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Laocoön and his Sons

A Wisdom Archive on Laocoön and his Sons

Laocoön and his Sons

A selection of articles related to Laocoön and his Sons

More material related to Laocon And His Sons can be found here:
Index of Articles
related to
Laocon And His Sons
1507, 1507 - Arts and Literature, 1507 - Births, 1507 - Deaths, 1507 - Events, 1507 - Science and Technology


ARTICLES RELATED TO Laocoön and his Sons

Laocoön and his Sons: Encyclopedia - 1506

1506 - Events. January 21 - Pope Julius II founds the Swiss Guard Second outbreak of the sweating sickness in England Leonardo da Vinci completes the Mona Lisa. Hernán Cortés, conquistador, arrives in the New World at Santo Domingo in Hispaniola, age 22. The statue Laocoön and his Sons is discovered in Rome. 1506 - Births. February 2 - René de Birague, French cardinal and chancellor (d. 1583) < ...

Including:

Read more here: » 1506: Encyclopedia - 1506

Laocoön and his Sons: Encyclopedia - Art in Ancient Greece

The art of ancient Greece has exercised an enormous influence on the culture of many countries from ancient times until the present, particularly in the areas of sculpture and architecture. In the West, the art of the Roman Empire was largely derived from Greek models. In the East, Alexander the Great's conquests initiated several centuries of exchange between Greek, Central Asian and Indian cultures, resulting in Greco-Buddhist art, with ramifications as far as Japan. Following the Renaissance in Europe, the humanist aesthetic and th ...

Including:

Read more here: » Art in Ancient Greece: Encyclopedia - Art in Ancient Greece

Laocoön and his Sons: Encyclopedia II - Art in Ancient Greece - Sculpture

Sculpture is by far the most important surviving form of Ancient Greek art, although only a small fragment of Greek sculptural output has survived. Greek sculpture, often in the form of Roman copies, was immensely influential during the Italian Renaissance, and remained the “classic” model for European sculpture until the advent of modernism in the late 19th century. The Greeks decided at a very early period that the human form was the most important subject for artistic endeavour. Since they saw their gods as hav ...

See also:

Art in Ancient Greece, Art in Ancient Greece - Definition, Art in Ancient Greece - Periods, Art in Ancient Greece - Survivals, Art in Ancient Greece - Pottery, Art in Ancient Greece - Sculpture, Art in Ancient Greece - Architecture, Art in Ancient Greece - Coin design

Read more here: » Art in Ancient Greece: Encyclopedia II - Art in Ancient Greece - Sculpture

Laocoön and his Sons: Encyclopedia II - Marble sculpture - Material origin and qualities

Marble is deposited by precipitation from water. The original source will be limestone, which is dissolved in water by the weak carbonic acid present in rainwater. This can migrate underground and be deposited in voids (which typically are created by a previous dissolution of limestone or marble). Owing to this water-born deposition, limestone can have fluid patterns of mineral staining, usually gray to black. The finest marbles for sculpture have no or few stains (some natural stain can be seen in the sculpture shown at left, which the scu ...

See also:

Marble sculpture, Marble sculpture - Material origin and qualities, Marble sculpture - Advantages, Marble sculpture - Disadvantages, Marble sculpture - Tools, Marble sculpture - Technique, Marble sculpture - List of marble sculptures

Read more here: » Marble sculpture: Encyclopedia II - Marble sculpture - Material origin and qualities

Laocoön and his Sons: Encyclopedia II - Achilles Tatius - Leucippe and Cleitophon

Achilles' romance, The Adventures of Leucippe and Cleitophon (in Greek τα κατα Λευκιππην και Kλειτoφων) has came down to us in its entirety, divided into eight books. The plot is as follows: At the book's start, the romancer is approached by a young man called Kleitophon who is induced by a picture to talk of his adventures. Kleitophon begins telling how he was born in Tyre and fell in love with Leucippe, his cousin (despite his being already promised in marriage to his own half-sister Kalligone) ...

See also:

Achilles Tatius, Achilles Tatius - Life and minor works, Achilles Tatius - Leucippe and Cleitophon, Achilles Tatius - Analysis, Achilles Tatius - The romance's modern editions, Achilles Tatius - Influence

Read more here: » Achilles Tatius: Encyclopedia II - Achilles Tatius - Leucippe and Cleitophon

Laocoön and his Sons: Encyclopedia II - Achilles Tatius - Influence

Leucippe and Clitophon is the key source for The Story of Hysmine and Hysminias, by the 12th century AD Greek author Eustathius Macrembolites (or Eumathius). This book was frequently translated in the Renaissance. Leucippe and Clitophon is also imitated in Historia de los amores de Clareo y Florisea by the Spanish writer Alonso Nuñez de Reinoso (Venice, 1552). This novel was translated into French as Les Amours de Florisee et Clareo et de la peu fortun ...

