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Dream dictionary eyes

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ARTICLES RELATED TO Dream dictionary eyes

Dream dictionary eyes: Meaning of Dreams about Corpse

Corpse

To dream of a corpse is fatal to happiness, as this dream indicates sorrowful tidings of the absent, and gloomy business prospects. The young will suffer many disappointments and pleasure will vanish.
To see a corpse placed in its casket, denotes immediate troubles to the dreamer.
To see a corpse in black, denotes the violent death of a friend or some desperate business entanglement.
To see a battle-field strewn with corpses, indicates war and general dissatisfaction between countries and political factions.
To see the corpse of an animal, denotes unhealthy situation, both as to business and health.
To see the corpse of any one of your immediate family, indicates death to that person, or to some member of the family, or a serious rupture of domestic relations, also unusual business depression. For lovers it is a sure sign of failure to keep promises of a sacred nature.
To put money on the eyes of a corpse in your dreams, denotes that you will see unscrupulous enemies robbing you while you are powerless to resent injury. If you only put it on one eye you will be able to recover lost property after an almost hopeless struggle. For a young woman this dream denotes distress and loss by unfortunately giving her confidence to designing persons.
For a young woman to dream that the proprietor of the store in which she works is a corpse, and she sees while sitting up with him that his face is clean shaven, foretells that she will fall below the standard of perfection in which she was held by her lover. If she sees the head of the corpse falling from the body, she is warned of secret enemies who, in harming her, will also detract from the interest of her employer. Seeing the corpse in the store, foretells that loss and unpleasantness will offset all concerned. There are those who are not conscientiously doing the right thing. There will be a gloomy outlook for peace and prosperous work.

Source: 10 000 Dream Interpretations, by Gustavus Hindman Miller

Dream dictionary eyes: Dream Interpretation - Royalty

Royalty

Royalty is becoming more of a mixed dream symbol in contemporary dreams. Three hundred years ago, it would have been a universal symbol of wealth and power. However, as we become more aware of the struggles royalty face, it is more common to dream of them in relation to our own daily struggles.

Our dreams are often a search for people who can identify with our inner struggles. As royalty divorce, grieve, and grow-up in the public eye, we look to them as symbols to reinforce our own daily crises. Or we dream of them in an effort to attach the splendour of their lives to our normal lives.

Becoming a member of royalty is often a wish-fulfilment dream for wealth. However, if your dream includes an element of returning to the era of monarchy, the dream may also include a desire to assert oneself more powerfully in a particular area of life, whether it be in a financial or emotional realm.

Looking at who serve in your court and in what capacity would be a worthwhile examination. Entering into the presence of royalty can be another version of the mirroring dream. However, it may also be a judgment dream, if you are holding secrets in your life that undermine your ability to function openly. Nobility often served as the final court of appeals in many nations.

Does a hierarchical society please or repulse your personal sense of social order?

In your waking life, do your conversations include discourse on who is better than or less than others?

Source: iVillage, http://www.ivillage.co.uk

Dream dictionary eyes: Dream Interpretation - Royalty

Royalty

Does a hierarchical society please or repulse your personal sense of social order?

In your waking life, do your conversations include discourse on who is better than or less than others?

Source: iVillage, http://www.ivillage.co.uk

Dream dictionary eyes: Dream Interpretation - Loss of a Sensory Ability or of a Motor Ability

Loss of a Sensory Ability or of a Motor Ability

Usually, this is a very symbolic event in a dream. A 34-year-old man reports: I dream of being in a situation where I need to act resourcefully to help a stranger avoid danger. Suddenly, I go blind for no apparent reason! It is very frustrating.

Becoming suddenly impaired in this way is different from being injured in a physical accident. The lights just seem to go out without explanation. With a dream like this, it is questionable whether or not the dreamer feels competent to fulfil his duties in waking life. However, this can also refer to his reluctance to accept the challenge of the hero self.

Seeing oneself as a hero is kind of daunting, and the fact that it is your dream doesn't mean that you will necessarily and easily assume that role. Suddenly, the awareness of caring for those to whom you have no obligation is quickened. It's a hassle. Many of us can barely fulfil responsibilities to the people around us in ordinary situations. Another scenario for loss of a sensory ability is to exchange it for something or someone else. The old saying, "I'd give my eye teeth for..." articulates the human willingness to exchange one ability or attribute for something else of value. There are many times when our minds use the principle of exchange to help us verify the relative worth of relationships or objects.

There can also be a distinct martyr image attached to this kind of loss. This is especially true when the dream includes loss of ability through some potentially painful means. The loss may be seen as an exchange for something that was gained during the dream or in waking life.

Source: iVillage, http://www.ivillage.co.uk

Dream dictionary eyes: Dream Interpretation - Loss of a Sensory Ability or of a Motor Ability

Loss of a Sensory Ability or of a Motor Ability

Source: iVillage, http://www.ivillage.co.uk

Dream dictionary eyes: Dream Interpretation Dictionary - Naked dreams - "I'm Naked!"

Naked dreams : Dream Interpretation Dictionary - Naked dreams - "I'm Naked!"

Naked dreams - "I'm Naked!"

So you are going about your normal routine - going to work, waiting for the bus, or just walking down the street when you suddenly realize that you are stark naked. Dreaming that you are completely or partially naked is very common. Nudity symbolizes a variety of things depending on your real life situation.

Becoming mortified at the realization that you are walking around naked in public, is often a reflection of your vulnerability or shamefulness. You may be hiding something and are afraid that others can nevertheless see right through you. Metaphorically clothes are a means of concealment. With clothes, you can hide your identity or be someone else. But without them, everything is hanging out for all to see. You are left without any defenses. The dream may telling you that you are trying to be something that you really are not. Or that you are fearful of being ridiculed and disgraced. If you are in a new relationship, you may have some fears or apprehension in revealing your true feelings.

Nudity also symbolizes being caught off guard. Finding yourself naked at work or in a classroom, suggests that you are unprepared for a project at work or school. You may be uninformed in making a well-formed decision. With all eyes on you, you have this fear of having some deed brought to public attention. You fear that people will see through your true self and you will be exposed as a fraud or a phony.

Many times, when you realize that you are naked in your dream, no one else seems to notice. Everyone else in the dream is going about their business without giving a second look at your nakedness. This implies that your fears are unfounded; no one will notice except you. You may be magnifying the situation and making an issue of nothing. On the other hand, such dreams may mean your desire (or failure) to get noticed.

For a small percentage of you, dreaming that you are proud of your nakedness and show no embarrassment or shame, then it symbolizes your unrestricted freedom. You have nothing to hide and are proud of who you are. The dream is about a new sense of honesty, openness, and a carefree nature.

