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Joni Mitchell - I hate music: the 2000s | A Wisdom Archive on Joni Mitchell - I hate music: the 2000s | | Joni Mitchell - I hate music: the 2000s A selection of articles related to Joni Mitchell - I hate music: the 2000s | |
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Joni Mitchell, Joni Mitchell - 1970s success, Joni Mitchell - Albums, Joni Mitchell - Compilations, Joni Mitchell - Discography, Joni Mitchell - Early life, Joni Mitchell - Geffen era, Joni Mitchell - I hate music: the 2000s, Joni Mitchell - Influence, Joni Mitchell - Jazz period, Joni Mitchell - Singles, Joni Mitchell - Turbulent 1990s, Rolling Stone's List of the 100 Greatest Guitarists of All Time
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ARTICLES RELATED TO Joni Mitchell - I hate music: the 2000s | | | |  Joni Mitchell - I hate music: the 2000s: Encyclopedia II - Joni Mitchell - I hate music: the 2000sBoth Sides Now (2000) was an album composed mostly of covers of classic standards, performed with an orchestra. It received rave reviews by critics and remains a strong seller. The album contained reappraisals of "A Case of You" and the title track "Both Sides Now," two early hits transposed down to Mitchell's now-dusky, soulful alto range. Its success led to 2002's Travelogue, a collection of re-workings of her previous songs with lush orchestral accompaniments ...
See also:Joni Mitchell, Joni Mitchell - Early life, Joni Mitchell - 1970s success, Joni Mitchell - Jazz period, Joni Mitchell - Geffen era, Joni Mitchell - Turbulent 1990s, Joni Mitchell - I hate music: the 2000s, Joni Mitchell - Influence, Joni Mitchell - Discography, Joni Mitchell - Albums, Joni Mitchell - Compilations, Joni Mitchell - Singles Read more here: » Joni Mitchell: Encyclopedia II - Joni Mitchell - I hate music: the 2000s |
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| | | | Joni Mitchell - I hate music: the 2000s: Encyclopedia II - Joni Mitchell - Early life A painter who had also dabbled in piano, guitar and ukulele since childhood, Mitchell took her surname from a brief marriage to folksinger Chuck Mitchell in 1965. She performed frequently in coffee houses and folk clubs and became well known for her unique style of song writing and her innovative guitar style. Personal and often self-consciously poetic, her songs were strengthened by her extraordinarily wide-ranging voice (with a range in pitch at one time covering over four octaves) and unique guitar playing, tuning the instrument in unorth ...
See also:Joni Mitchell, Joni Mitchell - Early life, Joni Mitchell - 1970s success, Joni Mitchell - Jazz period, Joni Mitchell - Geffen era, Joni Mitchell - Turbulent 1990s, Joni Mitchell - I hate music: the 2000s, Joni Mitchell - Influence, Joni Mitchell - Discography, Joni Mitchell - Albums, Joni Mitchell - Compilations, Joni Mitchell - Singles Read more here: » Joni Mitchell: Encyclopedia II - Joni Mitchell - Early life |
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| | | | Joni Mitchell - I hate music: the 2000s: Encyclopedia II - Joni Mitchell - Discography (with U.S. chart positions)
Joni Mitchell - Albums.
Song to a Seagull (also known as Joni Mitchell) (1968) #183
Clouds (1969) #31
Ladies of the Canyon (1970) #27
Blue (1971) #15
For the Roses (1972) #11
Court and Spark (1974) #2
Miles of Aisles (live) (1974) #2
The Hissing of Summer Lawns (1975) #5
Hejira (1976) #13
Don Juan's Reckless Daughter ...
See also:Joni Mitchell, Joni Mitchell - Early life, Joni Mitchell - 1970s success, Joni Mitchell - Jazz period, Joni Mitchell - Geffen era, Joni Mitchell - Turbulent 1990s, Joni Mitchell - I hate music: the 2000s, Joni Mitchell - Influence, Joni Mitchell - Discography, Joni Mitchell - Albums, Joni Mitchell - Compilations, Joni Mitchell - Singles Read more here: » Joni Mitchell: Encyclopedia II - Joni Mitchell - Discography |
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| | | | Joni Mitchell - I hate music: the 2000s: Encyclopedia II - Joni Mitchell - Influence Mitchell could be labeled a "musician's musician"; her work has had an enormous influence on a number of artists; she has influenced not only "similar" singer-songwriters, such as Sheryl Crow and Shawn Colvin, but a number of artists in diverse genres, such as k.d. lang, Elvis Costello, PM Dawn, Agnes Chan, and Prince.
