Intention Dictionary

Stanzas of Dzyan Archaic verses of philosophical and cosmogonical content drawn from the Book of Dzyan, which form the basis of The Secret Doctrine. They present the esoteric teachings in regard to cosmogenesis and anthropogenesis, and are the ancient heritage of humanity as preserved by the brotherhood of mahatmas.

Every race and nation has drawn from this source through the medium of its initiated or inspired teachers and saviors. Only portions of the original verses are given in The Secret Doctrine, and Blavatsky's presentation there represents the first time that they have been set down in a modern European language; her endeavor always was to represent the meaning rather than to give a merely literal rendering of the words: "it must be left to the intuition and the higher faculties of the reader to grasp, as far as he can, the meaning of the allegorical phrases used. Indeed it must be remembered that all these Stanzas appeal to the inner faculties rather than to the ordinary comprehension of the physical brain" (SD 1:21).

Especially is this the case when the Stanzas refer to events and conditions of cosmic or human life of which mankind today has virtually lost all memory, except for the scattered fragments of archaic writings which have reached us out of the darkness of prehistory. Only deep meditation and contemplation upon the mystical symbols used will awaken the faculty to comprehend them:

"The history of cosmic evolution, as traced in the Stanzas, is, so to say, the abstract algebraical formula of that Evolution. . . . .

"The Stanzas, therefore, give an abstract formula which can be applied, mutatis mutandis, to all evolution: to that of our tiny earth, to that of the chain of planets of which that earth forms one, to the solar Universe to which that chain belongs, and so on, in an ascending scale, till the mind reels and is exhausted in the effort.

"The seven Stanzas given in this volume represent the seven terms of this abstract formula. They refer to, and describe the seven great stages of the evolutionary process, which are spoken of in the Puranas as the 'Seven Creations,' and in the Bible as the 'Days' of Creation" (SD 1:20-1).

These archaic stanzas are written preeminently in symbolic language, with the intention of giving, perhaps, a sevenfold meaning; "as there are seven keys of interpretation to every symbol and allegory, that which may not fit a meaning, say from the psychological or astronomical aspect, will be found quite correct from the physical or metaphysical" (SD 2:22n).

See also BOOK OF DZYAN

(See also: Stanzas of Dzyan , Mysticism, Mysticism Dictionary, Body mind and Soul)

MAGIC

From Latin magi, pl. (Greek magoi, pl. of magos, a Magian, one of the Median tribe; also an enchanter, properly a wise-man who interpreted dreams; Old Persian mugh, one of the Magi, a fire-worshipper; Sanskrit maga "a priest of the sun"; maybe related to maha, "great" and maya, illusion; perhaps, ultimately, even the Maya of Central America. Compare Hebrew makeshef, "magician"). Magic is actually short for "Magic Art". The connection between magus and magnus "great" also appears in Hebrew. As in Latin the word for "great", produces "master or teacher" (magister) , so Hebrew rab produces "rabbi". However the confusion in Hebrew does not arise because the word for "magic" (qeshem) is not related to rab".

The word in this form is found with precisely the same meaning (or mystery) in most European tongues and even in Japanese majutsu, (which they no doubt borrowed from the Portuguese). Elsewhere, however, we find different senses altogether, such as the old Teutonic Helliruna (lit. "Hell's secret") which is surely a folk etymology of the Arabic word for "mandrake", albiruhan or alyabruhin, the same word we find in Spanish as the word for "magician", el brujo, because alongside that there is indeed the Old High German word for "mandrake", Alruna. The only question we need ask is which form came first, but we find the Arabic influence extending east as far as Mongolia, where, in passing, we may note ilbi for "magic."

The otherness of ego enwraps each of us like a prison, but the magus takes all of earth as his body. Magic itself is but a symbol of the greater Magic, which is Unity. The Oneness frees us from the dungeon of darkness and the self and resembles the teaching of Buddhism.

From yet another perspective, magic, mind and life are the same thing: living cells are sometimes kept alive in labs. A specialized cell, so protected, fed and allowed to reproduce, eventually turns into a basic and undifferentiated cell. This indicates that life is not only exceedingly plastic but that it is also purposive. If such adaptation were attributable to mindless mechanics, a bone cell would go on reproducing a bone cell and a blood cell a blood cell forever.

Since all things are connected, then experiential reality, which is Mind, can be altered by the implementation of the Will and Visualization. There is no "orthodox" doorway of the "Self" through the various universes, so the magician must build his own bridge, without assistance, across the Abyss, from the otherness of the separate ego to Cosmic Unity. Since the goal and purpose of existence is knowledge, then the magus is obliged to seek experience on numerous planes of being reached via perichoresis and also to effect material changes in the earth's reality. Thinking isn't just the beginning of creation, it is creation itself.

Marc Edmund Jones classifies magic into categories. Divination is the effort to gain knowledge, particularly of the future (in order the better to assist the "Divine" plan). The evocation or invocation of elementals or angelic powers, functioning through the ethers, is another class of magic. Then there is hypnotism, which works through "imitative" magic. Finally, there is tantrism, or the development of supernatural siddhis.

