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Spiritual - Theosophy
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Savitri, savitr
Savitri savitr (Sanskrit) [from the verbal root su to pour out, stimulate, set in motion] Vivifier, stimulator; an aspect of the sun deity. Also used interchangeably with Gayatri, a verse of the Rig-Veda (3, 62, 10). (See also: Savitri, savitr, Mysticism, Mysticism Dictionary)
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Spiritual - Theosophy
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Gayatri, Savitri Gayatri or Savitri (Sanskrit) (from the verbal root ga to sing) A verse of the Rig-Veda (III, 62, 10): Tat savitur varenyam bhargo devasya dhimahi dhiyo yo nah prachodayat, "Let us meditate on that excellent splendor of the divine sun; may it illumine (inspire) our hearts (minds)." Every orthodox Brahmin is supposed to repeat this archaic hymn, at least mentally, at both his morning and evening religious devotions. An explanatory paraphrase, giving the inner meaning of the Gayatri is: O thou golden sun of most excellent splendor, illumine our hearts and fill our minds, so that we, recognizing our oneness with the divinity which is the heart of the universe, may see the pathway before our feet, and tread it to those distant goals of perfection stimulated by thine own radiant light. "First it (the light of the Logos) is the life, or the Mahachaitanyam of the cosmos; that is one aspect of it; secondly, it is force, and in this aspect it is the Fohat of the Buddhist philosophy; lastly, it is wisdom, in the sense that it is the Chichakti (Chichchakti) of the Hindu philosophers. All these three aspects are . . . combined in our conception of the Gayatri" (N on BG 90). (See also: Gayatri, Savitri, Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)
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Theosophy
Occultism Mysticism Dictionary on Gayatri or Savitri A Theosophical definition of Gayatri or Savitri : Gayatri - Savitri (Sanskrit) A verse of the Rig-Veda (iii.62.10) which from immemorial time in India has been surrounded with the attributes of quasi-divinity. The Sanskrit words of this verse are: Tat savitur varenyam bhargo devasya dhimahi, dhiyo yo nah prachodayat. Every orthodox Brahmana is supposed to repeat this archaic hymn, at least mentally, at both his morning and evening religious exercises or devotions. A translation in explanatory paraphrase, giving the essential esoteric meaning of the Gayatri or Savitri, is the following: "Oh thou golden sun of most excellent splendor, illumine our hearts and fill our minds, so that we, recognizing our oneness with the Divinity which is the heart of the universe, may see the pathway before our feet, and tread it to those distant goals of perfection, stimulated by thine own radiant light." See also: Gayatri or Savitri , Mysticism, Body Mind and Soul
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Spiritual - Theosophy
Dictionary on
Visvanara Visvanara (Sanskrit) Benefiting all creatures; another name for Savitri, the sun, and also of the father of Agni (fire). Visvanara is the physical basis from which the objective world begins its existence, corresponding closely to the European protyle. True cosmic protyle, however, is the cosmic Duad or Second Logos, a cosmically androgynous spirit-substance one step more inward than Visvanara or the Third Logos. Because of the close interrelationship between Visvanara and the cosmic Duad, they are frequently cited as being the same. (See also: Visvanara, Mysticism, Mysticism Dictionary, Body mind and Soul)
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Spiritual - Theosophy
Dictionary on
Surya Surya (Sanskrit) The sun, its regent or informing divinity; in the Vedas, the sun god, the most concrete of the solar gods, generally distinguished, at least in name, from Savitri and Aditya. He was regarded as one of the original Vedic triad: Indra or Vayu presiding over the atmosphere; Agni, over the earth; and Surya, over the space of the solar system. In Vedic literature, Surya is also called Loka-chakshuh (eye of the world). He is considered the son of Dyaus, the cosmic spirit -- pictured as the spatial extent of cosmic mind -- and of Aditi (space). He is represented as moving through the celestial sphere in a chariot drawn by seven ruddy horses or by one horse with seven heads, referring to the seven principles or elements of the solar system, or to his own seven principles as a unit with their seven different logoi or heads; or the former refers to the seven logoi as manifested in the regents of the seven sacred planets, the latter to their common origin from the one cosmic element, often figuratively called fire (SD 1:101). In later mythology Surya is particularly identified with Savitri as one of the twelve adityas of the sun in the twelve months of the year, and his seven-horsed chariot is described as driven by Aruna (dawn). Surya was represented also as the husband of Sanjna (spiritual consciousness, cosmic or human), and the offspring of Aditi (space), mother of all the gods. One legend represents Surya as crucified on a lathe by Visvakarman -- his father-in-law, the creator of gods and men, and their carpenter -- and having an eighth part of his rays cut off, which deprives his head of its effulgency, creating round it a dark aureole -- "a mystery of the last initiation, and an allegorical representation of it" (TG 313). Sanjna is the sakti of Surya, just as a human spiritual consciousness or buddhi is the sakti of atman, at once its vehicle, its manifestation, and itself in action. This is the reason the sun is considered the patron, parent, and governor of all the manasaputras, and therefore in a generalized sense the source of mind -- sanjna, spiritual intellect or