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Spiritual - Theosophy
Dictionary on
World Serpent, Snake
World Serpent or Snake Ideas connected with the world snake are not those associated with the legend of a hero slaying a serpent but with a more profound concept. In the Hindu system, there is Ananta-Sesha, the serpent of infinity; in the ancient Scandinavian cosmogony, the world serpent Nidhogg, is represented as encircling the globe with its tail in its mouth. The same representation is found in the Egyptian teachings: "In the oldest Egyptian imagery, as in the cosmogonic allegories of Kneph, the mundane snake, when typifying matter, is usually represented as contained within a circle; he lies straight across its equator, thus indicating that the universe of astral light, out of which the physical world evolved, while bounding the latter, is itself bound by Emepht, or the Supreme First Cause. . . . When the serpent represents eternity and immortality, it encircles the world, biting its tail, and thus offering no solution of continuity. It then becomes the astral light" (IU 157). Another interpretation of the snake in the circle is that "The active is attracted by the passive principle and the Great Nag [Ananta-Sesha], the serpent emblem of the eternity, attracts its tail to its mouth forming thereby a circle (cycles in the eternity) in that incessant pursuit of the negative by the positive" (ML 71). A sublime conception has also its human analog: the world serpent as the cosmic naga or grand universal 'Adam Qadmom, the sublime cosmic initiate, the cosmic wisdom which lives from manifesting universe to manifesting universe as its Purusha or spirit. It is the source of cosmic laws, wisdom, and life which infill the universe of which each such world serpent is the divine originating cause. The same thought in its human application refers to the great adept or master of wisdom and love.
(See also: World Serpent, Snake , Mysticism, Mysticism Dictionary,
Body mind and Soul)
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New Age Spirituality
Dictionary on
Phoenix
Phoenix (Egyptian-House of Enoch) Egyptian mythological bird of gorgeous plumage, sacred to the sun, reborn from the ashes of the funeral pyre which it made for itself when each life span of 500 or 600 years was over. "At the top of a palm tree a bird's nest catches fire. It has been ignited by a spark struck from the hooves of celestial steeds drawing the chariot of Ra, the Egyptian sun god. Amid the flames a beautiful Arabian bird extends its golden neck and purple wings, but instead of flying off, it dances. Eventually, it is consumed by the fire and reduced to ashes. but this is not the end. Indeed, it is only the beginning - for 500 years later a new bird is reborn from the ashes. It seals the remains of the nest in myrrh, wraps it in aromatic leaves, and molds it into the shape of an egg. This it carries as a sacred offering to the temple of the sun at Heliopolis, then flies away to paradise. Five hundred years later it returns to earth, where it begins again the cycle of selfimmolation and resurrection - a process that continues forever. " The phoenix, originating in the mythology of ancient Egypt, has become a universal symbol of rebirth and the most famous of all fabulous birds. Clad in feathers of red and gold, the color of the rising sun, it had a melodious voice that became mournful with approuching death. Other creatures were then so overcome by its beauty and sadness that they themselves fell dead. According to legend, only one phoenix could live at a time. The Greek poet Hesiod, writing in the 8th century BC, said that the phoenix lived nine times the lifespan of the long-living raven. Other estimates went up to 97,200 years. When the bird felt death approaching, it built itself a pyre of wild cinnamon and died in the flames. But from the ashes there then arose a new phoenix, which tenderly encased its parent's remains in an egg of myrrh and flew with them to the Egyptian city of Heliopolis, where it laid them on the Altar of the Sun. These ashes were said to have the power of bringing a dead man back to life. The profligate Roman Emperor Elagabalus (AD 205-22) decided to eat phoenix meat in order to achieve immortality. He dined off a bird of paradise, sent in place of a phoenix, but the substitute did not work. He was then murdered shortly afterward. Scholars now think that the germ of the legend came from the Orient and was adopted by the sun-worshipping priests of Heliopolis as an allegory of the sun's daily setting and rebirth. Like all great myths, it stirs deep chords in man. In Christian art the resurrected phoenix became a popular symbol of Christ risen from the grave. Strangely, its name may come from a misunderstanding by Herodotus, the Greek historian of the 5th century BC. In his account of the bird he may have mistakenly given it the name "phoenix" because of the palm tree (Greek: phoinix) on which it was customarily pictured sitting in those days. In their attempts to identify the gorgeously plumed phoenix of Egyptian myth with a real bird, scientists tended to discount New Guinea's birds of paradise otherwise likely candidates because of the island's great distance from Egypt. In 1957, however, Australian zoologists discovered that New Guinea tribes had exported bird of paradise plumed skins for centuries and that among those visiting the island, as long ago as 1000 BC, had been traders from Phoenicia in the Middle East. Another significant discovery was that the tribespeople used to preserve the skins for export by sealing them in myrrh, molding them into an egg shape, and wrapping this in burned banana skins - a procedure that tallies almost exactly with the mythical bird's reputed treatment of its destroyed nest. Perhaps most significant of all is the fact that the brilliantly colored males of Count Raggi's bird of paradise are adorned with cascades of scarlet feathers that, during their courtship dance, they repeatedly raise aloft, while quivering intensely - a spectacle reminiscent of the phoenix dancing in its burning nest. On reaching the Middle East, descriptions of this spectacle, combined with the egg-like parcels of skins, may well have been sufficient to inspire the myth of the phoenix.
