MAGIC

From Latin magi, pl. (Greek magoi, pl. of magos, a Magian, one of the Median tribe; also an enchanter, properly a wise-man who interpreted dreams; Old Persian mugh, one of the Magi, a fire-worshipper; Sanskrit maga "a priest of the sun"; maybe related to maha, "great" and maya, illusion; perhaps, ultimately, even the Maya of Central America. Compare Hebrew makeshef, "magician"). Magic is actually short for "Magic Art". The connection between magus and magnus "great" also appears in Hebrew. As in Latin the word for "great", produces "master or teacher" (magister) , so Hebrew rab produces "rabbi". However the confusion in Hebrew does not arise because the word for "magic" (qeshem) is not related to rab".

The word in this form is found with precisely the same meaning (or mystery) in most European tongues and even in Japanese majutsu, (which they no doubt borrowed from the Portuguese). Elsewhere, however, we find different senses altogether, such as the old Teutonic Helliruna (lit. "Hell's secret") which is surely a folk etymology of the Arabic word for "mandrake", albiruhan or alyabruhin, the same word we find in Spanish as the word for "magician", el brujo, because alongside that there is indeed the Old High German word for "mandrake", Alruna. The only question we need ask is which form came first, but we find the Arabic influence extending east as far as Mongolia, where, in passing, we may note ilbi for "magic."

The otherness of ego enwraps each of us like a prison, but the magus takes all of earth as his body. Magic itself is but a symbol of the greater Magic, which is Unity. The Oneness frees us from the dungeon of darkness and the self and resembles the teaching of Buddhism.

From yet another perspective, magic, mind and life are the same thing: living cells are sometimes kept alive in labs. A specialized cell, so protected, fed and allowed to reproduce, eventually turns into a basic and undifferentiated cell. This indicates that life is not only exceedingly plastic but that it is also purposive. If such adaptation were attributable to mindless mechanics, a bone cell would go on reproducing a bone cell and a blood cell a blood cell forever.

Since all things are connected, then experiential reality, which is Mind, can be altered by the implementation of the Will and Visualization. There is no "orthodox" doorway of the "Self" through the various universes, so the magician must build his own bridge, without assistance, across the Abyss, from the otherness of the separate ego to Cosmic Unity. Since the goal and purpose of existence is knowledge, then the magus is obliged to seek experience on numerous planes of being reached via perichoresis and also to effect material changes in the earth's reality. Thinking isn't just the beginning of creation, it is creation itself.

Marc Edmund Jones classifies magic into categories. Divination is the effort to gain knowledge, particularly of the future (in order the better to assist the "Divine" plan). The evocation or invocation of elementals or angelic powers, functioning through the ethers, is another class of magic. Then there is hypnotism, which works through "imitative" magic. Finally, there is tantrism, or the development of supernatural siddhis.

Colin Wilson suggests that magic is simply the development of the Will and the Imagination, Versluis that it is "not a means to an end, but a means to heighten means." Clearly, the object of magic is the raising of consciousness. The magus is empowered to effect events only to the extent that he is able to recognize that inside and outside are one. To transform the world is to transform oneself and vice-versa. Traditional rituals, the using of symbols and the altering of consciousness through herbs, smells, sounds, repetitions and meditation are all inward-directed processes designed to educate, focus and strengthen the faculties of Imaging and Willing. Alchemy is the same endeavor directed outwardly. We fail to control the transformation of our selves to the degree that we isolate ourselves from the world, just as we lose our ability to change the world at the exact moment that we begin to lose touch with ourselves.

However, although those who don't know what they are doing are obliged to perform magic strictly through the observation of rituals, those who understand its real nature and purpose can move directly to its center and act from there, without incantations and conjurations.

Here are some definitions of M/magic(k) by various authorities on the subject:

ANONYMOUS: "Magus Nascitur Non Fit."

ALICE BAILEY: "No man is a magician, or worker in white magic, until his third eye is opened, or is in the process of opening." (That means 'transmission of consciousness to the universal mind').

WADE BASKIN: "The art and science of magic is based on three basic principles. 1) one may communicate with other realms, or planes of existence, through the medium of the Astral Light; 2) the power of the magician is unlimited; 3) external characteristics (signatures) are signs through which everything internal and invisible can be revealed."

