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pathos | A Wisdom Archive on pathos | | pathos A selection of articles related to pathos | |
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pathos, Pathos
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| ARTICLES RELATED TO pathos | | | |  pathos: Encyclopedia II - Tragedy - Tragedy in filmmain article: Tragedy on screen
The general belief in Hollywood that audiences prefer happy endings might seem to preclude the genre of tragedy from film. However, the popularity of several cinematic tragedies indicates that audiences can be receptive to the genre. Recent examples include Titanic, Gladiator, and King Kong, all of which can be seen as tragedies, at least by some definitions.
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See also:Tragedy, Tragedy - Origin of Western tragedy, Tragedy - Theories of tragedy, Tragedy - Greek tragedy, Tragedy - Renaissance and 17th century tragedy, Tragedy - English Renaissance Tragedy, Tragedy - French Tragedy in the 16th and 17th centuries, Tragedy - Modern tragedy, Tragedy - Tragedy in film Read more here: » Tragedy: Encyclopedia II - Tragedy - Tragedy in film |
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| | | | | pathos: Encyclopedia II - French literature of the 17th century - Society and literature in 17th century France
French literature of the 17th century - Les ruelles and Les précieuses.
Henri IV's court was considered by contemporaries as a rude one, lacking in the Italianate sophistication of the court of the Valois kings; it also lacked a queen, which had traditionally been the meeting point for authors and poets. Henri's literary tastes seemed largely limited to the chivalric novel Amadis of Gaul. Literary culture was thus decentralized in the first half of the century and salons formed around many noble and upper class ...
See also:French literature of the 17th century, French literature of the 17th century - Society and literature in 17th century France, French literature of the 17th century - Les ruelles and Les précieuses, French literature of the 17th century - Aristocratic codes, French literature of the 17th century - Classicism, French literature of the 17th century - Prose fiction, French literature of the 17th century - Les Amours and Les histoires tragiques, French literature of the 17th century - The Baroque adventure novel, French literature of the 17th century - Baroque comic fiction, French literature of the 17th century - The Nouvelle classique, French literature of the 17th century - Other novelistic forms after 1660, French literature of the 17th century - Poetry, French literature of the 17th century - Theater, French literature of the 17th century - Theaters and theatrical companies, French literature of the 17th century - Baroque theater, French literature of the 17th century - Theater under Louis XIV, French literature of the 17th century - Other genres Read more here: » French literature of the 17th century: Encyclopedia II - French literature of the 17th century - Society and literature in 17th century France |
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| | | | | pathos: Encyclopedia II - Tragedy - Theories of tragedy The philosopher Aristotle theorized in his work The Poetics that tragedy results in a catharsis (emotional cleansing) of healing for the audience through their experience of these emotions in response to the suffering of the characters in the drama.
Not all plays that are broadly categorized as "tragedies" result in this type of cathartic ending, though – some have neutral or even ambiguously happy endings. Exactly what constitutes a "tragedy", however, is a frequently debated matter. Some hold that any story with a sad ending is a tragedy, whereas others demand that the story fit a set of requirements (often ...
See also:Tragedy, Tragedy - Origin of Western tragedy, Tragedy - Theories of tragedy, Tragedy - Greek tragedy, Tragedy - Renaissance and 17th century tragedy, Tragedy - English Renaissance Tragedy, Tragedy - French Tragedy in the 16th and 17th centuries, Tragedy - Modern tragedy, Tragedy - Tragedy in film Read more here: » Tragedy: Encyclopedia II - Tragedy - Theories of tragedy |
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| | | | | pathos: Encyclopedia II - Tragedy - Origin of Western tragedy The origins of tragedy in the West are obscure, but it is certainly derived from the poetic and religious traditions of ancient Greece. Its roots may be traced more specifically to the dithyrambs, the chants and dances honoring the Greek god Dionysus, later known to the Romans as Bacchus. These drunken, ecstatic performances were said to have been created by the satyrs, half-goat beings who surrounded Dionysus in his revelry, and the Greek words tragos meaning "goat" and aeidein "to sing" were combined in the word tragoidia< ...
See also:Tragedy, Tragedy - Origin of Western tragedy, Tragedy - Theories of tragedy, Tragedy - Greek tragedy, Tragedy - Renaissance and 17th century tragedy, Tragedy - English Renaissance Tragedy, Tragedy - French Tragedy in the 16th and 17th centuries, Tragedy - Modern tragedy, Tragedy - Tragedy in film Read more here: » Tragedy: Encyclopedia II - Tragedy - Origin of Western tragedy |
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| | | | | | pathos: Encyclopedia II - Logos - Use in rhetoric In rhetoric, logos is one of the three modes of persuasion (the other two are pathos, emotional appeal, and ethos, the qualification of the speaker). Logos refers to logical appeal, and in fact the term logic evolves from it. Logos normally implies numbers, polls, and other mathematical or scientific data.
