STRENGTH

Tarot Trump number 8 (in Crowley's system, 11). This is probably the least understood of all the Atus. Our average mind, unable to appreciate the mystery of ordinary movement, conceives of M/magic(k) as the ability to move solid objects through the air without physical assistance. And yet we betray our own unconscious perception by the fact that we are invariably far less impressed at seeing a feather suspended in the air, than a piano. Is physical strength the equivalent of strength of will?

Strength, however, whether muscular or mental, is the foundation of true M/magic(k), for it is the magic of everyday life. When philosophy fails, when cleverness fails, when riches fail, when everything fails and one is stripped of all one's powers -- there yet remains the "coiled serpent" of being (Teth), source of all energy. The miracle of daily movement, work and pleasure is based upon our physical health and confidence. It is this connection to the "magic of everyday life," that drew Crowley to the decision to renumber "Strength" as 11, the well-known number of sorcery. Moreover, since he believed that the source of all strength lay in the sex drive, he renamed it Lust!

(See also: STRENGTH , Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul,)

HEART

The heart was the center of instinct and the precious kernel of immortality and it was this which was weighed in the balance against the feather of truth, known as Maat. For the Ancient Egyptians the purpose of life was the perception of Truth which could only be gained by the cultivation of discernment and the guiding of the instincts. This was the whole meaning of initiation. Everything served that end. So the heart of enlightenment was the cultivation of discernment. To fail to develop this power of perception was the greatest sin and carried the automatic penalty of that heart's immediate and total annihilation. (Adapted from R. G. Torrens's The Golden Dawn, The Inner Teachings.

(See also: HEART , Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul,)

CHAOS PREDICTION

Mathematical Chaos Prediction is the next step after Relativity and Quantum Mechanics, now used partly (in ignorance) by computers, stockbrokers and oil-dowsers. If the wrong people get hold of this key they will be able to control all random factors in the world to their advantage. James P. Crutchfield say, "Innate creativity may have an underlying chaotic process that selectively amplifies small fluctuations." The amplification of small fluctuations (characteristic of Chaos) and its bibranching can be examined by values of growth factors at which bifurcations take place using "Feigenbaum's Number": 4,669.

Its whole number factors are 7, 23, 29, 161, 203 and 667. Note that 23 is already claimed by R.A. Wilson as the "number of synchronicities" and 7 is the mystical number par excellence, the "Holy Merkabah", the zodiacal sign of Cancer. 29 = Hebrew Dacha, "Crushed". Further, from A.C.'s 777: 161 is the Heavenly Man or Exalted Man, the "Congregation of the Eternal", 203 = Initials of the Trinity: dead; feather: created; ambush: foreign; esoteric. 667 = "oil for lighting". It is fortunate that 4 + 6 + 6 + 9 = 7. Thank Gods, it doesn't add up to One! Then we would be in trouble!

(See also: CHAOS PREDICTION , Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul,)

Amenti, Amentet (Egyptian) The underworld (Tuat), the hidden place or secret region. The 15th or last house (Aat) of the Tuat, called Amentet-nefert (beautiful Amenti) and described as the dwelling place of the gods, where they live upon cakes and ale -- in this respect similar to the Scandinavian Valhalla, the heaven world or devachan. The afterworlds were also referred to as Sekhet-hetep or -hetepet (the fields of peace), called in Greece the Elysian Fields, under the dominion of Osiris, lord of Amenti. Some of the texts speak of Amenti as situated far to the north of Egypt, although it is more commonly referred to as the Silent Land of the West. Other texts place it either below or above the earth, and the deceased is pictured as needing a ladder to ascend to the region.

The deceased, entering the domain as a khu, performs the same activities that he did on earth: plowing, reaping, sailing his boat, and making love. On entering Amenti, Anubis conducts the soul to the hall of Osiris where it is judged by the 42 judges and its heart is weighed against the feather of truth. If the soul passes the test, it goes to the fields of Aalu.