MORRIS BERMAN: "Magic is not necessarily gnostic in nature, since it is not particularly dualistic, and it never includes the notion of an outside savior or redeemer, which Gnosticism (particularly in its early forms) sometimes does."

HELENA P. BLAVATSKY: "The art of divine Magic consists in the ability to perceive the essence of things in the light of nature (astral light), and - by using the soul-powers of the Spirit - to produce material things from the unseen universe, and in such operations the Above and the Below must be brought together and made to act harmoniously". (The Secret Doctrine).

"Magic is spiritual wisdom. Arcane knowledge misapplied is sorcery.

"Magic was considered a divine science which led to a participation in the attributes of Divinity itself."

"Magic was the highest knowledge of natural philosophy... and the magician differed from the witch in this, that, while the latter was an ignorant instrument in the hands of demons, the former had become their master by the powerful intermediation of science, which was only within reach of the few, and which these beings were powerless to disobey."

BERNARD BROMAGE: "The word has, more often than not, been used, not for illumination, not as a guide to ascertainable verity, but as a camouflage to conceal a man's ignorance; and, worse, his calculated ineptitude and folly. The word can be said to have ceased to be a word and to have become a byword: a symbol surrounded by an evilly phosphorescent light, of man's infernal capacity for avoiding the issues. . . Magic, tout court, is immensely concerned with the 'Extension of Consciousness'; the widening of frontiers; the increase and development of every variety of sense perception. To be a magician one must learn to investigate all phenomena with the eye of the scientist who scorns no possible hypothesis nor neglects to take into the fullest consideration the complete structure of our actual and potential being. . . it is not a solace for the frustrated, but a reward for the pure of heart. Its final appeal is not to curiosity or greed, but to reverence and acceptance."

PETER CARROLL: "The world is magical but designed to make us believe we are not magi."

"All events are basically magical, arising spontaneously without prior cause. Physical laws are only statistical approximations. Consciousness, magic and chaos are the same thing. Consciousness also makes things happen without prior cause."

ALEISTER CROWLEY: "All Art is Magick"

"The Goal of Magick is the knowledge and conversation of the Holy Guardian Angel."

NEVILL DRURY: "Magic is the technique of harnessing the secret powers of Nature and and seeking to influence events for one's own purpose. If the purpose is beneficial it is known as white magic, but if it is intended to bring harm to others, or to destroy property, it is regarded as black magic."

"High Magic is intended to bring about the spiritual transformation of the person who practices it. This form of magic is designed to channel the magician's consciousness towards the sacred light within, which is often personified by the high gods of different cosmologies. The aim of high magic has been described as communication with one's Holy Guardian Angel, or higher self. It is also known as Theurgy."

"Whereas science deals with empirically observable causes and effects, occultism deals pragmatically with methods of altering consciousness to produce certain effects. One of these is the assimilation within the self of the characteristics of a deity, another is the separation of consciousness from the physical body."

DION FORTUNE: "Magic is the art of changing consciousness at will."

KENNETH GRANT: "Magick is the apotheosis of the Irrational, the acme of the absurd, and the reification of the impossible."

GURDJIEFF: ". . .I decided to call those undertakings which required intentional action of higher centers - those centers which are properly the feeling and thinking centers, capable of emotional sensing and of mentation respectively, but which are ordinarily unformed through absorption of their rightful impressions by the false emotional and intellectual centers of the psyche - objective magic, having as its result the obtaining of real knowledge."

"I thus separated this objective magic from its ordinary counterpart, 'magic of the psyche', in which purely fantastic results are obtained, and self-calming and amusement are the only attainments. Under this category I placed my former endeavors as a medium and psychic, as well as those results obtained by theosophy, occultism and so forth, all of which up to then had quite fascinated and attracted my attention."

WILLIAM JAMES: "We all have a lifelong habit of inferiority to our full self. . ."

MARC EDMUND JONES: "Occult, as distinct from secular, science; Occult as the effort to compel the cooperation of others, as well as deity, nature, in enterprises of self, illustrated by miracle or thaumaturgy, known as white when ethical and black when amoral."

ELIPHAS LÉVI: "The Arcanum of the Magnum Opus is the mastery or government of Ignis."; "Would you learn to reign over yourself and others? Learn how to will. How can one learn to will? This is the first arcanum of magical initiation. . ."

