List of painters

Gian Lorenzo Bernini (Giovanni Lorenzo Bernini) (December 7, 1598, Naples – November 28, 1680, Rome) was a towering baroque artist in 17th century Baroque Rome, where he is known mainly for his often overlapping skills as a sculptor and architect. He was also a painter, draftsman, designer of stage sets, fireworks displays, and funeral trappings. Gian Lorenzo Bernini - Early Works. Bernini was born in Naples to a Florentine family and accompanied his father Pietro Bernini, a capable Mannerist sculp ...

Including:

• Gian Lorenzo Bernini - Early Works
• Gian Lorenzo Bernini - Bernini's Architecture
• Gian Lorenzo Bernini - Bernini's Fountains in Rome
• Gian Lorenzo Bernini - Bernini's Marble Portraiture
• Gian Lorenzo Bernini - Other works
• Gian Lorenzo Bernini - List of Works
• Gian Lorenzo Bernini - Sculpture
• Gian Lorenzo Bernini - Paintings
• Gian Lorenzo Bernini - Trivia

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Antonio Allegri da Correggio (Correggio, Italy August 1489 – March 5, 1534) was an Italian painter of the Renaissance. It is not alway possible to identify a stylistic link between his paintings. Correggio is an enigmatically eclectic provincial painter; he appears to have emerged out of no major apprenticeship, and had little immediate influence in apprenticed successors, but his works are now considered to have been revolutionary and influential to subsequent artists. A century after Correggio's death, his work was well kno ...

Including:

• Antonio da Correggio - Loves of Jupiter
• Antonio da Correggio - Anthology of Works
• Antonio da Correggio - External link

Read more here: » Antonio da Correggio: Encyclopedia - Antonio da Correggio

A painter is a person who applies paint to a surface. As a trade painters apply paint to woodwork, walls, etc. See: Painter and decorator and Interior decoration. In the arts, painters create paintings—two-dimensional artworks—by applying paint to a flat surface. See also. Painting List of painters History of art Oil on canvas Painting and Decorating Categories: Painters | ...

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Carlo Crivelli (1435 in Venice, Italy – 1495 in Naples, Italy) was a Venetian Renaissance or Quattrocento painter. The only dates that can with certainty be given are 1468 and 1493; these are respectively the earliest and the latest years signed on his pictures--the former on an altar-piece in the church of San Silvestro at Massa near Fermo, and the latter on a picture in the Oggioni collection in Milan. Though born in Venice, Crivelli seems to have worked chiefly in Ancona, and especially in and near Ascoli; there are ...

Including:

• Carlo Crivelli - Sources

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Michelangelo Merisi da Caravaggio (29 September 1571 – 18 July 1610) was an Italian artist active in Rome, Naples, Malta and Sicily between 1593 and 1610. He is commonly placed in the Baroque school, on which he had a formative influence. Even in his own lifetime Caravaggio was enigmatic, fascinating, and dangerous. He burst upon the Rome art scene in 1600, and never afterwards lacked commissions or patrons, yet handled his success extremely badly. The very earliest published notice on him, dating from 1604 and describing his ...

Including:

• Caravaggio - Biography
• Caravaggio - Early life 1571-1592
• Caravaggio - Rome 1592-1600
• Caravaggio - 'Most Famous Painter in Rome' 1600-1606
• Caravaggio - Exile and death 1606-1610
• Caravaggio - Caravaggio the artist
• Caravaggio - The birth of the Baroque
• Caravaggio - The Caravaggisti
• Caravaggio - The death and rebirth of a reputation
• Caravaggio - Modern tradition
• Caravaggio - Chronology of major works

Read more here: » Caravaggio: Encyclopedia - Caravaggio

Painting is the practice of applying pigment suspended in a carrier (or medium) and a binding agent (a glue) to a surface (support) such as paper, canvas or a wall. This is done by a painter; this term is used especially if this is his or her profession. Evidence indicates that humans have been painting for about 6 times as long as they have been using written language. Drawing, by comparison, is the process of making marks on a surface by applying pressure from or moving a tool on the surface. Painting - History ...

Including:

• Painting - History of painting
• Painting - Painting techniques
• Painting - Painting supports
• Painting - Painting media
• Painting - Popular painting styles
• Painting - Common painting idioms
• Painting - Philosophy of painting

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The sources for Paolo Uccello’s life are few: Giorgio Vasari’s biography, written 75 years after Paolo’s death, and a few contemporary official documents. Uccello was born Paolo di Dono in Florence in 1397. His father, Dono di Paolo, was a barber-surgeon from Pratovecchio near Arezzo, his mother’s name was Antonia. From 1407 was apprenticed to Lorenzo Ghiberti’s workshop, the premier centre for Florentine art at the time, where he began a lifelong friendship with Donatello. By 1424 he wa ...

