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ARTICLES RELATED TO Mirror Dictionary |  |  |  | Mirror Dictionary: Dream Interpretation Dictionary
- Mirror
Mirror It is a symbol of vanity and superficiality. You may be concerned about your image and the way you present yourself to the world. Some say that if you see a clear image, you may be getting a glimpse of your true self. Broken mirrors always seem to be a sign of bad luck, or, at least, represent some distortions. On a deeper level the mirror can be considered to be a representation of the intellect. The intellect is an instrument of navigation and is constantly persuading us to identify ourselves. When we think about this, it makes a lot of sense. Our self-identity is very much connected to the way we look (not only superficially but also characteristically as man - woman, young - old, etc). We use this self-identity, which is greatly a production of our intellect, to navigate through life.
Source: Dream Lover
Incorporated, http://www.dreamloverinc.com
(See also: Dream
Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Mirror , Meaning of Dreams about Mirror ,
Dream Interpretation Mirror )
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- Mirror
Mirror In dreams, mirrors can reflect directly, reflect with additions or deletions, or serve as a doorway into another reality as in Alice in Wonderland. The mirror is troubling because it reveals plainly what is before us, forcing us to interpret and evaluate whether or not we like what we see. If the mirror is inconsistent ? by adding or deleting certain elements ? it is a projection of perceptive versus actual reality. In this case the dream may be a herald that you are misinterpreting the motives of others by not accepting them at face value. (Who or what is being added or deleted from the mirror?) Finally, the mirror as a doorway to another world is usually a fantasy created by the subconscious. As Alice discovered when she went through the looking glass, the mirror is a metaphor of possible worlds. Does your dream mirror function as a gate or access out of one boundary and into another possible world? What is more desirable or more threatening about that world?
Source: iVillage, http://www.ivillage.co.uk
(See also: Dream
Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Mirror , Meaning of Dreams about Mirror ,
Dream Interpretation Mirror )
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Interpretation - Mirror
Mirror In dreams, mirrors can reflect directly, reflect with additions or deletions, or serve as a doorway into another reality as in Alice in Wonderland. The mirror is troubling because it reveals plainly what is before us, forcing us to interpret and evaluate whether or not we like what we see. If the mirror is inconsistent ? by adding or deleting certain elements ? it is a projection of perceptive versus actual reality. In this case the dream may be a herald that you are misinterpreting the motives of others by not accepting them at face value. (Who or what is being added or deleted from the mirror?) Finally, the mirror as a doorway to another world is usually a fantasy created by the subconscious. As Alice discovered when she went through the looking glass, the mirror is a metaphor of possible worlds. Does your dream mirror function as a gate or access out of one boundary and into another possible world? What is more desirable or more threatening about that world?
Source: iVillage, http://www.ivillage.co.uk
(See also: Dream
Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Mirror , Meaning of Dreams about Mirror ,
Dream Interpretation Mirror )
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Dream Interpretation Dictionary - Mirror
Mirror [129] - To dream of seeing yourself in a mirror, denotes that you will meet many discouraging issues, and sickness will cause you distress and loss in fortune.
- To see a broken mirror, foretells the sudden or violent death of some one related to you.
- To see others in a mirror, denotes that others will act unfairly towards you to promote their own interests.
- To see animals in a mirror, denotes disappointment and loss in fortune.
- For a young woman to break a mirror, foretells unfortunate friendships and an unhappy marriage. To see her lover in a mirror looking pale and careworn, denotes death or a broken engagement. If he seems happy, a slight estrangement will arise, but it will be of short duration.
- [129] See also: Meaning of Dreams about Glass.
Source: 10 000 Dream
Interpretations, by Gustavus Hindman Miller
(See also: Dream
Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Mirror , Meaning of Dreams about Mirror ,
Dream Interpretation Mirror )
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Dictionary - Mirror
Dream
Interpretation Mirror
The mirror is a symbol of vanity and self-knowledge. Seeing yourself in the mirror is a sign that somebody is making you aware of your mistake. Seeing a mirror means that you need to become more self-aware. Looking into a mirror signifies that the opinion you have about yourself is different from what people think of you. Seeing a large mirror foretells fame or success. Dreaming of a broken mirror predicts quarrels with other people.
