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Makam - Basic makam theory | A Wisdom Archive on Makam - Basic makam theory | | Makam - Basic makam theory A selection of articles related to Makam - Basic makam theory | |
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Makam, Makam - Basic makam theory, Makam - Bûselik Makam, Makam - Rast Makam, Makam - Simple Makams, Makam - Sources, Makam - Uşşâk Makam, Makam - Çârgâh Makam
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ARTICLES RELATED TO Makam - Basic makam theory | | | |  Makam - Basic makam theory: Encyclopedia II - Makam - Basic makam theoryA makam, more than simply a selection of notes and intervals, is essentially a guide to compositional structure: any composition in a given makam will move through the notes of that makam in a more or less ordered way (in this, it resembles a tone row à la Schoenberg or von Webern). This pattern is known in Turkish as seyir (meaning basically, "route"), and there are three types of seyir:
rising (çıkıcı);
falling (inici);
fal ...
See also:Makam, Makam - Basic makam theory, Makam - Simple Makams, Makam - Çârgâh Makam, Makam - Bûselik Makam, Makam - Rast Makam, Makam - Uşşâk Makam, Makam - Sources Read more here: » Makam: Encyclopedia II - Makam - Basic makam theory |
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| | | | Makam - Basic makam theory: Encyclopedia II - Makam - Simple Makams
Makam - Çârgâh Makam.
This makam is identical to the Western C-major scale, and consists of a Çârgâh pentachord and a Çârgâh tetrachord starting on the note Gerdaniye (G). Thus, the tonic is C (Çârgâh), the dominant G (Gerdaniye), and the leading tone B (Bûselik). (N.B. In this and all subsequent staves, the tonic is indicated by a whole note and the dominant by a half note.)
Interestingly, insofar as C-major is considered the most basic scale of Western music and accordingly used very ...
See also:Makam, Makam - Basic makam theory, Makam - Simple Makams, Makam - Çârgâh Makam, Makam - Bûselik Makam, Makam - Rast Makam, Makam - Uşşâk Makam, Makam - Sources Read more here: » Makam: Encyclopedia II - Makam - Simple Makams |
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