Logos has many advantages:
Data is hard to manipulate, meaning that it is harder to argue against a logos argument.
For the same reason, it may sway cynical listeners to the speaker's opinion.
Logos enhances ethos by making the speaker look prepared ...
See also:Logos, Logos - Use in ancient philosophy, Logos - Use in rhetoric, Logos - Use in Christianity, Logos - Similar concepts Read more here: » Logos: Encyclopedia II - Logos - Use in rhetoric |
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| | | | | | pathos: Encyclopedia II - French literature of the 17th century - Poetry Because of the new conception of "l'honnête homme" or "the honest or upright man", poetry became one of the principle modes of literary production of noble gentlemen and of non-noble professional writers in their patronage in the 17th century.
Poetry was used for all purposes. A great deal of 17th and 18th century poetry was "occasional", meaning that it was written to celebrate a particular event (a marriage, birth, military victory) or to solemnize a tragic occurrence (a death, militray defeat), and this kind of poetry was frequent ...
See also:French literature of the 17th century, French literature of the 17th century - Society and literature in 17th century France, French literature of the 17th century - Les ruelles and Les précieuses, French literature of the 17th century - Aristocratic codes, French literature of the 17th century - Classicism, French literature of the 17th century - Prose fiction, French literature of the 17th century - Les Amours and Les histoires tragiques, French literature of the 17th century - The Baroque adventure novel, French literature of the 17th century - Baroque comic fiction, French literature of the 17th century - The Nouvelle classique, French literature of the 17th century - Other novelistic forms after 1660, French literature of the 17th century - Poetry, French literature of the 17th century - Theater, French literature of the 17th century - Theaters and theatrical companies, French literature of the 17th century - Baroque theater, French literature of the 17th century - Theater under Louis XIV, French literature of the 17th century - Other genres Read more here: » French literature of the 17th century: Encyclopedia II - French literature of the 17th century - Poetry |
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| | | | | pathos: Encyclopedia II - French literature of the 17th century - Theater
French literature of the 17th century - Theaters and theatrical companies.
During the Middle Ages and the Renaissance, public theatrical representations in Paris were under the control of guilds, but in the last decades of the sixteenth century only one of these continued to exist: although "les Confrères de la Passion" no longer had the right to perform mystery plays (1548), they were given exclusive rights to oversee all theatrical productions in the capital and rented out their theater (the Hôtel de Bourgogn ...
See also:French literature of the 17th century, French literature of the 17th century - Society and literature in 17th century France, French literature of the 17th century - Les ruelles and Les précieuses, French literature of the 17th century - Aristocratic codes, French literature of the 17th century - Classicism, French literature of the 17th century - Prose fiction, French literature of the 17th century - Les Amours and Les histoires tragiques, French literature of the 17th century - The Baroque adventure novel, French literature of the 17th century - Baroque comic fiction, French literature of the 17th century - The Nouvelle classique, French literature of the 17th century - Other novelistic forms after 1660, French literature of the 17th century - Poetry, French literature of the 17th century - Theater, French literature of the 17th century - Theaters and theatrical companies, French literature of the 17th century - Baroque theater, French literature of the 17th century - Theater under Louis XIV, French literature of the 17th century - Other genres Read more here: » French literature of the 17th century: Encyclopedia II - French literature of the 17th century - Theater |
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| | | | | | pathos: Encyclopedia II - Susan Ivanova - Personality For many, Babylon 5 was exemplified by the character of Commander Susan Ivanova, second in command of the Babylon 5 station. Ivanova, portrayed by Claudia Christian, avoided many of the clichés endemic to modern sci-fi television. She was tough, assertive and self-confident, while being cynical and playfully witty. Her character was complex and evolving, never taking the easy path of stereotype.
Much of her appeal came from her quick-witted dialogue, which often lightened tensions in the serious, dramatic scenes that were the ...
See also:Susan Ivanova, Susan Ivanova - Personality, Susan Ivanova - Tragedy and loss, Susan Ivanova - Sexuality, Susan Ivanova - Later life Read more here: » Susan Ivanova: Encyclopedia II - Susan Ivanova - Personality |
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| | | | | | pathos: Encyclopedia II - Lady Jane Grey - Lady Jane Grey in culture She was the subject of the 1715 she-tragedy entitled Lady Jane Grey by Nicholas Rowe, which emphasizes the pathos of Jane's fate.