Colin Wilson suggests that magic is simply the development of the Will and the Imagination, Versluis that it is "not a means to an end, but a means to heighten means." Clearly, the object of magic is the raising of consciousness. The magus is empowered to effect events only to the extent that he is able to recognize that inside and outside are one. To transform the world is to transform oneself and vice-versa. Traditional rituals, the using of symbols and the altering of consciousness through herbs, smells, sounds, repetitions and meditation are all inward-directed processes designed to educate, focus and strengthen the faculties of Imaging and Willing. Alchemy is the same endeavor directed outwardly. We fail to control the transformation of our selves to the degree that we isolate ourselves from the world, just as we lose our ability to change the world at the exact moment that we begin to lose touch with ourselves.

However, although those who don't know what they are doing are obliged to perform magic strictly through the observation of rituals, those who understand its real nature and purpose can move directly to its center and act from there, without incantations and conjurations.

Here are some definitions of M/magic(k) by various authorities on the subject:

ANONYMOUS: "Magus Nascitur Non Fit."

ALICE BAILEY: "No man is a magician, or worker in white magic, until his third eye is opened, or is in the process of opening." (That means 'transmission of consciousness to the universal mind').

WADE BASKIN: "The art and science of magic is based on three basic principles. 1) one may communicate with other realms, or planes of existence, through the medium of the Astral Light; 2) the power of the magician is unlimited; 3) external characteristics (signatures) are signs through which everything internal and invisible can be revealed."

MORRIS BERMAN: "Magic is not necessarily gnostic in nature, since it is not particularly dualistic, and it never includes the notion of an outside savior or redeemer, which Gnosticism (particularly in its early forms) sometimes does."

HELENA P. BLAVATSKY: "The art of divine Magic consists in the ability to perceive the essence of things in the light of nature (astral light), and - by using the soul-powers of the Spirit - to produce material things from the unseen universe, and in such operations the Above and the Below must be brought together and made to act harmoniously". (The Secret Doctrine).

"Magic is spiritual wisdom. Arcane knowledge misapplied is sorcery.

"Magic was considered a divine science which led to a participation in the attributes of Divinity itself."

"Magic was the highest knowledge of natural philosophy... and the magician differed from the witch in this, that, while the latter was an ignorant instrument in the hands of demons, the former had become their master by the powerful intermediation of science, which was only within reach of the few, and which these beings were powerless to disobey."

BERNARD BROMAGE: "The word has, more often than not, been used, not for illumination, not as a guide to ascertainable verity, but as a camouflage to conceal a man's ignorance; and, worse, his calculated ineptitude and folly. The word can be said to have ceased to be a word and to have become a byword: a symbol surrounded by an evilly phosphorescent light, of man's infernal capacity for avoiding the issues. . . Magic, tout court, is immensely concerned with the 'Extension of Consciousness'; the widening of frontiers; the increase and development of every variety of sense perception. To be a magician one must learn to investigate all phenomena with the eye of the scientist who scorns no possible hypothesis nor neglects to take into the fullest consideration the complete structure of our actual and potential being. . . it is not a solace for the frustrated, but a reward for the pure of heart. Its final appeal is not to curiosity or greed, but to reverence and acceptance."

PETER CARROLL: "The world is magical but designed to make us believe we are not magi."

"All events are basically magical, arising spontaneously without prior cause. Physical laws are only statistical approximations. Consciousness, magic and chaos are the same thing. Consciousness also makes things happen without prior cause."

ALEISTER CROWLEY: "All Art is Magick"

"The Goal of Magick is the knowledge and conversation of the Holy Guardian Angel."

NEVILL DRURY: "Magic is the technique of harnessing the secret powers of Nature and and seeking to influence events for one's own purpose. If the purpose is beneficial it is known as white magic, but if it is intended to bring harm to others, or to destroy property, it is regarded as black magic."

"High Magic is intended to bring about the spiritual transformation of the person who practices it. This form of magic is designed to channel the magician's consciousness towards the sacred light within, which is often personified by the high gods of different cosmologies. The aim of high magic has been described as communication with one's Holy Guardian Angel, or higher self. It is also known as Theurgy."

"Whereas science deals with empirically observable causes and effects, occultism deals pragmatically with methods of altering consciousness to produce certain effects. One of these is the assimilation within the self of the characteristics of a deity, another is the separation of consciousness from the physical body."

DION FORTUNE: "Magic is the art of changing consciousness at will."

KENNETH GRANT: "Magick is the apotheosis of the Irrational, the acme of the absurd, and the reification of the impossible."

GURDJIEFF: ". . .I decided to call those undertakings which required intentional action of higher centers - those centers which are properly the feeling and thinking centers, capable of emotional sensing and of mentation respectively, but which are ordinarily unformed through absorption of their rightful impressions by the false emotional and intellectual centers of the psyche - objective magic, having as its result the obtaining of real knowledge."

"I thus separated this objective magic from its ordinary counterpart, 'magic of the psyche', in which purely fantastic results are obtained, and self-calming and amusement are the only attainments. Under this category I placed my former endeavors as a medium and psychic, as well as those results obtained by theosophy, occultism and so forth, all of which up to then had quite fascinated and attracted my attention."

WILLIAM JAMES: "We all have a lifelong habit of inferiority to our full self. . ."

MARC EDMUND JONES: "Occult, as distinct from secular, science; Occult as the effort to compel the cooperation of others, as well as deity, nature, in enterprises of self, illustrated by miracle or thaumaturgy, known as white when ethical and black when amoral."

ELIPHAS LÉVI: "The Arcanum of the Magnum Opus is the mastery or government of Ignis."; "Would you learn to reign over yourself and others? Learn how to will. How can one learn to will? This is the first arcanum of magical initiation. . ."