Source: http://dreammoods.com

Dream dictionary eyes: Dream Interpretation Dictionary - Naked dreams - "I'm Naked!"

Naked dreams : Dream Interpretation Dictionary - Naked dreams - "I'm Naked!"

Naked dreams - "I'm Naked!"

Source: http://dreammoods.com

Dream dictionary eyes: Dream Interpretation Dictionary - Religion

Religion

If you dream of discussing religion and feel religiously inclined, you will find much to mar the calmness of your life, and business will turn a disagreeable front to you.
If a young woman imagines that she is over religious, she will disgust her lover with her efforts to act ingenuous innocence and goodness.
If she is irreligious and not a transgressor, it foretells that she will have that independent frankness and kind consideration for others, which wins for women profound respect, and love from the opposite sex as well as her own; but if she is a transgressor in the eyes of religion, she will find that there are moral laws, which, if disregarded, will place her outside the pale of honest recognition. She should look well after her conduct. If she weeps over religion, she will be disappointed in the desires of her heart. If she is defiant, but innocent of offence, she will shoulder burdens bravely, and stand firm against deceitful admonitions.
If you are self-reproached in the midst of a religious excitement, you will find that you will be almost induced to give up your own personality to please some one whom you hold in reverent esteem.
To see religion declining in power, denotes that your life will be more in harmony with creation than formerly. Your prejudices will not be so aggressive.
To dream that a minister in a social way tells you that he has given up his work, foretells that you will be the recipient of unexpected tidings of a favorable nature, but if in a professional and warning way, it foretells that you will be overtaken in your deceitful intriguing, or other disappointments will follow.
(These dreams are sometimes fulfilled literally in actual life. When this is so, they may have no symbolical meaning. Religion is thrown around men to protect them from vice, so when they propose secretly in their minds to ignore its teachings, they are likely to see a minister or some place of church worship in a dream as a warning against their contemplated action. If they live pure and correct lives as indicated by the church, they will see little of the solemnity of the church or preachers.)

Source: 10 000 Dream Interpretations, by Gustavus Hindman Miller

Dream dictionary eyes: Dreams Interpretation Dictionary - Colors

COLORS

Red

May symbolize passion, anger, sexuality, revolution, danger. As the colour of blood, red is the symbol of life (which is why Hindu and Chinese brides wear red); but blood, or course may also mean death (see meaning od death).

Orange

(1) May symbolize aggressiveness.

(2) Because it is the colour of the sun, it may symbolize life, or consciousness.

(3) If you are depressed, orange may symbolize the dawn of a new attitude of optimism and proper self-love.

Yellow

Yellow may symbolize cowardice ("yellow streak"); consciousness, awareness or intelligence; or Dream Symbols:

particularily if golden Dream Symbols:

a promise of something good and life-enhancing, or an intimation of your true self.

Green

Green commonly symbolizes the fertility of Nature (as in the Green Man, the spirit of fecundity). In your dreams, therefore, it may indicate personal growth, some new development in your personality.

Grey

(1) The colour may represent old age, death (see meaning of death), depression.

(2) As intermediate between black and white, and as the colour of mist, grey may symbolize an unclear state of mind where distinctions are blurred, or where you have difficulty in seeing where you are going or have lost all sense of direction.

Blue

(1) Blue may sometimes symbolize the universal or collective unconscious (as distinct from the individual unconscious). Perhaps the dream is asking you to base your life on intuitions that come from a deep source within your psyche.

(2) Alternatively, blue may represent the power of the conscious mind, particularly if it is the blue of the sky.

(3) Darm blue may be associated with depression Dream Symbols:

'the blues".

(4) Blue clothing may symbolize masculinity. Tony Crisp (in his Dream Dictionary) observes that women sometimes dream of threatening men dressed in blue Dream Symbols:

dark blue or navy. Such a dream should motivate the dreamer to get in touch with her animus (the masculine side of her own psyche). and enter into a dialog with it, with a view to establishing a more positive relationship both with the masculine in herself and also with real men in the extrenal world. Perhaps examining her relationship with her father wil be the key to understanding her negative attitude towards men and masculinity.

(5) The blue sea may symbolize the unconscious or the feminine (anima, mother, or Great Mother, the wise self).

(6) At an advanced level of mystical awareness, blue may represent the primal energy from which the universal life-force comes. (In mythology the primevil ocean is not itself a thing: it is without form or shape but contains the potential for all forms and shapes Dream Symbols:

a description that fits God).

Purple

May symbolize mystery and therefore represent, in psychological terms, deep intuition or awareness of some type as yet unexplored dimension of the self.

Black

(1)A black hole or dark depths Dream Symbols:

for example, an unlit cellar or a deep well or oceanic deoths Dream Symbols:

may represent the unconscious. This blackness may be frightening, so long as the unconscious remains alien and unfamiliar. However, black can also be warm and comforting Dream Symbols:

which is hwy insomniacs are sometimes advised to close their eyes and imagine themselves wrapped round in black velvet. If you begin to trust your unconscious (which means trusting Nature, your human Nature), each previously horrifying or disgusting part of your unconscious will show itself in a new light, as something you need for personal fulfillment. Putting your consciousness into the unconscious Dream Symbols:

becoming aware of it Dream Symbols:

means putting more and more light into the darkness. If a star or other bright light appears in the blackness, this may be seen as a "light at the end of the tunnel", that is, as a symbol of the "illumination" Dream Symbols:

new wisdom or insight Dream Symbols:

that may be achieved by dwelling a while in the unconscious and making its better acquaintance.

(2) Black (particularly for white people) may symbolize evil. If so, bear in mind that, as a general rule, what appears in your dreams is always some part of you, and that the so-called "evil" (and therefore repressed) parts of you are really evil only if, because of neglect, they become rebellious, or if you let them take control away from your conscious self. These " evil" things are transformed into good things Dream Symbols:

creative, and bringing fuller life, happiness and wholeness Dream Symbols:

when conscious and unconscious interact and establish a harmonious working relationship.

(3) A person dressed in black may represent your shadow .

(4) A black-skinned person (if you are white-skinned) may represent either the shadow or closeness to Nature.

(5) A black animal probably represents some unconscious repressed drive or emotion. If the animal is fierce, this possibly means that something you have repressed is now urgently pressing you to give it your conscious attention and let it have some expression in your waking life.

(6) Blackness (as in black night, etc.) may simply signify diminished visibility, in which case the meaning of the dream may have something to do with a loss of orientation in your life. Do you feel you don't know which way to go; or that you don't have the energy or will to go in any direction? If so, make a pact with your unconscious to the effect that, it will tell you where you have the potential Dream Symbols:

and the need Dream Symbols:

togo, you will respond accordingly in your life. Then pay close attention to the dreams that follow. (If you go the next few nights without dreaming Dream Symbols:

or, more precisely, without recalling your dreams Dream Symbols:

this probably means that you are backing out of the pact and setting up a defence against what you fear your unconscious might have to tell you).

