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effeminacy | A Wisdom Archive on effeminacy | | effeminacy A selection of articles related to effeminacy | |
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effeminacy, Effeminacy, Effeminacy - Acceptance and intolerance by society, Effeminacy - History, Effeminacy - Sources, Effeminacy - Ancient Greece and Rome, Effeminacy - Etymology, Effeminacy - Fictional effeminates, Effeminacy - The Bible, Effeminacy - United States, Ergi
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| ARTICLES RELATED TO effeminacy | | | |  effeminacy: Encyclopedia II - Mário de Andrade - Late life and musical researchAndrade was not directly affected by the Revolution of 1930, in which Getúlio Vargas seized power and became dictator, but he belonged to the landed class the Revolution was designed to displace, and his employment prospects declined under the Vargas regime.[17] He was able to remain at the Conservatory, where he was now Chair of History of Music and Aesthetics. With this title he became a de facto national authority on the history of music, and his research ...
See also:Mário de Andrade, Mário de Andrade - Early life, Mário de Andrade - The Week of Modern Art, Mário de Andrade - Macunaíma, Mário de Andrade - Late life and musical research, Mário de Andrade - Partial bibliography, Mário de Andrade - Poetry, Mário de Andrade - Essays criticism and musicology, Mário de Andrade - Novels, Mário de Andrade - Stories and Crônicas, Mário de Andrade - English translations, Mário de Andrade - Footnotes Read more here: » Mário de Andrade: Encyclopedia II - Mário de Andrade - Late life and musical research |
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| | | | | effeminacy: Encyclopedia II - Mário de Andrade - The Week of Modern Art While these folklore-gathering trips were going on, Andrade developed a group of friends among young artists and writers in São Paulo, who, like him, were aware of the growing modernist movement in Europe. Several of them were later known as the Grupo dos Cinco (the Group of Five): Andrade, poets Oswald de Andrade (no relation) and Menotti del Picchia, and artists Tarsila do Amaral and Anita Malfatti. Malfatti had been to Europe before World War I, and introduced São Paulo to expressionism. Jack E. Tomlins, the translator of Andrade ...
See also:Mário de Andrade, Mário de Andrade - Early life, Mário de Andrade - The Week of Modern Art, Mário de Andrade - Macunaíma, Mário de Andrade - Late life and musical research, Mário de Andrade - Partial bibliography, Mário de Andrade - Poetry, Mário de Andrade - Essays criticism and musicology, Mário de Andrade - Novels, Mário de Andrade - Stories and Crônicas, Mário de Andrade - English translations, Mário de Andrade - Footnotes Read more here: » Mário de Andrade: Encyclopedia II - Mário de Andrade - The Week of Modern Art |
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| | | | | effeminacy: Encyclopedia II - Francis Bacon painter - Early life Francis Bacon was born at 63 Lower Baggot Street, a nursing home in Dublin, Ireland to English parents - Eddy Bacon, forty, a retired Captain in the Hussars turned thoroughbred racehorse-trainer, and Winnie Bacon (née Firth), twenty six. His brother Harley was four. Francis was cared for by Jessie Lightfoot, age thirty nine, the family nurse.
Bacon was a sickly child, with asthma, and a violent allergy to dogs and horses. He was given morphine to ease his suffering during attacks. The family moved back and forth between Irelan ...
