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Stretching | A Wisdom Archive on Stretching |  | Stretching A selection of articles related to Stretching |  |
| We recommend this article: Stretching - 1, and also this: Stretching - 2. |
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ARTICLES RELATED TO Stretching | |
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 |  |  | Stretching: Encyclopedia - HarmonicIn acoustics and telecommunication, the harmonic of a wave is a component frequency of the signal that is an integer multiple of the fundamental frequency. For a sine wave, it is an integer multiple of the frequency of the wave. For example, if the frequency is f, the harmonics have frequency 2f, 3f, 4f, etc.
In musical terms, harmonics are component pitches of a harmonic tone which sound at whole number multiples above, or "within", the named note being played on a musical instrument. Non-integer mu ...
Read more here: » Harmonic: Encyclopedia - Harmonic |
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 |  |  | Stretching: Encyclopedia II - Stretched tuning - Effects on tuningInharmonicity "stretches" harmonics beyond their theoretical frequencies, and higher harmonics are stretched proportionally more than lower. Thus, in our example of an octave, exactly matching the lowest common harmonic causes a slight amount of stretch, matching the next higher common harmonic causes a greater amount of stretch, and so on. If the interval is a double octave, exactly matching the upper note to the fourth harmonic of the lower complicates the tuni ...
See also:Stretched tuning, Stretched tuning - Fundamentals and harmonics, Stretched tuning - Intervals and inharmonicity, Stretched tuning - Vibration of wire strings, Stretched tuning - Tines and reeds, Stretched tuning - Effects on tuning, Stretched tuning - References and further information Read more here: » Stretched tuning: Encyclopedia II - Stretched tuning - Effects on tuning |
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 |  |  | Stretching: Encyclopedia II - Stretched tuning - Fundamentals and harmonicsIn most musical instruments, the tone-generating component (a string or resonant column of air) vibrates at multiple frequencies simultaneously: a fundamental frequency that is usually perceived as the pitch of the note, and harmonics or overtones that are multiples of the fundamental frequency and whose wavelengths therefore divide the tone-generating region into simple fractional segments (1/2, 1/3, 1/4, etc.). (See harmonic series.) The fundamental note and its harmonics sound together, and the amplitude relationships among them ...
See also:Stretched tuning, Stretched tuning - Fundamentals and harmonics, Stretched tuning - Intervals and inharmonicity, Stretched tuning - Vibration of wire strings, Stretched tuning - Tines and reeds, Stretched tuning - Effects on tuning, Stretched tuning - References and further information Read more here: » Stretched tuning: Encyclopedia II - Stretched tuning - Fundamentals and harmonics |
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 |  |  | Stretching: Encyclopedia II - Stretched tuning - Intervals and inharmonicityIn tuning, the relationship between two notes (known musically as an interval) is determined by evaluating their common harmonics. For example, we say two notes are an octave apart when the fundamental frequency of the upper note exactly matches the second harmonic of the lower note. Theoretically, this means the fundamental frequency of the upper note is exactly twice that of the lower note, and we would assume that the second harmonic of the upper note will exactly match the fourth harmonic of the lower note.
On instruments strung with metal wire, however, neither ...
See also:Stretched tuning, Stretched tuning - Fundamentals and harmonics, Stretched tuning - Intervals and inharmonicity, Stretched tuning - Vibration of wire strings, Stretched tuning - Tines and reeds, Stretched tuning - Effects on tuning, Stretched tuning - References and further information Read more here: » Stretched tuning: Encyclopedia II - Stretched tuning - Intervals and inharmonicity |
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 |  |  | Stretching: Encyclopedia II - Stretched tuning - Vibration of wire stringsWhen a stretched wire string is excited into motion by plucking or striking, a complex wave travels outward to the ends of the string. As it travels outward, this initial impulse forces the wire out of its resting position all along its length. After the impulse has passed, each part of the wire immediately begins to return toward (and overshoot) its resting position, which means vibration has been induced. Meanwhile, the initial impulse is reflected at both ends of the string and travels back toward the center. On the way, it interacts with ...
See also:Stretched tuning, Stretched tuning - Fundamentals and harmonics, Stretched tuning - Intervals and inharmonicity, Stretched tuning - Vibration of wire strings, Stretched tuning - Tines and reeds, Stretched tuning - Effects on tuning, Stretched tuning - References and further information Read more here: » Stretched tuning: Encyclopedia II - Stretched tuning - Vibration of wire strings |
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 |  |  | Stretching: Encyclopedia II - Stretching body piercing - Health IssuesThere are few health issues directly related to stretching piercings. Most stretching methods do not create a wound, properly stretched piercings do not need to heal after being stretched, although they are usually given a "rest" before further stretching. If an individual's skin elasticity and vascularity allow, most piercings can be stretched far beyond their initial size. Piercings larger than 2 gauge rarely close up, regardless of the amount of time that passes, and even smaller piercings may be quite noticeable years after their removal ...
See also:Stretching body piercing, Stretching body piercing - Stretching Methods, Stretching body piercing - Health Issues, Stretching body piercing - Jewelery for stretched piercings, Stretching body piercing - History and Culture, Stretching body piercing - Gauges and Other Measuring Systems Read more here: » Stretching body piercing: Encyclopedia II - Stretching body piercing - Health Issues |
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