(7) Black may symbolize dispair or deep depression. If so, follow the advice given in (6) above.

(8) In many parts of the world black is associated with death. It is possible, therefore, that this what the colour signifies in your dream. Bear in mind, however, that death in a dream may refer to something internal: the "death" Dream Symbols:

or the giving up Dream Symbols:

of something within you (for example, some irrational fear, or other negative attitude or emotion).

Brown

(1) Brown is an earthly colour and may, therefore, symbolize the instinctive or the sensuous.

(2) Brown is also an autumnal colour and as such may signify a (feeling of ) decline; low spirits or depression.

White

White may signify pure and innocence, peace happines, joy; but in the East it is associated with death and mourning. (See meaning of death)

Gold

(1) Symbolically, the colour gold has connections with the sun and may represent new life, self-renewal; some new development in your psyche.

(2) Gold, as something valuable, may symbolize either your true self, as distinct from your conscious ego, or some faculity in your psyche which, if accepted and activated, could bring you closer to your real self.

(3) Gold fruit (like the golden fleece) features in mythology as a hero's prize for overcoming monster or other evils. This symbolizes the rewards of facing up to the contents of the unconscious, taming those that Dream Symbols:

through neglect Dream Symbols:

have become wild or aggressive, and intergrating them into your conscious life.

Silver

(1) Silver may symbolize something of value with regard to your personal development.

(2) Silver has associations with the moon, and may therefore symbolize the feminine; intuition; or the unconscious.

Reference: Eric Ackroyd

(Source: Myths - Dreams - Symbols)

Colors, Colour, Color, Colors, Red, Orange, Yellow, Green, Grey, Blue, Purple, Black, Brown

Dream dictionary eyes: Mysticism Magick Dictionary on JUNG'S NIGHTMARE

JUNG'S NIGHTMARE

Jung dreamed, at age 4, of a great tower on a throne. It seemed to be made of skin and the top of it was rounded with a singly eye staring upward. He found this quite frightening. In later life, when he broke with Freud he admitted that he felt that mans needs were much greater than sex. He felt that sex was merely one powerful force amongst others. Freud begged Jung never to abandon the sexual basis of neurosis but that it must stand as a bulwark. "Against what?", asked Jung. "Against the occult.", whispered Freud.

Jungs psychological theory can be summed up in this statement: the goal of psychic development is the self - There is no linear evolution. There is only a circumambulation of the self. Everything points to the center.

Dream dictionary eyes: Dream Interpretation Dictionary - Various Bird Symbology:

Birds : Dream Interpretation Dictionary - Various Bird Symbology:

Various Bird Symbology:

White Dove: well known symbol of peace; a symbol of the Holy Spirit descending on Christ, as depicted in many artistic works. A pair of white doves is a common symbol of love and devotion.

Mourning Dove: commonly thought of as a potential symbol of upcoming death to someone you know, but only if it is seen in unusual circumstances and not just eating at the bird feeder or sitting on a telephone line.

Eagle: Among the 7 mortal sins, depicts pride; among the 4 cardinal virtues, justice. Symbol of John the Evangelist, depicting spiritual cognition, faith, healing and ascension. Similar powerful symbol of the Great Spirit to the American Indians, who use it's feathers in many ceremonial dress & implements.

Goose: symbol of fidelity and loyalty. Could also be a metaphor for

"being goosed" or "acting like a goose."

Ostrich: closing eyes to unpleasant facts. Just mentioning "Y2K" will make many ostriches out of you! <smile> Also a symbol of meditation, since the Ostrich parent does not sit and hatch it's eggs, but lets the sun do it's work while it guards them vigilantly.

Owl: wisdom, as portrayed in so many children's stories and cartoons.

Peacock: pride, vanity and showing off due to the male's proud strut; but the male does this as part of his mating ritual to get the attention of the female, so I would apply this as such. It is used to symbolize the American CBS network, and a metaphor could be "showing your true colors." The peacock also symbolizes joy in the afterlife. True story: my mother & I visited my grandmother's grave one afternoon to find a living, breathing peacock standing there staring at us. When I found out that it symbolized "joy in the afterlife," you can imagine how special that was. How often does one find a peacock standing on a grave? Coincidence, my foot!

Nightingale: symbolizes yearning and pain; in Christianity it

symbolizes the longing for heaven.

Raven: intelligence; oftentimes depicting things we really prefer not to hear.

Stork: instantly recognizable in our culture as a symbol that a baby has been delivered or is due, possibly due to the young stork's habit of gratefully feeding it's parents when it becomes a fledgling; or due to the stork's return after winter migration, when nature begins anew.

Swan: transformation, as in from "ugly duckling" into a beautiful swan. Also symbolizes loyalty and fidelity.

Turkey: Is any American unfamiliar with the symbology of "Turkey Day?" Also referred to as a metaphor often used to describe something as being silly, or an embarrassing failure or dud.

Vulture: impending death, or a metaphor for waiting to take advantage of someone in dire trouble, as in "the vultures are circling."

Egg: symbolizes primal beginnings from which all life springs forth;

also in Christianity this is a symbol of resurrection (ever wonder where the thought of Easter Eggs came from?), as in Christ breaking out of his tomb similar to a chick breaking free from it's egg. Could also have metaphorical influence, such as the age-old question, "Which came first--the chicken or the egg?" In this manner it could be saying, "Some questions can never be answered by mere humans, so quit agonizing over a problem without solutions and deal with what-is, as it is."

Other types of symbology involving birds: metaphors such as

"bird-brain", "You eat like a bird", "birds of a feather flock

together," "that's for the birds", "A bird in the hand is worth 2 in the

bush", "feathered friends", etc. Just apply the metaphor to the context of your dream to get the gist of what the symbology entails. Also helpful is relating bird dream symbols to song lyrics. Think of how many different songs mention birds in one way or another.

Courtesy to: http://www.readersdigest.ca

Dream dictionary eyes: Spiritual Theosophical Dictionary on Thoth

Thoth (Egypt, Egyptian). The most mysterious and the least understood of gods, whose personal character is entirely distinct from all other ancient deities.

While the permutations of Osiris, Isis, Horus, and the rest, are so numberless that their individuality is all but lost, Thoth remains changeless from the first to the last Dynasty. He is the god of wisdom and of authority over all other gods. He is the recorder and the judge. His ibis-head, the pen and tablet of the celestial scribe, who records the thoughts, words and deeds of men and weighs them in the balance, liken him to the type of the esoteric Lipikas.

