Grave Dictionary

Grave

• To dream that you see a newly made grave, you will have to suffer for the wrongdoings of others.
• If you visit a newly made grave, dangers of a serious nature is hanging over you. Grave is an unfortunate dream. Ill luck in business transactions will follow, also sickness is threatened.
• To dream of walking on graves, predicts an early death or an unfortunate marriage.
• If you look into an empty grave, it denotes disappointment and loss of friends.
• If you see a person in a grave with the earth covering him, except the head, some distressing situation will take hold of that person and loss of property is indicated to the dreamer.
• To see your own grave, foretells that enemies are warily seeking to engulf you in disaster, and if you fail to be watchful they will succeed.
• To dream of digging a grave, denotes some uneasiness over some undertaking, as enemies will seek to thwart you, but if you finish the grave you will overcome opposition. If the sun is shining, good will come out of seeming embarrassments.
• If you return for a corpse, to bury it, and it has disappeared, trouble will come to you from obscure quarters.
• For a woman to dream that night overtakes her in a graveyard, and she can find no place to sleep but in an open grave, foreshows she will have much sorrow and disappointment through death or false friends. She may lose in love, and many things seek to work her harm.
• To see a graveyard barren, except on top of the graves, signifies much sorrow and despondency for a time, but greater benefits and pleasure await you if you properly shoulder your burden.
• To see your own corpse in a grave, foreshadows hopeless and despairing oppression.

Source: 10 000 Dream Interpretations, by Gustavus Hindman Miller

(See also: Dream Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Grave , Meaning of Dreams about Grave , Dream Interpretation Grave )

Grave, Graveyard

Graves are generally depressing and represent some form of death. On a very physical level this dream does not appear to be a very happy omen. However, the dream could also have deeper and more spiritual meaning. It could represent things which require deep thinking and are not "on the surface." Graves could also symbolize the unconscious. If someone close to you has recently died, it may be normal for you to have dreams about graveyards and death. However, if this dream is coming up and there has been no death in the family, consider your feelings in daily life. If you are feeling depressed or helpless in any way, "look inside" and make attempts to increase your self awareness and your spiritual identity.

Source: Dream Lover Incorporated, http://www.dreamloverinc.com

(See also: Dream Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Grave, Graveyard , Meaning of Dreams about Grave, Graveyard , Dream Interpretation Grave, Graveyard )

Birds : Dream Interpretation Dictionary - Various Bird Symbology:

Various Bird Symbology:

White Dove: well known symbol of peace; a symbol of the Holy Spirit descending on Christ, as depicted in many artistic works.  A pair of white doves is a common symbol of love and devotion.

Mourning Dove:  commonly thought of as a potential symbol of upcoming death to someone you know, but only if it is seen in unusual circumstances and not just eating at the bird feeder or sitting on a telephone line.

Eagle: Among the 7 mortal sins, depicts pride; among the 4 cardinal virtues, justice.  Symbol of John the Evangelist, depicting spiritual cognition, faith, healing and ascension.  Similar powerful symbol of the Great Spirit to the American Indians, who use it's feathers in many ceremonial dress & implements.

Goose: symbol of fidelity and loyalty.  Could also be a metaphor for

"being goosed" or "acting like a goose."

Ostrich:  closing eyes to unpleasant facts.  Just mentioning "Y2K" will make many ostriches out of you! <smile>  Also a symbol of meditation, since the Ostrich parent does not sit and hatch it's eggs, but lets the sun do it's work while it guards them vigilantly.

Owl: wisdom, as portrayed in so many children's stories and cartoons.

Peacock:  pride, vanity and showing off due to the male's proud strut; but the male does this as part of his mating ritual to get the attention of the female, so I would apply this as such.  It is used to symbolize the American CBS network, and a metaphor could be "showing your true colors."  The peacock also symbolizes joy in the afterlife.  True story:  my mother & I visited my grandmother's grave one afternoon to find a living, breathing peacock standing there staring at us.  When I found out that it symbolized "joy in the afterlife," you can imagine how special that was.   How often does one find a peacock standing on a grave?  Coincidence, my foot!

Nightingale:  symbolizes yearning and pain; in Christianity it

symbolizes the longing for heaven.