See also:

Paolo Uccello, Paolo Uccello - Life, Paolo Uccello - Works

Read more here: » Paolo Uccello: Encyclopedia II - Paolo Uccello - Life

The oldest known paintings are at the Grotte Chauvet in France, dated at about 32,000 years old. They are engraved and painted using red ochre and black pigment and show horses, rhinoceros, lions, buffalo, and mammoth. There are examples of cave painting all over the world. See also Art history. ...

See also:

Painting, Painting - History of painting, Painting - Painting techniques, Painting - Painting supports, Painting - Painting media, Painting - Popular painting styles, Painting - Common painting idioms, Painting - Philosophy of painting

Read more here: » Painting: Encyclopedia II - Painting - History of painting

According to all the accounts which have reached us, few men on whom the distinction of beatification has been conferred could have deserved it more nobly than Fra Giovanni. He led a holy and self-denying life, shunning all advancement, and was a brother to the poor; no man ever saw him angered. He painted with unceasing diligence, treating none but sacred subjects; he never retouched or altered his work, probably with a religious feeling that such as divine providence allowed the thing to come, such it should remain. He was wont to say that ...

See also:

Fra Angelico, Fra Angelico - Biography, Fra Angelico - Early works, Fra Angelico - Rome, Fra Angelico - Cause for canonization

Read more here: » Fra Angelico: Encyclopedia II - Fra Angelico - Cause for canonization

In conjunction with Cosimo Tura, Cossa is now known for fresco decoration of the summer pleasure villa/palazzo known as the Palazzo Schifanoia [1], located just outside the city gates. Together, they painted a series of the elaborate allegories around the themes of zodiacal signs and months of the year. These have only been partially restored in this century, and there are three that are reasonably assigned to Cossa. Of these, one of the most remarkable images is the horde of naked toddlers in the the "Allegory of May; triumph of Apollo". Apparently a sign of Springtime's prolific ...

See also:

Francesco del Cossa, Francesco del Cossa - Allegorical frescoes in Palazzo Schifanoia, Francesco del Cossa - Cossa in Bologna, Francesco del Cossa - Anthology of Works, Francesco del Cossa - Sources

Read more here: » Francesco del Cossa: Encyclopedia II - Francesco del Cossa - Allegorical frescoes in Palazzo Schifanoia

Giotto's earliest credited major work is the fresco cycle depicting the life of St. Francis in the Upper Church of the Basilica of San Francesco d'Assisi though there are some disputes of authorship. The cycle shows the influence on Giotto of Roman Art as well as his attempt to assimilate the prevalent fashion for French Gothic types. According to Vasari Giotto's depiction of St. Francis caused some controversy due to its sculptural nature making the Saint to much of the world. The Crucifixion in Santa Maria Novella in Florence is one of the major early works and clearly distinguishes Giotto's treatmen ...

See also:

Giotto di Bondone, Giotto di Bondone - Giotto's O, Giotto di Bondone - Major Works, Giotto di Bondone - Later Life, Giotto di Bondone - List of Famous works, Giotto di Bondone - Reference

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Michelangelo was born near Arezzo, in Caprese, Tuscany, Italy in 1475. His father, Lodovico di Leonardo di Buonarotti di Simoni, was the resident magistrate in Caprese and podestà of Chiusi. His mother was Francesca di Neri del Miniato di Siena. As genealogies of the day indicated that the Buonarroti descended from Countess Matilda of Tuscany, the family was considered minor nobility. However, Michelangelo was raised in Florence and later lived with a sculptor and his wife in the town of Settignano where his father owned a marble quarry and ...

See also:

Michelangelo, Michelangelo - Michelangelo's life history, Michelangelo - Overview, Michelangelo - Early life in Florence, Michelangelo - Under Pope Julius II in Rome: Sistine ceiling, Michelangelo - Under Medici Popes in Florence, Michelangelo - Later works in Rome, Michelangelo - Last years, Michelangelo - Michelangelo the architect, Michelangelo - Laurentian Library, Michelangelo - Medici Chapel, Michelangelo - Palazzo Farnese, Michelangelo - St Peter's Basilica, Michelangelo - Michelangelo at the Campidoglio, Michelangelo - Michelangelo the man, Michelangelo - Love life, Michelangelo - Works summary, Michelangelo - Sculpture, Michelangelo - Painting, Michelangelo - Compare

Read more here: » Michelangelo: Encyclopedia II - Michelangelo - Michelangelo's life history

Leonardo da Vinci - Personal life. The first known biography of Leonardo was published in 1550 by Giorgio Vasari who wrote Vite de' piu eccelenti architettori, pittori e scultori italiani ("The lives of the most excellent Italian architects, painters and sculptors"), and later became an independent painter in Florence. Most of the information collected by Vasari was from first-hand accounts of Leonardo's contemporaries, (Vasari was only a child when Leonardo died), and it remains the fi ...

