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Pitch space

A Wisdom Archive on Pitch space

Pitch space

A selection of articles related to Pitch space

More material related to Pitch Space can be found here:
Index of Articles
related to
Pitch Space
Pitch space

ARTICLES RELATED TO Pitch space

Pitch space: Encyclopedia II - Pitch space - History of pitch space

The idea of pitch space goes back at least as far as the ancient Greek music theorists known as the Harmonists. To quote one of their number, Bacchius, "And what is a diagram? A representation of a musical system. And we use a diagram so that, for students of the subject, matters which are hard to grasp with the hearing may appear before their eyes." (Bacchius, in Franklin, Diatonic Music in Ancient Greece.) The Harmonists drew geometrical pictures so that the intervals of various scales could be compared visually ...

See also:

Pitch space, Pitch space - History of pitch space, Pitch space - Fibered pitch space, Pitch space - External link

Read more here: » Pitch space: Encyclopedia II - Pitch space - History of pitch space

Pitch space: Encyclopedia - Color space

A color model is an abstract mathematical model describing the way colors can be represented as tuples of numbers, typically as three or four values or color components (e.g. RGB and CMYK are color models). However, a color model with no associated mapping function to an absolute color space is a more or less arbitrary color system with little connection to the requirements of any given application. Adding a certain mapping function between the color model and a certain reference color space results in a definite "footpr ...

Including:

Read more here: » Color space: Encyclopedia - Color space

Pitch space: Encyclopedia II - Color space - Partial list of color spaces

CIE 1931 XYZ color space is the first attempt to produce a color space based on measurements of human color perception and it is the basis for almost all other color spaces. Variants of the CIE space include CIELUV color space - a modification to display color differences more conveniently, replaced by: CIELAB color space CIE 1964 color space - measurements over a larger field of view than the 1931 color space which produces slightly different results. ...

See also:

Color space, Color space - Understanding the concept, Color space - Notes, Color space - Color space density, Color space - Partial list of color spaces, Color space - Generic color models, Color space - Commercial color spaces, Color space - Special-purpose color spaces, Color space - Obsolete color spaces

Read more here: » Color space: Encyclopedia II - Color space - Partial list of color spaces

Pitch space: Encyclopedia II - Pitch music - Need to standardize pitch

The need to standardize pitch levels, at least within one city or country, rose as performance of music which combined the organ with instrumental ensembles became more popular. One way in which pitch could be controlled was with the use of tuning forks, although even here there was variation - a tuning fork associated with Handel, dating from 1740, is pitched at A = 422.5 Hz, while a later one from 1780 is pitched at A = 409 Hz, almost a semitone lower. Nonetheless, there was a tendency towards the end of the 18th century for the frequency of ...

See also:

Pitch music, Pitch music - Perception of pitch, Pitch music - Examples, Pitch music - Concert pitch, Pitch music - Varying pitch, Pitch music - Scales, Pitch music - Other musical meanings of pitch, Pitch music - Historical pitch standards, Pitch music - Need to standardize pitch, Pitch music - Changing the pitch of a vibrating string, Pitch music - Length, Pitch music - Tension, Pitch music - Density, Pitch music - Sources

Read more here: » Pitch music: Encyclopedia II - Pitch music - Need to standardize pitch

Pitch space: Encyclopedia II - Modulatory space - Five-limit modulatory space

Five limit just intonation has a modulatory space based on the fact that its pitch classes can be represented by 3a 5b, where a and b are integers. It is therefore a free abelian group with the two generators 3 and 5, and can be represented in terms of a square lattice with fifths along the horizontal axis, and major thirds along the vertical axis. In many ways a more enlightening picture emerges if we represent it in terms of a hexagonal lattice instead; this is the Tonnetz of Hugo Riemann, discovered independen ...

See also:

Modulatory space, Modulatory space - Circles of generators, Modulatory space - Toroidal modulatory spaces, Modulatory space - Chains of generators, Modulatory space - Cylindrical modulatory spaces, Modulatory space - Five-limit modulatory space, Modulatory space - Seven-limit modulatory space

Read more here: » Modulatory space: Encyclopedia II - Modulatory space - Five-limit modulatory space

Pitch space: Encyclopedia II - Color space - Understanding the concept

Most people have heard that a wide range of colors can be created by the primary colors magenta, cyan, and yellow, if working with paints. Those colors then define a color space. We can specify the amount of red color as the X axis, the amount of blue as the Y axis, and the amount of yellow as the Z axis, giving us a three-dimensional space, wherein every possible color has a unique position. However, this is not the only color space. For instance, when colors are displayed on a computer monitor, they are usually defined in the RGB (r ...