Raven: intelligence; oftentimes depicting things we really prefer not to hear.

Stork:  instantly recognizable in our culture as a symbol that a baby has been delivered or is due, possibly due to the young stork's habit of gratefully feeding it's parents when it becomes a fledgling; or due to the stork's return after winter migration, when nature begins anew.

Swan: transformation, as in from "ugly duckling" into a beautiful swan.  Also symbolizes loyalty and fidelity.

Turkey:  Is any American unfamiliar with the symbology of "Turkey Day?"  Also referred to as a metaphor often used to describe something as being silly, or an embarrassing failure or dud.

Vulture: impending death, or a metaphor for waiting to take advantage of someone in dire trouble, as in "the vultures are circling."

Egg: symbolizes primal beginnings from which all life springs forth;

also in Christianity this is a symbol of resurrection (ever wonder where the thought of Easter Eggs came from?), as in Christ breaking out of his tomb similar to a chick breaking free from it's egg.  Could also have metaphorical influence, such as the age-old question, "Which came first--the chicken or the egg?"  In this manner it could be saying, "Some questions can never be answered by mere humans, so quit agonizing over a problem without solutions and deal with what-is, as it is."

Other types of symbology involving birds:  metaphors such as

"bird-brain", "You eat like a bird", "birds of a feather flock

together," "that's for the birds", "A bird in the hand is worth 2 in the

bush", "feathered friends", etc.  Just apply the metaphor to the context of your dream to get the gist of what the symbology entails.  Also helpful is relating bird dream symbols to song lyrics.  Think of how many different songs mention birds in one way or another.

Courtesy to: http://www.readersdigest.ca

(See also: Dream Interpretation, Dream Dictionary, Meaning of Dreams, Dream Interpretation Birds , Dream Dictionary Birds )

Grave Dream Symbols:

(Source: Myths - Dreams - Symbols)

Related pages: Dream Symbols, Dream Interpretation, Dream Symbol Grave, Dream Dictionary Grave, Meaning of dreams about Grave, Dream Interpretation Grave, Dream Analysis Grave, Dreaming of Grave

Grave, Personal growth, Buried, Burying, Funeral, Funerals, Coffin, Burial

Latin

• To dream of studying this language, denotes victory and distinction in your efforts to sustain your opinion on subjects of grave interest to the public welfare.

Source: 10 000 Dream Interpretations, by Gustavus Hindman Miller

(See also: Dream Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Latin , Meaning of Dreams about Latin , Dream Interpretation Latin )

Sarcophagus (Ancient Greek). A stone tomb, a receptacle for the dead; sarc = flesh, and phagein = to eat. Lapis assius, the stone of which the sarcophagi were made, is found in Lycia, and has the property of consuming the bodies in a very few weeks.

In Egypt sarcophagi were made of various other stones, of black basalt, red granite, alabaster and other materials, as they served only as outward receptacles for the wooden coffins containing the mummies.

The epitaphs on some of them are as remarkable as they are highly ethical, and no Christian could wish for anything better. One epitaph, dating thousands of years before the year one of our modern era, reads: - " I have given water to him who was thirsty, and clothing to him who was naked. I have done harm to no man." Another: "I have done actions desired by men and those which are commanded by the gods". The beauty of some of these tombs may be judged by the alabaster sarcophagus of Oimenephthah I., at Sir John Soane’s Museum, Lincoln’s Inn. "It was cut out of a single block of fine alabaster stone, and is 9 ft. 4 in.. long, by 22 to 24 in. in width, and 27 to 32 in. in height. . . . Engraved dots, etc., outside were once filled with blue copper to represent the heavens.

To attempt a description of the wonderful figures inside and out is beyond the scope of this work. Much of our knowledge of the mythology of the people is derived from this precious monument, with its hundreds of figures to illustrate the last judgment, and the life beyond the grave. Gods, men, serpents, symbolical animals and plants are there most beautifully carved." (Funeral Rites of the Egyptians.)

