Sarpa-rajni (Sanskrit). The queen of the serpents in the Brahmanas.

(See also: Sarpa-rajni, Theosophy, Spirituality, Body mind and Soul, Spiritual Dictionary, )

Sarpa-rajni (Sanskrit) [from sarpa serpent + rajni queen]

The queen of the serpents;

"the Aitareya-Brahmana calls the Earth Sarparajni, . . . Before our globe became egg-shaped (and the Universe also) 'a long trail of Cosmic dust (or fire mist) moved and writhed like a serpent in Space.' The 'Spirit of God moving on Chaos' was symbolized by every nation in the shape of a fiery serpent breathing fire and light upon the primordial waters, until it had incubated cosmic matter and made it assume the annular shape of a serpent with its tail in its mouth -- which symbolises not only Eternity and Infinitude, but also the globular shape of all the bodies formed within the Universe from that fiery mist. The Universe, as well as the Earth and Man, cast off periodically, serpent-like, their old skins, to assume new ones after a time of rest " (SD 1:74).

"The Earth is said to cast off her old three skins, because this refers to the three preceding Rounds she has already passed through; the present being the fourth Round out of the seven. At the beginning of every new Round, after a period of 'obscuration,' the earth (as do also the other six 'earths') casts off, or is supposed to cast off, her old skins as the Serpent does . . ." (SD 2:47).

Also, certain verses of the Rig-Veda dealing with this subject.

(See also: Sarpa-rajni, Mysticism, Mysticism Dictionary)

Sarpas (Sanskrit). Serpents, whose king was Sesha, the serpent, or rather an aspect of Vishnu, who reigned in Patala.

(See also: Sarpas, Theosophy, Spirituality, Body mind and Soul, Spiritual Dictionary, )

Atavu which is a combination of Vativu and Chuvatu. Vativu: There are nine Vativus or postures in Kalarippayattu they are: Gaja Vativu or elephant pose Asva Vativu or horse pose Simha Vativu or Lion pose Varaha Vativu or boar pose Matsya Vativu or Fish pose Marjara Vativu or Cat pose Kukkuta Vativu or Cock pose Sarpa Vativu or Serpent pose Mayura Vativu or Peacock pose Each ...

See also:

Kalarippayattu, Kalarippayattu - Main divisions of Kalarippayattu, Kalarippayattu - Etymology, Kalarippayattu - History of Kalaripayattu, Kalarippayattu - Legends, Kalarippayattu - Cultural influence, Kalarippayattu - Training, Kalarippayattu - Initiation Ceremony, Kalarippayattu - Meythari, Kalarippayattu - Kolthari, Kalarippayattu - Ankathari, Kalarippayattu - Verumkai, Kalarippayattu - Vativu Postures and Chuvatu Foot movements, Kalarippayattu - AnkaKalari and Ankathattu, Kalarippayattu - Weapons used by Kalarippayattu warriors, Kalarippayattu - Relation between Kalarippayattu and other performing arts in Kerala, Kalarippayattu - Additional readings, Kalarippayattu - Movies on Kalarippayyattu

Read more here: » Kalarippayattu: Encyclopedia II - Kalarippayattu - Vativu Postures and Chuvatu Foot movements

Sarpa (Sanskrit) [from the verbal root srip to wriggle, creep, crawl]

Serpent; the serpent has ever symbolized in occultism wisdom, immortality -- therefore renewed birth -- and secret knowledge; hence sarpa is applied to an initiate, as is naga (Sanskrit serpent). "There is a notable difference esoterically between the words Sarpa and Naga, though they are both used indiscriminately. Sarpa (serpent) is from the root Srip, serpo to creep; and they are called 'Ahi,' from Ha, to abandon. 'The sarpa was produced from Brahma's hair, which, owing to his fright at beholding the Yakshas, whom he had created horrible to behold, fell off from the head, each hair becoming a serpent. They are called Sarpa from their creeping and Ahi because they had deserted the head' (Wilson). But the Nagas, their serpent's tail notwithstanding, do not creep, but manage to walk, run and fight in the allegories" (SD 2:181-2n).