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Leonardo da Vinci, Leonardo da Vinci - Life, Leonardo da Vinci - Personal life, Leonardo da Vinci - Professional life, Leonardo da Vinci - Art, Leonardo da Vinci - Early works in Florence 1452-1482, Leonardo da Vinci - Milan 1482-1499, Leonardo da Vinci - Nomadic Period - Italy and France 1499-1519, Leonardo da Vinci - List of artworks, Leonardo da Vinci - Science and engineering, Leonardo da Vinci - Anatomy, Leonardo da Vinci - Inventions and engineering, Leonardo da Vinci - His notebooks, Leonardo da Vinci - In fiction, Leonardo da Vinci - Notes

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Gian Lorenzo Bernini - Sculpture. Bust of Giovanni Battista Santoni (c. 1612) - Marble, life-size, Santa Prassede, Rome Martyrdom of St Lawrence (1614-1615) - Marble, 66 x 108 cm, Contini Bonacossi Collection, Florence The Goat Amalthea with the Infant Jupiter and a Faun (1615) - Marble, Galleria Borghese, Rome Damned Soul - Palazzo di Spagna, Rome Blessed Soul - Palazzo di Spag ...

See also:

Gian Lorenzo Bernini, Gian Lorenzo Bernini - Early Works, Gian Lorenzo Bernini - Bernini's Architecture, Gian Lorenzo Bernini - Bernini's Fountains in Rome, Gian Lorenzo Bernini - Bernini's Marble Portraiture, Gian Lorenzo Bernini - Other works, Gian Lorenzo Bernini - List of Works, Gian Lorenzo Bernini - Sculpture, Gian Lorenzo Bernini - Paintings, Gian Lorenzo Bernini - Trivia

Read more here: » Gian Lorenzo Bernini: Encyclopedia II - Gian Lorenzo Bernini - List of Works

Caravaggio - Early life 1571-1592. Caravaggio’s father Fermo Merisi was a household administrator and architect-decorator to Francesco Sforza, Marchese of Caravaggio, a town some thirty kilometers from Milan. His mother, Lucia Aratori, came from a propertied family of the same district. None of the Merisi children — Michelangelo was Lucia's eldest — are listed on the baptismal records from Caravaggio, and all were probably born in Milan, where the Marchese had his court and where their father lived. In 1576 ...

See also:

Caravaggio, Caravaggio - Biography, Caravaggio - Early life 1571-1592, Caravaggio - Rome 1592-1600, Caravaggio - 'Most Famous Painter in Rome' 1600-1606, Caravaggio - Exile and death 1606-1610, Caravaggio - Caravaggio the artist, Caravaggio - The birth of the Baroque, Caravaggio - The Caravaggisti, Caravaggio - The death and rebirth of a reputation, Caravaggio - Modern tradition, Caravaggio - Chronology of major works

Read more here: » Caravaggio: Encyclopedia II - Caravaggio - Biography

In addition to his religious art, he produced a set of 4 mythological masterpiece paintings centered around the Loves of Jupiter as itemized in Ovid's Metamorphosis. The set was commisioned by Federico Gonzaga II of Mantua and intended as a gift to the visiting Holy Roman Emperor Charles I; thus, within a few years of completion(c 1532), these paintings had left Italy, and thus were likely not influential to subsequent painting in Italy. They are stunning and elegantly sensous. "Leda and the Swan", now in the Staatliche Museen ...

See also:

Antonio da Correggio, Antonio da Correggio - Loves of Jupiter, Antonio da Correggio - Anthology of Works, Antonio da Correggio - External link

Read more here: » Antonio da Correggio: Encyclopedia II - Antonio da Correggio - Loves of Jupiter

In 1520 he resumed work in Florence, and executed the Faith and Charity (Caritas) in the cloister of the Scalzo. These were succeeded by the Dance of the Daughter of Herodias, the "Beheading of the Baptist," the "Presentation of his head to Herod," an allegory of Hope, the "Apparition of the Angel to Zacharias" (1523), and the monochrome of the Visitation. This last was painted in the autumn of 1524, after Andrea had returned from Luco in Mugello, to where an outbreak of bubonic plague in Florence had driven him a ...