See also:

Color space, Color space - Understanding the concept, Color space - Notes, Color space - Color space density, Color space - Partial list of color spaces, Color space - Generic color models, Color space - Commercial color spaces, Color space - Special-purpose color spaces, Color space - Obsolete color spaces

Read more here: » Color space: Encyclopedia II - Color space - Understanding the concept

Pitch space: Encyclopedia II - Color space - Notes

When formally defining a color space, the usual reference standard is the CIELAB color space, which was specifically designed to encompass all colors the average human can see. This is the most accurate color space but is too complex for everyday uses. Since "color space" is a more specific term for a certain combination of a color model plus a color mapping function, the term "color space" tends to be used to also identify color models, since identifying a color space automatically identifies the associated color model. Inform ...

See also:

Color space, Color space - Understanding the concept, Color space - Notes, Color space - Color space density, Color space - Partial list of color spaces, Color space - Generic color models, Color space - Commercial color spaces, Color space - Special-purpose color spaces, Color space - Obsolete color spaces

Read more here: » Color space: Encyclopedia II - Color space - Notes

Pitch space: Encyclopedia II - Modulatory space - Cylindrical modulatory spaces

A temperament of rank two which is not linear has one generator which is a fraction of an octave, called the period. We may represent the modulatory space of a such a temperament as n chains of generators in a circle, forming a cylinder. Here n is the number of periods in an octave. For example, diaschismic temperament is the temperament which tempers out the diaschisma, or 2048/2025. It can be represented as two chains of slightly (3.25 to 3.55 cents) sharp fifths a half-octave apart, which can be depicted as two chains perpendicular ...

See also:

Modulatory space, Modulatory space - Circles of generators, Modulatory space - Toroidal modulatory spaces, Modulatory space - Chains of generators, Modulatory space - Cylindrical modulatory spaces, Modulatory space - Five-limit modulatory space, Modulatory space - Seven-limit modulatory space

Read more here: » Modulatory space: Encyclopedia II - Modulatory space - Cylindrical modulatory spaces

Pitch space: Encyclopedia II - Modulatory space - Seven-limit modulatory space

In similar fashion, we can define a modulatory space for seven-limit just intonation, by representing 3a 5b 7c in terms of a corresponding cubic lattice. Once again, however, a more enlightening picture emerges if we represent it instead in terms of the three-dimensional analog of the hexagonal lattice, a lattice called A3, which is equivalent to the face centered cubic lattice, or D3. Abstractly, it can be defined as the integer triples (a, b, c), associated to 3a 5bSee also:

Modulatory space, Modulatory space - Circles of generators, Modulatory space - Toroidal modulatory spaces, Modulatory space - Chains of generators, Modulatory space - Cylindrical modulatory spaces, Modulatory space - Five-limit modulatory space, Modulatory space - Seven-limit modulatory space

Read more here: » Modulatory space: Encyclopedia II - Modulatory space - Seven-limit modulatory space

Pitch space: Encyclopedia II - Modulatory space - Toroidal modulatory spaces

If we divide the octave into n parts, where n = rs is the product of two relatively prime integers r and s, we may represent every element of the tone space as the product of a certain number of "r" generators times a certain number of "s" generators; in other words, as the direct sum of two cyclic groups of orders r and s. We may now define a graph with n verticies on which the group acts, by adding an edge between to pitch classes whenever they differ by either an "r" generator or an "s" generator. The result is a graph of genus one, which is to say, a graph with a ...

See also:

Modulatory space, Modulatory space - Circles of generators, Modulatory space - Toroidal modulatory spaces, Modulatory space - Chains of generators, Modulatory space - Cylindrical modulatory spaces, Modulatory space - Five-limit modulatory space, Modulatory space - Seven-limit modulatory space

Read more here: » Modulatory space: Encyclopedia II - Modulatory space - Toroidal modulatory spaces

Pitch space: Encyclopedia II - Color space - Understanding the concept

Most people have heard that a wide range of colors can be created by the primary colors red, blue, and yellow, if working with paints. Those colors then define a color space. We can specify the amount of red color as the X axis, the amount of blue as the Y axis, and the amount of yellow as the Z axis, giving us a three-dimensional space, wherein every possible color has a unique position. However, this is not the only color space. For instance, when colors are displayed on a computer monitor, they are usually defined in the RGB (red, ...

See also:

Color space, Color space - Understanding the concept, Color space - Notes, Color space - Color space density, Color space - Partial list of color spaces, Color space - Generic color models, Color space - Commercial color spaces, Color space - Special-purpose color spaces, Color space - Obsolete color spaces

Read more here: » Color space: Encyclopedia II - Color space - Understanding the concept

Pitch space: Encyclopedia II - Pitch music - Perception of pitch

Pitch is a subjective quality and is something perceived by the human ear, as opposed to frequency, which is the physical measurement of vibration per second. ...

