Sound Dictionary

TONING

All of creation is energy, which vibrates according to varying frequencies. Our physical bodies are no exception, and which also responds to the appropriate sounds that can help you to regain balance, good health and emotional stability.

The ancients knew of this and we can see from the chanting of Sama Veda from India, the Tibetan Chants, Gregorian Chants, and many more instances of the healing virtues of sound. Toning by musical instruments, such as the drum, as is used by the Native Americans and Africans, exemplifies the tradition and value of music and /or individualized musical notes.

The human voice has a tremendous range and capability as illustrated by the “Overtones” of the Tibetan monks. The appropriate tone allows the mind, body and spirit to harmonize and be in balance.

See also: Vibrational Healing, Healing Sound, Healing Music

(See also: TONING , Alternative Health, Holistic Health, Body Mind and Soul)

R - Letter R . - The eighteenth letter of the alphabet; "the canine", as its sound reminds one of a snarl. In the Hebrew alphabet it is the twentieth, and its numeral is 200. It is equivalent as Resh to the divine name Rahim (clemency); and its symbols are, a sphere, a head, or a circle.

(See also: R - Letter R , Theosophy, Spirituality, Body mind and Soul, Spiritual Dictionary,)

Anahata Shabda (Sanskrit). The mystic voices and sounds heard by the Yogi at the incipient stage of his meditation, The third of the four states of sound, otherwise called Madhyama - the fourth state being when it is perceptible by the physical sense of hearing. The sound in its previous stages is not heard except by those who have developed their internal, highest spiritual senses. The four stages are called respectively, Para, Pashyanti, Madhyama and Vaikhari.

(See also: Anahata Shabda , Theosophy, Spirituality, Body mind and Soul, Spiritual Dictionary,)

YOGA

(Sanskrit for "union," related to our "yoke.") Conquering the self is known as Yoga, the esoteric Eastern teaching of human perfection that lies behind all occult wisdom. It is a thread that binds the individual to the "Supreme Reality" (or, as Watts would say, "The Supreme Identity"). In the Upanishads is written:

"By Vayu, the Inner Controller, as by a thread, O Gautama, are  this world, the other world, and all beings held together.

"Quite so... Now describe the Inner Controller.

"He who inhabits the earth, yet is within the earth, whom the earth does  not know, whose body the earth is, and who controls the earth from within --  he is your Self, the Inner Controller, The Immortal."

A teacher of Yoga is called a guru and a student is called a chela, a practitioner of Yoga is called a Yogi or Yogin. Yoga reveals the beginning yogi's weaknesses and also what transcendent strengths are available to him. There are 12 essential types of Yoga, here presented in arbitrary order:

Hatha-Yoga (The Breath: physical vitality). Bhakti-Yoga (Loving: The way of Devotion of Religion). Shakti-Yoga (Energy: The way of nature). Mantra-Yoga (Sound: Power through sound vibrations). Laya-Yoga (The Will: Mental powers). Yantra-Yoga (Formation: Powers through the use of geometric forms). Dhyana-Yoga (Thinking: Way of thought). Raja-Yoga (Methodology: Power to discriminate and develop consciousness). Jnana-Yoga (Knowledge: Intellectual power). Kundalini-Yoga (Kundalini energy: Development of psychic nerve energy). Samadhi-Yoga (The Self: The way of ecstasy). Karma-Yoga (Action: The way of right action). To these we must also add the esoteric Martya Yoga (willed death).

(See also: YOGA , Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul,)

Akasa (Sanskrit) (from akas to be visible, appear, shine, be brilliant)

The shining; ether, cosmic space, the fifth cosmic element. The subtle, supersensuous spiritual essence which pervades all space. It is not the ether of science, but the aether of the ancients, such as the Stoics, which is to ether what spirit is to matter. In the Brahmanical scriptures, akasa is used for what the Northern Buddhists call svabhavat, more mystically adi-buddhi (primeval buddhi); it is also mulaprakriti, cosmic spirit-substance, the reservoir of being and of beings. Genesis refers to it as the waters of the deep. It is universal substantial space, and mystically in its highest elements is alaya.