See also:

Andrea del Sarto, Andrea del Sarto - Early Life and Training, Andrea del Sarto - Frescoes at SS Anunziata in Florence, Andrea del Sarto - Visit to France, Andrea del Sarto - Later Works in Florence, Andrea del Sarto - Madonna of the Harpies, Andrea del Sarto - Details of Personal Life, Andrea del Sarto - Critical Assessment and Legacy, Andrea del Sarto - Partial Anthology of Works

Read more here: » Andrea del Sarto: Encyclopedia II - Andrea del Sarto - Later Works in Florence

It was Michelangelo who had introduced Vasari in 1524 to Andrea's studio. He is said to have thought very highly of Andrea's powers. Of those who initially followed his style in Florence, the most prominent would have been Jacopo Pontormo. In the Britannica account of del Sarto, the narrative of Crowe and Cavalcaselle, supplemented by Vasari, Lanzi and others followed. There are biographies by Biadi (1829), by ...

See also:

Andrea del Sarto, Andrea del Sarto - Early Life and Training, Andrea del Sarto - Frescoes at SS Anunziata in Florence, Andrea del Sarto - Visit to France, Andrea del Sarto - Later Works in Florence, Andrea del Sarto - Madonna of the Harpies, Andrea del Sarto - Details of Personal Life, Andrea del Sarto - Critical Assessment and Legacy, Andrea del Sarto - Partial Anthology of Works

Read more here: » Andrea del Sarto: Encyclopedia II - Andrea del Sarto - Critical Assessment and Legacy

Michelangelo - Sculpture. Madonna of the Steps (Madonna of the Stairs) (c. 1491) - Marble, 55,5 x 40 cm, Casa Buonarroti, Florence Battle of the Centaurs (c. 1492) - Marble, 84,5 x 90,5 cm, Casa Buonarroti, Florence Michelangelo's Crucifix (1492) - Polychrome wood, 142 x 135 cm, Santa Maria del Santo Spirito, Florence St. Petronius (1494-1495) - Marble, height 64 cm, San Domenico, Bologna ...

See also:

Michelangelo, Michelangelo - Michelangelo's life history, Michelangelo - Overview, Michelangelo - Early life in Florence, Michelangelo - Under Pope Julius II in Rome: Sistine ceiling, Michelangelo - Under Medici Popes in Florence, Michelangelo - Later works in Rome, Michelangelo - Last years, Michelangelo - Michelangelo the architect, Michelangelo - Laurentian Library, Michelangelo - Medici Chapel, Michelangelo - Palazzo Farnese, Michelangelo - St Peter's Basilica, Michelangelo - Michelangelo at the Campidoglio, Michelangelo - Michelangelo the man, Michelangelo - Love life, Michelangelo - Works summary, Michelangelo - Sculpture, Michelangelo - Painting, Michelangelo - Compare

Read more here: » Michelangelo: Encyclopedia II - Michelangelo - Works summary

Michelangelo, who was often arrogant with others and constantly unsatisfied with himself, thought that art originated from inner inspiration and from culture. In contradiction to the ideas of his rival, Leonardo da Vinci, Michelangelo saw nature as an enemy that had to be overcome. The figures that he created are therefore in forceful movement; each is in its own space apart from the outside world. For Michelangelo, the job of the sculptor is to free the forms that, he believed, were already inside the stone. This can most vividly be seen in his unfinished statuary figures, which to many appea ...

See also:

Michelangelo, Michelangelo - Michelangelo's life history, Michelangelo - Overview, Michelangelo - Early life in Florence, Michelangelo - Under Pope Julius II in Rome: Sistine ceiling, Michelangelo - Under Medici Popes in Florence, Michelangelo - Later works in Rome, Michelangelo - Last years, Michelangelo - Michelangelo the architect, Michelangelo - Laurentian Library, Michelangelo - Medici Chapel, Michelangelo - Palazzo Farnese, Michelangelo - St Peter's Basilica, Michelangelo - Michelangelo at the Campidoglio, Michelangelo - Michelangelo the man, Michelangelo - Love life, Michelangelo - Works summary, Michelangelo - Sculpture, Michelangelo - Painting, Michelangelo - Compare

Read more here: » Michelangelo: Encyclopedia II - Michelangelo - Michelangelo the man