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Pushing hands | A Wisdom Archive on Pushing hands |  | Pushing hands A selection of articles related to Pushing hands |  |
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| ARTICLES RELATED TO Pushing hands |  |  |  | Pushing hands: Encyclopedia II - Drill bit - Forstner bitForstner bits, named after their inventor, Benjamin Forstner (25 March 1834 – 27 February 1897), bore precise, flat-bottomed holes in wood, in any orientation with respect to the wood grain. They can cut on the edge of a block of wood, and can cut overlapping holes. Because of the flat bottom to the hole, they are useful for drilling through veneer already fixed, to add an inlay. They require great force to push them into the material, so are normally used in drill presses or lathes rather than in portable drills. They are imp ...
See also:Drill bit, Drill bit - Twist drill, Drill bit - Long series drill, Drill bit - Lip and spur drill, Drill bit - Spade bit, Drill bit - Forstner bit, Drill bit - Center drill, Drill bit - Core drill, Drill bit - Diamond core bit, Drill bit - Masonry drill, Drill bit - Holesaw, Drill bit - Adjustable holesaw, Drill bit - Circle cutter, Drill bit - Brace drill bit, Drill bit - Auger bit, Drill bit - Gimlet bit, Drill bit - Spoon bit, Drill bit - Half round bit, Drill bit - Glass bit, Drill bit - Step bit, Drill bit - Left-hand bit, Drill bit - Countersink bit, Drill bit - Drill saw bit, Drill bit - Adjustable Wood Bit, Drill bit - Expansive bit, Drill bit - Tungsten Carbide Core Bit, Drill bit - Gun drill, Drill bit - PCB through-hole drill, Drill bit - Installer bit, Drill bit - 30 mm Hinge sinker bit, Drill bit - Milling bits, Drill bit - Oil and Gas well drilling bits, Drill bit - Steel, Drill bit - Carbon steel, Drill bit - High-speed steel, Drill bit - Cobalt steel, Drill bit - Tungsten carbide, Drill bit - Titanium nitride coating, Drill bit - Diamond powder coating, Drill bit - Stainless Steel Read more here: » Drill bit: Encyclopedia II - Drill bit - Forstner bit |
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|  |  |  | Pushing hands: Encyclopedia II - Drill bit - Lip and spur drillThe lip and spur drill bit is a variation of the twist drill which is optimised for drilling in wood. It is also called the brad point bit or dowelling bit.
Conventional twist drill bits do tend to wander when presented to a flat workpiece. For metalwork, this is countered by drilling a pilot hole with a centre drill. In wood, there is another possible solution, that used in the lip and spur drill. The centre of the drill bit is given not the straight chisel of the twist drill, but a spur with a sharp point and four sharp corners to cut the wood. The sharp point of the spur simply pushes i ...
See also:Drill bit, Drill bit - Twist drill, Drill bit - Long series drill, Drill bit - Lip and spur drill, Drill bit - Spade bit, Drill bit - Forstner bit, Drill bit - Center drill, Drill bit - Core drill, Drill bit - Diamond core bit, Drill bit - Masonry drill, Drill bit - Holesaw, Drill bit - Adjustable holesaw, Drill bit - Circle cutter, Drill bit - Brace drill bit, Drill bit - Auger bit, Drill bit - Gimlet bit, Drill bit - Spoon bit, Drill bit - Half round bit, Drill bit - Glass bit, Drill bit - Step bit, Drill bit - Left-hand bit, Drill bit - Countersink bit, Drill bit - Drill saw bit, Drill bit - Adjustable Wood Bit, Drill bit - Expansive bit, Drill bit - Tungsten Carbide Core Bit, Drill bit - Gun drill, Drill bit - PCB through-hole drill, Drill bit - Installer bit, Drill bit - 30 mm Hinge sinker bit, Drill bit - Milling bits, Drill bit - Oil and Gas well drilling bits, Drill bit - Steel, Drill bit - Carbon steel, Drill bit - High-speed steel, Drill bit - Cobalt steel, Drill bit - Tungsten carbide, Drill bit - Titanium nitride coating, Drill bit - Diamond powder coating, Drill bit - Stainless Steel Read more here: » Drill bit: Encyclopedia II - Drill bit - Lip and spur drill |
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|  |  |  | Pushing hands: Encyclopedia II - List of Dragon Ball special abilities - GekiretsukodanA desperation attack used against Imperfect Cell, Piccolo gathers power in front of him with his hands near his stomach then pushes the energy towards the opponent.
In the English video games it is called Light Grenade. It is often mistakenly named Chobakuretsumaha.
Character meaning
激 (Geki) = Violent
裂 (Retsu) = Split / rend / tear
光 (Ko) = Ray / ligh ...