MACGREGOR MATTHEWS: "To practice magic, both the imagination and the Will must be called into action, they are co-equal in the work. . . The Will unaided can send forth a current. . . yet its effect is vague and indefinite. . . the Imagination unaided can create an image. . . yet it can do nothing of importance, unless vitalized and directed by the Will."

JOHN MIDDLETON: "We may say that the realm of magic is that in which human beings believe that they may directly affect nature and each other for good or ill, by their own efforts (even when the precise mechanism may not be understood by them) as distinct from appealing to divine powers by sacrifice or prayer (i.e. religion)."

JOHN O'KEEFE: "Magic is the defense of the self against the malevolence of society."

PARACELSUS: "The exercise of true magic does not require any ceremonies or conjurations, or the making of circles and signs; it requires neither benedictions nor maledictions in words, neither verbal blessings or curses."

JOHN COWPER POWYS: "Magic is simply the choice between emphasis and rejection."

DIANE DE PRIMA: "Look at the forces behind the things rather than just at the object or event. If I have a working definition of magic it's that behind every single thing in the world an infinite tunnel opens of reference, cross-references, and forces, and how these things interlock in nets. What I basically say is, yeah, learning to see force. . . learning to see the etheric and the astral, etc. to the thinner and thinner layers of stuff. And learning to work off those layers rather than . . . if you want to push that rock you don't necessarily have to go out there and put your shoulder to it."

RIMBAUD: "The Poet transforms himself into a seer through a long, immense and determined, rational disordering of all his sense. Every form of love, suffering and madness he seeks within himself and exhausts in himself all poisons, preserving but their quintessences. Ineffable torture where he will need all of his faith and superhuman strength, making him among men, the great Sick Man, the Thrice-Damned, the Arch-Criminal - and the supreme Savant! - for he arrives at the Unknown! Since he has cultivated his soul, already richer than any other man's, he thereby reaches the Unknown, and, even if, insane in the end, he should lose every shred of understanding gained so laboriously, he will have had his Visions! He may perish in his leap into those innumerable, unnameable things, there will follow other terrible workers. They will begin at the horizons where he fell."

MARTIN DEL RIO: "An art or skill which, by means of a non-supernatural force, produces certain strange and unusual phenomena whose rationale eludes common sense."

ROMULUS: "Magic is living poetry."

"Magic is the invocation and exploitation of synchronicity. All practices build up a momentum of their own. What we desire eventually comes true, with interest."

"Every magician's tricks are his own, to help him with own special problems, to get himself over his own inner obstacles. Our Individual tasks are to learn and overcome our own obstacles. That's why the study of great men and women is so very instructional and worthwhile. Not because they teach us to be like them, but because they show us how they became themselves! "

"Self-confident, integrated personalities already are fairly much in control of their powers and are magical to some extent. When circumstances intrude, such as sickness, enmity, financial loss, etc. and self-confidence wanes, the 'magical' side begins to seem spurious. The more 'magical' we try to be, the more charlatanry rises to the surface in us."

FRANCIS KING & STEPHEN SKINNER: "Four basic assumptions of magic: 1. That the [physical] universe is only a part of total reality. 2. The human will-power is a real force, capable of being trained and concentrated, and that the disciplined will is capable of changing its environment and producing paranormal events. 3. That this will-power must be directed by the imagination. 4. That the universe is not a mixture of chance factors and influences, but an ordered system of correspondences, and the understanding of the pattern of correspondences enables the occultist to use them for his own purposes, good or evil.

HUTTON WEBSTER (1948): "As regards purpose, Magic is divinatory, productive and aversive. The magician discovers or foretells what is otherwise hidden in time or space from human eyes; he influences and manipulates the objects and phenomena of nature and all animate creatures so that they may satisfy actual or human needs; and finally he combats, neutralizes and remedies the onslaught of the evils, real or imaginary, afflicting mankind. The range of magic is thus almost as wide as the life of man. All things under heaven, and even the inhabitants of heaven become subject to its sway.

COLIN WILSON: "Human perception is 'intentional.'" (Consciousness is a muscle).

"The great personality-inhibitor is caution. . . even in a few people who seem fairly well integrated. I can suddenly catch a glimpse of a more sophisticated, confident personality that has never succeeded in emerging . . . Even criminality is a form of caution, the desire for immediate and tangible returns, based upon the feeling that the universe has no intention of giving you anything you are not prepared to take by force. In fact, the study of murder leaves one with an impression of weak and crippled personalities who left half their potentialities to stagnate."