Source: Dream-Land, http://www.dream-land.info
(See also: Dream
Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Mirror , Meaning of Dreams about Mirror ,
Dream Interpretation Mirror )
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Mysticism
Magick Dictionary
on
MIRROR
MIRROR As one of the tools for "knowing" the self, mirrors are highly important. Although for a person possessed of youth and beauty the deliberate breaking of a mirror can serve as a symbolic sacrifice to Venus, to break a mirror accidentally is a sign that one has ceased to look "within" for one of the long, seven-year "Ages of Man". Hathor's mirror is defensive (like Perseus's shield) and used to reflect evil back upon itself. It is believed by the uninitiated that witches and warlocks fear mirrors, will not have them in their houses and, in any case, witches have no reflection! Like most superstitions, there is something behind it, though the truth is far from ordinary people imagine. One of the sine qua nons of M/magic(k) is that the initiate keep to his own boundaries of selfdom until his unorthodox procedures and formulae have been completely worked out. External "consensus" reality is a distraction from "the wisdom of the self" during this creative period. Strictly as devices for knowing the self, mirrors are no longer of much use to the advanced magician (except for very rare rituals), who dwells more and more in his center.
(See
also: MIRROR , Magick, Mysticism, Mysticism Dictionary, Body Mind
and Soul,)
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Spiritual - Theosophy
Dictionary on
Word
Word In religious and philosophical usage, a translation of the Greek logos or Latin verbum. Its meaning here is that of reason manifested, employed mainly in a cosmogonic sense. "The esoteric meaning of the word Logos (speech or word, Verbum) is the rendering in objective expression, as in a photograph, of the concealed thought. The Logos is the mirror reflecting divine mind, and the Universe is the mirror of the Logos, though the latter is the esse of that Universe. As the Logos reflects all in the Universe of Pleroma, so man reflects in himself all that he sees and finds in his Universe, the Earth" (SD 2:25). This word was chosen because human thought, or immanent conscious intelligence or mind, manifests itself through words. It is familiar to Christians through the opening verse of John: "In the beginning was the Word, and the Word was with God, and the Word was God"; "And the Word was made flesh, and dwelt among us" (1:1, 14). In the former quotation the meaning is entirely cosmogonic; in the latter, it has been diminished to signify the innate Word or divinity in man, which when in full control of the human adept can, by a stretch of metaphor, mean that the innate Christ, Buddha, or god in man so controls the human personality as to have become the latter, and thus to manifest among men. Cosmogonically, theosophy considers the universe and all in it, from its first divine appearance to its last material modification, as being in toto as well as in all manifested details an emanation from the universal mind. This emanation takes place at the beginning of a manvantara in three separate stages or degrees: the First or unmanifest Logos; the Second or manifest-unmanifest Logos; and finally the Third or manifest Logos. Logos is applicable to these three stages because each is the manifesting of the wisdom in its divine predecessor, each stage carrying within itself, on the principle of the emanational scheme, the attributes or qualities of its predecessors. The Second Logos has invariably been considered feminine, and the Third Logos is regarded as the creative power. Corresponding to the three Logoi in the Hindu scheme are Brahman, Brahma, and Isvara emanating originally from parabrahman-mulaprakriti. In the highly philosophical visioning of Mahayana Buddhism is adi-buddha, mahabuddhi, and the celestial buddha, occasionally indirectly called dharmakaya. On a scale of less magnitude, Hindu thought has developed the triad Brahma, the emanator or original emanation; Vishnu, the supporter or sustainer, a feminine characteristic nevertheless; and Siva at once the regenerator and producer in the sense of destroying but to regenerate. Still a third Hindu scheme is found in the series of paramatman, mahabuddhi or alaya, and mahat or cosmic creative mind. A somewhat similar usage in the Qabbalah is Meimra, or 'imrah (word, particularly from divinity) [both from Hebrew verbal root amar to say, speak, use words]. One of the Stanzas of Dzyan refers to the Army of the Voice, which is explained to be "the prototype of the 'Host of the Logos,' or the 'word' of the Sepher Jezirah, called in the Secret Doctrine 'the One Number issued from No-Number' -- the One Eternal Principle" (SD 1:94). See also LOGOS
(See also: Word , Mysticism, Mysticism Dictionary,
Body mind and Soul)
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Mysticism
Magick Dictionary
on
PERICHORESIS