(See also: Sarcophagus , Theosophy, Spirituality, Body mind and Soul, Spiritual Dictionary,)

Resurrection

In Christian theology, Being raised from the dead. It specifically refers to that future time when we shall all receive new bodies when Jesus returns at the end of time, when the last trumpet is blown New Age: teaching: The Greek word which is translated 'resurrection' in the King James translation of the Bible, means literally 'rising up'. In most usages, it would be better translated 'ascension'. It is not the raising of the body from the grave, but rather the raising of the consciousness to a higher, spiritual level. (see Ascension)

(See also: Resurrection , New Age Spirituality, Body Mind and Soul)

sin: Intentional transgression of divine law. Akin to the Latin sons, "guilty."

Hinduism does not view sin as a crime against God, but as an act against dharma - moral order - and one's own self. It is thought natural, if unfortunate, that young souls act wrongly, for they are living in nescience, avidya, the darkness of ignorance.

Sin is an adharmic course of action which automatically brings negative consequences. The term sin carries a double meaning, as do its Sanskrit equivalents:

1)    a wrongful act,

2)    the negative consequences resulting from a wrongful act.

In Sanskrit the wrongful act is known by several terms, including pataka (from pat, "to fall") papa, enas, kilbisha, adharma, anrita and rina (transgress, in the sense of omission).

The residue of sin is called papa, sometimes conceived of as a sticky, astral substance which can be dissolved through penance (prayashchitta), austerity (tapas) and good deeds (sukritya). This astral substance can be psychically seen within the inner, subconscious aura of the individual. Note that papa is also accrued through unknowing or unintentional transgressions of dharma, as in the term aparadha (offense, fault, mistake).

inherent sin or original sin: A doctrine of Semitic faiths whereby each soul is born in sin as a result of Adam's disobedience in the Garden of Eden. Sometimes mistakenly compared to the Saiva Siddhanta concept of the three malas, especially anava.

See: pasha.

mortal sin: According to some theologies, sins so grave that they can never be expiated and which cause the soul to be condemned to suffer eternally in hell. In Hinduism, there are no such concepts as inherent sin or mortal sin.

See: aura, evil, karma, papa.

(See also: Sin , Hinduism, Body Mind and Soul)

A Dream Dictionary including dreams about:

Baby, Baby Carriages, Bachelor, Back , Back-bite, Backgammon, Bacon, Badger, Baghavad Ghita, Bagpipe, Bail, Bailiff, Bake-house, Baking, Balcony, Bald , Ball, Ballet, Balloon, Banana, Banishment, Banjo , Bank, Bankrupt, Banner, Banquet

For more dream interpretation, see: Dream Dictionary

For more about dreams, see: Dreams.

Osiris. (Egypt, Egyptian). The greatest God of Egypt, the Son of Seb (Saturn), celestial fire, and of Neith, primordial matter and infinite space.

This shows him as the self-existent and self-created god, the first manifesting deity (our third Logos), identical with Ahura Mazda and other " First Causes". For as Ahura Mazda is one with, or the synthesis of, the Amshaspends, so Osiris, the collective unit, when differentiated and  personified, becomes Typhon, his brother, Isis and Nephtys his sisters, Horus his son and his other aspects. He was born at Mount Sinai, the Nyssa of the 0. T. (See- Exodus xvii. 15), and buried at Abydos, after being killed by Typhon at the early age of twenty-eight, according to the allegory.

According to Euripides he is the same as Zeus and Dionysos or Dio-Nysos "the god of Nysa", for Osiris is said by him to have been brought up in Nysa, in Arabia "the Happy". Query: how much did the latter tradition influence, or have anything in common with, the statement in the Bible, that "Moses built an altar and called the name Jehovah Nissi", or Kabbalistically - "Dio-Iao-Nyssi"? (See Isis Unveiled Vol. II. p. 165.) The four chief aspects of Osiris were - Osiris-Phtah (Light), the spiritual aspect; Osiris-Horus (Mind), the intellectual manasic aspect; Osiris-Lunus, the " Lunar" or psychic, astral aspect; Osiris-Typhon, Da?monic, or physical, material, therefore passional turbulent aspect. In these four aspects he symbolizes the dual Ego -  the divine and the human, the cosmico-spiritual and the terrestrial.