"Outside our everyday personality there is a wider self that possesses greater powers than the everyday self. . . When the will is hindered by too much self-consciousness it often produces the opposite effect from the one intended. (Poe called it "the imp of the perverse"). The wider self would be happy to oblige, but the contracted ego is somehow opposing itself, like someone trying to open a door by pushing it instead of pulling it. So it does the next best thing." (Psychokinesis).

"Modern civilization induces an attitude of passivity. When a Stone Age hunter set out to trap wild animals, he was aware of his will as a living force. When the prehistoric farmer scored the surface of the earth with a crude plough, he knew that his family's survival through the winter depended on his effort, and his will responded to the challenge. When a modern city dweller walks down a crowded thoroughfare, he feels no sense of challenge or involvement. This city was built by other people, all these shops and offices are owned by other people. He can get through an ordinary day's work in a state approximating sleep. Most of his routine tasks are carried out by the 'robot'. There is neither the need or the opportunity to use the will."

ZORN ZUCKERMAN: "The 20th Century has been so much a time of everything 'losing its magic, that the only thing left is magic itself."

CONCLUSION:

Is magic simply the search for "ultimate knowledge" without the burden of "worship"? Not exactly. The Golden Dawn used to say, "The aim of religion, the method of science," which was as ambitious as it was inaccurate. The "Transcendental" without religion, as opposed to mere "Revelation" without religion, would be closer to the mark than soulless "Ultimate Knowledge." The latter is a logical, scientific goal, not a magical one. The Scientist is obliged to go wherever his will-o'-the-wisp may lead him, as Mary Shelley pointed out, stopping not even at Frankenstein's monster nor the Hydrogen Bomb nor tailor-made diseases. Thus, the scientist inevitably winds up in Hell, the epitome of "Reason". The Magician knows where he is going, dares to go there and will what he will discover and create. His work (ideally) is the transmogrification of Hell. Moreover, about what he does he can make no statement, because it is always unique, never a repeatable "trick". That is, he is in the business, not as the scientist is of "finding" meaning, but of "creating" it. But we have to remember that the phenomenological world is an illusion, which requires the magician always to remain watchful of the illusory nature of what he is doing.

Life without magic is not possible. Moreover, the important "passages" of life cannot be handled except in a frank context of High Magic: birth, adolescence, marriage, death, etc.

(See also: MAGIC , Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul,)

Space:

A three-dimensional something that extends without bounds in all directions (this week) and is the field of physical objects and events and their order and relationships.

(See also: Space , Pagan, Paganism, Pagan Dictionary)

Nidana (Sanskrit). The 12 causes of existence, or a chain of causation, "a concatenation of cause and effect in the whole range of existence through 12 links". This is the fundamental dogma of Buddhist thought, "the understanding of which solves the riddle of life, revealing the insanity of existence and preparing the mind for Nirvana". (Eitel’s Sans. Chin. Dict.)

The 12 links stand thus in their enumeration.

(1)  Jail, or birth, according to one of the four modes of entering the stream of life and reincarnation - or Chatur Yoni (q.v.), each mode placing the being born in one of the six Gati (q.v.).

(2)  Jararnarana, or decrepitude and death, following the maturity of the Skandhas (q.v.).

(3)  Bhava, the Karmic agent which leads every new sentient being to be born in this or another mode of existence in the Trailokya and Gati.

(4)  Upadana, the creative cause of Bhava which thus becomes the cause of Jati which is the effect; and this creative cause is the clinging to life.

(5)  Trishna, love, whether pure or impure.

(6)  Vedana, or sensation; perception by the senses, it is the 5th Skandha.

(7)  Sparsa, the sense of touch.

(8)  Chadayatana, the organs of sensation.

(9)  Namarupa, personality, i.e., a form with a name to it, the symbol of the unreality of material phenomenal appearances.

(10)              Vijnana, the perfect knowledge of every perceptible thing and of all objects in their concatenation and unity.

(11)              Samskara, action on the plane of illusion.

(12)              (12) Avidya, lack of true perception, or ignorance. The Nidanas belonging to the most subtle and abstruse doctrines of the Eastern metaphysical system, it is impossible to go into the subject at any greater length.