PERICHORESIS The word is Greek, as you might imagine: peri "around" + choreio "dance." But for the Greeks "dancing" wasn't the aimless shuffling we do. It was more like ballet. "Choreography" is a lot closer to the idea -- in which particular movements are carefully planned and executed. Travel from one dimension to another occurs simultaneously on all levels of reality. We travel in and out of the astral during sleep every night and think nothing of it. And, as you know, when the shaman interfaces with the earth by taking narcotic mushrooms or cacti into his system, he's moving deliberately and consciously between universes. Parallel worlds stretch horizontally from sinister to dexter, or rather, from increasing shades of darkness to increasing degrees of light. Beings entering from the darkside are perceived by us not as merely ignorant but as demonic, whereas the wisdom of the beings from the lightside stands so far beyond our recognition that we see them simply as angelic beings. Depending on the level of reality that we happen to occupy, the dark and light worlds are perceived as more or less similar to the world we currently inhabit. On some levels of reality, the transfiguration is reversed and we perceive them as inhabiting regions above and below a horizontal plane of reality that stretches into inaccessible temporal limits of Past and Future. In such a world, reality is a given that is perceived as revealing itself only at such Past and Future vanishing points -- Alpha and Omega. Everywhere horizontal parallel plane meets vertical parallel levels and an Aeon is established, symbolized by a cross. If the cross, however is not circumscribed by a circle (the familiar symbol of cross in circle, representing "earth"), there is no cohesion and the center does not hold. The so-called "extremes," in fact, are not extremes at all, but merely their own opposites in a spinning circle. Because of the nature of infinity, we have to recognize that we may never stand at any of the four extremities, but always only at the exact center of the omniverse. Notice also that in any formal religious painting, the god or saint is always placed in the exact center. If he is raised too high from the center, the lower world is given undue importance and power, because, after all, in completely "secular" pictures, the God has been raised so high as to have been left out of the picture altogether! Placing the God too far down divests him of his divinity because his intensity looks, on our level, simply grotesque. Likewise, if the God is placed too far to the left or right, an imbalance is also created. Thus, uncircumscribed, the ends of the cross stretch unchecked into the infinite four directions and an uncontrollable wickedness is set forth into all manifestations. Without the "earthing" of the cross, there is no manifestation. The extremities lead only into infinite "otherness" and delusion. It is the inner being at the solar plexus that is the heart of the universe. When we nail (i.e., Christianize) the higher spirit of man to an ancient quadratic event, the center is blocked and closed forever. Moreover, the center has been locked in the past, away from the Eternal Now. Until the nail (Xtianity) has been pulled out, no further evolution is possible and Death will prevail. The way out is toward the central, innermost point. The parallel world-planes are accessible at all times. We move in and out of them constantly, but are mostly unaware of having done so. Occasionally we get the feeling that "things are suddenly different" or that "something is about to happen" and that means we've inadvertently stepped into a new probable world that is much different from the ones we've hitherto occupied. You can move back into the world you've just left, only if you do so at once. Whatever can be imagined, exists, will exist or has existed. Whatever has existed or will exist continues to exist now because time is one of the four real dimensions of things. Alongside this Reality there are an infinite number of co-existent realities of equal "solidity" and "substance." There are also an infinite number of "probable" realities and an infinite number of "possible" worlds. A moment's reflection will show that if this is so, then, obviously, available access to them must not be merely possible, but inevitable. Jane Robert's Seth describes the infinite "probable worlds" stretching out in either direction from this one. The closest ones being hardly distinguishable from this, as we progress outward, the probable worlds become stranger, increasingly incomprehensible and frighteningly unpredictable. In the fifth dimensional world, four dimensional objects have their own much more complete and solid "substance" which we cannot perceive so long as we inhabit lower planes of being. You can, however, willingly and deliberately get up and walk from this world into the nearest adjacency and from there to the next, and the next. The only problem is that you're playing roulette. There's no way of telling what kind of world you are moving into. If you are seeking to avoid some trouble in this world, be advised that things could be a lot worse in the world next door. Moreover, if you leave unsolved problem behind, your karma will continue to take you back there in future lives until eventually you are forced to solve them. On top of that, if you leave muddy footprints behind you as you run through world after world, you'll have added onto your present karma the extra burden of going back to mop them up. Actual entrance/exit sites are a matter of intuitive perception. Dimensional doorways are not likely, for instance, to be found in your living room. They need to be places you've never crossed before (except as interdimensional thresholds). It's best to look for two pillars to pass between -- a couple of tall trees in a forest or park make excellent