In the film, the King Lear character is replaced with Ichimonji Hidetora, the Great Lord, an aging warlord. Instead of daughters, he has sons: Taro, Jiro, and Saburo (who is the equivalent of Shakespeare's Cordelia). Hidetora decides to give control of his kingdom up to Taro, the eldest son, while Jiro and Saburo will be given the Second and Third Castles. Jiro and Saburo are to support Taro. However, Saburo criticizes Hidetora's plan, claiming that he is a fool to think they will be able to get along peacefully. Tango, one of Hidetora's servants, comes to Saburo's defense ...

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Ran film, Ran film - Plot, Ran film - Background, Ran film - Production, Ran film - Reception, Ran film - Cast, Ran film - Footnotes

Read more here: » Ran film: Encyclopedia II - Ran film - Plot

In the film, the King Lear character is replaced with Ichimonji Hidetora, the Great Lord, an aging warlord. In place of Lear's daughters, Hidetora has three sons - Taro, Jiro, and Saburo (who fulfill the equivalent roles of Goneril, Regan and Cordelia respectively). Hidetora decides to give control of his kingdom up to Taro, the eldest son, while Jiro and Saburo will be given the Second and Third Castles. Jiro and Saburo are to support Taro. However, Saburo criticizes Hidetora's plan, claiming that he is a fool to think they will be able to ...

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Ran film, Ran film - Plot, Ran film - Background, Ran film - Cast and Characters, Ran film - Production, Ran film - Reception, Ran film - Footnotes

Read more here: » Ran film: Encyclopedia II - Ran film - Plot

Kurosawa said that all of the technological progress of the 20th century had only taught people how to kill each other more efficiently, and in this film he shows that forces of violence and destruction, once unleashed, destroy all in their path:[1] "What I was trying to get at in Ran, and this was there from the script stage, was that the gods or God or whoever it is observing human events is feeling sadness about how human beings destroy each other, and powerlessness to affect human beings' behavior." -- Akira Kurosawa^{See also:}

Ran film, Ran film - Plot, Ran film - Background, Ran film - Production, Ran film - Reception, Ran film - Cast, Ran film - Footnotes

Read more here: » Ran film: Encyclopedia II - Ran film - Background

Kurosawa said that all of the technological progress of the 20th century had only taught people how to kill each other more efficiently, and in this film he shows that forces of violence and destruction, once unleashed, destroy all in their path:[1] "What I was trying to get at in Ran, and this was there from the script stage, was that the gods or God or whoever it is observing human events is feeling sadness about how human beings destroy each other, and powerlessness to affect human beings' behavior." -- Akira Kurosawa^{See also:}

Ran film, Ran film - Plot, Ran film - Background, Ran film - Cast and Characters, Ran film - Production, Ran film - Reception, Ran film - Footnotes

Read more here: » Ran film: Encyclopedia II - Ran film - Background

In the later years of his career, Kurosawa got little respect from many Japanese filmmakers and the industry. A glaring sign of this was Japan's failure to submit Ran for competition in the Best Foreign Language Film category of the Oscars. Kurosawa had not attended the Tokyo Film Festival, where the film premiered, and many people felt the snub to Ran was payback. The film's producer and financier, Serge Silberman, tried to get it nominated as a French co-production (which it was) but failed. American director Sidney Lumet hel ...

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Ran film, Ran film - Plot, Ran film - Background, Ran film - Cast and Characters, Ran film - Production, Ran film - Reception, Ran film - Footnotes

Read more here: » Ran film: Encyclopedia II - Ran film - Reception

The epic directorial style involved the use of lush and expansive locations, the mountains and plains of Hidetora's kingdom were shot at Mount Aso, Japan's largest active volcano in Kyushu. Kurosawa, was granted permission to shoot at two of the country's most famous landmarks, the ancient castles at Kumamoto and Himeji (the third castle being a filmset built on the slopes of Mount Fuji, which was razed in the film). Kurosawa would often shoot a scene with three cameras simultaneously, each using different lenses and angles. Many long ...

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Ran film, Ran film - Plot, Ran film - Background, Ran film - Cast and Characters, Ran film - Production, Ran film - Reception, Ran film - Footnotes

Read more here: » Ran film: Encyclopedia II - Ran film - Production

In the later years of his career, Kurosawa got little respect from many Japanese filmmakers and the industry. A glaring sign of this was Japan's failure to submit Ran for competition in the Best Foreign Language Film category of the Oscars. Kurosawa had not attended the Tokyo Film Festival, where the film premiered, and many people felt the snub to Ran was payback. The film's producer and financier, Serge Silberman, tried to get it nominated as a French co-production (which it was) but failed. American director Sidney Lumet hel ...

See also:

Ran film, Ran film - Plot, Ran film - Background, Ran film - Production, Ran film - Reception, Ran film - Cast, Ran film - Footnotes

Read more here: » Ran film: Encyclopedia II - Ran film - Reception