As universal space, it is also known as Aditi, in which lies inherent the eternal and continuously active ideation of the universe producing its ever-changing aspects on the planes of matter and objectivity; and from this ideation radiates the First Logos. This is why the Puranas state that akasa has but one attribute, namely sound, for sound is but the translated symbol of logos (speech) in its mystic sense. Akasa as primordial spatial substance is thus the upadhi (vehicle) of divine thought. Further, it is the playground of all the intelligent and semi-intelligent forces in nature, the fountainhead of all terrestrial life, and the abode of the gods.

Akasa is the noumenon and spiritual substratum of differentiated prakriti, otherwise the seven or ten prakritis, the root or roots of all in the universe. These prakritis are not merely in akasa, but are the manifestations of akasa in its various grades or degrees of evolutionary development. All the ancient nations mythologically deified akasa in one or another of its aspects and powers (cf IU 1:125 for a descriptive listing of the many names anciently used for akasa). It is the indispensable agent in all religious or profane magic: occult electricity, the universal solvent, in another aspect kundalini. "Akasa is the mysterious fluid termed by scholastic science, 'the all-pervading ether'; it enters into all the magical operations of nature, and produces mesmeric, magnetic, and spiritual phenomena. As, in Syria, Palestine, and India, meant the sky, life, and the sun at the same time; the sun being considered by the ancient sages as the great magnetic well of our universe" (IU 1:140n).

Sometimes the astral light is used as a convenient but inaccurate phrase for akasa. In clarifying the difference between these Blavatsky says: "The Astral Light is that which mirrors the three higher planes of consciousness, and is above the lower, or terrestrial plane; therefore it does not extend beyond the fourth plane, where, one may say, the Akasa begins.

"There is one great difference between the Astral Light and the Akasa which must be remembered. The latter is eternal, the former is periodic. The Astral Light changes not only with the Mahamanvantaras but also with every sub-period and planetary cycle or Round. . . .

"The Akasa is the eternal divine consciousness which cannot differentiate, have qualities, or act; action belongs to that which is reflected or mirrored from it. The unconditioned and infinite can have no relation with the finite and conditioned. . . . We may compare the Akasa and the Astral Light . . . to the germ in the acorn. The latter, besides containing in itself the astral form of the future oak, conceals the germ from which grows a tree containing millions of forms. These forms are contained in the acorn potentially, yet the development of each particular acorn depends upon extraneous circumstances, physical forces, etc." (TBL 75-6; also IU 1:197).

The astral light is the tablet of memory of earth and of its child the animal-man; while akasa is the tablet of memory of the hierarchy of the planetary spirits controlling our chain of globes, and likewise of their child, each spiritual ego. The astral light is simply the dregs or lowers vehicles of akasa. Gautama Buddha held only two things as eternal: akasa and nirvana. In the Chandogya Upanishad (7:12:1-2) akasa (ether, space) is equated with Brahman.

(See also: Akasa , Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

Siva consciousness: Sivachaitanya.

A broad term naming the experience or state of being conscious of Siva in a multitude of ways, such as in the five expressed in the following meditation.

-       Vital Breath: prana. Experience the inbreath and outbreath as Siva's will within your body. Become attuned to the ever-present pulse of the universe, knowing that nothing moves but by His divine will.

-       All Pervasive Energy: shakti. Become conscious of the flow of life within your body. Realize that it is the same universal energy within every living thing. Practice seeing the life energy within another's eyes.

-       Manifest Sacred Form: darshana. Hold in your mind a sacred form, such as Nataraja, Sivalinga or your satguru - who is Sadasiva - and think of nothing else. See every form as a form of our God Siva.

-       Inner Light: jyoti. Observe the light that illumines your thoughts. Concentrate only on that light, as you might practice being more aware of the light on a TV screen than of its changing pictures.

-       Sacred Sound: nada. Listen to the constant high-pitched ee sounding in your head. It is like the tone of an electrical transformer, a hundred tamburas distantly playing or a humming swarm of bees.

These five constitute the "Sivachaitanya Panchatantra," five simple experiences that bring the Divine into the reach of each individual. Sivachaitanya, of course, applies to deeper states of meditation and contemplation as well.

