A Wisdom Archive on Earth Mother

Anatu (Chald.). The female aspect of Anu (q.v.). She represents the Earth and Depth, while her consort represents the Heaven and Height. She is the mother of the god Hea, and produces heaven and earth. Astronomically she is Ishtar, Venus, the Ashtoreth of the Jews.

 
(See also: Anatu, Theosophy, Spirituality, Body mind and Soul, Spiritual Dictionary,  )

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Urvasi (Sanskrit) [from uru wide, broad + the verbal root as to pervade]
 
Widely extending; in the Rig-Veda a beautiful divine nymph who, cursed by the gods, settled on earth and became the wife of Pururavas, the grandson of Soma (the moon) and son of Budha (esoteric wisdom, Mercury). Their love is the subject of Kalidasa''s drama, the Vikramorvasi. Urvasi originated in teachings connected with the human buddhi principle, the center and source or mother of all spiritual and intellectual beauty in the human constitution; cosmically therefore Urvasi is mahabuddhi (cosmic buddhi).

 
(See also: Urvasi, Mysticism, Mysticism Dictionary, Body mind and Soul )

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Yggdrasil (Scandianvian Norse). The "World Tree of the Norse Cosmogony; the ash Yggdrasil ; the tree of the Universe, of time and of life".
 
It has three roots, which reach down to cold Hel, and spread thence to Jotun heim, the land of the Hrimthurses, or " Frost Giants ", and to Midgard, the earth and dwelling of the children of men. Its upper boughs stretch out into heaven, and its highest branch overshadows Waihalla, the Devachan of the fallen heroes.
 
The Yggdrasil is ever fresh and green, as it is daily sprinkled by the Norns, the three fateful sisters, the Past, the Present, and the Future, with the waters of life from the fountain of Urd that flows on our earth. It will wither and disappear only on the day when the last battle between good and evil is fought ; when, the former prevailing, life, time and space pass out of life and space and time. Every ancient people had their world-tree.
 
The Babylonians had their "tree of life", which was the world-tree, whose roots penetrated into the great lower deep or Hades, whose trunk was on the earth, and whose upper boughs reached Zikum, the highest heaven above. Instead of in Walhalla, they placed its upper foliage in the holy house of Davkina, the "great mother" of Tammuz, the Saviour of the world - the Sun-god put to death by the enemies of light.

 
(See also: Yggdrasil, Theosophy, Spirituality, Body mind and Soul, Spiritual Dictionary,  )

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Poet Terhune recollects how when he was a child, his mother, returning after an hour from a neighbour's, asked him, "When I left you were playing on the floor and a sugar candy was there on the table. Now you are there, but not the candy." "I ate at it up, Mother," replied the child.
 
"But you already had your share and I had forbidden you to touch what was left" demanded the mother.
 
"You had, Mother, but believe me, I wept while I was eating it," said the boy.

 
(See also: Peace on Earth, Peace of Mind, Love and Happiness, Life and Beyond, Body Mind and Soul )

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The Great Mother manifests itself in myth as a host of archaic images. Commonly conceived of as a nature goddess, the recurrent theme of nature and motherly care go hand in hand. As the prominent feature of many early Indo-European societies, the mother archetype manifests itself in a host of deities and symbolism (independent and therein). The most defined occurrence of a mother goddess is with the Celts, and their predecessors. The goddess Danu was an archaic character and was the namesake for the Celtic pantheon of gods, the ...

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Waters of Space Chaos, the great deep, the great cosmic Mother, the universal cosmic matrix. According to Thales and other ancient philosophers, the water of cosmic space was the first principle emanating from the spatial deeps of spirit and producing the universe through emanational evolution. Various Greek philosophers have represented aether, fire, air, or water as the primordial cosmic principle; and each of these was true, though giving only a part of the truth. These philosophies as aspects of a whole in much the same way as the several great schools of Hindu philosophy are.
 
Thus the waters of space are equivalent to the veil of cosmic spirit. Water in ancient cosmogonies corresponded to the Hindu prakriti or pradhana, and like the Greek Second Logos was endowed with feminine or productive characteristics. Thus the archaic Greeks in one form of their cosmogonical philosophy taught that all things, including the gods, came forth from Ocean and his wife Tethys:
 
"Ocean is the immeasurable space (Spirit in Chaos), which is the Deity . . .; and Tethys is not the Earth, but primordial matter in the process of formation" (SD 2:65).
 
"But there are two distinct aspects in universal Esotericism, Eastern and Western, in all those personations of the Female Power in nature, or nature -- the noumenal and the phenomenal. One is its purely metaphysical aspect, . . . the other terrestrial and physical, and at the same time divine from the stand-point of practical human conception and Occultism. They are all the symbols and personifications of Chaos, the ''Great Deep'' or the Primordial Waters of Space, the impenetrable veil between the Incognisable and the Logos of Creation" (SD 1:431).

