Dream dictionary Hero

Heroes and archetypes

The idea of being a hero is based on an archetype - a way of seeing yourself in a dream experience. Many people dream at one time or another of doing something heroic. We all know what a heroic action is by a sort of mystic human understanding of goodness and sacrifice. This mystic understanding is an archetype - the event of being a hero is an archetype experience.

There are many archetypes in life. The philosopher Carl Jung formulated these archetypes out of his studies of human beings and mythologies around the world. In many ethnic and religious backgrounds, there are myths that embody the ultimate version of various archetype experiences. An example of a hero myth may be Hercules or Sinbad. We are prone to see ourselves as archetypal figures - which may be heroic, tragic, romantic, mythical and so on - at transition points in our lives.

Change brings about anxiety and self-reflection. Going from education to joining the work force, singledom to marriage, or childless to parent are some archetypal transitions. Ask yourself what changes are going on in your waking life and the roles you are playing during those changes.

See also Rescued

Source: iVillage, http://www.ivillage.co.uk

(See also: Dream Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Heroes and archetypes , Meaning of Dreams about Heroes and archetypes , Dream Interpretation Heroes and archetypes )

Heroes and archetypes

The idea of being a hero is based on an archetype - a way of seeing yourself in a dream experience. Many people dream at one time or another of doing something heroic. We all know what a heroic action is by a sort of mystic human understanding of goodness and sacrifice. This mystic understanding is an archetype - the event of being a hero is an archetype experience.

There are many archetypes in life. The philosopher Carl Jung formulated these archetypes out of his studies of human beings and mythologies around the world. In many ethnic and religious backgrounds, there are myths that embody the ultimate version of various archetype experiences. An example of a hero myth may be Hercules or Sinbad. We are prone to see ourselves as archetypal figures - which may be heroic, tragic, romantic, mythical and so on - at transition points in our lives.

Change brings about anxiety and self-reflection. Going from education to joining the work force, singledom to marriage, or childless to parent are some archetypal transitions. Ask yourself what changes are going on in your waking life and the roles you are playing during those changes.

See also Rescued

Source: iVillage, http://www.ivillage.co.uk

(See also: Dream Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Heroes and archetypes , Meaning of Dreams about Heroes and archetypes , Dream Interpretation Heroes and archetypes )

Loss of a Sensory Ability or of a Motor Ability

Usually, this is a very symbolic event in a dream. A 34-year-old man reports: I dream of being in a situation where I need to act resourcefully to help a stranger avoid danger. Suddenly, I go blind for no apparent reason! It is very frustrating.

Becoming suddenly impaired in this way is different from being injured in a physical accident. The lights just seem to go out without explanation. With a dream like this, it is questionable whether or not the dreamer feels competent to fulfil his duties in waking life. However, this can also refer to his reluctance to accept the challenge of the hero self.

Seeing oneself as a hero is kind of daunting, and the fact that it is your dream doesn't mean that you will necessarily and easily assume that role. Suddenly, the awareness of caring for those to whom you have no obligation is quickened. It's a hassle. Many of us can barely fulfil responsibilities to the people around us in ordinary situations. Another scenario for loss of a sensory ability is to exchange it for something or someone else. The old saying, "I'd give my eye teeth for..." articulates the human willingness to exchange one ability or attribute for something else of value. There are many times when our minds use the principle of exchange to help us verify the relative worth of relationships or objects.

There can also be a distinct martyr image attached to this kind of loss. This is especially true when the dream includes loss of ability through some potentially painful means. The loss may be seen as an exchange for something that was gained during the dream or in waking life.

Source: iVillage, http://www.ivillage.co.uk

(See also: Dream Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Loss of a Sensory Ability or of a Motor Ability , Meaning of Dreams about Loss of a Sensory Ability or of a Motor Ability , Dream Interpretation Loss of a Sensory Ability or of a Motor Ability )

Camping

Who are you camping with, how do you feel about them and what are the physical surroundings like? Another real question is how is your accommodation and did you plan to camp or just end up in the middle of nowhere without provisions? Most archetypal hero-quest journeys include a time of testing in a man-against-nature conflict. As such, it can often symbolise a time of purification to get back in touch with the earth

Source: iVillage, http://www.ivillage.co.uk

(See also: Dream Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Camping , Meaning of Dreams about Camping , Dream Interpretation Camping )