MACGREGOR MATTHEWS: "To practice magic, both the imagination and the Will must be called into action, they are co-equal in the work. . . The Will unaided can send forth a current. . . yet its effect is vague and indefinite. . . the Imagination unaided can create an image. . . yet it can do nothing of importance, unless vitalized and directed by the Will."

JOHN MIDDLETON: "We may say that the realm of magic is that in which human beings believe that they may directly affect nature and each other for good or ill, by their own efforts (even when the precise mechanism may not be understood by them) as distinct from appealing to divine powers by sacrifice or prayer (i.e. religion)."

JOHN O'KEEFE: "Magic is the defense of the self against the malevolence of society."

PARACELSUS: "The exercise of true magic does not require any ceremonies or conjurations, or the making of circles and signs; it requires neither benedictions nor maledictions in words, neither verbal blessings or curses."

JOHN COWPER POWYS: "Magic is simply the choice between emphasis and rejection."

DIANE DE PRIMA: "Look at the forces behind the things rather than just at the object or event. If I have a working definition of magic it's that behind every single thing in the world an infinite tunnel opens of reference, cross-references, and forces, and how these things interlock in nets. What I basically say is, yeah, learning to see force. . . learning to see the etheric and the astral, etc. to the thinner and thinner layers of stuff. And learning to work off those layers rather than . . . if you want to push that rock you don't necessarily have to go out there and put your shoulder to it."

RIMBAUD: "The Poet transforms himself into a seer through a long, immense and determined, rational disordering of all his sense. Every form of love, suffering and madness he seeks within himself and exhausts in himself all poisons, preserving but their quintessences. Ineffable torture where he will need all of his faith and superhuman strength, making him among men, the great Sick Man, the Thrice-Damned, the Arch-Criminal - and the supreme Savant! - for he arrives at the Unknown! Since he has cultivated his soul, already richer than any other man's, he thereby reaches the Unknown, and, even if, insane in the end, he should lose every shred of understanding gained so laboriously, he will have had his Visions! He may perish in his leap into those innumerable, unnameable things, there will follow other terrible workers. They will begin at the horizons where he fell."

MARTIN DEL RIO: "An art or skill which, by means of a non-supernatural force, produces certain strange and unusual phenomena whose rationale eludes common sense."

ROMULUS: "Magic is living poetry."

"Magic is the invocation and exploitation of synchronicity. All practices build up a momentum of their own. What we desire eventually comes true, with interest."

"Every magician's tricks are his own, to help him with own special problems, to get himself over his own inner obstacles. Our Individual tasks are to learn and overcome our own obstacles. That's why the study of great men and women is so very instructional and worthwhile. Not because they teach us to be like them, but because they show us how they became themselves! "

"Self-confident, integrated personalities already are fairly much in control of their powers and are magical to some extent. When circumstances intrude, such as sickness, enmity, financial loss, etc. and self-confidence wanes, the 'magical' side begins to seem spurious. The more 'magical' we try to be, the more charlatanry rises to the surface in us."

FRANCIS KING & STEPHEN SKINNER: "Four basic assumptions of magic: 1. That the [physical] universe is only a part of total reality. 2. The human will-power is a real force, capable of being trained and concentrated, and that the disciplined will is capable of changing its environment and producing paranormal events. 3. That this will-power must be directed by the imagination. 4. That the universe is not a mixture of chance factors and influences, but an ordered system of correspondences, and the understanding of the pattern of correspondences enables the occultist to use them for his own purposes, good or evil.

HUTTON WEBSTER (1948): "As regards purpose, Magic is divinatory, productive and aversive. The magician discovers or foretells what is otherwise hidden in time or space from human eyes; he influences and manipulates the objects and phenomena of nature and all animate creatures so that they may satisfy actual or human needs; and finally he combats, neutralizes and remedies the onslaught of the evils, real or imaginary, afflicting mankind. The range of magic is thus almost as wide as the life of man. All things under heaven, and even the inhabitants of heaven become subject to its sway.

COLIN WILSON: "Human perception is 'intentional.'" (Consciousness is a muscle).

"The great personality-inhibitor is caution. . . even in a few people who seem fairly well integrated. I can suddenly catch a glimpse of a more sophisticated, confident personality that has never succeeded in emerging . . . Even criminality is a form of caution, the desire for immediate and tangible returns, based upon the feeling that the universe has no intention of giving you anything you are not prepared to take by force. In fact, the study of murder leaves one with an impression of weak and crippled personalities who left half their potentialities to stagnate."

"Outside our everyday personality there is a wider self that possesses greater powers than the everyday self. . . When the will is hindered by too much self-consciousness it often produces the opposite effect from the one intended. (Poe called it "the imp of the perverse"). The wider self would be happy to oblige, but the contracted ego is somehow opposing itself, like someone trying to open a door by pushing it instead of pulling it. So it does the next best thing." (Psychokinesis).

"Modern civilization induces an attitude of passivity. When a Stone Age hunter set out to trap wild animals, he was aware of his will as a living force. When the prehistoric farmer scored the surface of the earth with a crude plough, he knew that his family's survival through the winter depended on his effort, and his will responded to the challenge. When a modern city dweller walks down a crowded thoroughfare, he feels no sense of challenge or involvement. This city was built by other people, all these shops and offices are owned by other people. He can get through an ordinary day's work in a state approximating sleep. Most of his routine tasks are carried out by the 'robot'. There is neither the need or the opportunity to use the will."