See also:Francis Bacon painter, Francis Bacon painter - Early life, Francis Bacon painter - Abbeyleix, Francis Bacon painter - London Berlin and Paris, Francis Bacon painter - Berlin, Francis Bacon painter - Chantilly, Francis Bacon painter - 17 Queensberry Mews West, Francis Bacon painter - 'The 1930 Look in British Decoration', Francis Bacon painter - 'Paintings and rugs by Francis Bacon', Francis Bacon painter - Fulham Road, Francis Bacon painter - 71 Royal Hospital Road, Francis Bacon painter - Crucifixion 1933, Francis Bacon painter - Wound for a Crucifixion, Francis Bacon painter - 1 Glebe Place and Petersfield, Francis Bacon painter - Abstraction Abstraction from the Human Form, Francis Bacon painter - Figure Getting Out of a Car c. 1939 - 1940, Francis Bacon painter - The Millais House studio 7 Cromwell Place: 1943 - 1951, Francis Bacon painter - Three Studies for Figures at the Base of a Crucifixion, Francis Bacon painter - Figure in a landscape 1945, Francis Bacon painter - Painting 1946, Francis Bacon painter - Head I Head II - Head VI, Francis Bacon painter - The Colony Room, Francis Bacon painter - Study after Velázquez, Francis Bacon painter - After 7 Cromwell Place 1951 - 1953, Francis Bacon painter - Study for Crouching Nude, Francis Bacon painter - Dog 1952, Francis Bacon painter - Study of a Nude 1952–1953, Francis Bacon painter - Study after Velázquez's Portrait of Pope Innocent X, Francis Bacon painter - Study for Portrait I - VIII 1953, Francis Bacon painter - Notes, Francis Bacon painter - Influences, Francis Bacon painter - Later life, Francis Bacon painter - The Estate, Francis Bacon painter - ELEMENTS OF DESIGN, Francis Bacon painter - Conclusion, Francis Bacon painter - Motion picture Read more here: » Francis Bacon painter: Encyclopedia II - Francis Bacon painter - Early life |
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| | | | | effeminacy: Encyclopedia II - Social aspects of clothing - Gender and clothing
Various traditions suggests that certain items of clothing intrinsically suit different gender roles. In particular, the wearing of skirts and trousers has given rise to common phrases expressing implied restrictions in use and disapproval of offending behaviour. For example, ancient Greeks often considered the wearing of trousers by Persian men as a sign of effeminacy.
Extreme floutin ...
See also:Social aspects of clothing, Social aspects of clothing - Dress codes, Social aspects of clothing - Legal dress code, Social aspects of clothing - Other dress codes, Social aspects of clothing - No shoes no shirt no service, Social aspects of clothing - Inverse dress codes, Social aspects of clothing - Gender and clothing, Social aspects of clothing - Clothing deficiencies, Social aspects of clothing - Deliberate violation of clothing taboos, Social aspects of clothing - Underwearing, Social aspects of clothing - Reversalism in the sociology of clothing Read more here: » Social aspects of clothing: Encyclopedia II - Social aspects of clothing - Gender and clothing |
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| | | | | effeminacy: Encyclopedia II - Social aspects of clothing - Clothing deficiencies Clothing deficiencies may reduce functionality and/or be unaesthetic, but also be considered socially improper. As far as other people know, a deficiency during the rest of the day after an "accident" such as a button falling off, a stain, or a tear, is more "forgivable" than putting on clothing like that on a new day. For poor people, deficiencies which are difficult or expensive to fix, these are not really improper, but just somewhat sad, but understandable.
Possible deficiencies in clothing itself may include:
stains< ...
See also:Social aspects of clothing, Social aspects of clothing - Dress codes, Social aspects of clothing - Legal dress code, Social aspects of clothing - Other dress codes, Social aspects of clothing - No shoes no shirt no service, Social aspects of clothing - Inverse dress codes, Social aspects of clothing - Gender and clothing, Social aspects of clothing - Clothing deficiencies, Social aspects of clothing - Deliberate violation of clothing taboos, Social aspects of clothing - Underwearing, Social aspects of clothing - Reversalism in the sociology of clothing Read more here: » Social aspects of clothing: Encyclopedia II - Social aspects of clothing - Clothing deficiencies |
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| | | | | effeminacy: Encyclopedia II - Social aspects of clothing - Inverse dress codes Reverse dress codes, sometimes referred to as "undress codes", set forth an upper bound, rather than a lower bound, on body covering. An example of an undress code, is the one commonly enforced in modern communal bathing facilities. For example, in Schwaben Quellen no clothing of any kind is allowed. Other less strict undress codes are common in public pools, especially indoor pools, in which shoes and shirts are not allowed. This undress code is an exact reversal of the ubiquitous "no shoes, no shirt, no service" dress code tha ...
See also:Social aspects of clothing, Social aspects of clothing - Dress codes, Social aspects of clothing - Legal dress code, Social aspects of clothing - Other dress codes, Social aspects of clothing - No shoes no shirt no service, Social aspects of clothing - Inverse dress codes, Social aspects of clothing - Gender and clothing, Social aspects of clothing - Clothing deficiencies, Social aspects of clothing - Deliberate violation of clothing taboos, Social aspects of clothing - Underwearing, Social aspects of clothing - Reversalism in the sociology of clothing Read more here: » Social aspects of clothing: Encyclopedia II - Social aspects of clothing - Inverse dress codes |
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| | | | | effeminacy: Encyclopedia II - Camp style - Academic appropriation or proliferation of camp While the success of postmodernism granted camp a place in mainstream art and literature analysis, as well as a certain weight in contemporary social theory, it also meant that its extended sphere of cultural influence was likely to affect the use of the concept. As a part of its adoption by the mainstream, camp has undergone a softening of its original subversive tone, and is often little more than the condescending recognition that popular culture can also be enjoyed by a sophisticated sensibility. Comic books and Westerns, for example, ha ...