Hero Dream Symbols:

(Source: Myths - Dreams - Symbols)

Related pages: Dream Symbols, Dream Interpretation, Dream Symbol Hero, Dream Dictionary Hero, Meaning of dreams about Hero, Dream Interpretation Hero, Dream Analysis Hero, Dreaming of Hero

Hero, Rescuing a maiden, Rescuing, Maiden, Rescuer, Rescue, Creative self

Right/left Dream Symbols:

(Source: Myths - Dreams - Symbols)

Related pages: Dream Symbols, Dream Interpretation, Dream Symbol Right - Left, Dream Dictionary Right - Left, Meaning of dreams about Right - Left, Dream Interpretation Right - Left, Dream Analysis Right - Left, Dreaming of Right - Left

Right - Left, Right, Left, Movement from left to right, Conscious awareness, Intellect, Intuition, Assertiveness, Passivity, Masculine, Feminine, Thought, Feeling, Hero, Heroine, Opposites, Opposite forces, Activity, Assertiveness, Passivity, Receptiveness

Adventure Dream Symbols:

(Source: Myths - Dreams - Symbols)

Related pages: Dream Symbols, Dream Interpretation, Dream Symbol Adventure, Dream Dictionary Adventure, Meaning of dreams about Adventure, Dream Interpretation Adventure, Dream Analysis Adventure, Dreaming of Adventure

Adventure, Adventurer, Adventurous, Hero, Heroine, Risky behaviour, Risky thinking

Theurgy theurgia (Greek) [from theos god + ergon work]

Mystery-term popularized by Iamblichus for a method of individual communion with the gods, or bringing the gods down to earth. It consisted in purifying the psycho-astral links between the mind and its divine counterpart, whereby the theurgist was not only brought into conscious communion with his own higher self, but also with other divine entities. The first school in the Christian period

"was founded by Iamblichus among certain Alexandrian Platonists. The priests, however, who were attached to the temples of Egypt, Assyria, Babylonia and Greece, and whose business it was to evoke the gods during the celebration of the Mysteries, were known by this name, or its equivalent in other tongues, from the earliest archaic period. Spirits (but not those of the dead, the evocation of which was called Necromancy) were made visible to the eyes of mortals. Thus a theurgist had to be a hierophant and an expert in the esoteric learning of the Sanctuaries of all great countries. The Neo-platonists of the school of Iamblichus were called theurgists, for they performed the so-called 'ceremonial magic,' and evoked the simulacra or the images of the ancient heroes, 'gods,' and daimonia ( {Greek char} divine, spiritual entities). In the rare cases when the presence of a tangible and visible 'spirit' was required, the theurgist had to furnish the weird apparition with a portion of his own flesh and blood -- he had to perform the theopaea, or the 'creation of gods,' by a mysterious process well known to the old, and perhaps some of the modern, Tantrikas and initiated Brahmans of India" (TG 329-30).

The varied uses by different writers shows the term's applicability to a considerable range of practices.

"The popular prevailing idea is that the theurgists, as well as the magicians, worked wonders, such as evoking the souls or shadows of the heroes and gods, and other thaumaturgic works, by supernatural powers. But this never was the fact. They did it simply by the liberation of their own astral body, which, taking the form of a god or hero, served as a medium or vehicle through which the special current preserving the ideas and knowledge of that hero or god could be reached and manifested" (TG 330).

Plotinus was opposed to theurgy, and Porphyry says that it can but cleanse the lower or psychic portion and make it capable of perceiving lower beings, such as spirits, angels, and gods; it is powerless to purify the noetic or manasic (intellectual) principle. But Porphyry was persuaded by his master Iamblichus to concede the value of theurgy under certain limitations. Porphyry's views highlight the difference between raja yoga and hatha yoga. In the case of such a person as Iamblichus, practices might be quite safe which would be fraught with nothing but harm in the hands of another or without the help of such a teacher. For once the barriers are down a way is opened for communion with all kinds of undesirable entities, against which the experimenter will not know how to protect himself.