ZORN ZUCKERMAN: "The 20th Century has been so much a time of everything 'losing its magic, that the only thing left is magic itself."

CONCLUSION:

Is magic simply the search for "ultimate knowledge" without the burden of "worship"? Not exactly. The Golden Dawn used to say, "The aim of religion, the method of science," which was as ambitious as it was inaccurate. The "Transcendental" without religion, as opposed to mere "Revelation" without religion, would be closer to the mark than soulless "Ultimate Knowledge." The latter is a logical, scientific goal, not a magical one. The Scientist is obliged to go wherever his will-o'-the-wisp may lead him, as Mary Shelley pointed out, stopping not even at Frankenstein's monster nor the Hydrogen Bomb nor tailor-made diseases. Thus, the scientist inevitably winds up in Hell, the epitome of "Reason". The Magician knows where he is going, dares to go there and will what he will discover and create. His work (ideally) is the transmogrification of Hell. Moreover, about what he does he can make no statement, because it is always unique, never a repeatable "trick". That is, he is in the business, not as the scientist is of "finding" meaning, but of "creating" it. But we have to remember that the phenomenological world is an illusion, which requires the magician always to remain watchful of the illusory nature of what he is doing.

Life without magic is not possible. Moreover, the important "passages" of life cannot be handled except in a frank context of High Magic: birth, adolescence, marriage, death, etc.

(See also: MAGIC , Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul,)

A Dream Dictionary including dreams about:

Ambush , America, Amethyst, Ammonia, Ammunition, Amorous, Amputation, Anchor, Andirons, Anecdote , Angels, Anger, Angling, Annoy, Antelope, Ants, Anvil, Anxiety, Apes, Apparel, Apparition , Apples, Apprentice, Apricot, April , Apron, Arch

For more dream interpretation, see: Dream Dictionary

For more about dreams, see: Dreams.

A Dream Dictionary including dreams about:

Cannon, Cannon-Ball, Canoe, Canopy , Cap, Captain, Captive, Cardinal, Cards, Carnival, Carpenter, Carpet, Carriage, Carrot, Cars, Cart , Cartridge, Carving, Cash, Cash Box, Cashier, Cask, Castle, Castor Oil, Castor-a, Catechism, Caterpillar

For more dream interpretation, see: Dream Dictionary

For more about dreams, see: Dreams.

Karma

(Sanskrit "deed," "action," "ritual," "result") A central Indian term with various meanings.

1)    Any mental, verbal, or physical action or intention, especially a morally correct or textually prescribed activity.

2)    The results or consequences of actions or intentions.

3)    The Hindu principle of cause and effect, originally developed in South Asian religions, that determines one's past, current, and future existences. Everything we do produces some effect, now or later, on the physical or astral planes. Representing neither good nor evil, all actions and events cause corresponding actions and events in the past or future (including past and future lives through reincarnation).

4)    Ritual activity, particularly the ancient Indian rites propitiating a pantheon of gods as prescribed in the Vedic texts. Ritual performance might be done to meet religious obligations, such as initiation into the community, to honor one's ancestors, or to fulfill individual desires such as wealth, progeny, or immortality. The results of ritual, which are also called karma, were sometimes interpreted as "unseen" (apurva), that is, postponed or not yet noticeable in order to explain apparently delayed consequences. While all could admit that actions would eventually bear consequences, the doctrine of unseen results provoked lively debate and reconsideration of the importance of ritual.

5)    The erroneous western interpretation: That the good and bad deeds that we do adds and subtracts from our accumulated record, our karma. At the end of our life, we are rewarded or punished according to our karma by being reincarnated into either a painful or good new life.

(see Karma)

(See also: Karma , New Age Spirituality, Body Mind and Soul)

EXERSSAGE

StarFace Exerssage is a facial yoga, slow motion movement, and self massage technique integrated with breathing to release jaw tension and other tensions from neuromuscular parts of the face, head, and neck. It is comprised of 24 cranial facial yoga postures and a series of rhythmic contouring and acupressure pulsing massage movements. Connections are made to the vital organs with sound and intention. It facilitates the release of jaw tension, which is thought to be the source of counteracting aging.

(See also: EXERSSAGE , Alternative Health, Massage, Bodywork, Body Mind and Soul)

Addition

• To dream of pondering over addition, denotes that you will have a struggle to overcome difficult situations, which will soon prominently assume formidable shapes in your business transactions.
• To find some error in addition, shows that you will be able to overcome enemies by fortunately discerning their intention before they have executed their design.
• To add figures with a machine, foretells that you will have a powerful ally who will save you from much oppression.
• If you fail to read the figures, you will lose fortune by blind speculation.

Source: 10 000 Dream Interpretations, by Gustavus Hindman Miller

(See also: Dream Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Addition , Dreams - Meaning of Dream about Addition , Dream Interpretation Addition )

prayer wheel

A spiritual tool of the Buddhist tradition wherein a container with many prayers in it is spun while in a prayerful state of mind, activating the prayers within for a time and for the intention of the one praying

(See also: Prayer wheel , Body Mind and Soul)

PARSONS, JOHN WHITESIDE

I hight Don Quixote, I live on peyote,

marijuana, morphine and  cocaine,

I never know sadness but only a madness

that burns at the  heart and the brain

I see each charwoman, ecstatic inhuman,

angelic,  demonic, divine.