See also:Camp style, Camp style - Origins and development, Camp style - Academic appropriation or proliferation of camp, Camp style - Examples of Camp, Camp style - Source Read more here: » Camp style: Encyclopedia II - Camp style - Academic appropriation or proliferation of camp |
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| | | | | effeminacy: Encyclopedia II - Camp style - Origins and development The OED gives 1909 as the first citation of "camp" in print, with the sense of "ostentatious, exaggerated, affected, theatrical; effeminate or homosexual; pertaining to or characteristic of homosexuals. So as n., ‘camp’ behaviour, mannerisms, etc. (see quot. 1909); a man exhibiting such behaviour." According to the OED, this sense of the word is "etymologically obscure."
Though the rise of Postmodernism has made camp a common take on aesthetics, not identified with any specific group , the attitude was originally a distinctive fac ...
See also:Camp style, Camp style - Origins and development, Camp style - Academic appropriation or proliferation of camp, Camp style - Examples of Camp, Camp style - Source Read more here: » Camp style: Encyclopedia II - Camp style - Origins and development |
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| | | | | effeminacy: Encyclopedia II - Metrosexual - Common usage While included in the original definition, gay men are not "metrosexual" in common usage, since such interests are stereotypically considered gay. When used in this way, "metrosexuality" could be considered a type of cultural appropriation of gay culture by straight men. On the other hand, the existence of the term at all suggests an increasing awareness of the possibility that stereotypical behavior cannot be used to read a person's sexual ...
See also:Metrosexual, Metrosexual - Narcissism and Changing Masculinity; the Metrosexual, Metrosexual - Common usage, Metrosexual - Evolution of usage, Metrosexual - Retrosexual: The Anti-Metro, Metrosexual - Individuals, Metrosexual - Notes Read more here: » Metrosexual: Encyclopedia II - Metrosexual - Common usage |
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| | | | | effeminacy: Encyclopedia II - Metrosexual - Evolution of usage The origin of the term traces to a 1200 word article titled "Here come the mirror men" dissecting the new urbane man by Mark Simpson, published on November 15, 1994 in The Independent, a major British daily. Barely any usage of the term in print publications can be found in the same decade. Beginning around June 2003, the term frequently appeared in the British press. A June 22, 2003 New York Times article titled "Metrosexuals Come Out" inaugarated fashionable usage of the word in the American media. The rising popularity of us ...
See also:Metrosexual, Metrosexual - Narcissism and Changing Masculinity; the Metrosexual, Metrosexual - Common usage, Metrosexual - Evolution of usage, Metrosexual - Retrosexual: The Anti-Metro, Metrosexual - Individuals, Metrosexual - Notes Read more here: » Metrosexual: Encyclopedia II - Metrosexual - Evolution of usage |
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| | | | | effeminacy: Encyclopedia II - Francis Bacon painter - 17 Queensberry Mews West Bacon returned to London in late 1928 or early 1929, and started work as an interior designer. He took a studio in a converted garage, 17 Queensberry Mews West, South Kensington, and shared the upper floor with Eric Alden, who was to be his first collector. By 1929, his nanny, Jessie Lightfoot, had joined Bacon and Alden at Queensberry Mews West.
In the first issue of Cahiers d'Art for 1929, Bacon saw Picasso's painted biomorphic figures reproduced, in an article by the editor Christian Zervos: Picasso à Dinard, Été 1928. (L ...