In the ancient Mysteries, theurgy was divided into different degrees. To illustrate, in one of the highest initiatory degrees the initiant was brought face to face with the divinity within himself, and in order to accomplish this the initiant had to give of his own spiritual and intellectual substance and vitality so that his inner god might imbody itself on inner and invisible planes, the rite thus providing a temporary and illusory divorce which was really an essential union of the divine in man with the spiritual-intellectual -- the latter recognizing for the time being its own divine origin and coalescing with it. In a less perfect form of such theurgical practice, and in a lower degree of the Mysteries, the initiant gave of his own astral and physical substance, the effluvia of his astral body and of his flesh and blood, to provide a vehicle through which a spiritual entity might have a tangible, although very temporary, imbodiment; and for the time being the initiant was thus enabled to see, touch, and converse with a being of the inner worlds who otherwise would have been utterly unable to enter our physical sphere except by those spiritual-akasic currents of forces which human beings recognize as inspiration.

(See also: Theurgy theurgia , Mysticism, Mysticism Dictionary, Body mind and Soul)

HERO - Greek priestess of love and beloved of Leander.

2. (lc) one who plunges into the darkest part of the wilderness where there in path to discover truth. (Joseph Campbell) (NAD)

(See also: HERO , Wiccan Pagan, Paganism, Pagan Dictionary)

Horse In the ancient Mediterranean and Northern European mythologies, used in connection with the sun and standing as a symbol for the solar powers or the sun itself. The sun is frequently represented in ancient thought as being drawn along the heavens by means of horses. In ancient Persia and Greece, individual heroes, as for instance Hushenk and Bellerophon, are said to have obtained mastery over and consequent use of wonderful horses with which they were enabled to approach the sun. In Scandinavian mythology, horses were represented as carrying the heroes into the under- and over-world, and as mounts of the Valkyries they bore the fallen heroes to Valhalla.

In this connection, the Kalki-avatara -- stated to be the final incarnation of Vishnu in Hinduism or the incarnation of Maitreya-Buddha in Northern Buddhism -- and the final great hero and savior of mankind of the Zoroastrians called Sosiosh, as well as the Faithful and True one of the Christian book of Revelation, all appear on a white horse. All these heroes or saviors are connected emblematically with horses of power because the horse has been from immemorial time a representation of solar, spiritual, and intellectual energies.

See also ASVAMEDHA

(See also: Horoscope , Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

 Vira:

brave, a hero

(See also:  Vira , Body Mind and Soul)

Theurgist. The first school of practical theurgy (from qeod, god, and ergon work,) in the Christian period, was founded by Iamblichus among certain Alexandrian Platonists.

The priests, however, who were attached to the temples of Egypt, Assyria, Babylonia and Greece, and whose business it was to evoke the gods during the celebration of the Mysteries, were known by this name, or its equivalent in other tongues, from the earliest archaic period. Spirits (but not those of the dead, the evocation of which was called Necromancy) were made visible to the eyes of mortals.

Thus a theurgist had to be a hierophant and an expert in the esoteric learning of the Sanctuaries of all great countries. The Neo-platonists of the school of Iamblichus were called theurgists, for they performed the so-called "ceremonial magic", and evoked the simulacra or the images of the ancient heroes, "gods", and daimonia (daimovia, divine, spiritual entities). In the rare cases when the presence of a tangible and visible " spirit " was required, the theurgist had to furnish the weird apparition with a portion of his own flesh and blood - he had to perform the thepœa or the "creation of gods", by a mysterious process well known to the old, and perhaps some of the modern, Tantrikas and initiated Brahmans of India. Such is what is said in the Book of Evocations of the pagodas. It shows the perfect identity of rites and ceremonial between the oldest Brahmanic theurgy and that of the Alexandrian Platonists.

The following is from Isis Unveiled: "The Brahman Grihasta (the evocator) must be in a state of complete purity before he ventures to call forth the Pitris. After having prepared a lamp, some sandal-incense, etc., and having traced the magic circles taught him by the superior Guru, in order to keep away bad spirits, he ceases to breathe, and calls the fire (Kundalini) to his help to disperse his body."

He pronounces a certain number of times the sacred word, and " his soul (astral body) escapes from its prison, his body disappears, and the soul (image) of the evoked spirit descends into the double body and animates it". Then "his (the theurgist’s) soul (astral) re-enters its body, whose subtile particles have again been aggregating (to the objective sense), after having formed from themselves an aerial body for the deva (god or spirit) he evoked And then, the operator propounds to the latter questions "on the mysteries of Being and the transformation of the imperishable ".