(See also: Phoenix , New Age
Spirituality, Body
Mind and Soul)
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New Age
Spirituality Dictionary on Phoenix
Phoenix (Egyptian-House of Enoch) Egyptian mythological bird of gorgeous plumage, sacred to the sun, reborn from the ashes of the funeral pyre which it made for itself when each life span of 500 or 600 years was over. "At the top of a palm tree a bird's nest catches fire. It has been ignited by a spark struck from the hooves of celestial steeds drawing the chariot of Ra, the Egyptian sun god. Amid the flames a beautiful Arabian bird extends its golden neck and purple wings, but instead of flying off, it dances. Eventually, it is consumed by the fire and reduced to ashes. but this is not the end. Indeed, it is only the beginning - for 500 years later a new bird is reborn from the ashes. It seals the remains of the nest in myrrh, wraps it in aromatic leaves, and molds it into the shape of an egg. This it carries as a sacred offering to the temple of the sun at Heliopolis, then flies away to paradise. Five hundred years later it returns to earth, where it begins again the cycle of selfimmolation and resurrection - a process that continues forever. " The phoenix, originating in the mythology of ancient Egypt, has become a universal symbol of rebirth and the most famous of all fabulous birds. Clad in feathers of red and gold, the color of the rising sun, it had a melodious voice that became mournful with approuching death. Other creatures were then so overcome by its beauty and sadness that they themselves fell dead. According to legend, only one phoenix could live at a time. The Greek poet Hesiod, writing in the 8th century BC, said that the phoenix lived nine times the lifespan of the long-living raven. Other estimates went up to 97,200 years. When the bird felt death approaching, it built itself a pyre of wild cinnamon and died in the flames. But from the ashes there then arose a new phoenix, which tenderly encased its parent's remains in an egg of myrrh and flew with them to the Egyptian city of Heliopolis, where it laid them on the Altar of the Sun. These ashes were said to have the power of bringing a dead man back to life. The profligate Roman Emperor Elagabalus (AD 205-22) decided to eat phoenix meat in order to achieve immortality. He dined off a bird of paradise, sent in place of a phoenix, but the substitute did not work. He was then murdered shortly afterward. Scholars now think that the germ of the legend came from the Orient and was adopted by the sun-worshipping priests of Heliopolis as an allegory of the sun's daily setting and rebirth. Like all great myths, it stirs deep chords in man. In Christian art the resurrected phoenix became a popular symbol of Christ risen from the grave. Strangely, its name may come from a misunderstanding by Herodotus, the Greek historian of the 5th century BC. In his account of the bird he may have mistakenly given it the name "phoenix" because of the palm tree (Greek: phoinix) on which it was customarily pictured sitting in those days. In their attempts to identify the gorgeously plumed phoenix of Egyptian myth with a real bird, scientists tended to discount New Guinea's birds of paradise otherwise likely candidates because of the island's great distance from Egypt. In 1957, however, Australian zoologists discovered that New Guinea tribes had exported bird of paradise plumed skins for centuries and that among those visiting the island, as long ago as 1000 BC, had been traders from Phoenicia in the Middle East. Another significant discovery was that the tribespeople used to preserve the skins for export by sealing them in myrrh, molding them into an egg shape, and wrapping this in burned banana skins - a procedure that tallies almost exactly with the mythical bird's reputed treatment of its destroyed nest. Perhaps most significant of all is the fact that the brilliantly colored males of Count Raggi's bird of paradise are adorned with cascades of scarlet feathers that, during their courtship dance, they repeatedly raise aloft, while quivering intensely - a spectacle reminiscent of the phoenix dancing in its burning nest. On reaching the Middle East, descriptions of this spectacle, combined with the egg-like parcels of skins, may well have been sufficient to inspire the myth of the phoenix.