 
(See also: Waters of Space, Mysticism, Mysticism Dictionary, Body mind and Soul )

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Vach vac (Sanskrit) Sound, voice, word, the mystic sound (svara) or essence of spirit of the divine creative activity, the vehicle of divine thought; and of this the Word is the manifested expression. Vach, or its equivalents in other cultures, is always considered feminine. Cosmically she is the carrier or mother of the Third Logos -- the Word or Verbum -- because of carrying perpetually within her the essence of divine thought, the First Logos; and hence Vach is the Second Logos, equivalent to the early Christian Holy Spirit or Holy Ghost -- later transmogrified into a cosmic male. In Hindu mythology Brahma separates his body into masculine and feminine, the feminine becoming Vach, in whom he creates Viraj, who is himself again Brahma. Here we have the three Logoi: Brahma, the First Logos, the divine thought; Vach, the Second Logos, the divine voice; and Viraj, the Third Logos, or the divine word, the philosophical equivalent of the Son of the Christian Trinity.
 
Hence Vach is associated with the work of creation, with the prajapatis. She calls forth the mayavi form of the universe out of abstract space or Chaos, of which the first cosmogonical stage are the seven cosmic elements. Mystically Vach is masculine and feminine at will, as in the Hebrew Genesis Eve is with Adam. It is through her power that Brahma produced the universe. Blavatsky points out that Brahma produced through Vach in the same way that the incomprehensible assumes a tangible form through speech, words, and numbers (cf SD 1:430). Vach through her productive powers produced what Pythagoras called the music of the spheres. The teachings of Pythagoras also speak of the hierarchies of the heavenly host as numbered and expressed in numbers. Vach is equivalent, in some aspects, to Isis, Aditi, mulaprakriti, the waters of space, chaos, and the Qabbalistic Sephirah.
 
"Whether as Aditi, or the divine Sophia of the Greek Gnostics, she is the mother of the seven sons: the ''Angels of the Face,'' of the ''Deep,'' or the ''Great Green One'' of the ''Book of the Dead'' " (SD 1:434). These feminine logoi are all correlations of light, sound, and ether. In many aspects Vach approaches Kwan-yin, she of the melodious voice. Sarasvati, the goddess of divine wisdom, is a later form of Vach. The Hebrew Lahgash is nearly identical in meaning with Vach as the hidden power of the mantras, the divine sound. "But Vach being also spoken of as the daughter of Daksha -- ''the god who lives in all the Kalpas'' -- her Mayavic character is thereby shown: during the pralaya she disappears, absorbed in the one, all-devouring Ray" (SD 1:430-1).
 
Vach is also called Savitri (the generatrix), the mother of the gods and of all living. She is identical in the human range with Eve, who is also called the mother of all living. Ila or Ida is but the second repetition of Vach in a different period of cosmogony. Vach refers to the cosmic and divine theogony, while Ila refers to a later period in the earth''s history when the physiological transformation of the sexes took place during the third root-race. In this last sense Vach corresponds with Eve.
 
Vach is often called Sandhya (twilight), also Satarupa (a hundred forms) to describe the feminine logos unfolded into the ten planes and subplanes of the universe. The cow is a symbol of Vach, for the cow has always been the emblem of the passive generative power of nature.
 
Vach is also mystic speech "by whom Occult Knowledge and Wisdom are communicated to man, and thus Vach is said to have ''entered the Rishis.'' . . . she is called ''the mother of the Vedas,'' ''since it was through her power (as mystic speech) that Brahma revealed them . . . " (SD 1:430). The Rig-Veda and Upanishads give four kinds of Vach -- vaikhari, madhyama, pasyanti, and para -- corresponding to the four cosmic principles: the physical universe, the light of the Logos, the Logos itself, and parabrahman or the infinite.

 
(See also: Vach, vac, Mysticism, Mysticism Dictionary, Body mind and Soul )

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Zagreus, Zagreus-Dionysos (Greek) Dionysos was an earlier name for Bacchus. The mythos concerning Zagreus belongs to the cycle of teachings of the Orphic Mysteries rather than to mythology, so no references occur in the writings for the people, such as Homer and Hesiod. The references that have come down to our day occur principally in the manuscripts of the ancient Greek dramatists, poets, and in other ancient fragments.
 
As cosmic evolution was taught in the Orphic Mysteries by allegory, so was the evolution of the individual soul or microcosm, centering in the mythos of Zagreus, later Zagreus-Dionysos, the Greek savior, which the Greek Dionysian Mysteries sought to unfold in dramatic and veiled or symbolic literary form. "Dionysos is one with Osiris, with Krishna, and with Buddha (the heavenly wise), and with the coming (tenth) Avatar, the glorified Spiritual Christos . . ." (SD 2:420).
 
Zagreus has three distinct meanings: 1) the mighty hunter (the pilgrim-soul, hunting for the truth, its aeonic pilgrimage back to divinity); 2) he that takes many captives (the Lord of the Dead); and 3) the restorer or regenerator (King of the Reborn or initiates). Zagreus (later Bacchus or Iacchos) is the divine Son, the third of the Orphic Trinity, the other two being Zeus the Demiurge or divine All-father, and Demeter-Kore, the earth goddess in her twofold aspect as the divine Mother and the mortal maid.
 