Of the many supreme gods, this Egyptian conception is the most suggestive and the grandest, as it embraces the whole range of physical and metaphysical thought. As a solar deity he had twelve minor gods under him - the twelve signs of the Zodiac. Though his name is the "Ineffable", his forty-two attributes bore each one of his names, and his seven dual aspects completed the forty-nine, or 7 X 7; the former symbolized by the fourteen members of his body, or twice seven. Thus the god is blended in man, and the man is deified into a god. He was addressed as Osiris-Eloh. Mr. Dunbar T. Heath speaks of a Phœnician inscription which, when read, yielded the following tumular inscription in honour of the mummy: "Blessed be Ta-Bai, daughter of Ta-Hapi, priest of Osiris-Eloh. She did nothing against anyone in anger. She spoke no falsehood against any one. Justified before Osiris, blessed be thou from before Osiris! Peace be to thee." And then he adds the following remarks:

"The author of this inscription ought, I suppose, to be called a heathen, as justification before Osiris is the object of his religious aspirations. We find, however, that he gives to Osiris the appellation Eloh. Eloh is the name used by the Ten Tribes of Israel for the Elohim of Two Tribes. Jehovah-Eloh (Gen. iii. 21.) in the version used by Ephraim corresponds to Jehovah Elohim in that used by Judah and ourselves. This being so, the question is sure to be asked, and ought to be humbly answered - What was the meaning meant to be conveyed by the two phrases respectively, Osiris-Eloh and Jehovah-Eloh? For my part I can imagine but one answer, viz., that Osiris was the national God of Egypt, Jehovah that of Israel, and that Eloh is equivalent to Deus, Gott or Dieu". As to his human development, he is, as the author of the Egyptian Belief has it . . . "One of the Saviours or Deliverers of Humanity . . . . As such he is born in the world. He came as a benefactor, to relieve man of trouble . . . . In his efforts to do good he encounters evil . . . and he is temporarily overcome. He is killed . . Osiris is buried. His tomb was the object of pilgrimage for thousands of years. But he did not rest in his grave. At the end of three days, or forty, he rose again and ascended to Heaven. This is the story of his Humanity" (Egypt. Belief). And Mariette Bey, speaking of the Sixth Dynasty, tells us that "the name of Osiris . . commences to be more used. The formula of Justified is met with": and adds that "it proves that this name (of the Justified or Makheru was not given to the dead only". But it also proves that the legend of Christ was found ready in almost all its details thousands of years before the Christian era, and that the Church fathers had no greater difficulty than to simply apply it to a new personage.

(See also: Osiris , Theosophy, Spirituality, Body mind and Soul, Spiritual Dictionary,)

A dream dictionary with dream-symbols and their meanings.

A spiritual view on dreams and the meaning of dreams by Sri Swami Sivananda, an authority in the vedic sciences and traditions.

Dream Dictionary including the meaning of dreams about: Dagger, Dahlia, Dairy, Daisy, Damask Rose, Damson, Dance, Dancing Master, Dandelion, Danger, Dark, Dates, Daughter, Daughter-in-law, David, Day, Daybreak, Dead, Death, Debt, December, Deck, Decorate, Deed, Deer, Delay,

Dream Dictionary Index including links to 10.000 dream interpretations: Dream Dictionary Index

For more dream interpretation, see: Meaning of Dreams or Dream Dictionary

For articles about dreams, see: Dreams

A Welsh Myth Concordance

The following concordance is based on the four branches of the Welsh "Mabinogi", as retold in the four books by Evangeline Walton: "Prince of Annwn", "The Children of Llyr", "The Song of Rhiannon", and "The Island of the Mighty".

A Christian theological definition of Hell according to CARM - The Christian Apologetics & Research Ministry:

"

Hell

See also: Hell , Christianity, Body Mind and Soul

A Dream Dictionary including dreams about:

Bull, Bulldog, Bullock, Burden, Burglars, Burial, Buried Alive, Burns, Burr , Butcher, Butter, Butterfly, Buttermilk, Buttons, Buzzard

For more dream interpretation, see: Dream Dictionary

For more about dreams, see: Dreams.