His name is one of the first that appears on the oldest monuments. He is the lunar god of the first dynasties, the master of Cynocephalus - the dog-headed ape who stood in Egypt as a living symbol and remembrance of the Third Root-Race. (Secret Doctrine, II. pp. 184 and 185). He is the "Lord of Hermopolis" - Janus, Hermes and Mercury combined. He is crowned with an atef and the lunar disk, and bears the "Eye of Horus ", the third eye, in his hand. He is the Greek Hermes, the god of learning, and Hermes Trismegistus, the " Thrice-great Hermes ", the patron of physical sciences and the patron and very soul of the occult esoteric knowledge. As Mr. J. Bonwick, F.R.G.S., beautifully expresses it: " Thoth has a powerful effect on the imagination . . . in this intricate yet beautiful phantasmagoria of thought and moral sentiment of that shadowy past. It is in vain we ask ourselves however man, in the infancy of this world of humanity, in the rudeness of supposed incipient civilization, could have dreamed of such a heavenly being as Thoth. The lines are so delicately drawn, so intimately and tastefully interwoven, that we seem to regard a picture designed by the genius of a Milton, and executed with the skill of a Raphael." Verily, there was some truth in that old saying, " The wisdom of the Egyptians ".When it is shown that the wife of Cephren, builder of the second Pyramid, was a priestess of Thoth, one sees that the ideas comprehended in him were fixed 6,000 years ago ". According to Plato, "Thoth-Hermes was the discoverer and inventor of numbers, geometry, astronomy and letters". Proclus, the disciple of Plotinus, speaking of this mysterious deity, says: "He presides over every species of condition, leading us to an intelligible essence from this mortal abode, governing the different herds of souls".

In other words Thoth, as the Registrar and Recorder of Osiris in Amenti, the Judgment Hall of the Dead was a psychopompic deity; while Iamblichus hints that " the cross with a handle (the thau or tau) which Tot holds in his hand, was none other than the monogram of his name". Besides the Tau, as the prototype of Mercury, Thoth carries the serpent-rod, emblem of Wisdom, the rod that became the Caduceus. Says Mr. Bonwick, " Hermes was the serpent itself in a mystical sense. He glides like that creature, noiselessly, without apparent exertion, along the course of ages. He is . . . a representative of the spangled heavens. But he is the foe of the bad serpent, for the ibis devoured the snakes of Egypt."

Dream dictionary eyes: Mysticism Magick Dictionary on TIME

TIME

Adeste, O Tempora Omnia! ("Be now, All Ye Times!") According to Merlin and others, mortals tend to face the opposite direction from that which time actually flows, as when we are seated in a train facing away from the engine. But it is the frozen past that unfolds, not the blazing future. We move away from becoming into the permanence of that which finally is. We alter continuously the shape of our history as we live it backwards. We watch the world recede rapidly as we move into the Nothingness of the Void and are swallowed up by it. However, this old linear view of time is abruptly being replaced by a new understanding of time as an exradiating web with ourselves at the center. The 20th Century has become the most time-obsessed period in history, and thus one of the most confused.

Kenneth Grant defines time as "subjectivity" and space as objectivity," the future as "implicit" and the past as "explicit." Despite the eye-opening insights these definitions provide, they still present time as having concrete existence.

FTL speeds flatten time to zero because light released only as electrons takes quantum leaps in the evolution of matter. In other words, electrons have to be released in order for matter to evolve (i.e., change), in fact, in order for matter to exist, period. Existence is a kind of "fire" or transmutation. And you know (see REALITY), photons appear only when someone actually observes (interacts with) them, because Being and Mind are one. We can't separate the four elements (earth, air, fire, water) -- so if you could succeed in extracting "water" or "fire" you'd wind up with nothing at all. But part of "earth" (the 4th part) is also earth, that is, an infinite replification (hologram) of itself -- boxes inside boxes in infinite regression; and every part is exactly alike, each particle is the entirety.

Inside the holo-mind, the stoppage of time is a play-back of Zeno's Paradox. That is, it decreases by infinite halves, except that one can no longer step out, is locked into halving. This is how annihilation is possible... but we digress.

Time is not some abstract "duration" imposed from outside but is built into the structure of things. There is a secret known to very few initiates, that one of the elements is fictitious, i.e., an abstraction devised merely to connect the others. Our postmodern problem is that we can't decide whether that's Time or Space, because they called it simply "Air." I guess we can work backward -- the nature of air, unlike that of the other elements, is for molecules in its medium to repel other molecules. Earth doesn't repel. It attracts. Water doesn't repel, it allows molecules to pass across one another's paths without obstruction, to flow. Fire doesn't repel, it fuses and spreads. Air alone moves towards separation and disintegration, as the present constantly disengages from past moment to past moment. (Future never does come into existence, does it? Tomorrow literally never comes. It is a physical impossibility).

The "duration" of an ice cube is not really it's "fourth" dimension, but simply a description of water moving from one form (ice) to another (water) and it is at "no time" anything other than H2O. The "duration" of a life is almost meaningless. What has "endured"? The mewling babe or the grizzled old hunchback? What I'm getting at is that duration is such a philosophical term that sub specie aetemitatis it eventually ceases to have any pragmatic importance.

Well, then, if there is no future, how did I get here from the Past? The billions scream for illusions. And through the medium of herbs and drugs, the minds of ages past, present and potential can and do intertwine. It is called the principle of bilocalism, or being in two places at the same "time." As I lie upon my lion rug, dreaming of the 20th Century in my hut with the crossed spears over the doorway, I have entered one of the spirit worlds where time no longer counts. In the same way, I can entrance myself into "the year 1999" or (with a final twist) the year "2013" and this sorcerors have done since any of us can remember. But there is a wall that begins to thicken as we approach the 21st Century. Beyond this it soon becomes impossible to pass (apart from the 2013 "bubble"). That outer wall has been known to exist, since the seers of Egypt and Babylon first perceived it, thousands of years ago. It is the limit of this Aeon -- and it is a ring-pass-not of dense, dark flame.

Of course it's all an illusion. There is no future. What we're looking at is always the present. Infinite knowledge? Well, yes, obviously omniscience has always been there. All you have to do is walk into it. And, yes -- the crossing of infinite parallel lines -- all outcomes equally probable. But, again, it's the "improbable" that always has the edge. The world will actually "end" long before 1999 or 2012 -- the "Implosion" is building up and up. Those are only the uttermost limits. The Three are already at hand.