The mythos relates that Zagreus, a favored son of Zeus, aroused the wrath of Hera, who plotted his destruction. First she released the dethroned titans from Tartaros to slay the newborn babe. They induced the child to give up the scepter and apple for the false toys which they held before him: a thyrsos or Bacchic wand (symbol of matter and rebirth into material life), a giddy spinning top, and a mirror (maya or illusion). As the child was gazing at himself in the mirror, they seized him, tore his body into seven or fourteen pieces (as in the Egyptian Mystery tale of Osiris); boiled and roasted and then devoured them. Discovered in this enormity by Zeus, the titans were blasted with his thunderbolt and from their ashes sprang the human race.
 
The titans with their false gifts symbolize the pursuing energies of the personal, material life, which enchain and delude the soul. They are earth powers which lead the soul from the path by the lure of things of sense. The dismembered body is first boiled in water -- symbol of the astral world; then roasted, "as gold is tried by fire," symbol of suffering and purification and the reascent of the victorious soul to bliss.
 
Apollo or the Muses, at the command of Zeus, gathered the scattered fragments and interred them near the Omphalos (navel of the earth) at Delphi. The coffin was inscribed: "Here lies dead, the body of Dionysos, son of Semele," as the Zagreus myth was known only to those initiated into the Orphic Mysteries; and the Semele myth was popularly known. The exoteric myth represents the divine Son as the son of Zeus by the mortal maid Semele, Demeter-Kore in the guise of a mortal woman, to whom the still beating heart of Zagreus was entrusted when he was slain, that she might become its mother-guardian.
 
Hera, however, poisoned the mind of Semele with suspicion when the new-forming body of Zagreus within her reached the seventh month of gestation, and Semele impelled Zeus to reveal himself to her in his true form, whereupon the mortal body of Semele was destroyed by the divine fire. The holy babe was saved from death by Zeus, who sewed the child up in his own thigh until "the life that formerly was Zagreus, was reborn as Dionysos," the risen Savior, at Easter (the spring equinox), while as Zagreus he had been born at Semele''s death at the winter solstice. Here we
 
See the myth''s solar significance.
 
The nymphs of Mount Nysa reared him safely in a cave, and when he reached manhood, Hera forced him to wander over the earth. He overcame all opposition and was successful in establishing Mystery schools wherever he went. After his triumph in the world of men, Dionysos descended into the underworld and led forth his mother, now rechristened as Semele-Thyone (Semele the Inspired), to take her place among the Olympian divinities as the divine mother and radiant queen, and later, with Dionysos, to ascend to heaven.
 
Zagreus as Dionysos is known as the god of many names, most of which refer to his twofold character as the suffering mortal Zagreus, and the immortal or reborn god-man. Many titles also refer to him as the mystic savior. He is the All-potent, the Permanent, the Life-blood of the World, the majesty in the forest, in fruit, in the hum of the bee, in the flowing of the stream, etc., the earth in its changes -- the list runs on indefinitely, and is strikingly similar to the passage in which Krishna, the Hindu avatara, instructs Arjuna how he shall know him completely: "I am the taste in water, the light in the sun and moon," etc. (BG ch 7).
 
The philosophers, dramatists, and historians who held the Dionysian mythos to be purely allegorical and symbolic take in the great names of antiquity, including Plato, Pythagoras, all the Neoplatonists, the greatest historians, and a few of the early Christian Fathers, notably Clement of Alexandria; Eusebius, Tertullian, Justin, and Augustine, also write of it.
 
The exoteric literature of Orphism is scanty, while the esoteric teachings were never committed to writing. Outside of the Orphic Tablets and Orphic Hymns, no original material has been discovered to date. Scholars judging from the Homeric Hymn to Demeter, have held that the Eleusinian Mystery-drama was based solely on the story of Persephone; but later researches indicate that, under the influence of Epimenides and Onomakritos, both deep students of Orphism, the Orphic Mystery tale of Zagreus-Dionysos was incorporated in the Eleusian ritual, the divine son Iacchos becoming thus identified with the Orphic god-man, Zagreus-Dionysos.
 
Cosmically this highly esoteric story refers to the cosmic Logos building the universe and becoming thereby not only its inspiriting and invigorating soul, but likewise the divinity guiding manifestation from Chaos to complete fullness of evolutionary grandeur; and in the case of mankind, the legend refers to the origin, peregrinations, and destiny of the human monad, itself a spiritual consciousness-center, from unself-consciousness as a god-spark, through the wanderings of destiny until becoming a fully self-conscious god. The key to the symbolism of Zagreus-Dionysos is given by Plato in the Cratylus: "The Spirit within us is the true image of Dionysos. He therefore who acts erroneously in regard to It . . . sins against Dionysos Himself," i.e., the inner god, the divinity in man. The legend thus contains not only past cosmic as well as human history, but contains as a prophecy what will come to pass in the distant future.

 
(See also: Zagreus, Zagreus-Dionysos, Mysticism, Mysticism Dictionary, Body mind and Soul )

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