A Dream Dictionary including dreams about:

Accuse, Aches, Acid, Acorn , Acquaintance, Acquit , Acrobat, Actor and Actress , Adam and Eve, Adamant, Adder , Addition, Adieu, Admire, Admonish, Adopted, Adulation , Adultery, Advancement, Adventurer, Adversary, Adversity, Advertisement

For more dream interpretation, see: Dream Dictionary

For more about dreams, see: Dreams.

Tulku sprul sku (Tibetan) [short for sprul pa'i sku (tul-pe-ku) from sprul pa phantom, disembodied spirit; cf Sanskrit nirmanakaya body of magical transformation]

Applied to a lama of high rank, often to the head abbot of a monastery; specifically, to those lamas who have proved their ability of remembering their office and standing in a former incarnation, e.g., by selecting articles belonging previously to themselves, describing details of a former life, surroundings, etc. The two most important tulkus in the Tibetan Buddhist hierarchy are the Tashi and Dalai Lamas. Tulku is often referred to as an incarnation but, outside of the many varieties of an incarnating or imbodying power or energy, incarnation in popular usage is the direct continuance of a previous imbodiment. These so-called living buddhas of Tibet are one kind of tulku -- the transmission of a spiritual power or energy from one Buddha-lama of a Tibetan monastery when he dies, to a child or adult successor. If the transmission is successful, the result is tulku.

Tulku is of many different kinds and very closely parallels the Hindu doctrine of avatara. Taking Jesus as an example: here was a life-long tulku, a ray from a divinity; a tulku of that divinity so far as that ray goes, a divine manifestation, and hence a true avatara in the Brahmanical sense. Again, Gautama Buddha was tulku of his own inner buddha or inner god. The average person, however, is merely overshadowed occasionally, if he really aspires, by a touch of the divine flame from within the higher parts of his own constitution, and yet even for these fugitive instants such person is tulku. But when Gautama attained buddhahood, he was relatively infilled with his own inner buddha, and therefore was that god's human tulku. That was for Siddhartha the man, nirvana; he then entered dharmakaya and this portion of him was then known of men no more: that portion of him was a man become divine.

Another kind of tulku is where a human mahatma will send a ray from himself, or a part of himself, to take imbodiment, perhaps only temporarily, perhaps almost for a lifetime, in a neophyte-messenger that this mahatma is sending out into the world to teach. The messenger in this instance acts as a transmitter of the spiritual and divine powers of the mahatma. Blavatsky was such a tulku, imbodying frequently the very life of, and hence guided by, her own teacher. While this incarnation of the teacher's higher essence lasted, she was tulku. When for one reason or another the influence or ray was withdrawn for a longer or shorter period, tulku then and there became nonexistent.

Still another aspect of the tulku doctrine is illustrated by the case of Blavatsky. Where is she now? Blavatsky has not yet again reincarnated -- she has not yet been born as a child -- but she has at certain times, and for one certain individual, with that individual's consent, organized as it were tulku for that individual. For the time being, therefore, we can say that Blavatsky has partially imbodied in that chosen individual for the purpose of special transmission. In all cases of tulku, they are incarnations or appearances. If Blavatsky, for instance, were to make tulku of a person for a month or a year, for the time being that person would be tulku, but when that particular work was done, the influence would be withdrawn and tulku would stop.

There is again another kind of avataric incarnation or tulku, a temporary physical appearance of an adept in the mayavi-rupa. Certain Tibetan lamas are known to be able to perform this feat, and thus they too have been properly called tulkus, which is the type of tulku that certain Orientalists have referred to as "an appearance."

Another type of tulku of an opposite and essentially evil character is that brought about by a hypnotist who temporarily displaces the psychological nature of his entranced subject through psychologization or even hypnosis plus mesmerism. This, however, is more often than not an act of black magic and fraught with grave dangers, both to the hypnotist and the one entranced. Every clever hypnotist actually makes a tulku of his victim in a black magic sense. When he puts an idea into the brain of his victim, that one week from now at three o'clock in the afternoon he is going to do some essentially foolish or undignified act -- for the time being that hypnotist is working a black magic tulku on that victim, and every psychologist and hypnotist knows the possibility of this fact, though the scientific explanation of the term may be strange to him. A key example of black magic tulku was what the medieval Europeans used to call werewolves. This doctrine of the tulku, however, is at heart beautiful and sublime, and hence highly reverenced by the Tibetans.