(See also: TIME, Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul, )

Dream dictionary eyes: Mysticism Magick Dictionary on PERICHORESIS

PERICHORESIS

The word is Greek, as you might imagine: peri "around" + choreio "dance." But for the Greeks "dancing" wasn't the aimless shuffling we do. It was more like ballet. "Choreography" is a lot closer to the idea -- in which particular movements are carefully planned and executed. Travel from one dimension to another occurs simultaneously on all levels of reality. We travel in and out of the astral during sleep every night and think nothing of it. And, as you know, when the shaman interfaces with the earth by taking narcotic mushrooms or cacti into his system, he's moving deliberately and consciously between universes.

Parallel worlds stretch horizontally from sinister to dexter, or rather, from increasing shades of darkness to increasing degrees of light. Beings entering from the darkside are perceived by us not as merely ignorant but as demonic, whereas the wisdom of the beings from the lightside stands so far beyond our recognition that we see them simply as angelic beings. Depending on the level of reality that we happen to occupy, the dark and light worlds are perceived as more or less similar to the world we currently inhabit. On some levels of reality, the transfiguration is reversed and we perceive them as inhabiting regions above and below a horizontal plane of reality that stretches into inaccessible temporal limits of Past and Future. In such a world, reality is a given that is perceived as revealing itself only at such Past and Future vanishing points -- Alpha and Omega.

Everywhere horizontal parallel plane meets vertical parallel levels and an Aeon is established, symbolized by a cross. If the cross, however is not circumscribed by a circle (the familiar symbol of cross in circle, representing "earth"), there is no cohesion and the center does not hold. The so-called "extremes," in fact, are not extremes at all, but merely their own opposites in a spinning circle.

Because of the nature of infinity, we have to recognize that we may never stand at any of the four extremities, but always only at the exact center of the omniverse.

Notice also that in any formal religious painting, the god or saint is always placed in the exact center. If he is raised too high from the center, the lower world is given undue importance and power, because, after all, in completely "secular" pictures, the God has been raised so high as to have been left out of the picture altogether! Placing the God too far down divests him of his divinity because his intensity looks, on our level, simply grotesque. Likewise, if the God is placed too far to the left or right, an imbalance is also created.

Thus, uncircumscribed, the ends of the cross stretch unchecked into the infinite four directions and an uncontrollable wickedness is set forth into all manifestations. Without the "earthing" of the cross, there is no manifestation. The extremities lead only into infinite "otherness" and delusion. It is the inner being at the solar plexus that is the heart of the universe. When we nail (i.e., Christianize) the higher spirit of man to an ancient quadratic event, the center is blocked and closed forever. Moreover, the center has been locked in the past, away from the Eternal Now. Until the nail (Xtianity) has been pulled out, no further evolution is possible and Death will prevail.

The way out is toward the central, innermost point.

The parallel world-planes are accessible at all times. We move in and out of them constantly, but are mostly unaware of having done so. Occasionally we get the feeling that "things are suddenly different" or that "something is about to happen" and that means we've inadvertently stepped into a new probable world that is much different from the ones we've hitherto occupied. You can move back into the world you've just left, only if you do so at once.

Whatever can be imagined, exists, will exist or has existed. Whatever has existed or will exist continues to exist now because time is one of the four real dimensions of things. Alongside this Reality there are an infinite number of co-existent realities of equal "solidity" and "substance." There are also an infinite number of "probable" realities and an infinite number of "possible" worlds. A moment's reflection will show that if this is so, then, obviously, available access to them must not be merely possible, but inevitable. Jane Robert's Seth describes the infinite "probable worlds" stretching out in either direction from this one. The closest ones being hardly distinguishable from this, as we progress outward, the probable worlds become stranger, increasingly incomprehensible and frighteningly unpredictable. In the fifth dimensional world, four dimensional objects have their own much more complete and solid "substance" which we cannot perceive so long as we inhabit lower planes of being.

You can, however, willingly and deliberately get up and walk from this world into the nearest adjacency and from there to the next, and the next. The only problem is that you're playing roulette. There's no way of telling what kind of world you are moving into.

If you are seeking to avoid some trouble in this world, be advised that things could be a lot worse in the world next door. Moreover, if you leave unsolved problem behind, your karma will continue to take you back there in future lives until eventually you are forced to solve them. On top of that, if you leave muddy footprints behind you as you run through world after world, you'll have added onto your present karma the extra burden of going back to mop them up.

Actual entrance/exit sites are a matter of intuitive perception. Dimensional doorways are not likely, for instance, to be found in your living room. They need to be places you've never crossed before (except as interdimensional thresholds). It's best to look for two pillars to pass between -- a couple of tall trees in a forest or park make excellent pillars. The more difficult the access the better. And the direction and angle of entrance are crucial. Select a "picture" framed by the trees as most nearly representing the world you want to leave behind you and before you a picture of what intuitively or esthetically looks to be an improvement of that. Make sure that nothing passes across your line of vision as you are actually walking through. If necessary, keep your eyes closed or look down at your feet.

At first the difference between adjacent worlds is scarcely discernible. Variations only become immediately evident at some distance. But if you are observant, you will eventually begin to notice tiny, subtle changes for the better (or worse). By the time these changes become evident, it's already too late to go back where you came from. The metaphors of artistic symbolism, religion and magic can also assist in perichoretic travel. With the enhanced ability to will and to imagine, the human mind can perceive parts of alternate realities with increasing clarity and may begin to see how to transform the reality we normally inhabit. In fact, so many are the pathways to alternate experience, it's a wonder anyone still believes that reality has but a single face!

There is, to be sure, ultimately only the One Plenum in which everything else transpires, but that sphere transcends experience in the Void of Nirvana.

Although, as we've seen above, there are relatively easy methods of interplanary travel (between planes), the ability to discover significant doorways into alternate dimensions, advanced perichoresis, not only requires an out-of-the-ordinary state of consciousness, but is a difficult technique in its own right, mastered properly only by experienced shamans. For instance, travel through time in the past requires us to move "forward" (i.e., towards the Beginning of Time) simply by ignoring vast areas of experience and being -- as we also do in the present -- in order to maintain a strict continuity of our own. Travel from the future (i.e., the End of Time), however, even though employing the same declination, creates an ever-thickening wall behind us, preventing all possibility of return to the starting point.

Kenneth Grant (Outside the Circles of Time) provides us with insights into the sexual avenue of interdimensional perichoresis and at the same time describes the procedure for creating a "moonchild." In his system, the door to our world opens inward in order for us to receive extratellurian immigrants.

Bipolar human sexuality, explains Grant, parallels cosmogenesis and the sacred void corresponds to the female vagina. Everything comes out of and falls back into this same eternal darkness. The creative light is sucked into its bottomless depths where it is swallowed up by vampiric blackness. Therefore, the doorway to the vacuum or zero of space is a priestess who has been chosen for her "master of the art of dream control." By allowing herself to become a mirror of impression-reception, she is able to generate illusions, "for all form is fantasy, and exists only in the dreaming mirror of the mind."