See also:List of Dragon Ball special abilities, List of Dragon Ball special abilities - Burning Attack, List of Dragon Ball special abilities - Big Bang Attack, List of Dragon Ball special abilities - Chobakuretsumaha, List of Dragon Ball special abilities - Dodonpa, List of Dragon Ball special abilities - Final Flash, List of Dragon Ball special abilities - Fusion, List of Dragon Ball special abilities - Galick Gun, List of Dragon Ball special abilities - Gekiretsukodan, List of Dragon Ball special abilities - Genki Dama, List of Dragon Ball special abilities - Kaiô-ken, List of Dragon Ball special abilities - Kakusanyudokodan, List of Dragon Ball special abilities - Kamehameha, List of Dragon Ball special abilities - Kienzan, List of Dragon Ball special abilities - Kikoho, List of Dragon Ball special abilities - Kyodaika, List of Dragon Ball special abilities - Mafuba, List of Dragon Ball special abilities - Makankosappo, List of Dragon Ball special abilities - Nobiru ude, List of Dragon Ball special abilities - Oozaru, List of Dragon Ball special abilities - Rogafufuken, List of Dragon Ball special abilities - Ryu Ken, List of Dragon Ball special abilities - Shishin No Ken, List of Dragon Ball special abilities - Shiyoken, List of Dragon Ball special abilities - Shunkan-Idō, List of Dragon Ball special abilities - Sokidan, List of Dragon Ball special abilities - Super Saiyan, List of Dragon Ball special abilities - Taiyoken, List of Dragon Ball special abilities - Zanzoken, List of Dragon Ball special abilities - External links Read more here: » List of Dragon Ball special abilities: Encyclopedia II - List of Dragon Ball special abilities - Gekiretsukodan |
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|  |  |  | Pushing hands: Encyclopedia II - List of Dragon Ball special abilities - GekiretsukodanA desperation attack used against Imperfect Cell, Piccolo gathers power in front of him with his hands near his stomach then pushes the energy towards the opponent.
In the English video games it is called Light Grenade. It is often mistakenly named Chobakuretsumaha.
Character meaning
激 (Geki) = Violent
裂 (Retsu) = Split / rend / tear
光 (Ko) = Ray / ligh ...
See also:List of Dragon Ball special abilities, List of Dragon Ball special abilities - Big Bang Attack, List of Dragon Ball special abilities - Burning Attack, List of Dragon Ball special abilities - Bukujutsu, List of Dragon Ball special abilities - Chobakuretsumaha, List of Dragon Ball special abilities - Dodonpa, List of Dragon Ball special abilities - Dynamite Kick, List of Dragon Ball special abilities - Final Flash, List of Dragon Ball special abilities - Fusion, List of Dragon Ball special abilities - Galick Gun, List of Dragon Ball special abilities - Gekiretsukodan, List of Dragon Ball special abilities - Genki Dama, List of Dragon Ball special abilities - Jan-ken, List of Dragon Ball special abilities - Kaiô-ken, List of Dragon Ball special abilities - Kakusanyudokodan, List of Dragon Ball special abilities - Kamehameha, List of Dragon Ball special abilities - Kienzan, List of Dragon Ball special abilities - Kikoho, List of Dragon Ball special abilities - Kyodaika, List of Dragon Ball special abilities - Mafuba, List of Dragon Ball special abilities - Makankosappo, List of Dragon Ball special abilities - Nobiru ude, List of Dragon Ball special abilities - Oozaru, List of Dragon Ball special abilities - Rogafufuken, List of Dragon Ball special abilities - Ryu Ken, List of Dragon Ball special abilities - Shishin No Ken, List of Dragon Ball special abilities - Shiyoken, List of Dragon Ball special abilities - Shunkan-Idō, List of Dragon Ball special abilities - Sokidan, List of Dragon Ball special abilities - Super Saiyan, List of Dragon Ball special abilities - Taiyoken, List of Dragon Ball special abilities - Zanzoken Read more here: » List of Dragon Ball special abilities: Encyclopedia II - List of Dragon Ball special abilities - Gekiretsukodan |
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Bodywork
Dictionary on
TUI NA TUI NA Tui na is an ancient Chinese system of manual therapeutics with a wide range of techniques and indications. While Traditional Chinese Medical precepts form its theoretical basis, clinical experience governs its application. Tui na techniques are applied by various parts of the practitioner to the client and range from those that are light and soothing to those that are strong and invigorating. Refined over the centuries, tui na facilitates healing by regulating the circulation of Blood and Qi (vital energy), which controls body function and enhances resistance to disease. The term tui na (pronounced t-weigh na) combines the names of two of the hand techniques, tui meaning to push and na meaning to lift and squeeze, which are used to represent the system. Practitioners of tui na claim there are more than 365 hand techniques, although they can be generally placed in the category of pressing, rubbing, waving, shaking, percussion, or manipulating. The term tui na first appeared in the Ming Dynasty text Pediatric Tui Na Classic in 1601. (See also: TUI NA, Alternative Health, Massage, Bodywork, Body Mind and Soul)
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Holistic Health
Therapy Dictionary on