Each wagon a dragon, each beer mug a flagon

that  brims with ambrosial wine.

So goes a poem written by magician Jack Parsons, head of the California lodge of the O.T.O. (1944-52), as privately printed in a 1943 issue of The Oriflamme. This was, synchronistically enough, as Robert Anton Wilson has pointed out, but a few weeks before the discovery of LSD.

All of Crowley's disciples struggled valiantly to "discover the identity of the hidden God" within them, their "True (Thelemic) Will" and to find a way to implement their knowledge. Their endings were mostly dismal. Those who claimed success in the Great Work ceased all further activity and led lives thereafter of total obscurity. One of them, Frater 210, Jack Parsons, claimed success, only to go up in flames shortly thereafter.

Jack Parsons was a co-founder of The California Institute of Technology. His contributions to the aerospace industry and nuclear research were so considerable that he has the unique distinction of being the only North American sorcerer in the 20th Century to have had a mountain on the moon named after him. He was also one of Aleister Crowley's more bizarre disciples.

He was born on October 2, 1914, in Los Angeles, California. The only offspring of divorced parents, he spent a solitary and uneventful childhood. He devoted himself, as solitary children do, to reading and daydreaming. He also harbored a grudge against authority and interference and nursed a rebellious spirit. His studies led him into aerospace technology, but by temperament he was apparently not a scientist and his life did not truly begin until 1939, when an acquaintance, Wilfred T. Smith, introduced him to Aleister Crowley's writings and invited him to join his Agap‚ Lodge of the Ordo Templi Orientis.

Wilfred T. Smith, or Frater 132, had ostensibly been a special protege of Crowley's, who had decided for astrological reasons that Smith was a god imprisoned in human flesh. This seems curious to us now, because Smith's behavior was totally psychopathic. The truth is that Smith had fallen into disfavor with Crowley, who had decided the man was turning the O.T.O.'s California Lodge into a cheap love cult, which Crowley considered a "slimy abomination." As soon as Parsons came into the order, Smith grabbed Parson's wife, Helen, as his very own familiar and had a child by her. Thereupon Parsons abandoned her and took her younger sister, Betty, as his mistress and magickal partner. This arrangement appeared to work well enough for him and he soon advanced into the inner circles of the lodge. Meanwhile, Crowley very cleverly gave Smith a specific formula for his apotheosis and ordered him to resign in order to identify this God within. This was the easiest way of getting Smith out of the Lodge so that Parsons could be put in charge. Immediately, Smith's star began to fall. He conceived a hatred for Parsons and "attacked him astrally." Kenneth Grant in his Magical Revival recounts a curious hallucination or dream that Parsons underwent with a black-caped figure whom he transfixed with knives and eventually drove away.

But now Parsons, determined to repeat his initial disasters, brought in a mysterious "Frater X" as his secretary and who seemed a promising candidate for the lodge which Parsons had now taken over. His new friend, however, also proved to be a rogue and quickly wormed out of Parsons the top-secret psycho-sexual and magical techniques of the Agape Lodge. Soon thereafter, Frater X got him to enter a business venture with him, with Parson's money as the lion's share of the investment. Next Frater X persuaded him to sell the property that was the headquarters of the Lodge. Then he and Betty went on a yachting cruise around the world. Now that Frater X had reduced him to poverty, Parsons had to earn his living in an "aircraft company." What it is about the occult that could possibly interest dreary U.S. government agents defies the imagination, but Parsons was, after all, working for the government. So by now the O.T.O. was swarming with U.S. intelligence agents posing as members!

Since his mistress had also been stolen from him, Parsons set about, by evocation (and ritual masturbation supervised by Frater X), to obtain an Elemental Spirit to take the place of Betty. And in 1946 he wrote to Crowley that he had actually found such an elemental -- a woman named Marjorie Cameron. She soon became his second wife. Crowley wrote to warn him to avoid excessive devotion to an elemental, but his warning had little effect... Now Parsons contacted an "Intelligence" who spoke to him, directly at first. It was not long, however, before he began speaking through Fr. X, who, it seems, had returned and been forgiven! This time Frater X informed Parsons that he was "overshadowed by an Angel with flaming hair." Parsons now set about to make a Moonchild -- a procedure that must take place at a time when the moon is "void of course" or without earth influence. This endeavor annoyed the dying Crowley very much. In fact, by now, Crowley was thoroughly disgusted with Parsons and the Californians. At this point Parsons took the "Oath of the Abyss" and the magical name of "Belarion Armilus All Dajjal Anti-Christ." In 1948 he took the oath of the Antichrist and in 1949 penned his autobiographies. Finally he took up the "Black Pilgrimage," a terrible path forcing him to chose between suicide, madness and the Oath of the Abyss. In this endeavor he would open himself up to the influence of the demon, Choronzon.

Not long after that, in June of 1952, Parsons began a dangerous invocation in a last ditch effort to release his Will. He called upon an Aethyr who had already brought disaster to a fellow magus (Kelley), backed up by a sexual magick of his own. In his further rituals with the woman of the flaming hair and the invocation of the Lady of Babalon (not to be confused with "Babylon") there are constant calls to fire and flame, "Flame is out Lady, flame is her hair. I am flame" (In this case, "fire" refers to its opposite, "blood.") Suddenly, while working in his lab in Pasadena, he dropped a phial of fulminate of mercury and burst up in a terrible explosion -- ordinary fire being the opposite and balancing complement of blood.