If the names of the 15 Aats, the 7 Arrets (circles), the 21 Pylons, as well as the gods and guardians of these domains are all known, the deceased is enabled to pass from one mansion to the other, and finally to enter the Night Boat of the Sun, which passes through the Tuat on its way to arise in the heavens. The shades who miss this boat, the unprogressed egos, must remain in the afterworld or kama-loka, while those who enter the boat are carried to the heaven world or devachan where they wander about until they return to earth for rebirth.

This refers to the passing from world to world by the ego proficient in knowledge of the "names," and thereafter entering the secret or invisible pathways to the sun. The knowledge of the names indicates spiritual, intellectual, and psychic development, by which the ego of the defunct is no longer attracted to the lower spheres, but having knowledge of them correctly answers the challenges and thereafter follows the attraction upwards and onwards.

Writing on the symbol of the egg which is often depicted as floating above a mummy, Blavatsky says: "This is the symbol of hope and the promise of a second birth for the Osirified dead; his Soul, after due purification in the Amenti, will gestate in this egg of immortality, to be reborn from it into a new life on earth. For this Egg, in the esoteric Doctrine, is the Devachan, the abode of Bliss; the winged scarabeus being alike a symbol of it" (SD 1:365).

The mystical and mythologic teachings concerning Amenti were all more or less symbolic descriptions of the series of afterdeath states and adventures experienced by the excarnate entity. Thus kama-loka, devachan, and the postmortem peregrinations of the excarnate monad are all combined under the one term Amenti.

(See also: Amenti, Amentet , Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

Thoth, Thot (Greek) Tehuti (Egyptian) Egyptian goddess of wisdom, equivalent to the Greek Hermes, Thoth was often represented as an ibis-headed deity, and also with a human head, especially in his aspect of Aah-Tehuti (the moon god), and as the god of Mendes he is depicted as bull-headed. Although best known in his character of the scribe or recorder of the gods, holding stylus and tablet, this is but another manner of showing that Thoth is the god of wisdom, inventor of science and learning; thus to him is attributed the establishment of the worship of the gods and the hymns and sacrifices, and the author of every work on every branch of knowledge both human and divine. He is described in the texts as "self-created, he to whom none hath given birth; the One; he who reckons in heaven, the counter of the stars; the enumerator and measurer of the earth [cosmic space]

and all that is contained therein: the heart of Ra cometh forth in the form of the god Tehuti" -- for he represents the heart and tongue of Ra, reason and the mental powers of the god and the utterer of speech. It has been suggested that Thoth is thus the equivalent of the Platonic Logos. Many are his epithets: his best known being "thrice greatest" -- in later times becoming Hermes Trismegistus.

In The Egyptian Book of the Dead, the deceased must learn to master everything he encounters in the underworld, and does this through the instruction of Thoth, who also teaches the pilgrim the way of procedure. Finally when the deceased reaches the stage of judgment, it is Thoth who records the decree pointed out to him by the dog-headed ape on the balance, the scales of which weigh the heart against the feather. The gods receive the verdict from Thoth, who in turn announce it to Osiris, enabling the candidate to enter the realm of Osiris, as being one osirified. Thus Thoth is the inner spiritual recorder of the human constitution, who registers and records the karmic experiences and foretells the future destiny of the deceased, showing that each person is judged by himself -- for Thoth here is the person's own higher ego; as regards cosmic space, Thoth is not only the cosmic Logos, but its aspect as the intelligent creative urge inherent in that Intelligence.

Thoth was also arbiter of the gods as in the battle between the god of light and the god of darkness, restoring the equilibrium which had been destroyed during the conflict. Similarly in the fights between Horus and Set, when the evil has a temporary ascendancy, Thoth restores harmony. Interestingly,

"Thoth remains changeless from the first to the last Dynasty. . . . the celestial scribe, who records the thoughts, words and deeds of men and weighs them in the balance, liken him to the type of the esoteric Lipikas. His name is one of the first that appears on the oldest monuments. He is the lunar god of the first dynasties, the master of Cynocephalus -- the dog-headed ape who stood in Egypt as a living symbol and remembrance of the Third Root-Race" (TG 331).