Herbs History of Herbs The traditional definition of an herb is a non-woody plant that dies down to the ground after flowering. However, "herb" is often used to describe any plant of which any part is used for medical treatment or nutritional value. In this sense of the word, herbs have been used and studied since prehistoric mankind. Five thousand years ago, the Sumerians kept the first written record of the use of herbs. In 2700 B.C., the Chinese wrote an herb book listing over 365 medicinal plants and their uses. Herbs are mentioned in the Old Testament, and the medicinal practices of ancient Greeks and Romans rose from herbalism. The first European book on herbs dates from the first century A.D. It refers to more than 500 plants and remained an authoritative reference into the 1600s. During the Middle Ages, the Christian church discouraged the practice of medicine. Herbalism was preserved in monasteries, by monks hand-copying manuscripts of herbs, and planting their own herb gardens. In the 17th century, the introduction of active chemical drugs and the development of chemistry led to the decline of herbalism, although folk medicine still existed in the home and small villages. By the end of the 19th and into the 20th centuries, orthodox medicine had pushed homeopathic medicine further from the mainstream. Herbalists today seek to help people build their health with natural sources. The philosophy is that the body is capable of healing itself given the proper conditions. Herbalism, psychic healing, acupuncture, aromatherapy, touch therapy, and massage therapy can all work with orthodox treatments to create a healthy body. (See also: Herbs, Alternative Health, Body Mind and Soul)
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Spiritual Dictionary on Mars Mars: Mars rules Aries. Mars is energy. It is the kind of energy that your body uses to contract muscles, to assimilate food, and to fire synapses in the brain. It is the kind of energy that makes gasoline burn, pushing pistons up and down, thereby moving your car. It is the dynamic energy of all action in the material world. The god Mars was responsible for two distinctive kinds of energetic activity: He was the god of war, going around sowing terror and fear in the enemy and inspiring courage as well. On the other hand, he was a god of agriculture, encouraging the planting and tending of crops, and even encourage the crops themselves to grow. The sign and house of Mars show where your personal energies tend to go when you are not guiding them. It also shows where you can concentrate your energy through decisive action for the strongest results. There is a certain reckless quality to Mars. This planet has to do with sharp instruments and vigorous force. We need to understand this planet in order to manage energy well, or it can become angry and destructive. Thus reading about Mars in your chart can provide answers to your questions about why some situations may have turned out badly, and how to use your physical and emotional energy more successfully in the future. Mars is also the planet of desire. We all tend to use our energy to get what we want when we want it. Desire is a good thing, because it impels us forward to something new and better. It helps us to find partners and mates. It helps us to find satisfying food, clothing and shelter. On the mental level, desire helps us to choose an area of study, to select books or movies we want to experience. On a still higher level, Mars indicates the direction of our spiritual passion. It shows what religious or spiritual path will satisfy our desire to understand the universe and master our own actions. The aspects of Mars in your chart indicate the directions in which you can most easily direct your physical, mental, emotional and spiritual energies. Understanding Mars helps you to direct your actions to gain the best results. (See also: Mars, Magic, Shamanism, Paganism, Wicca)
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Mysticism
Magick Dictionary
on
QLIPHOTH, QLIPPOTH QLIPHOTH/QLIPPOTH Lit. "shells" (singular: qliphah). Shades of the dead whose names appear in the books of Dyzan or Thoth, or the Book of the Law (AL). They may contain formulae of magical powers. RAW calls them "souls of those who died insane... the tulpas of Tibet... avatars of Coyote, the American Indian prankster-god." RAW also identifies them with the Celtic "little people" or faeries. Some of the twenty-two qliphotic entities of the Black Tarot, as envisioned by Grant, are defined herein under separate entries, although strictly speaking, the qlippoth are the names of the guardians of the tunnels, not the tunnels themselves. To understand the qliphothic atus fully and to do them justice can be more deleterious to the artist or researcher than one might suspect. Conceivably, such complete understanding could result in the destruction of the ego without restoration in the Oversoul and therefore lead to actual madness. Dealing with the Qliphoth is the psychic equivalent of working with toxic wastes, dangerous animals or high voltage wires. To invoke any force is to invoke automatically its opposite as well. In the more conventional sense, qliphoth are negative cosmic energies equating with the ten positive Sephiroth (e.g., Lilith is the evil counterpart of Malkuth). All positive aspects of divinity have their "excremental" sides, or demons: Beelzebub, Satanas, etc. The difference between metamorphosis and excretion is thinner than you might guess. From the universal lexicon: scall English scab chale Cupeno husk, shell skalli Icelandic a peeled head geled Hebrew skin kulit Malay skin skull English the "shell" of the brain azal Basque peeling soale Hausa to peel off scale, shell English scalp< shell a Dutch M. schelpe Qabalah the of ?demons? or refuse? ?peelings, Qlipphoth discard husk, Hebrew qliphah husk peel; skin; to Malay kupas sheath English Middle> In the waning years of Alchemy, occultists were fond of saying that the Philosopher's Stone was "that which all men despise" -- and this in turn led the puffers to experiment with various types of excrement in order to see if that substance, perchance, could possibly yield the Secret of the Ages, since nothing so far had succeeded in doing so. And of course all such experiments accomplished was to mark the nadir of human folly. What is this word "excrement", after all? It's from Latin, excernere, "to separate." It is a separation, a peeling away, as when we peel away a scab or a blister, making it no longer a part of ourselves. German scheiden/schieden (divide, separate, divorce) is simply another form of the word Scheisse (Fr. chier, Engl. shit) or its Greek equivalent schizo, "to split." Latin cutis (skin), we should notice, first of all, is a cognate of Greek skatos (dung). Like the snake, what we throw away begins with the "skin" -- a word which probably represents a form of one of the universal roots. Compare Peruvian kina (the bark, or tree peeling, whence we get quinine) and Malay sisek (fish scales). Perhaps even the Austrian Kakadu word, k…ngir meaning "skin" is distantly related. At any rate, k…ngir is almost certainly the origin of "kangaroo," particularly since the Australian Warramunga word, nguru, meant "foreskin." These two are clearly connected and the marsupial associations are plain enough. The puffers didn't understand that excrement isn't exactly what all men despise. Or to be more precise, what matters isn't so much what is discarded and thrown away, but the value we place on the kept, as opposed to the trash. That faulty decision itself is where the problem lies. In fact, the Finnish proverb: Kulta kultainen v„lkkya roskatta, "gold glitters in what is thrown away", is a sentiment well understood by shamans, witches and other marginal people, who are drawn to the rubbish heaps and middens, much as the money-vultures circle the stock market. What all men despise is "that out there," that is to say, the world. And they try incessantly to dissociate themselves from it. Yet, obviously, if we really were one with the world, then we'd have in hand "the universal solvent," we'd have immortality because the world is immortal. In the world's all-powerful Nature is the very secret of turning lead into gold. Instead man tries desperately to throw out everything that is not self. Part of the problem is that the verb "to be" has two meanings (as in Spanish): one is an expression of permanent identity or equivalence to something else and the other an expression of a changing, on-going process. When we accept the error that we are not gods, we cease all self-examination, self-disciplines and self-improvement. We define god as an embodiment of "pefection" (or completion) instead of as the avenue of evolution and becoming. Only idols are perfect. Not even Odin ever thought of himself as perfect: he had to make many sacrifices in order to gain wisdom. Ditto Osiris, who was so far from being "together" that he was chopped up into little pieces. Granted, Jehovah is perfect, or thinks He is, but He is also a difficult God to respect, for that same reason. When you say we are not gods, you mean we are not idols. But an idol is precisely what modern man has made of himself. He worships himself, even though gods never worship themselves. Obviously, they don't have to. Only man worships himself, though not really as a god or potential god. He worships himself just as he is: as a fatted, golden pig wearing Gucci shoes. The reason people push gods "outside" is the same reason they shove everything else outside, separating everything and calling it evil because it is unwanted. Anything which is not self, including the planet earth, is felt to be of no real value. In fact, matter is simply unwanted "dirt." Most of the self is thrown away, at least that part of the self which demands the most work or struggle. All that may remain is the momentary gratification of physical need: food, drink, sex, rest, entertainment. To put a god into that strait-jacket, even a minor one, is to disrupt the routine, to interfere with the direct line of ice cream to mouth. Besides, the puffing up of an imaginary personal ego is a thousand times easier than the expression of difficult, real Divinity. Standing far enough away from the world empowers objectivity to serve as the perfect defense of the ego. Here ego cannot be challenged and "Science" and "Reason" become the last refuges of Subjective Solipsism. In the Qabalah this peeling away of the self, this separation or "excrement" is called a Qlipha (pl. qlipphoth). The qliphoth are the negative personifications. All the expressions of Divinity have their "qlipphoth": Samael, Beelzebub, Satanas, etc., as we've said. And, in truth, these are what people actually bow down to: these idols that are made up out of excrement. Divinity that lies outside of self is not divinity. In contemporary Occidental man's desperate struggle to separate himself we would do well to remember Alan Watts' comparison of the self to an onion. You can peel and peel until there is nothing left. (See also: QLIPHOTH, QLIPPOTH, Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul, )
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Mysticism
Magick Dictionary
on
QLIPHOTH, QLIPPOTH QLIPHOTH/QLIPPOTH Lit. "shells" (singular: qliphah). Shades of the dead whose names appear in the books of Dyzan or Thoth, or the Book of the Law (AL). They may contain formulae of magical powers. RAW calls them "souls of those who died insane... the tulpas of Tibet... avatars of Coyote, the American Indian prankster-god." RAW also identifies them with the Celtic "little people" or faeries. Some of the twenty-two qliphotic entities of the Black Tarot, as envisioned by Grant, are defined herein under separate entries, although strictly speaking, the qlippoth are the names of the guardians of the tunnels, not the tunnels themselves. To understand the qliphothic atus fully and to do them justice can be more deleterious to the artist or researcher than one might suspect. Conceivably, such complete understanding could result in the destruction of the ego without restoration in the Oversoul and therefore lead to actual madness. Dealing with the Qliphoth is the psychic equivalent of working with toxic wastes, dangerous animals or high voltage wires. To invoke any force is to invoke automatically its opposite as well. In the more conventional sense, qliphoth are negative cosmic energies equating with the ten positive Sephiroth (e.g., Lilith is the evil counterpart of Malkuth). All positive aspects of divinity have their "excremental" sides, or demons: Beelzebub, Satanas, etc. The difference between metamorphosis and excretion is thinner than you might guess. From the universal lexicon: scall English scab chale Cupeno husk, shell skalli Icelandic a peeled head geled Hebrew skin kulit Malay skin skull English the "shell" of the brain azal