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Étienne Méhul

A Wisdom Archive on Étienne Méhul

Étienne Méhul

A selection of articles related to Étienne Méhul

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ARTICLES RELATED TO Étienne Méhul

Étienne Méhul: Encyclopedia - Étienne Méhul

Etienne Henri (or Nicolas) Méhul (June 24, 1763 - October 18, 1817), was a French composer. Étienne Méhul - Life and Work. He was born at Givet in Ardennes. His father being too poor to give him a regular musical education, his first lessons came from a poor blind organist of Givet; yet such was his aptitude that, when ten years old, he was appointed organist of the convent of the Récollets. In 1775 a German musician and organist, Wilhelm Hauser, was engaged for the monastery of Lavaldieu, ...

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Read more here: » Étienne Méhul: Encyclopedia - Étienne Méhul

Étienne Méhul: Encyclopedia II - Étienne Méhul - Life and Work

He was born at Givet in Ardennes. His father being too poor to give him a regular musical education, his first lessons came from a poor blind organist of Givet; yet such was his aptitude that, when ten years old, he was appointed organist of the convent of the Récollets. In 1775 a German musician and organist, Wilhelm Hauser, was engaged for the monastery of Lavaldieu, a few miles from Givet, and Méhul became his occasional pupil. In 1778 he was taken to Paris by a military officer, and placed himself under Edelmann, a harpsichord p ...

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Étienne Méhul, Étienne Méhul - Life and Work, Étienne Méhul - Works, Étienne Méhul - Discography, Étienne Méhul - Reference, Étienne Méhul - Links

Read more here: » Étienne Méhul: Encyclopedia II - Étienne Méhul - Life and Work

Étienne Méhul: Encyclopedia II - Étienne Méhul - Life and Work

He was born at Givet in Ardennes. His father being too poor to give him a regular musical education, his first lessons came from a poor blind organist of Givet; yet such was his aptitude that, when ten years old, he was appointed organist of the convent of the Récollets. In 1775 a German musician and organist, Wilhelm Hauser, was engaged for the monastery of Lavaldieu, a few miles from Givet, and Méhul became his occasional pupil. In 1778 he was taken to Paris by a military officer, and placed himself under Edelmann, a harpsichord p ...

See also:

Étienne Méhul, Étienne Méhul - Life and Work, Étienne Méhul - Works, Étienne Méhul - Discography, Étienne Méhul - Reference

Read more here: » Étienne Méhul: Encyclopedia II - Étienne Méhul - Life and Work

Étienne Méhul: Encyclopedia - Classical music era

The Classical period in Western music occurred from about 1730 and 1820, but there was considerable overlap at both ends with preceding and following periods, as is true for all musical eras. Although the term classical music is used as a blanket term meaning all kinds of music in this tradition, it can also occasionally mean this particular era within that tradition. The Classical period falls between the Baroque and the Romantic periods. Among its composers were Muzio Clementi, Johann Ladislaus Dussek and Carl P ...

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Étienne Méhul: Encyclopedia - Symphony

A symphony is an extended piece of music usually for orchestra and comprising several movements. The main characteristics of the classical symphony, as it existed by the end of the 18th century in the German-speaking world were: 4 movements, of which the first would usually be a fast movement in sonata form, the second a slow movement, the third either a minuet and trio or a ternary dance-like (scherzo) movement in "simple triple" metre, finishing with a fourth, fast movement in rondo and/or sonata form. Instrumental, to be played by an orchestra of the relativ ...

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Read more here: » Symphony: Encyclopedia - Symphony

Étienne Méhul: Encyclopedia II - Classical music era - History of the Classical period

Classical music era - The Classical style as part of a larger artistic change. In the middle of the 18th century, Europe began to move to a new style in architecture, literature, and the arts generally, known as Classicism. While still tightly linked to the court culture and absolutism, with its formality and emphasis on order and hierarchy, the new style was also a cleaner style, one that favored clearer divisions between parts, brighter contrasts and colors, and simplicity rather than complexity. The remarkable ...

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Classical music era, Classical music era - History of the Classical period, Classical music era - The Classical style as part of a larger artistic change, Classical music era - Beginnings of the Classical style 1730-1760, Classical music era - The early Classical style 1760-1775, Classical music era - The middle Classical style 1775-1790, Classical music era - The late Classical style 1790-1820, Classical music era - Classical influence on later composers

Read more here: » Classical music era: Encyclopedia II - Classical music era - History of the Classical period

Étienne Méhul: Encyclopedia II - Symphony - History of the form

Symphony - The 18th century symphony. The form that we now recognise as the symphony took shape in the early 18th century. It is commonly regarded to have grown from the Italian overture, a three-movement piece used to open operas, often used by Alessandro Scarlatti among others. Another important progenitor of the symphony was the ripieno concerto — a relatively little explored form resembling a concerto for strings and continuo, but with no solo instruments. The earliest known ripieno concerti are by G ...

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Symphony, Symphony - The word symphony, Symphony - History of the form, Symphony - The 18th century symphony, Symphony - The 19th century symphony, Symphony - The 20th century symphony, Symphony - Composers of symphonies, Symphony - Symphonies by number and name, Symphony - Symphony as orchestra, Symphony - Media

Read more here: » Symphony: Encyclopedia II - Symphony - History of the form

Étienne Méhul: Encyclopedia II - Symphony - The word symphony

The word symphony is derived from the Greek syn (together) and phone (sounding), by way of the Latin symphonia. The term was used by the Greeks, firstly to denote the general conception of concord, both between successive sounds and in the unison of simultaneous sounds; secondly, in the special sense of concordant pairs of successive sounds (i.e. the "perfect intervals" of modern music; the 4th, 5th and octave); and thirdly as dealing with the concord of the octave, thus meaning the art of singing in octaves, as o ...

See also:

Symphony, Symphony - The word symphony, Symphony - History of the form, Symphony - The 18th century symphony, Symphony - The 19th century symphony, Symphony - The 20th century symphony, Symphony - Composers of symphonies, Symphony - Symphonies by number and name, Symphony - Symphony as orchestra, Symphony - Media

Read more here: » Symphony: Encyclopedia II - Symphony - The word symphony

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