Twenty years after his fiery death, official maps depicting the dark side of the moon prominently honored his many aerospace contributions with "Parson's Crater." Perhaps this act was fully intended as a deliberate pyrrhic mockery, suggesting mythic figures of old who were translated to the skies as immortal stars. Parsons is not the only mortal to have achieved celestial recognition without apotheosis, but he's the only one who deliberately tried, failed and then made it by default.

What makes Parsons so intriguing, no doubt, is that he appears in so many footnotes by so many different authors and yet hardly anything is known about him. Moreover, trying to cut a path through his zigzagging life is extremely frustrating for the biographer. Most lives, whether dull or interesting, tend to tell us something about the person, but Parsons' life seems almost deliberately labyrinthine. His writings are not easily unearthed and jealously guarded. The reason for that isn't hard to discern. Parsons was a social and intellectual rebel during an era of rigid conformity. He was not only the author of the two-volume book about the Anti- Christ: The Black Pilgrimage and The Manifesto of the Anti-Christ (which eponym he conferred on himself) but also claimed, says Colin Wilson, that he had been advised by a Higher Power "to declare war on all authority that is not based on courage and manhood... the authority of lying priests, conniving judges, blackmailing police and to call an end to restriction and inhibition, conscription, compulsion, regimentation and the tyranny of the laws."

The "Higher Power," it turned out, was an even more elusive character: our old friend, the sinister Frater X.

Until quite recently the Identity of Frater X remained unknown. Rumor had it that he had lived to a very old age in fame and luxury from the misuses of the magickal secrets that he had stolen. His identity remained a mystery until the late 1980's when it was revealed in several places at once that Frater X was none other than L. Ron Hubbard, father of Dianetics and Scientology.

Even initiates may not always recognize the daring, inspired and cosmic scope of Parson's effort. How much Hubbard was involved is uncertain, but that extraterrestrial contact of some kind was made through Parsons' rift in the wall between worlds was revealed, according to Kenneth Grant, by the Babalon working. He and Achad began this only a year before Crowley's death in 1947 and that year coincided with the first wave of ufo "invasions." "Parsons opened a door and something flew in" says Grant. Whatever that may be, something more than Babalon and channeled writings, we now realize, erupted into our world and continues to pour in, moving at weird and mocking variance to our sublunary science and reality systems. Crowley's and Achad's initiations, says Grant in his Outside the Circles of Time, led up to the "40's framed by AL. III. 46, the number of Mu, Cry of the Vulture of Maat and key of the mysteries" and that in turn finally "fulminated in Hiroshima of 1945." Grant wrote those words in 1980, before AIDS and the greenhouse effect, quoting from Crowley: "Now the 80's cower before me and are abased."

Ego and Initiation run the same hurdles. Ego interferes with the natural course of apotheosis. And for Grant, psychiatry is out of the question. It exposes the sensitive, personal and private talismans and techniques needed for reshaping social progress to the killing glare of mindless immediacy and expediency. Initiation, says Parsons himself, must proceed as best it can through and past the barriers... "until the misty bastions of infantile Trawenfells change into the rocks and crags of eternity; the garden of Klingsor into the City of God."

The Xtian idea of a God descending to become a man is the exact reverse of Magick. If Crowley's goal was to release the God hidden inside every human being, Jack Parsons dared to go a step further. His intention was to raise Hell to earth's level, to elevate our hellworld a step closer to Heaven! Since he was by nature a quiet and humble man, such a fusilary and hubristic ambition proved so powerful a charge for him that it burst out of the astral plane and destroyed him on the physical plane.

(See also: PARSONS, JOHN WHITESIDE , Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul,)

Apparel [16]

• Dreams of apparel, denote that enterprises will be successes or failures, as the apparel seems to be whole and clean, or soiled and threadbare.
• To see fine apparel, but out of date, foretells that you will have fortune, but you will scorn progressive ideas.
• If you reject out-of-date apparel, you will outgrow present environments and enter into new relations, new enterprises and new loves, which will transform you into a different person.
• To see yourself or others appareled in white, denotes eventful changes, and you will nearly always find the change bearing sadness.
• To walk with a person wearing white, proclaims that person's illness or distress, unless it be a young woman or child, then you will have pleasing surroundings for a season at least.
• To see yourself, or others, dressed in black, portends quarrels, disappointments, and disagreeable companions; or, if it refers to business, the business will fall short of expectations.
• To see yellow apparel, foretells approaching gaieties and financial progress. Seen as a flitting spectre, in an unnatural light, the reverse may be expected. You will be fortunate if you dream of yellow cloth.
• To dream of blue apparel, signifies carrying forward to victory your aspirations, through energetic, insistent efforts. Friends will loyally support you.
• To dream of crimson apparel, foretells that you will escape formidable enemies by a timely change in your expressed intention.
• To see green apparel, is a hopeful sign of prosperity and happiness.
• To see many colored apparel, foretells swift changes, and intermingling of good and bad influences in your future.
• To dream of misfitting apparel, intimates crosses in your affections, and that you are likely to make a mistake in some enterprise.
• To see old or young in appropriate apparel, denotes that you will undertake some engagement for which you will have no liking, and which will give rise to many cares.
• For a woman to dream that she is displeased with her apparel, foretells that she will find many vexatious rivalries in her quest for social distinction.
• To admire the apparel of others, denotes that she will have jealous fears of her friends.
• To dream of the loss of any article of apparel, denotes disturbances in your business and love affairs.
• For a young woman to dream of being attired in a guazy black costume, foretells she will undergo chastening sorrow and disappointment.
• For a young woman to dream that she meets another attired in a crimson dress with a crepe mourning veil over her face, foretells she will be outrivaled by one she hardly considers her equal, and bitter disappointment will sour her against women generally.
• The dreamer interpreting the dream of apparel should be careful to note whether the objects are looking natural. If the faces are distorted and the light unearthly, though the colors are bright, beware; the miscarriage of some worthy plan will work you harm. There are few dreams in which the element of evil is wanting, as there are few enterprises in waking life from which the element of chance is obviated.
• [16] See Meaning of Dreams about Clothes and Coat.