For instance, Prince's song "The Ballad of Dorothy Parker" off the album Sign 'O' the Times, pays tribute to Mitchell, both through his evocative Mitchell-like harmonies and through the use of one Mitchell's own techniq ...
See also:Joni Mitchell, Joni Mitchell - Early life, Joni Mitchell - 1970s success, Joni Mitchell - Jazz period, Joni Mitchell - Geffen era, Joni Mitchell - Turbulent 1990s, Joni Mitchell - I hate music: the 2000s, Joni Mitchell - Influence, Joni Mitchell - Discography, Joni Mitchell - Albums, Joni Mitchell - Compilations, Joni Mitchell - Singles Read more here: » Joni Mitchell: Encyclopedia II - Joni Mitchell - Influence |
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| | | | Joni Mitchell - I hate music: the 2000s: Encyclopedia II - Joni Mitchell - Geffen era The 1980s saw Mitchell's lowest recorded output since the beginning of her career. Only three albums of new material appeared, and none of them made an impression. 1982's Wild Things Run Fast was an attempt to return to pop songwriting, including cover versions of "Unchained Melody" and "(You're So Square) Baby I Don't Care". It was influenced largely by Mitchell's marriage to producer Larry Klein - Mitchell herself referred to the songs in several interviews as "I love Larry" songs. Although the songwriting was solid, the set was released at a time where multi-layered, darker music in the ...
See also:Joni Mitchell, Joni Mitchell - Early life, Joni Mitchell - 1970s success, Joni Mitchell - Jazz period, Joni Mitchell - Geffen era, Joni Mitchell - Turbulent 1990s, Joni Mitchell - I hate music: the 2000s, Joni Mitchell - Influence, Joni Mitchell - Discography, Joni Mitchell - Albums, Joni Mitchell - Compilations, Joni Mitchell - Singles Read more here: » Joni Mitchell: Encyclopedia II - Joni Mitchell - Geffen era |
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| | | | Joni Mitchell - I hate music: the 2000s: Encyclopedia II - Joni Mitchell - 1970s success Mitchell's confessional approach deepened on Blue (1971), widely considered the best of this period. Exploring the various facets of relationships, from infatuation on "A Case of You" to insecurity on "This Flight Tonight", the songs featured an increasing use of piano and Appalachian dulcimer on "Carey" , "California" and "All I Want." Others were piano led, some exhibiting the rhythms associated with rock music.
The more straightforward "rock" influence was still strong on her next two albums, recorded for new label Asylum. < ...
See also:Joni Mitchell, Joni Mitchell - Early life, Joni Mitchell - 1970s success, Joni Mitchell - Jazz period, Joni Mitchell - Geffen era, Joni Mitchell - Turbulent 1990s, Joni Mitchell - I hate music: the 2000s, Joni Mitchell - Influence, Joni Mitchell - Discography, Joni Mitchell - Albums, Joni Mitchell - Compilations, Joni Mitchell - Singles Read more here: » Joni Mitchell: Encyclopedia II - Joni Mitchell - 1970s success |
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| | | | Joni Mitchell - I hate music: the 2000s: Encyclopedia II - Joni Mitchell - Jazz period The first such album, The Hissing of Summer Lawns (1975), was also a lyrical departure, with the confessional style replaced by a series of vignettes, from nightclub dancers ("Edith and the Kingpin") to the bored wives of the wealthy ("The Hissing of Summer Lawns" and "Harry's House Centerpiece"). The album was stylistically diverse, with complex vocal harmonies set with African drumming (the Warrior Drums of Burundi making up the foundation of "The Jungle Line"). Although many fans and other artists often cite Hissing as their ...
See also:Joni Mitchell, Joni Mitchell - Early life, Joni Mitchell - 1970s success, Joni Mitchell - Jazz period, Joni Mitchell - Geffen era, Joni Mitchell - Turbulent 1990s, Joni Mitchell - I hate music: the 2000s, Joni Mitchell - Influence, Joni Mitchell - Discography, Joni Mitchell - Albums, Joni Mitchell - Compilations, Joni Mitchell - Singles Read more here: » Joni Mitchell: Encyclopedia II - Joni Mitchell - Jazz period |
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