Basque peeling soale Hausa to peel off scale, shell English scalp< shell a Dutch M. schelpe Qabalah the of ?demons? or refuse? ?peelings, Qlipphoth discard husk, Hebrew qliphah husk peel; skin; to Malay kupas sheath English Middle> In the waning years of Alchemy, occultists were fond of saying that the Philosopher's Stone was "that which all men despise" -- and this in turn led the puffers to experiment with various types of excrement in order to see if that substance, perchance, could possibly yield the Secret of the Ages, since nothing so far had succeeded in doing so. And of course all such experiments accomplished was to mark the nadir of human folly. What is this word "excrement", after all? It's from Latin, excernere, "to separate." It is a separation, a peeling away, as when we peel away a scab or a blister, making it no longer a part of ourselves. German scheiden/schieden (divide, separate, divorce) is simply another form of the word Scheisse (Fr. chier, Engl. shit) or its Greek equivalent schizo, "to split." Latin cutis (skin), we should notice, first of all, is a cognate of Greek skatos (dung). Like the snake, what we throw away begins with the "skin" -- a word which probably represents a form of one of the universal roots. Compare Peruvian kina (the bark, or tree peeling, whence we get quinine) and Malay sisek (fish scales). Perhaps even the Austrian Kakadu word, k…ngir meaning "skin" is distantly related. At any rate, k…ngir is almost certainly the origin of "kangaroo," particularly since the Australian Warramunga word, nguru, meant "foreskin." These two are clearly connected and the marsupial associations are plain enough. The puffers didn't understand that excrement isn't exactly what all men despise. Or to be more precise, what matters isn't so much what is discarded and thrown away, but the value we place on the kept, as opposed to the trash. That faulty decision itself is where the problem lies. In fact, the Finnish proverb: Kulta kultainen v„lkkya roskatta, "gold glitters in what is thrown away", is a sentiment well understood by shamans, witches and other marginal people, who are drawn to the rubbish heaps and middens, much as the money-vultures circle the stock market. What all men despise is "that out there," that is to say, the world. And they try incessantly to dissociate themselves from it. Yet, obviously, if we really were one with the world, then we'd have in hand "the universal solvent," we'd have immortality because the world is immortal. In the world's all-powerful Nature is the very secret of turning lead into gold. Instead man tries desperately to throw out everything that is not self. Part of the problem is that the verb "to be" has two meanings (as in Spanish): one is an expression of permanent identity or equivalence to something else and the other an expression of a changing, on-going process. When we accept the error that we are not gods, we cease all self-examination, self-disciplines and self-improvement. We define god as an embodiment of "pefection" (or completion) instead of as the avenue of evolution and becoming. Only idols are perfect. Not even Odin ever thought of himself as perfect: he had to make many sacrifices in order to gain wisdom. Ditto Osiris, who was so far from being "together" that he was chopped up into little pieces. Granted, Jehovah is perfect, or thinks He is, but He is also a difficult God to respect, for that same reason. When you say we are not gods, you mean we are not idols. But an idol is precisely what modern man has made of himself. He worships himself, even though gods never worship themselves. Obviously, they don't have to. Only man worships himself, though not really as a god or potential god. He worships himself just as he is: as a fatted, golden pig wearing Gucci shoes. The reason people push gods "outside" is the same reason they shove everything else outside, separating everything and calling it evil because it is unwanted. Anything which is not self, including the planet earth, is felt to be of no real value. In fact, matter is simply unwanted "dirt." Most of the self is thrown away, at least that part of the self which demands the most work or struggle. All that may remain is the momentary gratification of physical need: food, drink, sex, rest, entertainment. To put a god into that strait-jacket, even a minor one, is to disrupt the routine, to interfere with the direct line of ice cream to mouth. Besides, the puffing up of an imaginary personal ego is a thousand times easier than the expression of difficult, real Divinity. Standing far enough away from the world empowers objectivity to serve as the perfect defense of the ego. Here ego cannot be challenged and "Science" and "Reason" become the last refuges of Subjective Solipsism. In the Qabalah this peeling away of the self, this separation or "excrement" is called a Qlipha (pl. qlipphoth). The qliphoth are the negative personifications. All the expressions of Divinity have their "qlipphoth": Samael, Beelzebub, Satanas, etc., as we've said. And, in truth, these are what people actually bow down to: these idols that are made up out of excrement. Divinity that lies outside of self is not divinity. In contemporary Occidental man's desperate struggle to separate himself we would do well to remember Alan Watts' comparison of the self to an onion. You can peel and peel until there is nothing left. (See also: QLIPHOTH, QLIPPOTH, Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul, )
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Mysticism
Magick Dictionary
on