(See also: Tulku, sprul sku , Mysticism, Mysticism Dictionary, Body mind and Soul)

Phoenix

(Egyptian-House of Enoch) Egyptian mythological bird of gorgeous plumage, sacred to the sun, reborn from the ashes of the funeral pyre which it made for itself when each life span of 500 or 600 years was over.

"At the top of a palm tree a bird's nest catches fire. It has been ignited by a spark struck from the hooves of celestial steeds drawing the chariot of Ra, the Egyptian sun god. Amid the flames a beautiful Arabian bird extends its golden neck and purple wings, but instead of flying off, it dances. Eventually, it is consumed by the fire and reduced to ashes. but this is not the end. Indeed, it is only the beginning - for 500 years later a new bird is reborn from the ashes. It seals the remains of the nest in myrrh, wraps it in aromatic leaves, and molds it into the shape of an egg. This it carries as a sacred offering to the temple of the sun at Heliopolis, then flies away to paradise. Five hundred years later it returns to earth, where it begins again the cycle of selfimmolation and resurrection - a process that continues forever. "

The phoenix, originating in the mythology of ancient Egypt, has become a universal symbol of rebirth and the most famous of all fabulous birds. Clad in feathers of red and gold, the color of the rising sun, it had a melodious voice that became mournful with approuching death. Other creatures were then so overcome by its beauty and sadness that they themselves fell dead.

According to legend, only one phoenix could live at a time. The Greek poet Hesiod, writing in the 8th century BC, said that the phoenix lived nine times the lifespan of the long-living raven. Other estimates went up to 97,200 years. When the bird felt death approaching, it built itself a pyre of wild cinnamon and died in the flames. But from the ashes there then arose a new phoenix, which tenderly encased its parent's remains in an egg of myrrh and flew with them to the Egyptian city of Heliopolis, where it laid them on the Altar of the Sun. These ashes were said to have the power of bringing a dead man back to life.

The profligate Roman Emperor Elagabalus (AD 205-22) decided to eat phoenix meat in order to achieve immortality. He dined off a bird of paradise, sent in place of a phoenix, but the substitute did not work. He was then murdered shortly afterward.

Scholars now think that the germ of the legend came from the Orient and was adopted by the sun-worshipping priests of Heliopolis as an allegory of the sun's daily setting and rebirth.

Like all great myths, it stirs deep chords in man. In Christian art the resurrected phoenix became a popular symbol of Christ risen from the grave. Strangely, its name may come from a misunderstanding by Herodotus, the Greek historian of the 5th century BC. In his account of the bird he may have mistakenly given it the name "phoenix" because of the palm tree (Greek: phoinix) on which it was customarily pictured sitting in those days. In their attempts to identify the gorgeously plumed phoenix of Egyptian myth with a real bird, scientists tended to discount New Guinea's birds of paradise otherwise likely candidates because of the island's great distance from Egypt. In 1957, however, Australian zoologists discovered that New Guinea tribes had exported bird of paradise plumed skins for centuries and that among those visiting the island, as long ago as 1000 BC, had been traders from Phoenicia in the Middle East.

Another significant discovery was that the tribespeople used to preserve the skins for export by sealing them in myrrh, molding them into an egg shape, and wrapping this in burned banana skins - a procedure that tallies almost exactly with the mythical bird's reputed treatment of its destroyed nest. Perhaps most significant of all is the fact that the brilliantly colored males of Count Raggi's bird of paradise are adorned with cascades of scarlet feathers that, during their courtship dance, they repeatedly raise aloft, while quivering intensely - a spectacle reminiscent of the phoenix dancing in its burning nest. On reaching the Middle East, descriptions of this spectacle, combined with the egg-like parcels of skins, may well have been sufficient to inspire the myth of the phoenix.

(See also: Phoenix , New Age Spirituality, Body Mind and Soul)

Phoenix

(Egyptian-House of Enoch) Egyptian mythological bird of gorgeous plumage, sacred to the sun, reborn from the ashes of the funeral pyre which it made for itself when each life span of 500 or 600 years was over.