(See
also: Phoenix ,
New Age Spirituality, Body Mind and Soul)
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Bodywork
Dictionary on
ASTON-PATTERNING
ASTON-PATTERNING Aston-Patterning is an educational process, developed by Judith Aston in 1977, combining movement coaching, bodywork, ergonomics, and fitness training. It can be helpful to individuals seeking relief from acute or chronic pain or for those wishing to improve their posture and increase the efficiency of their movement patterns either in activities of daily living or complex activities, such as athletics or the performing arts. The movement work neurokinetics has two divisions. The first part involves instruction in the most efficient way to perform the simple activities of daily living, and then progresses to complex activities. The second part teaches the client how to use movement to decrease accumulated tension in the body. The bodywork includes Aston massage, myokinetics, and arthrokinetics. The massage is a specialized form based on Swedish massage (not compressive) utilizing a three-dimensional touch which helps to release functional holding patterns (muscle tension being maintained by the nervous system and not yet creating a physiological change in the connective tissue) from surface to bone. Myokinetics is a form of myofascial release that unleashes deeply embedded structural holding patterns from the fascial network. Arthrokinetics addresses structural holding patterns at the joint surfaces and along the bone. The bodywork is used to make new movement options available, and the sessions are followed with a movement lesson to assist the client in understanding how the tension had been created and how to maintain the changes achieved. The ergonomic training demonstrates to the client how environment affects their body’s alignment, dimensional integrity, and degree of effort required to perform activities, as well as identifying the role their environment has played in their current complaint. The client is trained to modify or negotiate with less-than-optimal situations, such as sitting in their office, home, or car, or shoes offering a less-than-optimal alignment while standing, walking, or running. The Aston Fitness training includes vertical and horizontal loosening, toning, stretching, and cardiovascular fitness. The loosening moves are done lying and standing to address specific areas of tension which, when released, assist the client in achieving their best alignment and dimensional integrity before working out. Toning teaches the client how to address specific areas that are less toned in comparison to the rest of the body - in a way that won’t compromise any other area of the body. This results in an even distribution of muscle tone throughout the body so the workload is shared more evenly. Stretching is taught in a way that doesn’t borrow dimension from an adjacent body segment while working a specific area.
(See also: ASTON-PATTERNING ,
Alternative Health, Massage,
Bodywork,
Body Mind and Soul)
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Dream Interpretation Dictionary - Offering
Offering - To bring or make an offering, foretells that you will be cringing and hypocritical unless you cultivate higher views of duty.
Source: 10 000 Dream
Interpretations, by Gustavus Hindman Miller
(See also: Dream
Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Offering , Meaning of Dreams about Offering ,
Dream Interpretation Offering )
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Hindu -
Hinduism Dictionary on Akshata
akshata: (Sanskrit) "Unbroken." Unmilled, uncooked rice, often mixed with turmeric, offered as a sacred substance during puja, or in blessings for individuals at weddings and other ceremonies. This, the very best food, is the finest offering a devotee can give to God or a wife can give to her husband. See: puja.
(See
also: Akshata ,
Hinduism,
Body Mind and Soul)
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Hindu Symbols - Sacred
food offering of the Lord - PrasadaPrasada is that
which gives peace. Prasada is the sacred food offering of the Lord. During
Kirtana, worship, Puja, Havan and Arati, the devotee offers sweet rice, fruits,
jaggery, milk, coconut, plantain and such other articles to the Lord, according
to his ability. After offering them to the Lord, they are shared between the
members of the house or the Bhaktas in a temple.
Excerpt from
All About Hinduism by Sri Swami Sivananda
Read more here: » Prasada:
Hindu Symbols - Sacred
food offering of the Lord - Prasada |
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| | | | | | | |  |  |  | Offering Dictionary: Healing Power of Daily PrayerThe power of everyday prayer is
boundless: It is a documented fact that community prayer services have worked
miracles, especially in healing the sick.
In today's rushed
world, not many people find the time to pray. Even those who do pray are in a
terrible hurry. Naturally then, the heart and mind are often disconnected from
the words of prayer which are uttered as a matter of routine. Instead of having
a heart-to-heart talk with God, we end up merely reciting. So prayer tends to
become a superficial and mechanical task that's not particularly pleasing.
Unsurprisingly, one often prays grudgingly.
Read more here: » Power of Prayer: Healing Power of Daily Prayer |
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