Sarpa was the original Sanskrit term for a snake or serpent, whereas naga, although likewise signifying a snake or serpent -- which it does consistently throughout the range of Sanskrit literature -- nevertheless early became identified in mystical thought with initiates because of their power of casting off physical body after physical body almost at will. Both terms therefore signify serpent or snake, and both later were used almost indiscriminately to signify initiates; nevertheless, because of habit or use, naga is the more common term for a full initiate, sarpa in this sense being of less frequent usage.

Just as the forces of nature are in themselves neutral, and become "good" or "bad" as they are used by individuals, similarly so is a symbol usable in a good or a bad sense. In the use of nagas and sarpas, the Brothers of Light are properly called nagas, and the Brothers of Darkness are more properly called sarpas, as the root srip which means to wriggle, hence to insinuate, to creep in by stealth and deceive.

Both the Brothers of Light and of Darkness are focuses of power, subtlety, wisdom, and knowledge; in the one case rightly and nobly applied, and in the other wrongly applied. The former are the nagas or serpents of light: subtle, wise, and with power to cast off the garment or vehicle when the body has grown old and to assume another at will. The latter are more strictly the sarpas or serpents of darkness, insinuating, worldly wise, selfishly shrewd, deceitful, venomous, and dangerous, and yet possessing the same powers, but in less degree, and using them wrongly, thus deceiving human hearts and succeeding in their work often by lies and misrepresentations. Nevertheless, precisely because nagas and sarpas are used almost indiscriminately, either word may apply both to the servants of light or of darkness.

(See also: Sarpa, Mysticism, Mysticism Dictionary)

Pitta dominated Rajasikas, intellectually oriented but vulnerable to temptations, are very human in their character and approach to life.

Asura

Indulgence in self-praise, bravery, cruelty, envy and ruthlessness. Terrifying appearance.

Raksasa

Excessive sleep and indolence. Envious disposition. Constant anger, intolerance, and cruel behaviour. Gluttonous habits.

Paisala

Unclean habits. Cowardly, with a terrifying disposition. Gluttonous habits. Fondness for the opposite sex. Abnormal diet and regimen.

Sarpa

Sharp reactions. Excessive indolance. Frequent fearful disposition. Brave or cowardly attitude depending on situations.

Praita

Excessive desire for food. Envious character. Excessive greediness and actions without discrimination.

Sakuna

Full of passion. Unsteadiness, ruthlessness, and excessive attitude for food.

(See also: Rajas, Ayurveda, Ayurvedic Dictionary, Alternative Health, Body Mind and Soul)

Snakes.

See SERPENTS; NAGA; ANANTA-SESHA; SARPA

(See also: Snakes, Mysticism, Mysticism Dictionary)

Saraph (Hebrew) Plural seraphim. Fiery, burning, glowing, filled with light and warmth; also serpent. In the Old Testament, the serpent that Moses is ordered to make is the mystical Saraph, and in this almost purely physiological connection it represents Jehovah, the chief of the fiery serpents (SD 2:387).

Flying serpent is the generally accepted translation of saraph me`opheph (Isaiah 30:6) -- commonly connected in Christian theology with the Devil; but the expression is metaphorical and has nothing to do with the Evil One. This curious, significant phrase more accurately means both covered or enwrapped flame or fire, or flying fire. And as saraph also signifies serpent, it could equally mean covered or concealed serpent, or flying serpent.

There is a strong mystical parallel, and possibly some remote etymological connection, between the Sanskrit sarpa (serpent) and the Hebrew saraph, the parallel doubtless arising in the same esoteric thread of mystical thought.

See also SERAPHIM

(See also: Saraph, Mysticism, Mysticism Dictionary)

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