(See also: Thoth, Thot , Mysticism, Mysticism Dictionary, Body mind and Soul)

Mimameid (Icelandic) [from Mimir a giant + meid tree]

The Norse Tree of Knowledge, belonging to the "wise giant" Mimir, owner of the well of wisdom from which Odin, Allfather of gods and men, daily drinks. Mimir represents basic matter from which all worlds are formed, corresponding to Mulaprakriti.

Mimameid is said to spread its branches over the land where Menglad (the goddess Freya) dwells. None may know of what root it is sprung but it "falls not for fire or iron." In its topmost branches perches a golden bird named Wideopener, and in the Underworld a magic brew is secreted in an iron caldron secured with nine strong locks and guarded by the dread hag Sinmara.

According to the tale of Svipdag, a postulant undertaking initiatory trials, he must wrest from Sinmara the magic potion which alone can give him access to the Wideopener but, in order to get the potion he must bring her a feather from the golden bird! This impossible task illustrates how thorough a familiarity with all aspects of the Tree of Knowledge is demanded of one seeking union with his higher self, represented by Menglad, the principle of spiritual intelligence.

(See also: Mimameid , Mysticism, Mysticism Dictionary)

pincha:

pincha - the chin, feather

(See also: pincha , Hinduism, Hinduism Dictionary, Sanskrit Dictionary, Body Mind and Soul)

Shu (Egyptian) [from shu dry, parched]

The Egyptian god of light, popularly associated with heat and dryness, and the ethereal spaces existing between the earth and the vault of the sky; often depicted as holding up the sky with his two hands, one at the place of sunrise, the other of sunset.

The phonetic value of shu is the feather, which is the symbol of this deity, and appears above his headdress. Shu is manifest during the day in the beams of the sun, and at night in the beams of the moon; the solar disk is his home. He is likewise one of the chief deities of the underworld, the gate of the pillars of Shu (tchesert) marking the entrance to this region, the pillars representing the four cardinal points said to hold up the sky.

Although the twin brother of Tefnut -- often alluded to as the twin lion-deities -- Shu is more often represented with Seb and Nut (deities of cosmic space and of its garment of ethereal substance) in his position of holding up the sky, because in theosophical terminology cosmic light as well as cosmic intelligence (the Logos) is born from Brahman and pradhana, or parabrahman and mulaprakriti.

Shu on the smaller scale is solar energy (SD 1:360).

(See also: Shu , Mysticism, Mysticism Dictionary)

LEGERDEMAIN

Sleight-of-hand. It is said of Mohammed that he put seed in his ears in order make it look as if the birds were whispering messages to him. True or not, for some reason, that weighs more heavily on the minds of some than the power of the Koran to affect the behavior of millions over a span of centuries. HPB was often caught out trying to create some magical effect to prove that she had mystical powers over the material world. (Since matter is the manifestation of spirit, what could be more reasonable?). On more than one occasion she was seen to attach strings to make letters and documents drop from above at critical moments. She constantly deplored the fact that she was trapped in a physical body (obese, crippled) that she could not control. Yet, through her role as amanuensis for the hidden masters of metaphysical wisdom, she managed to transcend the temporal, physical world, after all.

It seems to be a rule that the more advanced into magical understanding that the initiate proceeds, the more he is obliged to recognize his own physical limitations. Crowley, for all his miracles, never really overcame his addictions to morphine and cocaine. Gurdjieff was more successful in being able to control his body and to transfer energy and healing powers from himself to others because he abandoned the occult early on for "objective magic", his own brand of highly pragmatic community yoga. But to acquire even the slightest control over basic physiological functions takes several years of serious yogic practice. And to effect the most minor of changes in the nature of human society takes all of one's efforts over a long course of time.

The all too common notion that "magic" is a synonym for "easy" is deplorable. People seem to be impressed more by speed of accomplishment and minimization of human labor than by the things themselves. Rather than being awestruck by the beauty of the palace, we are impressed instead by the djinni's instantaneous teleportation of it. Magic in the 20th Century has become a minor attribute of technology. Jet flight, television and micro-wave cooking at the touch of a button - these are magic for the multitudes, the limits of hoi polloi imagination. Yet there is more wonder in a horse than in an automobile. A good meal that takes hours to prepare is a lot more "magical" than a fast-food sushi-burger.