MAGIC MAGIC From Latin magi, pl. (Greek magoi, pl. of magos, a Magian, one of the Median tribe; also an enchanter, properly a wise-man who interpreted dreams; Old Persian mugh, one of the Magi, a fire-worshipper; Sanskrit maga "a priest of the sun"; maybe related to maha, "great" and maya, illusion; perhaps, ultimately, even the Maya of Central America. Compare Hebrew makeshef, "magician"). Magic is actually short for "Magic Art". The connection between magus and magnus "great" also appears in Hebrew. As in Latin the word for "great", produces "master or teacher" (magister) , so Hebrew rab produces "rabbi". However the confusion in Hebrew does not arise because the word for "magic" (qeshem) is not related to rab". The word in this form is found with precisely the same meaning (or mystery) in most European tongues and even in Japanese majutsu, (which they no doubt borrowed from the Portuguese). Elsewhere, however, we find different senses altogether, such as the old Teutonic Helliruna (lit. "Hell's secret") which is surely a folk etymology of the Arabic word for "mandrake", albiruhan or alyabruhin, the same word we find in Spanish as the word for "magician", el brujo, because alongside that there is indeed the Old High German word for "mandrake", Alruna. The only question we need ask is which form came first, but we find the Arabic influence extending east as far as Mongolia, where, in passing, we may note ilbi for "magic." The otherness of ego enwraps each of us like a prison, but the magus takes all of earth as his body. Magic itself is but a symbol of the greater Magic, which is Unity. The Oneness frees us from the dungeon of darkness and the self and resembles the teaching of Buddhism. From yet another perspective, magic, mind and life are the same thing: living cells are sometimes kept alive in labs. A specialized cell, so protected, fed and allowed to reproduce, eventually turns into a basic and undifferentiated cell. This indicates that life is not only exceedingly plastic but that it is also purposive. If such adaptation were attributable to mindless mechanics, a bone cell would go on reproducing a bone cell and a blood cell a blood cell forever. Since all things are connected, then experiential reality, which is Mind, can be altered by the implementation of the Will and Visualization. There is no "orthodox" doorway of the "Self" through the various universes, so the magician must build his own bridge, without assistance, across the Abyss, from the otherness of the separate ego to Cosmic Unity. Since the goal and purpose of existence is knowledge, then the magus is obliged to seek experience on numerous planes of being reached via perichoresis and also to effect material changes in the earth's reality. Thinking isn't just the beginning of creation, it is creation itself. Marc Edmund Jones classifies magic into categories. Divination is the effort to gain knowledge, particularly of the future (in order the better to assist the "Divine" plan). The evocation or invocation of elementals or angelic powers, functioning through the ethers, is another class of magic. Then there is hypnotism, which works through "imitative" magic. Finally, there is tantrism, or the development of supernatural siddhis. Colin Wilson suggests that magic is simply the development of the Will and the Imagination, Versluis that it is "not a means to an end, but a means to heighten means." Clearly, the object of magic is the raising of consciousness. The magus is empowered to effect events only to the extent that he is able to recognize that inside and outside are one. To transform the world is to transform oneself and vice-versa. Traditional rituals, the using of symbols and the altering of consciousness through herbs, smells, sounds, repetitions and meditation are all inward-directed processes designed to educate, focus and strengthen the faculties of Imaging and Willing. Alchemy is the same endeavor directed outwardly. We fail to control the transformation of our selves to the degree that we isolate ourselves from the world, just as we lose our ability to change the world at the exact moment that we begin to lose touch with ourselves. However, although those who don't know what they are doing are obliged to perform magic strictly through the observation of rituals, those who understand its real nature and purpose can move directly to its center and act from there, without incantations and conjurations. Here are some definitions of M/magic(k) by various authorities on the subject: ANONYMOUS: "Magus Nascitur Non Fit." ALICE BAILEY: "No man is a magician, or worker in white magic, until his third eye is opened, or is in the process of opening." (That means 'transmission of consciousness to the universal mind'). WADE BASKIN: "The art and science of magic is based on three basic principles. 1) one may communicate with other realms, or planes of existence, through the medium of the Astral Light; 2) the power of the magician is unlimited; 3) external characteristics (signatures) are signs through which everything internal and invisible can be revealed." MORRIS BERMAN: "Magic is not necessarily gnostic in nature, since it is not particularly dualistic, and it never includes the notion of an outside savior or redeemer, which Gnosticism (particularly in its early forms) sometimes does." HELENA P. BLAVATSKY: "The art of divine Magic consists in the ability to perceive the essence of things in the light of nature (astral light), and - by using the soul-powers of the Spirit - to produce material things from the unseen universe, and in such operations the Above and the Below must be brought together and made to act harmoniously". (The Secret Doctrine). "Magic is spiritual wisdom. Arcane knowledge misapplied is sorcery. "Magic was considered a divine science which led to a participation in the attributes of Divinity itself." "Magic was the highest knowledge of natural philosophy... and the magician differed from the witch in this, that, while the latter was an ignorant instrument in the hands of demons, the former had become their master by the powerful intermediation of science, which was only within reach of the few, and which these beings were powerless to disobey." BERNARD BROMAGE: "The word has, more often than not, been used, not for illumination, not as a guide to ascertainable verity, but as a camouflage to conceal a man's ignorance; and, worse, his calculated ineptitude and folly. The word can be said to have ceased to be a word and to have become a byword: a symbol surrounded by an evilly phosphorescent