Source: 10 000 Dream Interpretations, by Gustavus Hindman Miller

(See also: Dream Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Apparel , Dreams - Meaning of Dream about Apparel , Dream Interpretation Apparel )

Dakini:

Dakini - Female Tantrika or Yogini. An attendant or servant to Great Goddess by holding the intention to embody Her highest will; Commonly used to describe a Priestess, healer, alchemist, or initiate skilled at high level arts.

(See also: Dakini , Tantra, Tantra Dictionary, Body Mind and Soul)

VORTEXHEALING ENERGETIC THERAPY

VortexHealing is an energetic healing art that works solely with divine light and consciousness. It derives its name from a particular energy-vortex that is the interface between our physical world and a divine healing realm that is accessed in this art.

This healing realm allows for the practitioner to channel not just a very powerful healing energy - the divine energy and light of the Vortex - but also the consciousness of this realm, which is composed of seven divine beings whose sole intention is to manifest healing. This enables VortexHealing to perform healings on the physical and emotional level as well as to release the deepest karmic issues we hold as human beings - they are transformed directly by divine consciousness.

(See also: VORTEXHEALING ENERGETIC THERAPY , Alternative Health, Massage, Bodywork, Body Mind and Soul)

Sankalpa:

Thought, intention, or will directed toward a specific outcome.

(See also: Sankalpa , Yoga, Yoga Dictionary, Siddha Yoga, Siddha Yoga Dictionary)

A B C D E F G H I J K L M N O P Q R S T U V X Y Z

Mushotoku: The optimum state for Zen practice, in which there is no goal or object, no intention for self gain or profit.

 (See also: Mushotoku , Buddhism, Body Mind and Soul)

MAGIC WORD

The root of all Magic is The Word. Ho Logos . In every culture, the shaman is the person with the largest vocabulary (although, ironically, he may express himself clumsily). He is also the one who sees beyond a person's words to what that person really means. For the magician, as for the poet, words are fluid and changing. Puns, paradoxes and triple/quadruple meanings come and go with varying degrees of exactitude or "correctness". Magical meanings derive from context or intention. Etymology is always strictly, historically, accurate, but usually beyond the safe and unimaginative academic frontiers into the realm of historical intuition. Where history and genuine insight leave off and illusion begins it is sometimes difficult to say.

The Egyptian God of magic, Thoth (or Tahuti, "The Speaker") is self-created and dwells in chaos. As he speaks, each word becomes a created thing (as in Greek a "poem" means anything that has been made). Hunchback: Is Chaos the Void or is it merely the pre-linguistic, Briatic world?

In our time when the television commercial has raped and perverted language for the sake of profit, when words have little more value than the squawking of parrots, it is difficult to imagine that there was once a mighty and living oral tradition. The true magician has not forgotten.

Therefore the adept must be adept with words. The unitiatated believe that Magic is entirely the result of uttering certain catchwords or phrases: "Hocus-Pocus-Dominocus!" or "Hey Presto! Hi Jingo, begone!" Oddly enough, this bit of folk wisdom is not as far off the mark as it might seem. Words do have power. Spells can be evoked. PKD once said that for every individual in the world there exists a special word or phrase, for him alone, which upon his hearing, would result in his death. There is also another word that would heal him of anything. Most of us, however, go through our whole lives without hearing either of these vital words or phrases.

The words used by magicians, when they are not the nonsense syllables of charlatans, tend to be words from archaic languages. Today these are primarily Latin or Greek (in our culture), whereas in the 18th and 19th Century, ritual words were usually taken from Hebrew. Hebrew magic itself borrowed from the earlier Chaldaeans, Babylonians and Assyrians. Finally, there is Buddhism and Yoga from Sanskrit, Tantrism from Tibetan, Taoism from Chinese and Sufism from Arabic.

Says Her Bak , "Do not be negligent in finding and using the right word. Thoth never replies to inexact medus."

(See also: MAGIC WORD , Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul,)

Ithyphallic (Ancient Greek). Qualification of the gods as males and hermaphrodites, such as the bearded Venus, Apollo in woman’s clothes, Ammon the generator, the embryonic Ptah, and so on.