(See also: Nidana , Theosophy, Spirituality, Body mind and Soul, Spiritual Dictionary,)

WITCHCRAFT:

1) a family of Pagan magico-religious traditions deriving from pre-Christian Europe.

2) European-diasporic folk Magick.

3) Sometimes used by Wiccans as a synonym for Wicca.

4) the practice of Magick.

5) the craft used by Witches, which is Magick. Especially, that utilizing personal power with the energies of natural objects.

(See also: WITCHCRAFT , Witchcraft, Wicca, Paganism, Pagan Dictionary)

Jasa-anuraga - attachment for mundane material objects.

(See also: Jasa-anuraga , Bhakti, Bhakti Yoga, Bhakti Dictionary, Body Mind and Soul)

Desire (tanha, trishna): Second noble truth of Buddhism which designates that suffering results from craving sensory and mental objects.

 (See also: Desire , Eastern Philosophy, Body Mind and Soul)

Dagger

Daggers, knives, and swords could represent significant feelings of anger toward yourself and others. If you kill or wound a perceived enemy in your dream, your unconscious mind may be encouraging you to conquer your fears. Freud thought that all such objects were phallic symbols.

Source: Dream Lover Incorporated, http://www.dreamloverinc.com

(See also: Dream Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Dagger , Meaning of Dreams about Dagger , Dream Interpretation Dagger )

Acit-vastu - unconscious objects.

(See also: Acit-vastu , Bhakti, Bhakti Yoga, Bhakti Dictionary, Body Mind and Soul)

Masonry Operative masonry, the art of building in stone; speculative and emblematic Freemasonry, called such since 1717 when four English Lodges of operative masons established the Grand Lodge of England of Speculative and Emblematic Freemasonry, so called because building materials, tools, and instruments are symbolically and analogically used in the building of the universe and of man as a temple enshrining a god.

Originally, however, among the ancient Masons, and today throughout the Orient "wherever magic and the wisdom-religion are studied, its practitioners and students are known among their craft as Builders -- for they build the temple of knowledge, of secret science. Those of the adepts who are active, are styled practical or operative Builders, while the students, or neophytes are classed as speculative or theoretical. The former exemplify in works their control over the forces of inanimate as well as animate nature; the latter are but perfecting themselves in the rudiments of the sacred science" (IU 2:392).

Modern Freemasonry includes many Rites and Degrees, all the so-called higher degrees being based upon the three fundamental craft degrees -- 1) Entered Apprentice; 2) Fellow Craft; and 3) Master Mason -- which degrees alone comprise true Masonic secrets and have any valid claim to descent from ancient Masonry. The lessons or keynotes of these three degrees are respectively 1) ethical, to subdue the passions; 2) intellectual, the training of the mind, the seven liberal arts and sciences, and the mounting of the stairway of wisdom; and 3) spiritual, the conquest of death. The lessons in each degree are enforced and illustrated by appropriate symbols and allegories. The central theme of modern Masonry is the building of King Solomon's Temple; the death of Hiram Abif and the consequent loss of the Word; the raising of Hiram Abif, and the communication of a Substitute Word.

"Modern Masonry is undeniably the dim and hazy reflection of primeval Occult Masonry, of the teaching of those divine Masons who established the Mysteries of the prehistoric and prediluvian Temples and Initiation, raised by truly superhuman Builders" (SD III 165).

"The Temple was the last European secret organization which, as a body, had in its possession some of the mysteries of the East. True, there were in the past century (and perhaps still are) isolated 'Brothers' faithfully and secretly working under the direction of Eastern Brotherhoods. But these, when they did belong to European societies, invariably joined them for objects unknown to the Fraternity, though at the same time for the benefit of the latter. It is through them that modern Masons have all they know of importance; and the similarity now found between the Speculative Rites of antiquity, the mysteries of the Essences, Gnostics, and the Hindus, and the highest and oldest of the Masonic degrees well prove the fact. . . .

"Freedom of intellectual thought and the restoration of one and universal religion was their secret object" (IU 2:380, 382).

"The simple truth is that modern Masonry is a sadly different thing from what the once universal secret fraternity was . . ." and "the time has come to remodel Masonry and restore those ancient landmarks, borrowed from the early sodalities, which the eighteenth century founders of speculative Freemasonry meant to have incorporated in the fraternity" (IU 2:387, 377).