The popular prevailing idea is that the theurgists, as well as the magicians, worked wonders, such as evoking the souls or shadows of the heroes and gods, and other thaumaturgic works, by super natural powers. But this never was the fact. They did it simply by the liberation of their own astral body, which, taking the form of a god or hero, served as a medium or vehicle through which the special current preserving the ideas and knowledge of that hero or god could be reached and manifested. (See "Iamblichus".)

(See also: Theurgist , Theosophy, Spirituality, Body mind and Soul, Spiritual Dictionary,)

A dictionary Of Commonly Used Sanskrit terms. From A to Crore.

Please note that all words in grey, like "yoga", "enlightenment" or "kundalini" are hyperlinked to archives further explaining the term. At the corresponding archive you will also find articles related to the term.

Sanskrit dictionary. From Advaita to Yoga.

Please note that all words in grey, like "enlightenment" or "kundalini" are hyperlinked to archives further explaining the term. At the corresponding archive you will also find articles related to the term.

A dictionary Of Commonly Used Sanskrit terms. From Tada to Yukta.

Please note that all words in grey, like "yoga", "enlightenment" or "kundalini" are hyperlinked to archives further explaining the term. At the corresponding archive you will also find articles related to the term.

A dictionary with common spiritual words from Hinduism and Sanskrit. Also see these links: Hinduism, Spirituality, Enlightenment, Spiritual Dictionary and Hinduism Dictionary.

Vishnu Visnu (Sanskrit) [from the verbal root vish to enter, pervade]

The sustainer or preserver; the second of the three gods of the Hindu Trimurti or Triad. Brahma, Siva, and Vishnu together are infinite space, of which the gods, rishis, manus, and all in the universe are simply the manifestations, qualities, and potencies. Vishnu is called the eternal deity, and in the Mahabharata and the Puranas he is declared to be the imbodiment of sattva-guna, the quality of mercy and goodness, which displays itself as the preserving power in the self-existent, all-pervading spirit. His symbol is the chakra (circle). He is identical with the Hindu Idaspati (master of the waters) and with the Greek Poseidon and Latin Neptune.

Blavatsky gives a passage about Vishnu from the Laws of Manu, with interpolated remarks (SD 1:333): " 'Removing the darkness, the Self-existent Lord' (Vishnu, Narayana, etc.) becoming manifest, and 'wishing to produce beings from his Essence, created, in the beginning, water alone. In that he cast seed . . . That became a Golden Egg.' (V.6, 7, 8, 9) Whence this Self-existent Lord? It is called this, and is spoken of as 'Darkness, imperceptible, without definite qualities, undiscoverable as if wholly in sleep.' (V.5) Having dwelt in that Egg for a whole divine year, he 'who is called in the world Brahma,' splits that Egg in two, and from the upper portion he forms the heaven, from the lower the earth, and from the middle the sky and 'the perpetual place of waters.' (12, 13.)"

In the Mahabharata (3:189:3) Vishnu says: " 'I called the name of water nara in ancient times, and am hence called Narayana, for that was always the abode I moved in' (Ayana). It is into the water (or chaos, the 'moist principle' of the Greeks and Hermes), that the first seed of the Universe is thrown. 'The "Spirit of God" moves on the dark waters of Space'; hence Thales makes of it the primordial element and prior to Fire, which was yet latent in that Spirit" (SD 2:591).

Vishnu has many names and is presented in many different forms in Hindu writings. Riding on Garuda, the allegorical monstrous half-man and half-bird, Vishnu is the symbol of Kala (duration), and Garuda the emblem of cyclic and periodical time. Vishnu as the sun represents the male principle, which vivifies and fructifies all things. The Puranas call Ananta- Sesha a form of Vishnu on which the universe sleeps during pralaya. In the allegorical Vaivasvata-Manu deluge, Vishnu in the shape of a fish towing the ark of salvation represents the divine spirit as a concrete cosmic principle and also as the preserver and generator, or giver of life. In the Rig-Veda Vishnu is a manifestation of the solar energy and strides through the seven regions of the universe in three steps. The Vedic Vishnu is not the prominent god of later times.

Vishnu as the giver of life is the source of one line of avataras. The ten mythical avataras of Vishnu are: Matsya, the Fish; Kurma, the Tortoise; Varaha, the Boar; Narasimha, the Man-lion (last animal stage); Vamana, the Dwarf (first step toward the human form); Parasu-rama, Rama with the axe (a hero); Rama-chandra, the hero of the Ramayana; Krishna, son of Devaki; Gautama Buddha; and finally, Kalki, the avatara who is to appear at the end of the Kali yuga "mounted on a white horse" and inaugurate a new reign of righteousness upon earth.