See also:Francis Bacon painter, Francis Bacon painter - Early life, Francis Bacon painter - Abbeyleix, Francis Bacon painter - London Berlin and Paris, Francis Bacon painter - Berlin, Francis Bacon painter - Chantilly, Francis Bacon painter - 17 Queensberry Mews West, Francis Bacon painter - 'The 1930 Look in British Decoration', Francis Bacon painter - 'Paintings and rugs by Francis Bacon', Francis Bacon painter - Fulham Road, Francis Bacon painter - 71 Royal Hospital Road, Francis Bacon painter - Crucifixion 1933, Francis Bacon painter - Wound for a Crucifixion, Francis Bacon painter - 1 Glebe Place and Petersfield, Francis Bacon painter - Abstraction Abstraction from the Human Form, Francis Bacon painter - Figure Getting Out of a Car c. 1939 - 1940, Francis Bacon painter - The Millais House studio 7 Cromwell Place: 1943 - 1951, Francis Bacon painter - Three Studies for Figures at the Base of a Crucifixion, Francis Bacon painter - Figure in a landscape 1945, Francis Bacon painter - Painting 1946, Francis Bacon painter - Head I Head II - Head VI, Francis Bacon painter - The Colony Room, Francis Bacon painter - Study after Velázquez, Francis Bacon painter - After 7 Cromwell Place 1951 - 1953, Francis Bacon painter - Study for Crouching Nude, Francis Bacon painter - Dog 1952, Francis Bacon painter - Study of a Nude 1952–1953, Francis Bacon painter - Study after Velázquez's Portrait of Pope Innocent X, Francis Bacon painter - Study for Portrait I - VIII 1953, Francis Bacon painter - Notes, Francis Bacon painter - Influences, Francis Bacon painter - Later life, Francis Bacon painter - The Estate, Francis Bacon painter - ELEMENTS OF DESIGN, Francis Bacon painter - Conclusion, Francis Bacon painter - Motion picture Read more here: » Francis Bacon painter: Encyclopedia II - Francis Bacon painter - 17 Queensberry Mews West |
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| | | | | effeminacy: Encyclopedia II - Francis Bacon painter - London Berlin and Paris Bacon spent the Autumn and Winter of 1926 in London, with the help of an allowance of £3 a week from his mother's trust fund, living on his instincts, simply 'drifting', and reading Nietzsche. When he was broke, Bacon found that, by the very simple expedient of rent-dodging and petty theft, he could manage a reasonable economy.
To supplement his income, Bacon very briefly tried domestic service, but, although he enjoyed cooking, quickly became bored, and resigned. He was sacked from a job answering the telephone for a shop in Poland Street, Soho, that sold women's clo ...
See also:Francis Bacon painter, Francis Bacon painter - Early life, Francis Bacon painter - Abbeyleix, Francis Bacon painter - London Berlin and Paris, Francis Bacon painter - Berlin, Francis Bacon painter - Chantilly, Francis Bacon painter - 17 Queensberry Mews West, Francis Bacon painter - 'The 1930 Look in British Decoration', Francis Bacon painter - 'Paintings and rugs by Francis Bacon', Francis Bacon painter - Fulham Road, Francis Bacon painter - 71 Royal Hospital Road, Francis Bacon painter - Crucifixion 1933, Francis Bacon painter - Wound for a Crucifixion, Francis Bacon painter - 1 Glebe Place and Petersfield, Francis Bacon painter - Abstraction Abstraction from the Human Form, Francis Bacon painter - Figure Getting Out of a Car c. 1939 - 1940, Francis Bacon painter - The Millais House studio 7 Cromwell Place: 1943 - 1951, Francis Bacon painter - Three Studies for Figures at the Base of a Crucifixion, Francis Bacon painter - Figure in a landscape 1945, Francis Bacon painter - Painting 1946, Francis Bacon painter - Head I Head II - Head VI, Francis Bacon painter - The Colony Room, Francis Bacon painter - Study after Velázquez, Francis Bacon painter - After 7 Cromwell Place 1951 - 1953, Francis Bacon painter - Study for Crouching Nude, Francis Bacon painter - Dog 1952, Francis Bacon painter - Study of a Nude 1952–1953, Francis Bacon painter - Study after Velázquez's Portrait of Pope Innocent X, Francis Bacon painter - Study for Portrait I - VIII 1953, Francis Bacon painter - Notes, Francis Bacon painter - Influences, Francis Bacon painter - Later life, Francis Bacon painter - The Estate, Francis Bacon painter - ELEMENTS OF DESIGN, Francis Bacon painter - Conclusion, Francis Bacon painter - Motion picture Read more here: » Francis Bacon painter: Encyclopedia II - Francis Bacon painter - London Berlin and Paris |
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| | | | | effeminacy: Encyclopedia II - Masculinity - Sociology Sociologist Janet Saltzman Chafetz (1974, 35-36) describes seven areas of traditional masculinity:
Physical--virile, athletic, strong, brave. Unconcerned about appearance and aging;
Functional--breadwinner, provider;
Sexual--sexually aggressive, experienced. Single status acceptable;
Emotional--unemotional, stoic;
Intellectual--logical, intellectual, rational, objective, practical,
Interpersonal--leader, dominating; disciplinarian; independent ...