"At the top of a palm tree a bird's nest catches fire. It has been ignited by a spark struck from the hooves of celestial steeds drawing the chariot of Ra, the Egyptian sun god. Amid the flames a beautiful Arabian bird extends its golden neck and purple wings, but instead of flying off, it dances. Eventually, it is consumed by the fire and reduced to ashes. but this is not the end. Indeed, it is only the beginning - for 500 years later a new bird is reborn from the ashes. It seals the remains of the nest in myrrh, wraps it in aromatic leaves, and molds it into the shape of an egg. This it carries as a sacred offering to the temple of the sun at Heliopolis, then flies away to paradise. Five hundred years later it returns to earth, where it begins again the cycle of selfimmolation and resurrection - a process that continues forever. "

The phoenix, originating in the mythology of ancient Egypt, has become a universal symbol of rebirth and the most famous of all fabulous birds. Clad in feathers of red and gold, the color of the rising sun, it had a melodious voice that became mournful with approuching death. Other creatures were then so overcome by its beauty and sadness that they themselves fell dead.

According to legend, only one phoenix could live at a time. The Greek poet Hesiod, writing in the 8th century BC, said that the phoenix lived nine times the lifespan of the long-living raven. Other estimates went up to 97,200 years. When the bird felt death approaching, it built itself a pyre of wild cinnamon and died in the flames. But from the ashes there then arose a new phoenix, which tenderly encased its parent's remains in an egg of myrrh and flew with them to the Egyptian city of Heliopolis, where it laid them on the Altar of the Sun. These ashes were said to have the power of bringing a dead man back to life.

The profligate Roman Emperor Elagabalus (AD 205-22) decided to eat phoenix meat in order to achieve immortality. He dined off a bird of paradise, sent in place of a phoenix, but the substitute did not work. He was then murdered shortly afterward.

Scholars now think that the germ of the legend came from the Orient and was adopted by the sun-worshipping priests of Heliopolis as an allegory of the sun's daily setting and rebirth.

Like all great myths, it stirs deep chords in man. In Christian art the resurrected phoenix became a popular symbol of Christ risen from the grave. Strangely, its name may come from a misunderstanding by Herodotus, the Greek historian of the 5th century BC. In his account of the bird he may have mistakenly given it the name "phoenix" because of the palm tree (Greek: phoinix) on which it was customarily pictured sitting in those days. In their attempts to identify the gorgeously plumed phoenix of Egyptian myth with a real bird, scientists tended to discount New Guinea's birds of paradise otherwise likely candidates because of the island's great distance from Egypt. In 1957, however, Australian zoologists discovered that New Guinea tribes had exported bird of paradise plumed skins for centuries and that among those visiting the island, as long ago as 1000 BC, had been traders from Phoenicia in the Middle East.

Another significant discovery was that the tribespeople used to preserve the skins for export by sealing them in myrrh, molding them into an egg shape, and wrapping this in burned banana skins - a procedure that tallies almost exactly with the mythical bird's reputed treatment of its destroyed nest. Perhaps most significant of all is the fact that the brilliantly colored males of Count Raggi's bird of paradise are adorned with cascades of scarlet feathers that, during their courtship dance, they repeatedly raise aloft, while quivering intensely - a spectacle reminiscent of the phoenix dancing in its burning nest. On reaching the Middle East, descriptions of this spectacle, combined with the egg-like parcels of skins, may well have been sufficient to inspire the myth of the phoenix.

(See also: Phoenix , New Age Spirituality, Body Mind and Soul)

A Dream Dictionary including dreams about:

Archbishop, Architect, Arm, Aroma, Arrested, Arrow, Art Gallery, Ascend, Asceticism, Ashes, Asia, Asp, Asparagus, Ass , Assassin, Assistance, Astral, Asylum, Atlas, Atonement , Attic, Attorney, Auction, Augur, August , Aunt, Aura, Author, Automobile, Autumn, Awake, Axe

For more dream interpretation, see: Dream Dictionary

For more about dreams, see: Dreams.