See: jnana, mind (five states of mind), Sivasayujya.

(See also: Siva consciousness , Hinduism, Body Mind and Soul)

spiritual unfoldment: Adhyatma vikasa.

The unfoldment of the spirit, the inherent, divine soul of man. The very gradual expansion of consciousness as kundalini shakti slowly rises through the sushumna.

The term spiritual unfoldment indicates this slow, imperceptible process, likened to a lotus flower's emerging from bud to effulgent beauty. Contrasted with development, which implies intellectual study; or growth, which implies character building and sadhana.

Sound intellect and good character are the foundation for spiritual unfoldment, but they are not the unfoldment itself. When philosophical training and sadhana is complete, the kundalini rises safely and imperceptively, without jerks, twitches, tears or hot flashes. Brings greater willpower, compassion and perceptive qualities.

See: adhyatma vikasa, kundalini, kundalini, awakening, liberation, pada, sadhana, sadhana marga, San Marga, tapas.

(See also: Spiritual unfoldment , Hinduism, Body Mind and Soul)

Bindu:

Bindu. The point without a center from which proceeds Cosmic Sound

(See also: Bindu , Tantra, Tantra Dictionary, Body Mind and Soul)

 Shabda:

sound, the creative principle

(See also:  Shabda , Body Mind and Soul)

Mantra: Ritual sound, word or phrase used as a tool to focus and quiet the mind. Mantra is a sound or set of sounds that are believed to have the unique power to restore us to a state of pristine harmony. Sea also Chant.

(See also: Mantra , Alternative Health, Body Mind and Soul)

 Nada:

an internal sound

(See also:  Nada , Body Mind and Soul)

didgeridoo vibrational healing: Group of techniques, of Australian aboriginal origin, promoted by the Emerging Light Center of Queens, in New York City. It helps to remove blocks. Its theory posits spiritual centers and a personal spiritual being with a reachable core.

A didgeridoo (also spelled didjeridu) is a hornlike wind instrument, generally three feet long, of hollowed, petrified eucalyptus bark. Aborigines use it to produce a sound that effects healing on an energetic or spiritual level. This sound expands one's aura.

(See also: Didgeridoo vibrational healing , Body Mind and Soul, Alternative Health, Alternative Health Dictionary)

Nada: inner sound, primeval sound

(See also: Nada , Hinduism, Yoga, Sanskrit Dictionary, Body Mind and Soul)

Incantation (from Latin cantare to sin)

Charm, matra; the expert use of the power of unvocalized or vocalized sound in evolving occult forces of nature. Used in magic, especially of the ceremonial kind. The power of sound, akasic in character, is the "first of the keys which opens the door of communication between Mortals and the Immortals" (SD 1:464); one of the seven siddhis, mantrika-sakti.

(See also: Incantation , Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

NADA: Mystic sound.

(See also: NADA ,Yoga, Yoga Dictionary)

Guna (Sanskrit) A thread, cord, string of a musical instrument; also an attribute, quality, or peculiarity. Each of the five elements is said to have its guna or peculiar quality, as well as a corresponding organ of sense in the human being.

Thus ether has sabda or sound for its guna and the ear for its organ; the air has tangibility for its guna and the skin for its organ; fire or light has sight for its guna and the eye for its organ; water has taste for its guna and the tongue for its organ; the earth has smell for its guna and the nose for its organ. There are actually seven gunas in nature, only five of which have yet been evolved in any especial degree, and two remain still to appear both as qualities and as sense organs in the distant future.

Each one of these gunas, with its corresponding quality or sense organ, is evolved in each one of the seven root-races that form a globe manvantara. The above listing gives the order in which these gunas appear correspondentially to the root-race which brings them into activity. At the present time, being in the fifth root-race, we have evolved five perceptible gunas with their corresponding qualities and sense organs.

According to the Sankhya philosophy, prakriti is considered to possess three basic qualities or qualitative bases (triguna), namely sattva (substantial reality), rajas (inherent activity), and tamas (inertia), popularly rendered goodness, passion, and darkness; or virtue, foulness, and ignorance.