pillars. The more difficult the access the better. And the direction and angle of entrance are crucial. Select a "picture" framed by the trees as most nearly representing the world you want to leave behind you and before you a picture of what intuitively or esthetically looks to be an improvement of that. Make sure that nothing passes across your line of vision as you are actually walking through. If necessary, keep your eyes closed or look down at your feet. At first the difference between adjacent worlds is scarcely discernible. Variations only become immediately evident at some distance. But if you are observant, you will eventually begin to notice tiny, subtle changes for the better (or worse). By the time these changes become evident, it's already too late to go back where you came from. The metaphors of artistic symbolism, religion and magic can also assist in perichoretic travel. With the enhanced ability to will and to imagine, the human mind can perceive parts of alternate realities with increasing clarity and may begin to see how to transform the reality we normally inhabit. In fact, so many are the pathways to alternate experience, it's a wonder anyone still believes that reality has but a single face! There is, to be sure, ultimately only the One Plenum in which everything else transpires, but that sphere transcends experience in the Void of Nirvana. Although, as we've seen above, there are relatively easy methods of interplanary travel (between planes), the ability to discover significant doorways into alternate dimensions, advanced perichoresis, not only requires an out-of-the-ordinary state of consciousness, but is a difficult technique in its own right, mastered properly only by experienced shamans. For instance, travel through time in the past requires us to move "forward" (i.e., towards the Beginning of Time) simply by ignoring vast areas of experience and being -- as we also do in the present -- in order to maintain a strict continuity of our own. Travel from the future (i.e., the End of Time), however, even though employing the same declination, creates an ever-thickening wall behind us, preventing all possibility of return to the starting point. Kenneth Grant (Outside the Circles of Time) provides us with insights into the sexual avenue of interdimensional perichoresis and at the same time describes the procedure for creating a "moonchild." In his system, the door to our world opens inward in order for us to receive extratellurian immigrants. Bipolar human sexuality, explains Grant, parallels cosmogenesis and the sacred void corresponds to the female vagina. Everything comes out of and falls back into this same eternal darkness. The creative light is sucked into its bottomless depths where it is swallowed up by vampiric blackness. Therefore, the doorway to the vacuum or zero of space is a priestess who has been chosen for her "master of the art of dream control." By allowing herself to become a mirror of impression-reception, she is able to generate illusions, "for all form is fantasy, and exists only in the dreaming mirror of the mind." A material looking glass is placed above her, slanted to receive the starlight. Now, by her psychic ability she can project whatever star morph the magician requires onto the looking glass. A second mirror, creating an infinite regression reflection is placed 11 feet away, eleven being the number of the famous 11th Pathway of Black Magic. The circle of Daath is the corresponding doorway in the Qabalah. Thereupon the priest uses his penis as the intergalactic conduit of the astro-seminal energy. His vibrations and invocations encourage the dream-manipulating priestess to focus the desired star-morph entity onto the mirrors. In the ultimate orgasm of priest, priestess and dream-entity, the eldolon rises briefly to life and erupts from the mirror as its starseed transmission runs down from the star to impregnate her. The zygote achieved by this cosmocopulation is a unique blend of human and extraterrestrial "genes." According to most students, monstrous beings invisible to ordinary consciousness are entering our universe in unprecedented numbers, through this same interdimensional sexual doorway. (Apparently our time is a vector of unique significance.) The fantasy film, Ghostbusters, was a facetious rendering of this understanding, but revealed a good deal more than most viewers realized. Kenneth Grant teaches a heterosexual tantrism by which one may ride out again through the same door on the back of one of these demonic beasts and thereby escape. He calls this, again, the 11th Pathway. Others propose that there are homosexual and even solitary practices what serve this purpose equally well. Sex and death are the two most common and well-known methods of conveyance between worlds, but such exclusively Scorpionic merkabahs are by no means the only ones. All of these methods follow the horizontal direction of planes to left and right, from darkness into light, or vice versa. There is also travel in the vertical direction from layers of reality and consciousness above and below. These cris-crossing horizontal and vertical planes endlessly extend out and recede into the vastnesses. Some of the planes are commonly thought, by the average person, to be "schizophrenic" because they appear to leave the traveller suspended in his "own little world." But such planes are of great importance to the magician or yogin. Reality, we must