" 'In the Krita age, Vishnu, in the form of Kapila and other (inspired sages) . . . imparts to the world true wisdom as Enoch did. In the Treta age he restrains the wicked, in the form of a universal monarch (the Chakravartin or the 'Everlasting King' of Enoch) and protects the three worlds (or races). In the Dwapara age, in the person of Veda-Vyasa, he divides the one Veda into four, and distributes it into hundreds (Sata) of branches.' Truly so; the Veda of the earliest Aryans, before it was written, went forth into every nation of the Atlanto-Lemurians, and sowed the first seeds of all the now existing old religions. The off-shoots of the never dying tree of wisdom have scattered their dead leaves even on Judeo-Christianity. And at the end of the Kali, our present age, Vishnu, or the 'Everlasting King' will appear as Kalki, and re-establish righteousness upon earth. The minds of those who live at that time shall be awakened, and become as pellucid as crystal" (SD 2:483).

Again,

"If we only search for the true essence of the philosophy of both Manu and the Kabala, we will find that Vishnu is, as well as Adam Kadmon, the expression of the universe itself; and that his incarnations are but concrete and various embodiments of the manifestations of this 'Stupendous Whole.' 'I am the Soul, O, Arjuna. I am the Soul which exists in the heart of all beings; and I am the beginning and the middle, and also the end of existing things,' says Vishnu to his disciple, in the Bhagavad-Gita (ch. x)" (IU 2:277).

(See also: Vishnu Visnu , Mysticism, Mysticism Dictionary, Body mind and Soul)

Arjuna: (Sanskrit) A hero of the Mahabharata and central figure of the Bhagavad Gita. See: Bhagavad Gita.

(See also: Arjuna , Hinduism, Body Mind and Soul)

Yudhishthira Yudhisthira (Sanskrit) One of the principal heroes of the Mahabharata, eldest of the five Pandavas, son of Kunti by the god of justice, Dharma. Because he possessed virtuous character and all the attributes of a model ruler, he was selected as heir apparent to the throne of Hastinapura by his uncle Dhritarashtra: this choice led to the enmity of his cousin Duryodhana and his followers (the Kauravas or Kurus), and eventually to the great conflict on the field of Kurukshetra described in the opening chapter of the Bhagavad-Gita. The Pandavas were victorious in this struggle, and Yudhishthira was crowned king.

One section of the Mahabharata is devoted to the attainment of svarga (heaven) by Yudhishthira. He set out on this pilgrimage with his dog, four brothers, and their wife Draupadi, who one by one fell by the way. Alone Yudhishthira and the dog ascended to svarga to be met by Dharma, who said the dog was not permitted to enter. Yudhishthira refused to enter without his dog and turned away from the goal, but Dharma explained that it was only a test of his compassion. Yudhishthira also descended into the underworld successfully, aiding his brothers and wife whom he found there, and they all ascended to svarga.

Orientalists have speculated as to whether there was a monarch named Yudhishthira at the time of the commencement of the kali yuga (3102 BC). The computation of periods in Hindu accounts, however, applied to cosmic events as well as to terrestrial catastrophes, and names were used in the same manner. Thus Yudhishthira, "the first King of the Sacea, who opens the Kali Yuga era, which has to last 432,000 years -- 'an actual King and man who lives 3,102 years BC,' applies also, name and all, to the great Deluge at the time of the first sinking of Atlantis. He is the 'Yudishthira born on the mountain of the hundred peaks at the extremity of the world beyond which nobody can go' and 'immediately after the flood' " (SD 1:369-70). About the time of the reign of Yudhishthira the epic tells of a small flood which destroyed the Yadavas. Yudhishthira is both an eponymous hero, and an epic hero, an historical character, such as were also Arjuna, Krishna, and the many other heroes mentioned in the Mahabharata, stated to have lived when kali yuga began, now some 5,000 years ago.

(See also: Yudhishthira, Yudhisthira , Mysticism, Mysticism Dictionary, Body mind and Soul)

 Virasana:

the hero posture

(See also:  Virasana , Body Mind and Soul)