See also:Masculinity, Masculinity - Sociology, Masculinity - Development of masculinity, Masculinity - Men's health risks, Masculinity - Stoicism and emotional repression, Masculinity - Risk-taking, Masculinity - Independence and invulnerability, Masculinity - References, Masculinity - External links Read more here: » Masculinity: Encyclopedia II - Masculinity - Sociology |
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| | | | | effeminacy: Encyclopedia II - Metrosexual - Retrosexual: The Anti-Metro A retrosexual is a man with a generally poor sense of style -- not necessarily a boor; rather, someone who rejects being finicky about physical appearance. It is the opposite of a metrosexual.
The term's first usage was in a Salon.com article entitled Beckham, the virus by Mark Simpson. In it, he wrote:
Beckham is the uber-metrosexual, not just because he rams metrosexuality down the throats of those men churlish enough to remain retrosexual and refuse to pluck their eyebrows, but also because he i ...
See also:Metrosexual, Metrosexual - Narcissism and Changing Masculinity; the Metrosexual, Metrosexual - Common usage, Metrosexual - Evolution of usage, Metrosexual - Retrosexual: The Anti-Metro, Metrosexual - Individuals, Metrosexual - Notes Read more here: » Metrosexual: Encyclopedia II - Metrosexual - Retrosexual: The Anti-Metro |
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| | | | | effeminacy: Encyclopedia II - Francis Bacon painter - Fulham Road Bacon left the Queensberry Mews West studio in 1931, and was not to have a settled space for some years. Bacon probably shared a studio with Roy de Maistre, about 1931/1932, at Carlyle Studios, (just off the King's Road), in Chelsea.
Portrait (1932) and Portrait (c.1931 - 1932) (the latter bought by Diana Watson) both show a round-faced youth with diseased skin (painted after Bacon saw Ibsen's Ghosts), and d ...
See also:Francis Bacon painter, Francis Bacon painter - Early life, Francis Bacon painter - Abbeyleix, Francis Bacon painter - London Berlin and Paris, Francis Bacon painter - Berlin, Francis Bacon painter - Chantilly, Francis Bacon painter - 17 Queensberry Mews West, Francis Bacon painter - 'The 1930 Look in British Decoration', Francis Bacon painter - 'Paintings and rugs by Francis Bacon', Francis Bacon painter - Fulham Road, Francis Bacon painter - 71 Royal Hospital Road, Francis Bacon painter - Crucifixion 1933, Francis Bacon painter - Wound for a Crucifixion, Francis Bacon painter - 1 Glebe Place and Petersfield, Francis Bacon painter - Abstraction Abstraction from the Human Form, Francis Bacon painter - Figure Getting Out of a Car c. 1939 - 1940, Francis Bacon painter - The Millais House studio 7 Cromwell Place: 1943 - 1951, Francis Bacon painter - Three Studies for Figures at the Base of a Crucifixion, Francis Bacon painter - Figure in a landscape 1945, Francis Bacon painter - Painting 1946, Francis Bacon painter - Head I Head II - Head VI, Francis Bacon painter - The Colony Room, Francis Bacon painter - Study after Velázquez, Francis Bacon painter - After 7 Cromwell Place 1951 - 1953, Francis Bacon painter - Study for Crouching Nude, Francis Bacon painter - Dog 1952, Francis Bacon painter - Study of a Nude 1952–1953, Francis Bacon painter - Study after Velázquez's Portrait of Pope Innocent X, Francis Bacon painter - Study for Portrait I - VIII 1953, Francis Bacon painter - Notes, Francis Bacon painter - Influences, Francis Bacon painter - Later life, Francis Bacon painter - The Estate, Francis Bacon painter - ELEMENTS OF DESIGN, Francis Bacon painter - Conclusion, Francis Bacon painter - Motion picture Read more here: » Francis Bacon painter: Encyclopedia II - Francis Bacon painter - Fulham Road |
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