Freemasonry in fact was started as a minor theosophical movement as also were the original Order of the Temple, and the Rosicrucian Order, each of which was designed with the purpose of keeping alive in the outer world as far as the times permitted a knowledge of the ancient wisdom-teachings.

(See also: Masonry , Mysticism, Mysticism Dictionary)

Nidhi (Sanskrit) A treasure. Nine treasures belonging to the god Kuvera - the Vedic Satan - each treasure being under the guardianship of a demon; these are personified, and are the objects of worship of the Tantrikas.

(See also: Nidhi , Theosophy, Spirituality, Body mind and Soul, Spiritual Dictionary,)

Dravya - objects such as a table, a chair, and so on.

(See also: Dravya , Bhakti, Bhakti Yoga, Bhakti Dictionary, Body Mind and Soul)

Elements:

Elements: water, fire, earth, air and ether. In a broader sense one also speaks of sixteen elements together with the intelligence and the ten working and perceiving senses. There are also divisions with 24 or 25 elements: the material elements, the subtle elements (the five objects of the senses: odor, color, touch and sound), the ten senses of perception and action, spirit, intelligence, ego and consciousness with the element of time as the twenty-fifth element. [see also S.B.: 3-26:11-15, 6.1:50].

- S'rila Prabhupada, purport 10.13: 52: 'The twenty-four elements are the five working senses (pan'ca- karmendriya), the five senses for obtaining knowledge (pan'ca-jn'anendriya), the five gross material elements (pan'ca-mahabhuta), the five sense objects (pan'ca-tanmatra), the mind (manas), the false ego (ahankara), the mahat-tattva, and material nature (prakriti). All twenty-four of these elements are employed for the manifestation of this material world.'

(See also: Elements , Hinduism, Hinduism Dictionary, Sanskrit Dictionary, Body Mind and Soul)

Loss of a Sensory Ability or of a Motor Ability

Usually, this is a very symbolic event in a dream. A 34-year-old man reports: I dream of being in a situation where I need to act resourcefully to help a stranger avoid danger. Suddenly, I go blind for no apparent reason! It is very frustrating.

Becoming suddenly impaired in this way is different from being injured in a physical accident. The lights just seem to go out without explanation. With a dream like this, it is questionable whether or not the dreamer feels competent to fulfil his duties in waking life. However, this can also refer to his reluctance to accept the challenge of the hero self.

Seeing oneself as a hero is kind of daunting, and the fact that it is your dream doesn't mean that you will necessarily and easily assume that role. Suddenly, the awareness of caring for those to whom you have no obligation is quickened. It's a hassle. Many of us can barely fulfil responsibilities to the people around us in ordinary situations. Another scenario for loss of a sensory ability is to exchange it for something or someone else. The old saying, "I'd give my eye teeth for..." articulates the human willingness to exchange one ability or attribute for something else of value. There are many times when our minds use the principle of exchange to help us verify the relative worth of relationships or objects.

There can also be a distinct martyr image attached to this kind of loss. This is especially true when the dream includes loss of ability through some potentially painful means. The loss may be seen as an exchange for something that was gained during the dream or in waking life.

Source: iVillage, http://www.ivillage.co.uk

(See also: Dream Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Loss of a Sensory Ability or of a Motor Ability , Meaning of Dreams about Loss of a Sensory Ability or of a Motor Ability , Dream Interpretation Loss of a Sensory Ability or of a Motor Ability )

Phalgu-vairagya - futile renunciation; renunciation which is unfavorable to bhakti. This is defined in Bhakti-rasamrta-sindhu (1.2.256): "When people who desire liberation give up objects which are related to Krsna, considering them to be material, their renunciation is known as phalgu-vairagya.”

Srila Jiva Gosvami has explained in his commentary that this especially refers to giving up prasada, or remnants of food and other articles offered to Him. This giving up of prasada is of two types: never requesting Krsna’s prasada, and refusing it when it comes unsolicited. The second one in particular is considered to be an offense and therefore unfavorable to bhakti.