 Yet the phallus, so conspicuous and, according to our prim notions, so indecent, in the Indian and Egyptian religions, was associated in the earliest symbology far more with another and much purer idea than that of sexual creation. As shown by many an Orientalist, it expressed resurrection, the rising in life from death. Even the other meaning had nought indecent in it: "These images only symbolise in a very expressive manner the creative force of nature, without obscene intention," writes Mariette Bey, and adds, "It is but another way to express celestial generation, which should cause the deceased to enter into a new life". Christians and Europeans are very hard on the phallic symbols of the ancients.

The nude gods and goddesses and their generative emblems and statuary have secret departments assigned to them in our museums; why then adopt and preserve the same symbols for Clergy and Laity? The love-feasts in the early Church - its agape as pure (or as impure) as the Phallic festivals of the Pagans; the long priestly robes of the Roman and Greek Churches, and the long hair of the latter, the holy water sprinklers and the rest, are there to show that Christian ritualism has preserved in more or less modified forms all the symbolism of old Egypt. As to the symbolism of a purely feminine nature, we are bound to confess that in the sight of every impartial archeologist the half nude toilets of our cultured ladies of Society are far more suggestive of female-sex worship than are the rows of yoni-shaped lamps, lit along the highways to temples in India.

(See also: Ithyphallic , Theosophy, Spirituality, Body mind and Soul, Spiritual Dictionary,)

Key of Solomon the King

A magical treatise of medieval origin, of which a number of manuscripts exist. It is claimed to be the work of King Solomon, but is clearly of a more modern origin, and was probably written in the fourteenth or fifteenth century. It is permeated with late Jewish ideas, and its chief intention appears to be the finding of treasure, and the creating of spells to interfere with the free will of others. The power of the Divine Name iis found throughout the work

The Lemegeton, or Lesser Key of Solomon, is much more noteworthy. Its earliest examples date from the seventeenth century, and it invokes the hierarchies of the abyss~ by legions and millions. It is divided into four parts which bind the actions of all spirits to the will of the operator.

• The first part, Goetia, contains forms of conjuration for seventy-two demons with an account of their powers and offices.
• The second part, Theurgia Goetia4 deals with the spirits of the cardinal points, who are of: mixed nature.
• The third book is called the Pauline Art - the significance of which name is unaccountable. It deals. with the angels of the hours of the day and night, and of the, signs of the Zodiac.
• The fourth part is entitled Almadel, which enumerates four other choirs of spirits. The usual homilies regarding purity of life are insisted upon, as is the circumstance that none of the conjurations shall be applied to the injury of another

(See also: Key of Solomon the King , New Age Spirituality, Body Mind and Soul)

Black Magic:

Magical spells or rituals practiced with the intention of harming others.

(See also: Black Magic , Psychic, Psychic Dictionary, Parapsychology, Parapsychology Dictionary)

Therapeutic Touch

is similar to Healing Touch, but in Therapeutic Touch no physical contact is involved. Since the human energy field extends outwards beyond the skin, the assessment and clearing of any imbalances and/or blockages is accomplished by moving the hands just above the skin.

The intention of the practitioner to heal or to reduce pain generates a directed energy into the patient's field. Developed by Delores Krieger, Ph.D., RN, and by Dora Hunt at New York University's Division of Nursing; derived from the 'laying on of hands' tradition.

(See also: Therapeutic Touch , Alternative Health, Body Mind and Soul)

Key of Solomon the King

A magical treatise of medieval origin, of which a number of manuscripts exist. It is claimed to be the work of King Solomon, but is clearly of a more modern origin, and was probably written in the fourteenth or fifteenth century. It is permeated with late Jewish ideas, and its chief intention appears to be the finding of treasure, and the creating of spells to interfere with the free will of others. The power of the Divine Name iis found throughout the work

The Lemegeton, or Lesser Key of Solomon, is much more noteworthy. Its earliest examples date from the seventeenth century, and it invokes the hierarchies of the abyss~ by legions and millions. It is divided into four parts which bind the actions of all spirits to the will of the operator.

• The first part, Goetia, contains forms of conjuration for seventy-two demons with an account of their powers and offices.
• The second part, Theurgia Goetia4 deals with the spirits of the cardinal points, who are of: mixed nature.
• The third book is called the Pauline Art - the significance of which name is unaccountable. It deals. with the angels of the hours of the day and night, and of the, signs of the Zodiac.
• The fourth part is entitled Almadel, which enumerates four other choirs of spirits. The usual homilies regarding purity of life are insisted upon, as is the circumstance that none of the conjurations shall be applied to the injury of another

(See also: Key of Solomon the King , New Age Spirituality, Body Mind and Soul)

Shamanism

employs ritual, dream work, sacred art, drumming and movement to attain nonordinary states of consciousness and to awaken spiritual abilities and connections with nature. The intention of Shamanism is to creatively invite and empower each person's relationship to their essence, to nature and to Spirit.

(See also: Shamanism , Alternative Health, Body Mind and Soul)

LaHo-Chi

is a Chinese form of hands-on healing similar to Reiki and Therapeutic Touch. It is a gentle, yet powerful form of energy balancing and healing. Using specific hand positions, the LaHo-Chi practitioner transmits healing intention into the client's biofield to induce a state of deep relaxation, of 'full-body meditation.' This relaxed state, achieved by the energetic release of accumulated physical, emotional and psychological stresses and traumas, allows the body's own natural healing powers to be activated and nurtured. LaHo-Chi can also expand perception, inducing awareness of higher states of spiritual consciousness.

(See also: LaHo-Chi , Alternative Health, Body Mind and Soul)