Her story has been filmed three times: as Lady Jane Grey; Or, The Court of Intrigue in 1923, as Tudor Rose in 1935 when she was played by Nova Pilbeam, and as Lady Jane in 1986 when she was played by Helena Bonham Carter.
She has often been depicted in art, examples include: The Execution of Lady Jane Grey, Lady Jane Grey Preparing ...
See also:Lady Jane Grey, Lady Jane Grey - Early life and education, Lady Jane Grey - Claim to the Throne, Lady Jane Grey - Accession, Lady Jane Grey - Deposal, Lady Jane Grey - Execution, Lady Jane Grey - Lady Jane Grey in culture, Lady Jane Grey - Bibliography Read more here: » Lady Jane Grey: Encyclopedia II - Lady Jane Grey - Lady Jane Grey in culture |
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| | | | | pathos: Encyclopedia II - Lady Jane Grey - Execution The Protestant rebellion of Sir Thomas Wyatt, in the first months of 1554, sealed Jane's fate despite the fact that she had nothing to do with it directly. The rebellion was at first a popular revolt precipitated by the imminent marriage of Mary to the Catholic Philip II of Spain. Jane's father, the Duke of Suffolk, and other nobles joined the rebellion, calling for Jane's restoration as Queen. Phillip and his councillors pressed Mary to execute Jane to put an end to any future focus for unrest. Mary offered Jane a pardon if she would convert to Catholicism, but Jane refused. Five days after Wyat ...
See also:Lady Jane Grey, Lady Jane Grey - Early life and education, Lady Jane Grey - Claim to the Throne, Lady Jane Grey - Accession, Lady Jane Grey - Deposal, Lady Jane Grey - Execution, Lady Jane Grey - Lady Jane Grey in culture, Lady Jane Grey - Bibliography Read more here: » Lady Jane Grey: Encyclopedia II - Lady Jane Grey - Execution |
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| | | | | pathos: Encyclopedia II - Greek statue - Classical
Greek statue - Early Classical.
The early Classical period, from 500 - 485 BC, saw the development of the Severe Style[1]. Although poses still remained relatively stiff, sculptors began portraying
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See also:Greek statue, Greek statue - Archaic Period, Greek statue - Classical, Greek statue - Early Classical, Greek statue - Headline text, Greek statue - Headline text, Greek statue - Headline text, Greek statue - High and Late Classical, Greek statue - Hellenistic Read more here: » Greek statue: Encyclopedia II - Greek statue - Classical |
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| | | | | pathos: Encyclopedia II - Greek statue - Headline text
humans naturalistically, and action-oriented poses were more commonplace. However, because of the impossibly perfect proportions, realism was still far off in terms of both subject matter and the body itself. This period also led to more experimentation with bronze, as it was sturdier than marble.
Greek statue - High and Late Classical.
The high Classical period (500 - 400 BC) saw the creation of works such as the metope sculptures of the Parthenon and the Discobolos. The contrapposto ...
See also:Greek statue, Greek statue - Archaic Period, Greek statue - Classical, Greek statue - Early Classical, Greek statue - Headline text, Greek statue - Headline text, Greek statue - Headline text, Greek statue - High and Late Classical, Greek statue - Hellenistic Read more here: » Greek statue: Encyclopedia II - Greek statue - Headline text |
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| | | | | pathos: Encyclopedia II - Lady Jane Grey - Accession Edward VI died on July 6, 1553. Lady Jane Grey was proclaimed Queen of England while staying at the New Inn, Gloucester on July 10, 1553, just four days later. She was, according to some accounts, tricked into putting on the crown by Northumberland; however, she refused to name her husband as king, but instead as Duke of Clarence. This infuriated the Dudleys, and Guilford was counseled by his mother to refuse to share Jane's bed and to leave her castle. She had the castle guard stop him, and told him what he did at night did not concern her, bu ...
See also:Lady Jane Grey, Lady Jane Grey - Early life and education, Lady Jane Grey - Claim to the Throne, Lady Jane Grey - Accession, Lady Jane Grey - Deposal, Lady Jane Grey - Execution, Lady Jane Grey - Lady Jane Grey in culture, Lady Jane Grey - Bibliography Read more here: » Lady Jane Grey: Encyclopedia II - Lady Jane Grey - Accession |
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