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Gregorian chant | A Wisdom Archive on Gregorian chant |  | Gregorian chant A selection of articles related to Gregorian chant |  |
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Gregorian chant
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ARTICLES RELATED TO Gregorian chant | |
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 |  |  | Gregorian chant: Encyclopedia II - Christian music - Gregorian chantMain article: Gregorian chant
Around the 8th to 10th centuries, Gregorian chant, a form of monophonic, unaccompanied singing, developed in the Catholic church. While its roots are somewhat obscure, the chant was classified into eight modes derived from Byzantine chant. The texts that are chanted are mostly from the Bible, and mostly in Latin (there are some Greek texts such as Kyrie eleison and Hagios Theos}. Gregorian chant has gone through periods of decline and revival, most notably, the revival at Solesmes, where an official Vatican Edition of the Chant was produced. Most editions of Gregorian chant available tod ...
See also:Christian music, Christian music - Early Biblical references, Christian music - Early Church history, Christian music - Gregorian chant, Christian music - Hymns, Christian music - Contemporary Christian music, Christian music - Online Stations, Christian music - Brazilian Christian music, Christian music - Christan Genres Read more here: » Christian music: Encyclopedia II - Christian music - Gregorian chant |
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 |  |  | Gregorian chant: Encyclopedia - Anglican chantAnglican chant is a method of singing prose translations of the Psalms in the Anglican church. Each verse, pair, group of three, or group of four verses is set to a simple harmonized melody of 7, 14, 21 or 28 bars (known respectively as a single, double, triple or quadruple chant), with the majority of the syllables freely chanted on the extendable reciting notes, which occupy the first, fourth, eighth, eleventh etc bars. The origins of the method are obscure, but it was well established by the eighteenth century.
Canticles such as the Magnificat and Nunc di ...
Including:
Read more here: » Anglican chant: Encyclopedia - Anglican chant |
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 |  |  | Gregorian chant: Encyclopedia II - Note value - History of note values
Note value - Gregorian chant.
Although note heads of various shapes, and notes with and without stems appear in early Gregorian chant manuscripts, most scholars agree that these symbols do not indicate different durations, although the dot is used for augmentation. See neume.
In the 13th century, chant was sometimes performed according to rhythmic modes, roughly equivalent to meters; however, the note shapes still did not indicate duration in the same way as modern note values.
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See also:Note value, Note value - Note value names and symbols, Note value - Variations, Note value - Modifiers to note values, Note value - History of note values, Note value - Gregorian chant, Note value - Mensural notation, Note value - Origins of names Read more here: » Note value: Encyclopedia II - Note value - History of note values |
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 |  |  | Gregorian chant: Encyclopedia II - Note value - Note value names and symbolsA note value does not stand for any absolute duration, but can only be understood in relation to other note values. In the table below, each symbol is exactly twice as long in duration as the symbol below it.
The earliest use of the hundred-twenty-eighth note is in the first movement of Beethoven's Sonata "Pathetique" Op. 13.
Note value - Variations.
The breve appears in several different versions, as shown at right.
Sometimes the longa is used to indicate a very ...
See also:Note value, Note value - Note value names and symbols, Note value - Variations, Note value - Modifiers to note values, Note value - History of note values, Note value - Gregorian chant, Note value - Mensural notation, Note value - Origins of names Read more here: » Note value: Encyclopedia II - Note value - Note value names and symbols |
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 |  |  | Gregorian chant: Encyclopedia II - Christian music - Contemporary Christian musicMain article: Contemporary Christian music
The most recent common form of Christian music is Contemporary Christian music, or CCM. This draws most of its influence from secular music of the late 20th century and is the most popular kind of Christian music in the Western world. Although there are many Christian music acts in the mainstream music industry, the term CCM usually refers specifically to artists within ...
See also:Christian music, Christian music - Early Biblical references, Christian music - Early Church history, Christian music - Gregorian chant, Christian music - Hymns, Christian music - Contemporary Christian music, Christian music - Online Stations, Christian music - Brazilian Christian music, Christian music - Christan Genres Read more here: » Christian music: Encyclopedia II - Christian music - Contemporary Christian music |
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 |  |  | Gregorian chant: Encyclopedia II - Organum - History
Organum - Early organum.
The first document to describe organum specifically, and give rules for its performance, was the Musica enchiriadis (c. 895), a treatise traditionally (and probably incorrectly) attributed to Hucbald of St. Amand. In its original conception, organum was never intended as polyphony in the modern sense; the added voice was intended as a reinforcement of the singers, who were normally in unison. It is also made clear in the Musica enchiriadis that octave doubling was acceptable ...
See also:Organum, Organum - History, Organum - Early organum, Organum - Florid organum, Organum - Notre Dame school, Organum - References and further reading Read more here: » Organum: Encyclopedia II - Organum - History |
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 |  |  | Gregorian chant: Encyclopedia II - Christian music - Early Church historyAside from hymns taken from the Bible itself, the earliest hymn still in use today is probably O Gladsome Light (Greek Φως 'Ιλαρον, Phôs Hilaron). In the fourth century, Basil the Great referred to it as already being a rather old hymn.
Some of the popularity of Arianism in the fourth century can be attributed to the catchy songs that the priest Arius composed in its support. The popularity of the songs helped increase the popularity of his teachings. Ephrem the Syrian composed a number of hymns later in the fourth century that supported what even ...
See also:Christian music, Christian music - Early Biblical references, Christian music - Early Church history, Christian music - Gregorian chant, Christian music - Hymns, Christian music - Contemporary Christian music, Christian music - Online Stations, Christian music - Brazilian Christian music, Christian music - Christan Genres Read more here: » Christian music: Encyclopedia II - Christian music - Early Church history |
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 |  |  | Gregorian chant: Encyclopedia II - Medieval music - Early Medieval music -1150
Medieval music - Early chant traditions.
Chant (or plainsong) is a monophonic sacred form which represents the earliest known music of the Christian church. The Jewish Synagogue tradition of singing psalms was a strong influence on Christian chanting. The eastern traditions of the Byzantine Church were also an influence.
Chant developed separately in several European centers. The most important were Rome, Spain, Gaul, Milan, and Ireland. These chants were all developed to support the regional liturgies use ...
See also:Medieval music, Medieval music - Overview, Medieval music - Style and trends, Medieval music - Instruments, Medieval music - Genres, Medieval music - Theory and notation, Medieval music - Early Medieval music -1150, Medieval music - Early chant traditions, Medieval music - Gregorian chant, Medieval music - Early polyphony: organum, Medieval music - Liturgical drama, Medieval music - Goliards, Medieval music - High Medieval music 1150-1300, Medieval music - Ars antiqua, Medieval music - Troubadors and trouvères, Medieval music - Late Medieval music 1300-1400, Medieval music - France: Ars nova, Medieval music - Italy: Trecento, Medieval music - Germany: Geisslerlieder, Medieval music - Mannerism and Ars subtilior, Medieval music - Transitioning to the Renaissance, Medieval music - Sources and further reading Read more here: » Medieval music: Encyclopedia II - Medieval music - Early Medieval music -1150 |
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