light, of man's infernal capacity for avoiding the issues. . . Magic, tout court, is immensely concerned with the 'Extension of Consciousness'; the widening of frontiers; the increase and development of every variety of sense perception. To be a magician one must learn to investigate all phenomena with the eye of the scientist who scorns no possible hypothesis nor neglects to take into the fullest consideration the complete structure of our actual and potential being. . . it is not a solace for the frustrated, but a reward for the pure of heart. Its final appeal is not to curiosity or greed, but to reverence and acceptance." PETER CARROLL: "The world is magical but designed to make us believe we are not magi." "All events are basically magical, arising spontaneously without prior cause. Physical laws are only statistical approximations. Consciousness, magic and chaos are the same thing. Consciousness also makes things happen without prior cause." ALEISTER CROWLEY: "All Art is Magick" "The Goal of Magick is the knowledge and conversation of the Holy Guardian Angel." NEVILL DRURY: "Magic is the technique of harnessing the secret powers of Nature and and seeking to influence events for one's own purpose. If the purpose is beneficial it is known as white magic, but if it is intended to bring harm to others, or to destroy property, it is regarded as black magic." "High Magic is intended to bring about the spiritual transformation of the person who practices it. This form of magic is designed to channel the magician's consciousness towards the sacred light within, which is often personified by the high gods of different cosmologies. The aim of high magic has been described as communication with one's Holy Guardian Angel, or higher self. It is also known as Theurgy." "Whereas science deals with empirically observable causes and effects, occultism deals pragmatically with methods of altering consciousness to produce certain effects. One of these is the assimilation within the self of the characteristics of a deity, another is the separation of consciousness from the physical body." DION FORTUNE: "Magic is the art of changing consciousness at will." KENNETH GRANT: "Magick is the apotheosis of the Irrational, the acme of the absurd, and the reification of the impossible." GURDJIEFF: ". . .I decided to call those undertakings which required intentional action of higher centers - those centers which are properly the feeling and thinking centers, capable of emotional sensing and of mentation respectively, but which are ordinarily unformed through absorption of their rightful impressions by the false emotional and intellectual centers of the psyche - objective magic, having as its result the obtaining of real knowledge." "I thus separated this objective magic from its ordinary counterpart, 'magic of the psyche', in which purely fantastic results are obtained, and self-calming and amusement are the only attainments. Under this category I placed my former endeavors as a medium and psychic, as well as those results obtained by theosophy, occultism and so forth, all of which up to then had quite fascinated and attracted my attention." WILLIAM JAMES: "We all have a lifelong habit of inferiority to our full self. . ." MARC EDMUND JONES: "Occult, as distinct from secular, science; Occult as the effort to compel the cooperation of others, as well as deity, nature, in enterprises of self, illustrated by miracle or thaumaturgy, known as white when ethical and black when amoral." ELIPHAS LÉVI: "The Arcanum of the Magnum Opus is the mastery or government of Ignis."; "Would you learn to reign over yourself and others? Learn how to will. How can one learn to will? This is the first arcanum of magical initiation. . ." MACGREGOR MATTHEWS: "To practice magic, both the imagination and the Will must be called into action, they are co-equal in the work. . . The Will unaided can send forth a current. . . yet its effect is vague and indefinite. . . the Imagination unaided can create an image. . . yet it can do nothing of importance, unless vitalized and directed by the Will." JOHN MIDDLETON: "We may say that the realm of magic is that in which human beings believe that they may directly affect nature and each other for good or ill, by their own efforts (even when the precise mechanism may not be understood by them) as distinct from appealing to divine powers by sacrifice or prayer (i.e. religion)." JOHN O'KEEFE: "Magic is the defense of the self against the malevolence of society." PARACELSUS: "The exercise of true magic does not require any ceremonies or conjurations, or the making of circles and signs; it requires neither benedictions nor maledictions in words, neither verbal blessings or curses." JOHN COWPER POWYS: "Magic is simply the choice between emphasis and rejection." DIANE DE PRIMA: "Look at the forces behind the things rather than just at the object or event. If I have a working definition of magic it's that behind every single thing in the world an infinite tunnel opens of reference, cross-references, and forces, and how these things interlock in nets. What I basically say is, yeah, learning to see force. . . learning to see the etheric and the astral, etc. to the thinner and thinner layers of stuff. And learning to work off those layers rather than . . . if you want to push that rock you don't necessarily have to go out there and put your shoulder to it." RIMBAUD: "The Poet transforms himself into a seer through a long, immense and determined, rational disordering of all his sense. Every form of love, suffering and madness he seeks within himself and exhausts in himself all poisons, preserving but their quintessences. Ineffable torture where he will need all of his faith and superhuman strength, making him among men, the great Sick Man, the Thrice-Damned, the Arch-Criminal - and the supreme Savant! - for he arrives at the Unknown! Since he has cultivated his soul, already richer than any other man's, he thereby reaches the Unknown, and, even if, insane in the end, he should lose every shred of understanding