See also:

Achilles Tatius, Achilles Tatius - Life and minor works, Achilles Tatius - Leucippe and Cleitophon, Achilles Tatius - Analysis, Achilles Tatius - The romance's modern editions, Achilles Tatius - Influence

Read more here: » Achilles Tatius: Encyclopedia II - Achilles Tatius - Influence

Laocoön and his Sons: Encyclopedia II - Achilles Tatius - The romance's modern editions

The large number of existing manuscripts attests the novel's popularity. A part of it was first printed in a Latin translation by Annibal della Croce (Crucejus), in Lyon, 1544; his complete translation appeared in Basel in 1554. The first edition of the Greek original appeared in Heidelberg, 1601, printed together with similar works of Longus and Parthenius; another edition was that published by Salmasius in Leiden, 1640, with a voluminous commentary. The first important ...

See also:

Achilles Tatius, Achilles Tatius - Life and minor works, Achilles Tatius - Leucippe and Cleitophon, Achilles Tatius - Analysis, Achilles Tatius - The romance's modern editions, Achilles Tatius - Influence

Read more here: » Achilles Tatius: Encyclopedia II - Achilles Tatius - The romance's modern editions

Laocoön and his Sons: Encyclopedia II - Achilles Tatius - Life and minor works

Very little is known of the author; and the little which is known from the sources, represented by Photius and the Suda, are often misleading. This is the case with Heliodorus' romance Aethiopica, which the Suda erroneously places in the 5th century CE and considers the source of Leucippe and Cleitophon; far from it, modern scholars believe, on the ground of papyrus finds connected to the latter romance, that the author must have lived between the second half of the 2nd century and the first half of the 3rd century. Instead, it is gen ...

See also:

Achilles Tatius, Achilles Tatius - Life and minor works, Achilles Tatius - Leucippe and Cleitophon, Achilles Tatius - Analysis, Achilles Tatius - The romance's modern editions, Achilles Tatius - Influence

Read more here: » Achilles Tatius: Encyclopedia II - Achilles Tatius - Life and minor works

Laocoön and his Sons: Encyclopedia II - Achilles Tatius - Analysis

The first appraisal of this work comes from Photius' Bibliotheca, where we find: "the diction and composition are excellent, the style distinct, and the figures of speech, whenever they are employed, are well adapted to the purpose. The periods as a rule are aphoristic, clear and agreeable, and soothing to the ear". To this Photius added a moralistic bias that would long persecute the author: "the obscenity and impurity of sentiment impair his judgment, are prejudicial to seriousness, and make the story disgusting to read or something ...

See also:

Achilles Tatius, Achilles Tatius - Life and minor works, Achilles Tatius - Leucippe and Cleitophon, Achilles Tatius - Analysis, Achilles Tatius - The romance's modern editions, Achilles Tatius - Influence

Read more here: » Achilles Tatius: Encyclopedia II - Achilles Tatius - Analysis

Laocoön and his Sons: Encyclopedia II - Art in Ancient Greece - Coin design

Coins were invented in Lydia in the 7th century, but they were first extensively used by the Greeks, and the Greeks set the canon of coin design which has been followed ever since. Coin design today still recognisably follows patterns descended from Ancient Greece. The Greeks did not see coin design as a major art form, but the durability and abundance of coins have made them one of the most important sources of knowledge about Greek aesthetics. Greek coins are, incidentally, the only art fo ...

See also:

Art in Ancient Greece, Art in Ancient Greece - Definition, Art in Ancient Greece - Periods, Art in Ancient Greece - Survivals, Art in Ancient Greece - Pottery, Art in Ancient Greece - Sculpture, Art in Ancient Greece - Architecture, Art in Ancient Greece - Coin design

Read more here: » Art in Ancient Greece: Encyclopedia II - Art in Ancient Greece - Coin design

Laocoön and his Sons: Encyclopedia II - Art in Ancient Greece - Periods

The art of Ancient Greece is usually divided stylistically into three periods: the Archaic, the Classical and the Hellenistic. As noted above, the Archaic age is usually dated from about 1000 BC, although in reality little is known about art in Greece during the preceding 200 years (traditionally known as the Dark Ages). The onset of the Persian Wars (480 BC to 448 BC) is usually taken as the dividing line between the Archaic and the Classical periods, and the reign of Alexander the Great (336 BC to 323 BC) is taken as separ ...

