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Electronic Voice Phenomena | A Wisdom Archive on Electronic Voice Phenomena |  | Electronic Voice Phenomena A selection of articles related to Electronic Voice Phenomena |  |
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Electronic voice phenomena
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Spiritual - Theosophy
Dictionary on
Vibration, Vibrations Vibration, Vibrations Motion is a fundamental principle in universal nature, coeval with boundless space, ceasing not even during pralaya; and we can form only a relative idea of its real nature, yet can have intuitions of it through its manifestations, the most fundamental of which is vibration. The essential characteristic of vibration is periodicity or cyclic motion. It appears in the alternation of manvantara and pralaya in the cosmic Great Breath and in the most rapid oscillations of minutest particles. The relative periodicity of various vibrations is found to constitute a mathematical scale, according to which phenomena may be classified. The principle of sympathetic vibration involves mysteries relating to the tremendous potency of sound, some of which are familiar to physicists. The discoveries of John Worrell Keely (cf SD 1:555-66) were of this nature. He was able to develop enormous energy in an engine without using the principle of pressure; but his discoveries were premature and their results were frustrated. Sound is a universal principle which manifests itself physically as vibrations in the mass and particles of bodies. Physicists, by a logical confusion, have called the effects "sound," whereas they are only one of the productions of causal sound. We might as well define fear as a trembling of the body; whereas we know that the trembling is an effect produced by the emotion. The same applies to heat, light, and others of the list of physical forces which manifest themselves in vibrations. Vibration, in all its myriad manifestations, is the consequence of inner hidden causal agencies. The vibrations ensuing from such inner movements expressing themselves through bodies or veils, are always in accordance with the causal rhythms and mathematics involving quantities such as rate, intensity, and quality, there being vibrations of as many kinds as there are different causal agents. Thus there are vibrations as effects on our gross physical plane, other vibrations which manifest themselves on the astral, emotional, and psychological or lower mental planes. There are again vibrations of higher type which originate in the intellectual and spiritual monads of the human constitution. Furthermore, because it is an expression of energy, all vibration is force and energy itself, and hence capable of arousing energies or forces of exactly the same quality or rate of intensity in other beings which they affect -- this being the reason behind sympathetic vibration. When vibrations thus interlock and synchronize in rate, intensity, and quality, we have what is called sympathy, love, or attraction, and such sympathetic vibration is operative on all the planes of universal nature. Not only is this the case in all relations of humans with each other, but likewise sympathetic vibration plays an enormous part in such matters as mob psychology, quick electrical sympathies affecting audiences, hates and rebellions -- even what is known as health and disease are communicated by means of vibrations, the one first affected being able to communicate his "affection" of whatever kind to others who are at the time negative to the vibrational impact and in time vibrating synchronously with the impacting energy. There is, of course, such a thing as resistance, which expresses itself in manifold ways, such as being able to throw off the vibration affecting it, and even to return it upon the sender, consciously or unconsciously; and herein lies the secret of the old medieval saying that curses come home to roost, or that if the magician is not stronger than the elementals or nature spirits he attempts to control, he is almost invariably destined to become their victim. All vibrational activity of whatever rate, intensity, or attributive characteristic is always an effect, although always capable of becoming in its turn a cause producing effects of its own type. In other words, there is always the originating or causal agent for any specific instance of vibration; thus the thinker produces mental vibrational activity which we call thinking or thoughts, or emotion or feeling. Indeed, every entity or thing in the universe is in incessant motion or vibrational activity arising from force inherent in the entity or thing itself; and these interblending activities of vibration produce the vast diversity of the universe around us. Thus every atom, electron, molecule, or being anywhere, sings its own vibrational note, which is the sound production of its own characteristic svabhava or individuality; so that our physical bodies, could we but hear their mystical music, would sound like a vast and marvelous symphony of interblended sound. For this reason Pythagoras spoke of the music of the spheres, ascribing to each celestial body its own dominant note, and pointing out that from the blending of such individual notes or sounds arise the harmony of the spheres. (See also: Vibration, Vibrations, Mysticism, Mysticism Dictionary, Body mind and Soul)
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|  |  |  | Electronic Voice Phenomena: Encyclopedia II - Music of the United States - Classical musicMain article: American classical music
The European classical music tradition was brought to the United States with some of the first colonists. European classical music is rooted in the traditions of European art, ecclesiastical and concert music. The central norms of this tradition developed between 1550 and 1825, centering on what is known as the common practice period. At the time the first Europeans arrived in North America, the prevailing view was that the only serious music worth considering was the European classical tradition; styles of folk music were ...
See also:Music of the United States, Music of the United States - Characteristics, Music of the United States - Folk music, Music of the United States - Native American music, Music of the United States - African American music, Music of the United States - Anglo-American music, Music of the United States - Other immigrant communities, Music of the United States - Classical music, Music of the United States - Colonial music, Music of the United States - 19th century, Music of the United States - 20th century, Music of the United States - Popular music, Music of the United States - Early popular song, Music of the United States - Popular recorded music, Music of the United States - Music institutions, Music of the United States - Music education, Music of the United States - Music festivals and holidays, Music of the United States - Notes Read more here: » Music of the United States: Encyclopedia II - Music of the United States - Classical music |
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