A material looking glass is placed above her, slanted to receive the starlight. Now, by her psychic ability she can project whatever star morph the magician requires onto the looking glass. A second mirror, creating an infinite regression reflection is placed 11 feet away, eleven being the number of the famous 11th Pathway of Black Magic. The circle of Daath is the corresponding doorway in the Qabalah.

Thereupon the priest uses his penis as the intergalactic conduit of the astro-seminal energy. His vibrations and invocations encourage the dream-manipulating priestess to focus the desired star-morph entity onto the mirrors. In the ultimate orgasm of priest, priestess and dream-entity, the eldolon rises briefly to life and erupts from the mirror as its starseed transmission runs down from the star to impregnate her. The zygote achieved by this cosmocopulation is a unique blend of human and extraterrestrial "genes."

According to most students, monstrous beings invisible to ordinary consciousness are entering our universe in unprecedented numbers, through this same interdimensional sexual doorway. (Apparently our time is a vector of unique significance.) The fantasy film, Ghostbusters, was a facetious rendering of this understanding, but revealed a good deal more than most viewers realized. Kenneth Grant teaches a heterosexual tantrism by which one may ride out again through the same door on the back of one of these demonic beasts and thereby escape. He calls this, again, the 11th Pathway. Others propose that there are homosexual and even solitary practices what serve this purpose equally well.

Sex and death are the two most common and well-known methods of conveyance between worlds, but such exclusively Scorpionic merkabahs are by no means the only ones. All of these methods follow the horizontal direction of planes to left and right, from darkness into light, or vice versa. There is also travel in the vertical direction from layers of reality and consciousness above and below. These cris-crossing horizontal and vertical planes endlessly extend out and recede into the vastnesses. Some of the planes are commonly thought, by the average person, to be "schizophrenic" because they appear to leave the traveller suspended in his "own little world." But such planes are of great importance to the magician or yogin. Reality, we must understand, is entirely a matter of the manipulation of illusion. The teacher, Gurdjieff, once pointed out that there is only one thing in the entire universe, but it is repeated endlessly in order to provide the illusion of "difference." Even chemistry and physics bear this out. The difference between each element is simply a difference in the number of their atomic electrons: Hydrogen 1, Helium 2, Lithium 3...

Some writers believe that there are denizens of other dimensions who use various perichoretic chariots that resemble the astral projections of those whose time and locality they visit. For Ezekiel and Daniel it was a fiery wheel bearing the tetramorph. For the Dogons it was a star ship. For our great grandfathers in the 19th Century it was frequently an airship. But they aren't just psychic experiences, say the witnesses, ufo's leave evidence behind ... a burned-out circle on the lawn, a map with indecipherable writing, MIBs, etc.

My own interdimensional visits to "the Other Side" have been neither A.D.E.'s nor OOBE's. They have occurred either through true-dreaming or by psychotropic methods, i.e., strictly via astral travel. In all, I have several times visited the "conventional" Astral Plane -- or abode of the (after-dead) spirits, three or four times encountered higher beings (although only at a distance), dwelt in the All-Consciousness of All-Phyla and once visited a previous time. Lately I have begun experimenting with ordinary consciousness as a routine means of perichoresis. The occult path I've travelled (until now) has always been the lonely one of the hermit. The beings I've encountered have been the traditional custodians of the pathways, that is to say, those archetypes hovering somewhere between being and non-being. Else they comprise the angels, Gods and daimones of pantheons we already know. But I have increasingly come under the purview of something more important: the existence of what seems to be an infinite number of Eternal Doorways between worlds. These doorways are available to us, of course, under very special circumstances -- that is to say, in altered psychic states lying clearly outside normal consciousness: Yoga, Tantra, sex magic, primitive rites of passage, repetitive rhythms (micro-events), sensory deprivation or stimulation, pain, extreme trauma, trance, all the multifarious REM/sleep/hypnotic states, rushes of adrenaline or fatigue intoxication, epilepsy, metamorphic anomaly, drug intoxication, illness, psychosis proper, thanatolepsy and death. (See SOLIPSISM.)

(See also: PERICHORESIS, Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul, )

Dream dictionary eyes: Mysticism Magick Dictionary on MAGIC

MAGIC

From Latin magi, pl. (Greek magoi, pl. of magos, a Magian, one of the Median tribe; also an enchanter, properly a wise-man who interpreted dreams; Old Persian mugh, one of the Magi, a fire-worshipper; Sanskrit maga "a priest of the sun"; maybe related to maha, "great" and maya, illusion; perhaps, ultimately, even the Maya of Central America. Compare Hebrew makeshef, "magician"). Magic is actually short for "Magic Art". The connection between magus and magnus "great" also appears in Hebrew. As in Latin the word for "great", produces "master or teacher" (magister) , so Hebrew rab produces "rabbi". However the confusion in Hebrew does not arise because the word for "magic" (qeshem) is not related to rab".

The word in this form is found with precisely the same meaning (or mystery) in most European tongues and even in Japanese majutsu, (which they no doubt borrowed from the Portuguese). Elsewhere, however, we find different senses altogether, such as the old Teutonic Helliruna (lit. "Hell's secret") which is surely a folk etymology of the Arabic word for "mandrake", albiruhan or alyabruhin, the same word we find in Spanish as the word for "magician", el brujo, because alongside that there is indeed the Old High German word for "mandrake", Alruna. The only question we need ask is which form came first, but we find the Arabic influence extending east as far as Mongolia, where, in passing, we may note ilbi for "magic."

The otherness of ego enwraps each of us like a prison, but the magus takes all of earth as his body. Magic itself is but a symbol of the greater Magic, which is Unity. The Oneness frees us from the dungeon of darkness and the self and resembles the teaching of Buddhism.

From yet another perspective, magic, mind and life are the same thing: living cells are sometimes kept alive in labs. A specialized cell, so protected, fed and allowed to reproduce, eventually turns into a basic and undifferentiated cell. This indicates that life is not only exceedingly plastic but that it is also purposive. If such adaptation were attributable to mindless mechanics, a bone cell would go on reproducing a bone cell and a blood cell a blood cell forever.

Since all things are connected, then experiential reality, which is Mind, can be altered by the implementation of the Will and Visualization. There is no "orthodox" doorway of the "Self" through the various universes, so the magician must build his own bridge, without assistance, across the Abyss, from the otherness of the separate ego to Cosmic Unity. Since the goal and purpose of existence is knowledge, then the magus is obliged to seek experience on numerous planes of being reached via perichoresis and also to effect material changes in the earth's reality. Thinking isn't just the beginning of creation, it is creation itself.