See also:

Pitch music, Pitch music - Perception of pitch, Pitch music - Examples, Pitch music - Concert pitch, Pitch music - Varying pitch, Pitch music - Scales, Pitch music - Other musical meanings of pitch, Pitch music - Historical pitch standards, Pitch music - Need to standardize pitch, Pitch music - Changing the pitch of a vibrating string, Pitch music - Length, Pitch music - Tension, Pitch music - Density, Pitch music - Sources

Read more here: » Pitch music: Encyclopedia II - Pitch music - Perception of pitch

Pitch space: Encyclopedia II - Pitch music - Other musical meanings of pitch

In atonal, twelve tone, or musical set theory a "pitch" is a specific frequency while a pitch class is all the octaves of a frequency. Pitches are named with integers because of octave and enharmonic equivalency (for example, C# and Db are the same pitch while C4 and C5 are functionally the same, one octave apart). Discrete pitches, rather than continuously variable pitches, are virtually universal, with exceptions including "tumbling strains" (Sachs & Kunst, 1962) and "indeterminate-pitch chants" (Malm, 1967). Gliding pitches are used in most cultures, but are rela ...

See also:

Pitch music, Pitch music - Perception of pitch, Pitch music - Examples, Pitch music - Concert pitch, Pitch music - Varying pitch, Pitch music - Scales, Pitch music - Other musical meanings of pitch, Pitch music - Historical pitch standards, Pitch music - Need to standardize pitch, Pitch music - Changing the pitch of a vibrating string, Pitch music - Length, Pitch music - Tension, Pitch music - Density, Pitch music - Sources

Read more here: » Pitch music: Encyclopedia II - Pitch music - Other musical meanings of pitch

Pitch space: Encyclopedia II - Pitch music - Historical pitch standards

As well as various systems of musical tuning being used to determine the relative frequency of notes in a scale, various pitch standards have been used historically to fix the absolute position of the scale. In 1955, the International Organization for Standardization fixed the frequency of the A above middle C at 440 Hz, but in the past, various frequencies have been used. Until the 19th century, there was no concerted effort to standardize musical pitch and the levels across Europe varied widely. Even within one church, the pitch use ...

See also:

Pitch music, Pitch music - Perception of pitch, Pitch music - Examples, Pitch music - Concert pitch, Pitch music - Varying pitch, Pitch music - Scales, Pitch music - Other musical meanings of pitch, Pitch music - Historical pitch standards, Pitch music - Need to standardize pitch, Pitch music - Changing the pitch of a vibrating string, Pitch music - Length, Pitch music - Tension, Pitch music - Density, Pitch music - Sources

Read more here: » Pitch music: Encyclopedia II - Pitch music - Historical pitch standards

Pitch space: Encyclopedia II - Modulatory space - Circles of generators

A basic and important example of a modulatory space is the circle of fifths. In equal temperament, twelve succesive fifths equate to seven octaves exactly, and hence in terms of pitch classes closes back to itself, forming a circle. Abstractly, this circle is a cyclic group of order twelve, and may be identified with the residue classes modulo twelve. If we divide the octave into n equal parts, and choose an integer m<n such that m and n are relatively prime, we may obtain similar circles, which all have the structure of finite cyc ...

See also:

Modulatory space, Modulatory space - Circles of generators, Modulatory space - Toroidal modulatory spaces, Modulatory space - Chains of generators, Modulatory space - Cylindrical modulatory spaces, Modulatory space - Five-limit modulatory space, Modulatory space - Seven-limit modulatory space

Read more here: » Modulatory space: Encyclopedia II - Modulatory space - Circles of generators

Pitch space: Encyclopedia II - Pitch music - Changing the pitch of a vibrating string

There are three ways to change the pitch of a vibrating string. String instruments are tuned by varying the strings' tension because adjusting length or mass per unit length is impractical. Pitch music - Length. Pitch can be adjusted by varying the length of the string. A longer string will result in a lower pitch and vice versa. The change in frequency is inversely proportional to the change in length: A string twice as long will produce a t ...

See also:

Pitch music, Pitch music - Perception of pitch, Pitch music - Examples, Pitch music - Concert pitch, Pitch music - Varying pitch, Pitch music - Scales, Pitch music - Other musical meanings of pitch, Pitch music - Historical pitch standards, Pitch music - Need to standardize pitch, Pitch music - Changing the pitch of a vibrating string, Pitch music - Length, Pitch music - Tension, Pitch music - Density, Pitch music - Sources

Read more here: » Pitch music: Encyclopedia II - Pitch music - Changing the pitch of a vibrating string

Pitch space: Encyclopedia II - Pitch space - Fibered pitch space

In analogy with mathematical usage, we might call a modulatory space the base space, and another space over each point of it, giving the register, a fiber. This gives what might be called a fibered picture of pitch space. Less well known is the fact that a fibered picture of pitch space can also be obtained where the base space is a chordal space. For instance, suppose 2^a 3^b 5^c is a five-limit interval. If the base space is a chordal space of triads, and if each fiber consists of the integers, we may represent the five-limit interv ...

See also:

Pitch space, Pitch space - History of pitch space, Pitch space - Fibered pitch space, Pitch space - External link

Read more here: » Pitch space: Encyclopedia II - Pitch space - Fibered pitch space

More material related to Pitch Space can be found here:
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