understand, is entirely a matter of the manipulation of illusion. The teacher, Gurdjieff, once pointed out that there is only one thing in the entire universe, but it is repeated endlessly in order to provide the illusion of "difference." Even chemistry and physics bear this out. The difference between each element is simply a difference in the number of their atomic electrons: Hydrogen 1, Helium 2, Lithium 3... Some writers believe that there are denizens of other dimensions who use various perichoretic chariots that resemble the astral projections of those whose time and locality they visit. For Ezekiel and Daniel it was a fiery wheel bearing the tetramorph. For the Dogons it was a star ship. For our great grandfathers in the 19th Century it was frequently an airship. But they aren't just psychic experiences, say the witnesses, ufo's leave evidence behind ... a burned-out circle on the lawn, a map with indecipherable writing, MIBs, etc. My own interdimensional visits to "the Other Side" have been neither A.D.E.'s nor OOBE's. They have occurred either through true-dreaming or by psychotropic methods, i.e., strictly via astral travel. In all, I have several times visited the "conventional" Astral Plane -- or abode of the (after-dead) spirits, three or four times encountered higher beings (although only at a distance), dwelt in the All-Consciousness of All-Phyla and once visited a previous time. Lately I have begun experimenting with ordinary consciousness as a routine means of perichoresis. The occult path I've travelled (until now) has always been the lonely one of the hermit. The beings I've encountered have been the traditional custodians of the pathways, that is to say, those archetypes hovering somewhere between being and non-being. Else they comprise the angels, Gods and daimones of pantheons we already know. But I have increasingly come under the purview of something more important: the existence of what seems to be an infinite number of Eternal Doorways between worlds. These doorways are available to us, of course, under very special circumstances -- that is to say, in altered psychic states lying clearly outside normal consciousness: Yoga, Tantra, sex magic, primitive rites of passage, repetitive rhythms (micro-events), sensory deprivation or stimulation, pain, extreme trauma, trance, all the multifarious REM/sleep/hypnotic states, rushes of adrenaline or fatigue intoxication, epilepsy, metamorphic anomaly, drug intoxication, illness, psychosis proper, thanatolepsy and death. (See SOLIPSISM.)
(See
also: PERICHORESIS , Magick, Mysticism, Mysticism Dictionary, Body Mind
and Soul,)
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Spiritual - Theosophy
Dictionary on
Mirror
Mirror The astral light is often referred to as a mirror, as all manifestations are reflected in it. The Logos is also referred to as a mirror, reflecting divine mind, "and the Universe is the mirror of the Logos, though the latter is the esse of that Universe. As the Logos reflects all in the Universe of Pleroma, so man reflects in himself all that he sees and finds in his Universe, the Earth" (SD 2:25). The monads are also living mirrors of the universe, every monad reflecting every other one (SD 1:623), as Leibniz taught. "The Luminous Mirror, Aspaqularia nera, a Kabbalistic term, means the power of foresight and farsight, prophecy such as Moses had. Ordinary mortals have only the Aspaqularia della nera or Non Luminous Mirror, they See only in a glass darkly: a parallel symbolism is that of the conception of the Tree of Life, and that only of the Tree of Knowledge" (TG 215).
(See also: Mirror , Mysticism, Mysticism Dictionary)
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Mysticism
Magick Dictionary
on
ALMUCHEFI
ALMUCHEFI Roger Bacon's magic mirror - for reading the future - composed in accordance with the laws of perspective under the influence of a benign constellation and after corpus modificatum per alchemiam est.
(See
also: ALMUCHEFI , Magick, Mysticism, Mysticism Dictionary, Body Mind
and Soul,)
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Buddhist DictionaryZen Buddhism: Zen
Buddhist Dictionary
A
dictionary of Zen Buddhism terms. Please note that all words in grey like
" Buddhism " are links to an archive with related articles.
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Insurance Glossary Dictionary II - Insurance
Definition
and meaning of
Insurance :
A contract whereby an insurer promises to pay the insured a sum of money or some other benefit upon the happening of one or more uncertain events in exchange for the payment of a premium. There must be uncertainty as to whether the relevant event(s) may happen at all or, if they will occur (e.g. death) as to their timing.
(Source
Lloyd's )
Also see these pages: Insurance , Insurance, Insurance Sitemap,
Insurance
Dictionary - I
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Spiritual Theosophical
Dictionary on
Mirror
Mirror. The Luminous Mirror, Aspaqularia nera, a Kabbalistic term, means the power of foresight and farsight, prophecy such as Moses had. Ordinary mortals have only the Aspaqularia della nera or Non Luminous Mirror, they see only in a glass darkly: a parallel symbolism is that of the conception of the Tree of Life, and that only of the Tree of Knowledge.
(See also: Mirror , Theosophy, Spirituality, Body mind and Soul,
Spiritual Dictionary,)
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