Marc Edmund Jones classifies magic into categories. Divination is the effort to gain knowledge, particularly of the future (in order the better to assist the "Divine" plan). The evocation or invocation of elementals or angelic powers, functioning through the ethers, is another class of magic. Then there is hypnotism, which works through "imitative" magic. Finally, there is tantrism, or the development of supernatural siddhis.

Colin Wilson suggests that magic is simply the development of the Will and the Imagination, Versluis that it is "not a means to an end, but a means to heighten means." Clearly, the object of magic is the raising of consciousness. The magus is empowered to effect events only to the extent that he is able to recognize that inside and outside are one. To transform the world is to transform oneself and vice-versa. Traditional rituals, the using of symbols and the altering of consciousness through herbs, smells, sounds, repetitions and meditation are all inward-directed processes designed to educate, focus and strengthen the faculties of Imaging and Willing. Alchemy is the same endeavor directed outwardly. We fail to control the transformation of our selves to the degree that we isolate ourselves from the world, just as we lose our ability to change the world at the exact moment that we begin to lose touch with ourselves.

However, although those who don't know what they are doing are obliged to perform magic strictly through the observation of rituals, those who understand its real nature and purpose can move directly to its center and act from there, without incantations and conjurations.

Here are some definitions of M/magic(k) by various authorities on the subject:

ANONYMOUS: "Magus Nascitur Non Fit."

ALICE BAILEY: "No man is a magician, or worker in white magic, until his third eye is opened, or is in the process of opening." (That means 'transmission of consciousness to the universal mind').

WADE BASKIN: "The art and science of magic is based on three basic principles. 1) one may communicate with other realms, or planes of existence, through the medium of the Astral Light; 2) the power of the magician is unlimited; 3) external characteristics (signatures) are signs through which everything internal and invisible can be revealed."

MORRIS BERMAN: "Magic is not necessarily gnostic in nature, since it is not particularly dualistic, and it never includes the notion of an outside savior or redeemer, which Gnosticism (particularly in its early forms) sometimes does."

HELENA P. BLAVATSKY: "The art of divine Magic consists in the ability to perceive the essence of things in the light of nature (astral light), and - by using the soul-powers of the Spirit - to produce material things from the unseen universe, and in such operations the Above and the Below must be brought together and made to act harmoniously". (The Secret Doctrine).

"Magic is spiritual wisdom. Arcane knowledge misapplied is sorcery.

"Magic was considered a divine science which led to a participation in the attributes of Divinity itself."

"Magic was the highest knowledge of natural philosophy... and the magician differed from the witch in this, that, while the latter was an ignorant instrument in the hands of demons, the former had become their master by the powerful intermediation of science, which was only within reach of the few, and which these beings were powerless to disobey."

BERNARD BROMAGE: "The word has, more often than not, been used, not for illumination, not as a guide to ascertainable verity, but as a camouflage to conceal a man's ignorance; and, worse, his calculated ineptitude and folly. The word can be said to have ceased to be a word and to have become a byword: a symbol surrounded by an evilly phosphorescent light, of man's infernal capacity for avoiding the issues. . . Magic, tout court, is immensely concerned with the 'Extension of Consciousness'; the widening of frontiers; the increase and development of every variety of sense perception. To be a magician one must learn to investigate all phenomena with the eye of the scientist who scorns no possible hypothesis nor neglects to take into the fullest consideration the complete structure of our actual and potential being. . . it is not a solace for the frustrated, but a reward for the pure of heart. Its final appeal is not to curiosity or greed, but to reverence and acceptance."

PETER CARROLL: "The world is magical but designed to make us believe we are not magi."

"All events are basically magical, arising spontaneously without prior cause. Physical laws are only statistical approximations. Consciousness, magic and chaos are the same thing. Consciousness also makes things happen without prior cause."

ALEISTER CROWLEY: "All Art is Magick"

"The Goal of Magick is the knowledge and conversation of the Holy Guardian Angel."

NEVILL DRURY: "Magic is the technique of harnessing the secret powers of Nature and and seeking to influence events for one's own purpose. If the purpose is beneficial it is known as white magic, but if it is intended to bring harm to others, or to destroy property, it is regarded as black magic."

"High Magic is intended to bring about the spiritual transformation of the person who practices it. This form of magic is designed to channel the magician's consciousness towards the sacred light within, which is often personified by the high gods of different cosmologies. The aim of high magic has been described as communication with one's Holy Guardian Angel, or higher self. It is also known as Theurgy."

"Whereas science deals with empirically observable causes and effects, occultism deals pragmatically with methods of altering consciousness to produce certain effects. One of these is the assimilation within the self of the characteristics of a deity, another is the separation of consciousness from the physical body."

DION FORTUNE: "Magic is the art of changing consciousness at will."

KENNETH GRANT: "Magick is the apotheosis of the Irrational, the acme of the absurd, and the reification of the impossible."

GURDJIEFF: ". . .I decided to call those undertakings which required intentional action of higher centers - those centers which are properly the feeling and thinking centers, capable of emotional sensing and of mentation respectively, but which are ordinarily unformed through absorption of their rightful impressions by the false emotional and intellectual centers of the psyche - objective magic, having as its result the obtaining of real knowledge."

"I thus separated this objective magic from its ordinary counterpart, 'magic of the psyche', in which purely fantastic results are obtained, and self-calming and amusement are the only attainments. Under this category I placed my former endeavors as a medium and psychic, as well as those results obtained by theosophy, occultism and so forth, all of which up to then had quite fascinated and attracted my attention."

WILLIAM JAMES: "We all have a lifelong habit of inferiority to our full self. . ."

MARC EDMUND JONES: "Occult, as distinct from secular, science; Occult as the effort to compel the cooperation of others, as well as deity, nature, in enterprises of self, illustrated by miracle or thaumaturgy, known as white when ethical and black when amoral."

ELIPHAS LÉVI: "The Arcanum of the Magnum Opus is the mastery or government of Ignis."; "Would you learn to reign over yourself and others? Learn how to will. How can one learn to will? This is the first arcanum of magical initiation. . ."

MACGREGOR MATTHEWS: "To practice magic, both the imagination and the Will must be called into action, they are co-equal in the work. . . The Will unaided can send forth a current. . . yet its effect is vague and indefinite. . . the Imagination unaided can create an image. . . yet it can do nothing of importance, unless vitalized and directed by the Will."

JOHN MIDDLETON: "We may say that the realm of magic is that in which human beings believe that they may directly affect nature and each other for good or ill, by their own efforts (even when the precise mechanism may not be understood by them) as distinct from appealing to divine powers by sacrifice or prayer (i.e. religion)."