gained so laboriously, he will have had his Visions! He may perish in his leap into those innumerable, unnameable things, there will follow other terrible workers. They will begin at the horizons where he fell." MARTIN DEL RIO: "An art or skill which, by means of a non-supernatural force, produces certain strange and unusual phenomena whose rationale eludes common sense." ROMULUS: "Magic is living poetry." "Magic is the invocation and exploitation of synchronicity. All practices build up a momentum of their own. What we desire eventually comes true, with interest." "Every magician's tricks are his own, to help him with own special problems, to get himself over his own inner obstacles. Our Individual tasks are to learn and overcome our own obstacles. That's why the study of great men and women is so very instructional and worthwhile. Not because they teach us to be like them, but because they show us how they became themselves! " "Self-confident, integrated personalities already are fairly much in control of their powers and are magical to some extent. When circumstances intrude, such as sickness, enmity, financial loss, etc. and self-confidence wanes, the 'magical' side begins to seem spurious. The more 'magical' we try to be, the more charlatanry rises to the surface in us." FRANCIS KING & STEPHEN SKINNER: "Four basic assumptions of magic: 1. That the [physical] universe is only a part of total reality. 2. The human will-power is a real force, capable of being trained and concentrated, and that the disciplined will is capable of changing its environment and producing paranormal events. 3. That this will-power must be directed by the imagination. 4. That the universe is not a mixture of chance factors and influences, but an ordered system of correspondences, and the understanding of the pattern of correspondences enables the occultist to use them for his own purposes, good or evil. HUTTON WEBSTER (1948): "As regards purpose, Magic is divinatory, productive and aversive. The magician discovers or foretells what is otherwise hidden in time or space from human eyes; he influences and manipulates the objects and phenomena of nature and all animate creatures so that they may satisfy actual or human needs; and finally he combats, neutralizes and remedies the onslaught of the evils, real or imaginary, afflicting mankind. The range of magic is thus almost as wide as the life of man. All things under heaven, and even the inhabitants of heaven become subject to its sway. COLIN WILSON: "Human perception is 'intentional.'" (Consciousness is a muscle). "The great personality-inhibitor is caution. . . even in a few people who seem fairly well integrated. I can suddenly catch a glimpse of a more sophisticated, confident personality that has never succeeded in emerging . . . Even criminality is a form of caution, the desire for immediate and tangible returns, based upon the feeling that the universe has no intention of giving you anything you are not prepared to take by force. In fact, the study of murder leaves one with an impression of weak and crippled personalities who left half their potentialities to stagnate." "Outside our everyday personality there is a wider self that possesses greater powers than the everyday self. . . When the will is hindered by too much self-consciousness it often produces the opposite effect from the one intended. (Poe called it "the imp of the perverse"). The wider self would be happy to oblige, but the contracted ego is somehow opposing itself, like someone trying to open a door by pushing it instead of pulling it. So it does the next best thing." (Psychokinesis). "Modern civilization induces an attitude of passivity. When a Stone Age hunter set out to trap wild animals, he was aware of his will as a living force. When the prehistoric farmer scored the surface of the earth with a crude plough, he knew that his family's survival through the winter depended on his effort, and his will responded to the challenge. When a modern city dweller walks down a crowded thoroughfare, he feels no sense of challenge or involvement. This city was built by other people, all these shops and offices are owned by other people. He can get through an ordinary day's work in a state approximating sleep. Most of his routine tasks are carried out by the 'robot'. There is neither the need or the opportunity to use the will." ZORN ZUCKERMAN: "The 20th Century has been so much a time of everything 'losing its magic, that the only thing left is magic itself." CONCLUSION: Is magic simply the search for "ultimate knowledge" without the burden of "worship"? Not exactly. The Golden Dawn used to say, "The aim of religion, the method of science," which was as ambitious as it was inaccurate. The "Transcendental" without religion, as opposed to mere "Revelation" without religion, would be closer to the mark than soulless "Ultimate Knowledge." The latter is a logical, scientific goal, not a magical one. The Scientist is obliged to go wherever his will-o'-the-wisp may lead him, as Mary Shelley pointed out, stopping not even at Frankenstein's monster nor the Hydrogen Bomb nor tailor-made diseases. Thus, the scientist inevitably winds up in Hell, the epitome of "Reason". The Magician knows where he is going, dares to go there and will what he will discover and create. His work (ideally) is the transmogrification of Hell. Moreover, about what he does he can make no statement, because it is always unique, never a repeatable "trick". That is, he is in the business, not as the scientist is of "finding" meaning, but of "creating" it. But we have to remember that the phenomenological world is an illusion, which requires the magician always to remain watchful of the illusory nature of what he is doing. Life without magic is not possible. Moreover, the important "passages" of life cannot be handled except in a frank context of High Magic: birth, adolescence, marriage, death, etc. (See also: MAGIC, Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul, )
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