According to the Nyaya philosophy, all existing things possess 24 gunas or characteristic qualities: rupa (shape or form); rasa (savor); gandha (odor); sparsa (tangibility); sankhya (number); parimana (dimension); prithaktva (severalty); samyoga (conjunction); vibhaga (disjunction); paratva (remoteness); aparatva (proximity); gurutva (weight); dravatva (fluidity); sneha (viscidity); sabda (sound); buddhi or jnana (understanding or knowledge); sukha (happiness); duhkha (pain); ichchha (desire); dvesha (aversion); prayatna (effort); dharma (merit or virtue); adharma (demerit); and samskara (the self-reproductive quality).

(See also: Guna , Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

SHABDA: Sound.

(See also: SHABDA ,Yoga, Yoga Dictionary)

Guna (Sanskrit) A thread, cord, string of a musical instrument; also an attribute, quality, or peculiarity. Each of the five elements is said to have its guna or peculiar quality, as well as a corresponding organ of sense in the human being.

Thus ether has sabda or sound for its guna and the ear for its organ; the air has tangibility for its guna and the skin for its organ; fire or light has sight for its guna and the eye for its organ; water has taste for its guna and the tongue for its organ; the earth has smell for its guna and the nose for its organ. There are actually seven gunas in nature, only five of which have yet been evolved in any especial degree, and two remain still to appear both as qualities and as sense organs in the distant future.

Each one of these gunas, with its corresponding quality or sense organ, is evolved in each one of the seven root-races that form a globe manvantara. The above listing gives the order in which these gunas appear correspondentially to the root-race which brings them into activity. At the present time, being in the fifth root-race, we have evolved five perceptible gunas with their corresponding qualities and sense organs.

According to the Sankhya philosophy, prakriti is considered to possess three basic qualities or qualitative bases (triguna), namely sattva (substantial reality), rajas (inherent activity), and tamas (inertia), popularly rendered goodness, passion, and darkness; or virtue, foulness, and ignorance.

According to the Nyaya philosophy, all existing things possess 24 gunas or characteristic qualities: rupa (shape or form); rasa (savor); gandha (odor); sparsa (tangibility); sankhya (number); parimana (dimension); prithaktva (severalty); samyoga (conjunction); vibhaga (disjunction); paratva (remoteness); aparatva (proximity); gurutva (weight); dravatva (fluidity); sneha (viscidity); sabda (sound); buddhi or jnana (understanding or knowledge); sukha (happiness); duhkha (pain); ichchha (desire); dvesha (aversion); prayatna (effort); dharma (merit or virtue); adharma (demerit); and samskara (the self-reproductive quality).

(See also: Gullveig, Gultweig , Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

A dictionary of parapsychology. Please note that words in grey are hyperlinked to a corresponding archive with articles related to that particular topic.

Dream Interpretation Chain

The chain represents a burden you are chained to. Also a chain represents a connection between two people, different extremes, you and your past. If you dream of seeing a person with a chain , it means that unconsciously you are connected to somebody and you want to have a break and feel free. If you see yourself being tied up with chains, it signifies that it will be difficult for you to acquire freedom. Seeing a chain also could mean that you need to let go of the past. If you are trying to break the chain, you will succeed in freeing yourself from something which confines you. Hearing a chain sound: you will receive some news which will negatively affect your future.

Source: Dream-Land, http://www.dream-land.info

(See also: Dream Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Chain , Meaning of Dreams about Chain , Dream Interpretation Chain )

mantra: (Sanskrit) "Mystic formula."

A sound, syllable, word or phrase endowed with special power, usually drawn from scripture. Mantras are chanted loudly during puja to invoke the Gods and establish a force field. Certain mantras are repeated softly or mentally for japa, the subtle tones quieting the mind, harmonizing the inner bodies and stimulating latent spiritual qualities. Hinduism's universal mantra is Aum. To be truly effective, such mantras must be given by the preceptor through initiation.

See: Aum, incantation, japa, puja, yajna, mantra, mantra yoga, meditation.

(See also: Mantra , Hinduism, Body Mind and Soul)

shabda

sound.

(See also: shabda , Bhakti, Bhakti Yoga, Bhakti Dictionary, Body Mind and Soul)