consciousness. The names of the seven principal rays of the sun are: Sushumna, Harikesa, Visvakarman, Visvatryarchas, Sannaddha, Sarvavsu, and Svaraj. "These seven rays are the entire gamut of the seven occult forces (or gods) of nature, as their respective names well prove. . . . As each stands for one of the creative gods or Forces, it is easy to see how important were the functions of the sun in the eyes of antiquity, and why it was deified by the profane" (TG 315). These principal rays of Surya are from another standpoint the seven solar logoi, each one of the seven having its respective home in the seven sacred planets; equally, there may be said to be twelve rays of the sun, and twelve sacred planets, each one a home or mansion of one of the solar logoi. Surya is only the appearance on this cosmic plane of the solar heart or central spiritual sun; although in a more mystical sense, Surya, our sun, is one of the reflections of a galactic center, which astronomically is the prototype, albeit far more advanced in cosmic evolution than is the sun itself. The visible reflection of the sun is composed of highly ethereal matter belonging to the fifth, sixth, and seventh substrates of the lowest cosmic plane or prithivi. Within and above all these rise in ever more sublime steps six other cosmic planes, on and in which are the other globes of the solar chain. The sun's primary essence belongs to the highest division of the seventh state of mother-substance (adi-tattva). This primary sun, of which our visible sun is the reflection, is concealed from the gaze of all but the very highest dhyani-chohans. (See also: Surya, Mysticism, Mysticism Dictionary, Body mind and Soul)
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Spiritual - Theosophy
Dictionary on
Vach, vac Vach vac (Sanskrit) Sound, voice, word, the mystic sound (svara) or essence of spirit of the divine creative activity, the vehicle of divine thought; and of this the Word is the manifested expression. Vach, or its equivalents in other cultures, is always considered feminine. Cosmically she is the carrier or mother of the Third Logos -- the Word or Verbum -- because of carrying perpetually within her the essence of divine thought, the First Logos; and hence Vach is the Second Logos, equivalent to the early Christian Holy Spirit or Holy Ghost -- later transmogrified into a cosmic male. In Hindu mythology Brahma separates his body into masculine and feminine, the feminine becoming Vach, in whom he creates Viraj, who is himself again Brahma. Here we have the three Logoi: Brahma, the First Logos, the divine thought; Vach, the Second Logos, the divine voice; and Viraj, the Third Logos, or the divine word, the philosophical equivalent of the Son of the Christian Trinity. Hence Vach is associated with the work of creation, with the prajapatis. She calls forth the mayavi form of the universe out of abstract space or Chaos, of which the first cosmogonical stage are the seven cosmic elements. Mystically Vach is masculine and feminine at will, as in the Hebrew Genesis Eve is with Adam. It is through her power that Brahma produced the universe. Blavatsky points out that Brahma produced through Vach in the same way that the incomprehensible assumes a tangible form through speech, words, and numbers (cf SD 1:430). Vach through her productive powers produced what Pythagoras called the music of the spheres. The teachings of Pythagoras also speak of the hierarchies of the heavenly host as numbered and expressed in numbers. Vach is equivalent, in some aspects, to Isis, Aditi, mulaprakriti, the waters of space, chaos, and the Qabbalistic Sephirah. "Whether as Aditi, or the divine Sophia of the Greek Gnostics, she is the mother of the seven sons: the 'Angels of the Face,' of the 'Deep,' or the 'Great Green One' of the 'Book of the Dead' " (SD 1:434). These feminine logoi are all correlations of light, sound, and ether. In many aspects Vach approaches Kwan-yin, she of the melodious voice. Sarasvati, the goddess of divine wisdom, is a later form of Vach. The Hebrew Lahgash is nearly identical in meaning with Vach as the hidden power of the mantras, the divine sound. "But Vach being also spoken of as the daughter of Daksha -- 'the god who lives in all the Kalpas' -- her Mayavic character is thereby shown: during the pralaya she disappears, absorbed in the one, all-devouring Ray" (SD 1:430-1). Vach is also called Savitri (the generatrix), the mother of the gods and of all living. She is identical in the human range with Eve, who is also called the mother of all living. Ila or Ida is but the second repetition of Vach in a different period of cosmogony. Vach refers to the cosmic and divine theogony, while Ila refers to a later period in the earth's history when the physiological transformation of the sexes took place during the third root-race. In this last sense Vach corresponds with Eve. Vach is often called Sandhya (twilight), also Satarupa (a hundred forms) to describe the feminine logos unfolded into the ten planes and subplanes of the universe. The cow is a symbol of Vach, for the cow has always been the emblem of the passive generative power of nature. Vach is also mystic speech "by whom Occult Knowledge and Wisdom are communicated to man, and thus Vach is said to have 'entered the Rishis.' . . . she is called 'the mother of the Vedas,' 'since it was through her power (as mystic speech) that Brahma revealed them . . . " (SD 1:430). The Rig-Veda and Upanishads give four kinds of Vach -- vaikhari, madhyama, pasyanti, and para -- corresponding to the four cosmic principles: the physical universe, the light of the Logos, the Logos itself, and parabrahman or the infinite. (See also: Vach, vac, Mysticism, Mysticism Dictionary, Body mind and Soul)
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