A student of the Academy of M/magic(k)al Arts recently asked, "How can you tell when what appears to be magic is really a trick?" I suppose most people will always confuse prestidigitation with thaumaturgy. Although stage magic never has any but a trivial, useless result, "real magic" is a significant act that alters reality for the better. Never forget that we dwell in a world of illusion - what the East calls maya - indeed the roots of magic and maya (mag-, may-) are the same. Reality is nothing more than a consensus, an agreement of the crowd, that thus and thus is so. If your eyes were closed you'd be unable to tell the difference between a peacock feather tickling your nose and a fly lighting upon it. The true magus doesn't do "tricks" because the world itself is already a piece of legerdemain. Instead, he is bent on embuing the world with a new meaning, with transforming the basic foundation of the hell that we inhabit.

(See also: LEGERDEMAIN , Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul,)

Tao (Chinese) The way, road, path; the Chinese treat of tao in two aspects: the tao of man (jen tao); and the tao of the universe -- which is again divided into two aspects, the tao of heaven (t'ien tao) and the tao of earth (t'i tao). There is no supreme god in this system of philosophy, no Demiurge or maker of the cosmos: the yearly renovation of nature is due to the spontaneity of tao. As explained in the I Ching, tao brings about the revolving mutations of the yin and yang: "there is in the system of mutations [of nature] the Most Ultimate which produced the two Regulating Powers [the yin and yang], which produce the four shapes [the seasons]" (Hi-tsze).

"Tao is the ultimate reality in which all attributes are united, it is heavy as a stone, light as a feather; it is the unity underlying plurality. It is that by losing of which men die; by getting of which men live. Whatever is done without it fails; whatever is done by means of it, succeeds. It has neither root nor stalk, leaf nor flower. Yet upon it depends the generation and the growth of the ten thousand things [the cosmos], each after its kind" (Kuan tzu, 49).

The Sanskrit svabhavat is an equivalent, also the deep akasic abysses of the highest reaches of the cosmic anima mundi, manifesting periodically.

(See also: Tao , Mysticism, Mysticism Dictionary, Body mind and Soul)

MAAT - Egyptian Goddess of Truth and Justice portrayed with a feather. (NAD)

(See also: MAAT , Wiccan Pagan, Paganism, Pagan Dictionary)

Fetish

(derived from a Portuguese word for medals and crucifixes worn by sailors and extended by them to amulets used by Africans; first used as a generic term by Ch. de Brosses in 1760)

1)    An article of paraphernalia used in religious practice, or a physical object representative of religious authority. Fetishes commonly are misunderstood to be objects accorded magical or supernatural powers by their users. Objects such as the perfect ear of corn or Corn Mother, important in religious practices of Pueblos (American Southwest), medicine bundles of various North American tribes, and objects that represent the religious authority of clans in Native American communities are often referred to as fetishes.

1)    Small carved stone objects and feather arrangements, with no religious significance, manufactured for commercial sale by modern Native American peoples.

1)    An object or body part that arouses sexual desire, sometimes to the exclusion of genital attraction.

(See also: Fetish , New Age Spirituality, Body Mind and Soul)

Fetish

(derived from a Portuguese word for medals and crucifixes worn by sailors and extended by them to amulets used by Africans; first used as a generic term by Ch. de Brosses in 1760)

1)    An article of paraphernalia used in religious practice, or a physical object representative of religious authority. Fetishes commonly are misunderstood to be objects accorded magical or supernatural powers by their users. Objects such as the perfect ear of corn or Corn Mother, important in religious practices of Pueblos (American Southwest), medicine bundles of various North American tribes, and objects that represent the religious authority of clans in Native American communities are often referred to as fetishes.

2)    Small carved stone objects and feather arrangements, with no religious significance, manufactured for commercial sale by modern Native American peoples.

3)    An object or body part that arouses sexual desire, sometimes to the exclusion of genital attraction.

(See also: Fetish , New Age Spirituality, Body Mind and Soul)

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