the oldest and the youngest, he is the eternal youth as well as the infan ...

See also:

Shiva, Shiva - Shivalingas, Shiva - Introduction, Shiva - Consorts and the Burning of Kamadeva, Shiva - Other Legends, Shiva - The Sons of Shiva, Shiva - Attributes of Lord Shiva, Shiva - Other Forms and Legends, Shiva - Schools and Views of Śivaism, Shiva - Origin Theories, Shiva - Names of Śiva

Read more here: » Shiva: Encyclopedia II - Shiva - Introduction

Plato refers to the Demiurge frequently in the Socratic dialogue Timaeus as the entity who "fashioned and shaped" the material world. Plato describes the Demiurge as unreservedly good and hence desirous of a world as good as possible. The world remains allegedly imperfect, however, because the Demiurge had to work on pre-existing chaotic matter. Pagan philosophers in the lineage of Plato also rebuke the Gnostics. This would include Plotinus who, rebuked Gnosticism in the ninth tractate of the second Enneads, "Against Those that ...

See also:

Demiurge, Demiurge - Platonism, Demiurge - Gnosticism, Demiurge - Comparisons, Demiurge - Christianity, Demiurge - Vedic tradition Hinduism, Demiurge - Siberian Shamanism

Read more here: » Demiurge: Encyclopedia II - Demiurge - Platonism

Demiurge - Christianity. The concept of an evil Demiurge is completely at odds with typical Christian theology, which is often considered as the orthodox one. According to this classical Christian theology, the creation is originally all good and the work of one all-good Creator. It rejects the notion that Satan (or an equivalent being) could create the physical universe. The Platonic interpretation also contradicts this Christian theology, because it presupposes the pre-existence of matter (in a chaotic form), conflicting with the concept of an all-powerful creator who fashioned the u ...

See also:

Demiurge, Demiurge - Platonism, Demiurge - Gnosticism, Demiurge - Comparisons, Demiurge - Christianity, Demiurge - Vedic tradition Hinduism, Demiurge - Siberian Shamanism

Read more here: » Demiurge: Encyclopedia II - Demiurge - Comparisons

Śiva's consort is Devi, God's energy or God as the Divine Mother who comes in many different forms, one of whom is Kali, the goddess of death. Parvati, a more pacific form of Devi is also popular. Śiva also married Sati, another form of Devi and daughter of Daksha, who forbade the marriage. Sati disobeyed her father. Daksha once held a Yajna (ritual sacrifice) to Vishnu, but did not invite Śiva. In disgust, Sati burned herself through yogic meditation (or, in another version, in the same fire Daksha used in his sacrifice). When Śiva's at ...

See also:

Shiva, Shiva - Introduction, Shiva - Consorts, and the Burning of Kamadeva, Shiva - Other Legends, Shiva - The Sons of Shiva, Shiva - Attributes of Lord Shiva, Shiva - Other Forms and Legends, Shiva - Schools and Views of Śivaism, Shiva - Origin Theories, Shiva - Names of Śiva

Read more here: » Shiva: Encyclopedia II - Shiva - Consorts, and the Burning of Kamadeva