JOHN O'KEEFE: "Magic is the defense of the self against the malevolence of society."

PARACELSUS: "The exercise of true magic does not require any ceremonies or conjurations, or the making of circles and signs; it requires neither benedictions nor maledictions in words, neither verbal blessings or curses."

JOHN COWPER POWYS: "Magic is simply the choice between emphasis and rejection."

DIANE DE PRIMA: "Look at the forces behind the things rather than just at the object or event. If I have a working definition of magic it's that behind every single thing in the world an infinite tunnel opens of reference, cross-references, and forces, and how these things interlock in nets. What I basically say is, yeah, learning to see force. . . learning to see the etheric and the astral, etc. to the thinner and thinner layers of stuff. And learning to work off those layers rather than . . . if you want to push that rock you don't necessarily have to go out there and put your shoulder to it."

RIMBAUD: "The Poet transforms himself into a seer through a long, immense and determined, rational disordering of all his sense. Every form of love, suffering and madness he seeks within himself and exhausts in himself all poisons, preserving but their quintessences. Ineffable torture where he will need all of his faith and superhuman strength, making him among men, the great Sick Man, the Thrice-Damned, the Arch-Criminal - and the supreme Savant! - for he arrives at the Unknown! Since he has cultivated his soul, already richer than any other man's, he thereby reaches the Unknown, and, even if, insane in the end, he should lose every shred of understanding gained so laboriously, he will have had his Visions! He may perish in his leap into those innumerable, unnameable things, there will follow other terrible workers. They will begin at the horizons where he fell."

MARTIN DEL RIO: "An art or skill which, by means of a non-supernatural force, produces certain strange and unusual phenomena whose rationale eludes common sense."

ROMULUS: "Magic is living poetry."

"Magic is the invocation and exploitation of synchronicity. All practices build up a momentum of their own. What we desire eventually comes true, with interest."

"Every magician's tricks are his own, to help him with own special problems, to get himself over his own inner obstacles. Our Individual tasks are to learn and overcome our own obstacles. That's why the study of great men and women is so very instructional and worthwhile. Not because they teach us to be like them, but because they show us how they became themselves! "

"Self-confident, integrated personalities already are fairly much in control of their powers and are magical to some extent. When circumstances intrude, such as sickness, enmity, financial loss, etc. and self-confidence wanes, the 'magical' side begins to seem spurious. The more 'magical' we try to be, the more charlatanry rises to the surface in us."

FRANCIS KING & STEPHEN SKINNER: "Four basic assumptions of magic: 1. That the [physical] universe is only a part of total reality. 2. The human will-power is a real force, capable of being trained and concentrated, and that the disciplined will is capable of changing its environment and producing paranormal events. 3. That this will-power must be directed by the imagination. 4. That the universe is not a mixture of chance factors and influences, but an ordered system of correspondences, and the understanding of the pattern of correspondences enables the occultist to use them for his own purposes, good or evil.

HUTTON WEBSTER (1948): "As regards purpose, Magic is divinatory, productive and aversive. The magician discovers or foretells what is otherwise hidden in time or space from human eyes; he influences and manipulates the objects and phenomena of nature and all animate creatures so that they may satisfy actual or human needs; and finally he combats, neutralizes and remedies the onslaught of the evils, real or imaginary, afflicting mankind. The range of magic is thus almost as wide as the life of man. All things under heaven, and even the inhabitants of heaven become subject to its sway.

COLIN WILSON: "Human perception is 'intentional.'" (Consciousness is a muscle).

"The great personality-inhibitor is caution. . . even in a few people who seem fairly well integrated. I can suddenly catch a glimpse of a more sophisticated, confident personality that has never succeeded in emerging . . . Even criminality is a form of caution, the desire for immediate and tangible returns, based upon the feeling that the universe has no intention of giving you anything you are not prepared to take by force. In fact, the study of murder leaves one with an impression of weak and crippled personalities who left half their potentialities to stagnate."

"Outside our everyday personality there is a wider self that possesses greater powers than the everyday self. . . When the will is hindered by too much self-consciousness it often produces the opposite effect from the one intended. (Poe called it "the imp of the perverse"). The wider self would be happy to oblige, but the contracted ego is somehow opposing itself, like someone trying to open a door by pushing it instead of pulling it. So it does the next best thing." (Psychokinesis).

"Modern civilization induces an attitude of passivity. When a Stone Age hunter set out to trap wild animals, he was aware of his will as a living force. When the prehistoric farmer scored the surface of the earth with a crude plough, he knew that his family's survival through the winter depended on his effort, and his will responded to the challenge. When a modern city dweller walks down a crowded thoroughfare, he feels no sense of challenge or involvement. This city was built by other people, all these shops and offices are owned by other people. He can get through an ordinary day's work in a state approximating sleep. Most of his routine tasks are carried out by the 'robot'. There is neither the need or the opportunity to use the will."

ZORN ZUCKERMAN: "The 20th Century has been so much a time of everything 'losing its magic, that the only thing left is magic itself."

CONCLUSION:

Is magic simply the search for "ultimate knowledge" without the burden of "worship"? Not exactly. The Golden Dawn used to say, "The aim of religion, the method of science," which was as ambitious as it was inaccurate. The "Transcendental" without religion, as opposed to mere "Revelation" without religion, would be closer to the mark than soulless "Ultimate Knowledge." The latter is a logical, scientific goal, not a magical one. The Scientist is obliged to go wherever his will-o'-the-wisp may lead him, as Mary Shelley pointed out, stopping not even at Frankenstein's monster nor the Hydrogen Bomb nor tailor-made diseases. Thus, the scientist inevitably winds up in Hell, the epitome of "Reason". The Magician knows where he is going, dares to go there and will what he will discover and create. His work (ideally) is the transmogrification of Hell. Moreover, about what he does he can make no statement, because it is always unique, never a repeatable "trick". That is, he is in the business, not as the scientist is of "finding" meaning, but of "creating" it. But we have to remember that the phenomenological world is an illusion, which requires the magician always to remain watchful of the illusory nature of what he is doing.

Life without magic is not possible. Moreover, the important "passages" of life cannot be handled except in a frank context of High Magic: birth, adolescence, marriage, death, etc.

(See also: MAGIC, Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul, )

Dream dictionary eyes: Encyclopedia II - Nightmare - Historic use of term

Nightmare was the original term for the state later known as waking dream (cf Mary Shelley and Frankenstein's Genesis), and more currently as sleep paralysis, associated with rapid eye movement (REM) periods of sleep. The original definition was codified by Dr Johnson in his Dictionary and was thus understood, among others by Erasmus Darwin and Henry Fuseli, to include a "morbid oppression in the night, resem ...