(See also: Phalgu-vairagya , Bhakti, Bhakti Yoga, Bhakti Dictionary, Body Mind and Soul)

Bhrigu (Sanskrit) (from bhrajj to be hot, brilliantly glowing)

One of the most celebrated of the Vedic rishis (sages), regarded as the ancestor of the Bhargavas, enumerated as one of the ten primeval maharshis created by the first manu; he is also regarded as one of the seven or ten prajapatis (progenitors) of mankind and other beings, "which is equivalent to identifying him with one of the creative gods, placed by the Puranas in Krita Yug, or the first age, that of purity" (TG 57). Some hymns in the Rig-Veda are attributed to him. The planet Sukra (Venus) is associated with Bhrigu, being one of its names, and Bhrigu is often a term designating the equivalent of Friday, which is consecrated to the planet Venus. Venus is also sometimes called the son of Bhrigu.

The Bhargavas (descendants of Bhrigu): are commonly classed as gods of the middle region or aerial divinities, although in the Rig-Veda they are intimately connected with fire. They are represented as enclosing fire in wood and giving it to mankind; also placing fire in the navel or center of the world. Thus they are associated with the Atharvans (fire-priests), Angirasas (deities of luminous objects), and Ribhus.

(See also: Bhrigu , Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

Association:

Connection or correlation between two or more objects, ideas or beings; thus forming a pattern.

(See also: Association , Pagan, Paganism, Pagan Dictionary)

animism: The belief that everything (including inanimate objects) is alive with soul or spirit, a conviction pervasive among most indigenous (tribal/pagan/shamanistic) faiths, including Hinduism, Shintoism and spiritualism.

(See also: Animism , Hinduism, Body Mind and Soul)

adi-bhauthika:

adi-bhauthika (adhi-bhauthika). Pertaining to the physical or material world; the fine spiritual aspect of material objects.

(See also: adi-bhauthika , Hinduism, Hinduism Dictionary, Sanskrit Dictionary, Body Mind and Soul)

Theft

Ask anyone who has been a victim of theft and they will undoubtedly tell you how horribly violated they felt by the experience. In early childhood, we learn that to take a toy from another is taboo. Likewise, having a toy taken away hurts our feelings. However, sneakiness and acts of theft are common dream images. Whether you are the thief or the victim, there are several interpretations to explore.

As a thief, you could be feeling a lack of resources or an unfairness about the distribution of resources. For example, if you dream of stealing essentials ? bread, food, items needed to survive the dream environment ? you may see yourself as a pauper. In waking, this may play out as behaviour that isolates you or leaves you feeling as though you have no choices. However, dreaming of stealing from people you know may reflect a perception that you feel their lives are better than yours, even though you do not perceive them as better people.

As the victim, fear of loss seems to be a possible theme. The suspect list in the dream will help refine this further. If you are the victimized and the stolen items are central, then material loss is creating anxiety. However, if the lost items are of secondary importance to the suspect, you may feel as though someone you know is violating or taking advantage of you. Still, it is important to consider the objects taken and their significance to you. What the objects symbolize for you may indicate the area or life where your boundaries are being violated and help find solutions to re-establish yourself.

Source: iVillage, http://www.ivillage.co.uk

(See also: Dream Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Theft , Meaning of Dreams about Theft , Dream Interpretation Theft )

Guna -

(1) in relationship to Krsna this refers to His transcendental qualities which are heard, described, and meditated upon by bhaktas as part of the practice of  sadhana-bhakti.

(2) qualities of objects such as hardness and softness.

(3) qualities in general such as compassion, tolerance, and mercy.

(4) the three ropes (binding qualities) known as - sattva (goodness) , rajas (passion) , and tamas (ignorance).

(See also: Guna , Bhakti, Bhakti Yoga, Bhakti Dictionary, Body Mind and Soul)

 Vairagya:

uncolouredness, not desiring physical objects

(See also:  Vairagya , Body Mind and Soul)

Jainism: (Jaina) (Sanskrit) An ancient non-Vedic religion of India made prominent by the teachings of Mahavira ("Great Hero"), ca 500 bce. The Jain Agamas teach reverence for all life, vegetarianism and strict renunciation for ascetics.

Jains focus great emphasis on the fact that all souls may attain liberation, each by his own effort. Their great historic saints, called Tirthankaras ("Ford-Crossers"), are objects of worship, of whom Mahavira was the 24th and last. Jains number about six million today, living mostly in India.

See: Mahavira.

(See also: Jainism , Hinduism, Body Mind and Soul)