See also:

Art in Ancient Greece, Art in Ancient Greece - Definition, Art in Ancient Greece - Periods, Art in Ancient Greece - Survivals, Art in Ancient Greece - Pottery, Art in Ancient Greece - Sculpture, Art in Ancient Greece - Architecture, Art in Ancient Greece - Coin design

Read more here: » Art in Ancient Greece: Encyclopedia II - Art in Ancient Greece - Periods

Laocoön and his Sons: Encyclopedia II - Art in Ancient Greece - Definition

Art historians generally define Ancient Greek art as the art produced in the Greek-speaking world from about 1000 BC to about 100 BC. They generally exclude the art of the Mycenaean and Minoan civilisations, which flourished from about 1500 to about 1200 BC. Despite the fact that these were Greek-speaking cultures, there is little or no continuity between the art of these civilisations and later Greek art. At the other end of the time-scale, art historians generally hold that Ancient Greek art as a distinct culture ended with the esta ...

See also:

Art in Ancient Greece, Art in Ancient Greece - Definition, Art in Ancient Greece - Periods, Art in Ancient Greece - Survivals, Art in Ancient Greece - Pottery, Art in Ancient Greece - Sculpture, Art in Ancient Greece - Architecture, Art in Ancient Greece - Coin design

Read more here: » Art in Ancient Greece: Encyclopedia II - Art in Ancient Greece - Definition

Laocoön and his Sons: Encyclopedia II - Art in Ancient Greece - Survivals

Ancient Greek art has survived most successfully in the forms of sculpture and architecture, as well as in such minor arts as coin design, pottery and gem engraving. From the Archaic period a great deal of painted pottery survives, but these remnants give a misleading impression of the range of Greek artistic expression. The Greeks, like most European cultures, regarded painting as the highest form of art. The painter Polygnotus of Thasos, who worked in the mid 5th century BC, was regarded by later Greeks in much the same way that people today regard Leonardo or Michelangelo, and his works were still being admired 600 years a ...

See also:

Art in Ancient Greece, Art in Ancient Greece - Definition, Art in Ancient Greece - Periods, Art in Ancient Greece - Survivals, Art in Ancient Greece - Pottery, Art in Ancient Greece - Sculpture, Art in Ancient Greece - Architecture, Art in Ancient Greece - Coin design

Read more here: » Art in Ancient Greece: Encyclopedia II - Art in Ancient Greece - Survivals

Laocoön and his Sons: Encyclopedia II - Art in Ancient Greece - Pottery

The Ancient Greeks made pottery for everyday use, not for display; the trophies won at games, such as the Panathenaic amphorae (wine decanters), are the exception. Most surviving pottery consists of drinking vessels such as amphorae, kraters (bowls for mixing wine and water), hydria (water jars), libation bowls, jugs and cups. Painted funeral urns have also been found. Miniatures were also produced in large numbers, mainly for use as offerings at temples. In the Hellenistic period a wider range of pottery was produced, ...

See also:

Art in Ancient Greece, Art in Ancient Greece - Definition, Art in Ancient Greece - Periods, Art in Ancient Greece - Survivals, Art in Ancient Greece - Pottery, Art in Ancient Greece - Sculpture, Art in Ancient Greece - Architecture, Art in Ancient Greece - Coin design

Read more here: » Art in Ancient Greece: Encyclopedia II - Art in Ancient Greece - Pottery

Laocoön and his Sons: Encyclopedia II - Art in Ancient Greece - Architecture

Architecture (building executed to an aesthetically considered design) was extinct in Greece from the end of the Mycenaean period (about 1200 BC) until the 7th century, when urban life and prosperity recovered to a point where public building could be undertaken. But since most Greek buildings in the Archaic and Early Classical periods were made of wood or mud-brick, nothing remains of them except a few ground-plans, and there are almost no written sources on early architecture or descriptions of buildings. Most of our knowledge of Greek arc ...

See also:

Art in Ancient Greece, Art in Ancient Greece - Definition, Art in Ancient Greece - Periods, Art in Ancient Greece - Survivals, Art in Ancient Greece - Pottery, Art in Ancient Greece - Sculpture, Art in Ancient Greece - Architecture, Art in Ancient Greece - Coin design

Read more here: » Art in Ancient Greece: Encyclopedia II - Art in Ancient Greece - Architecture

Laocoön and his Sons: Encyclopedia II - Marble sculpture - Tools

The Italian terms for the basic carving tools of stone sculpture are given here, and where possible the English terms have been included. La Mazza - The mallet. This is used to strike the chisel. Gli Scalpelli - The chisels. These come in various types: La Subbia - (the Point) a pointed chisel or punch L'Unghietto - (Round or Rondel Chisel) Literally, "little fingernail" La Gradina - (Toothed Chisel or Claw) a chisel with multiple teeth Lo Scalpello - a flat chisel See also:

Marble sculpture, Marble sculpture - Material origin and qualities, Marble sculpture - Advantages, Marble sculpture - Disadvantages, Marble sculpture - Tools, Marble sculpture - Technique, Marble sculpture - List of marble sculptures

Read more here: » Marble sculpture: Encyclopedia II - Marble sculpture - Tools

More material related to Laocon And His Sons can be found here:
Index of Articles
related to
Laocon And His Sons





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