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| ARTICLES RELATED TO Dream Dictionary Darkness |  |  |  | Dream Dictionary Darkness:
Mysticism
Magick Dictionary
on
ZOROASTRIANISM
ZOROASTRIANISM Derives from ancient Persian fire-worship, also called Mazdaism. Zoroaster lived and died approximately 1000 B.C.E. Zoroaster taught the fire of purification in which is found the joy of the Supreme. The temple fires were kept burning in honor of the God of Light. The universe is engaged in a struggle between two Gods, Ahura-Mazda, God of light and goodness and Ahriman, God of darkness and evil. Zarathustra, unlike the Gnostics, taught that the world was basically good because created by Ahura Mazda, only later corrupted by Ahriman. Human beings must chose between the path of Truth (Asha) or follow the path of the Lie. And at death, we must pass over a sifting bridge whereby the souls of light are separated from the souls of darkness. Mithra is the Christ of Zoroastrianism. Z differs from Xtianity in that Mithra doesn't redeem us, no one redeems us. We are redeemed only by our own actions. (See APOCALYPSE.)
(See
also: ZOROASTRIANISM , Magick, Mysticism, Mysticism Dictionary, Body Mind
and Soul,)
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Mysticism
Magick Dictionary
on
BLACK MAGIC
BLACK MAGIC Sorcery or Goetia. Eliphas Lévi said it was but the shadow of white magic and that, in greater wisdom, we can see that the light and the dark are the same thing. On the simplest level, White Magic is the work of the conscious mind, with Black Magic the work of the unconscious. Or, as Jung put it, white magic serves the self and black magic the ego. For Alice Bailey, on more complicated levels, white magic deals with the soul, the positive electrical energies, transmutation through radiation and the self-induced development of the Central Self. Black magic deals with the outer form, negative electrical energy, reduction of the human sphere. But in popular belief black magic frankly isnt just simply intended to harm others more than that, its the worship and glorification of the negative. Said Crowley in a 1933 newspaper article quoted by Grant (The Magical Revival): "To practice black magic you have to violate every principle of science, decency and intelligence. You must be obsessed with an insane idea of the importance of the petty object or your wretched and selfish desires ... I despise the thing to such an extent that I can hardly believe in the existence of people so debased and idiotic as to practise it." Historians insist that the idea of black magic derives originally from a word in the Arabian version of magic, from a confusion of fehm, black, with fehm, understanding or wisdom. In general, the idea of black or forbidden magic simply arose as a designation for the unofficial or unorthodox. In our predominantly masculine culture, black magic is that which relates to the feminine principle. HPB designates the symbols of black magic to be the Moon and the inverted pentagram as opposed to white magics sun symbol and point-uppermost star. Black magic, she tells us, is concerned with form and matter, whereas white magic seeks the life and spirit within the form. Black magic uses the astral light to deceive, to seduce and to serve the purposes of involution, whereas white magic uses the same light to instruct others and to aid evolution. For HPB, black magic, furthermore, sought to degrade sex, whereas white magic sought to transmute it to higher creative thought. Remember that magic is a completely different path from religion or science. Its sometimes called the Middle Pillar. It matters little where you choose to begin. The vodounist, for instance, who thinks he'll just drop in for a lesson in where to stick the pins into the doll will soon discover that sorcery is clumsy and ineffective according to its distance from higher principles of responsibility and inter-relationship with all consciousness, both higher and lower. The person who is merely curious will soon discover that he has a genuine thirst for understanding and his curiosity will blossom into a consuming passion for enlightenment. Consider the life of Tibetan yogi Milarepa, who started out as an evil black magician only to become, eventually, a great saint! Since the proper goal of magic is to deliver the world from its infernal condition, there is a tendency to view any magic but one's own as black or evil. However, strictly speaking, there is no such thing as black magic. All paths are sacred. The initiate does not distinguish between self and other. Rather than calling white the magic of charity and black the magic of self, we would do better to think of all magic as that which seeks wisdom and designate as leading to evil, sorcery, only that which acts in ignorance. By that definition, most contemporary religion is black magic. The dark path, Vama Marg or left-hand path, is merely one side of the caduceus, in contrast to the other, and as light is brought into darkness, it ceases to be dark. The phrase, Lux in tenebris, can refer to the light being brought to the darkness, or to the darkness itself acting as light. Like the scientist, the true magician does not shrink from exploring all avenues of the manifest and the unmanifest. Some magicians say that we are actually unable to choose anything but white magic (or enlightenment), since in order for any magical operation to work, one has to refine one's understanding and purify one's vision. In practice, however, the followers of Satanism supposedly align themselves to the development of the individual ego for the sake of personal power. In order to strengthen the ego, detachment is learned through controversial rites. One of the preoccupations of magic is to enlist gods, spirits, elementals, etc. to do one's bidding and to release their power to the practitioner. But the black magician seeks unlimited power, not to borrow, but to appropriate for himself not in order to better the world or himself, but to satisfy his personal greed and to establish his ambitious tyranny. Moreover, real magicians know better than to wallow in close-minded ignorance and self-perpetuating superstition. They certainly arent going to go to all the trouble of throwing out Jesus just so that he can sneak in through the back door wearing the cloak of Satanism. Serious magicians consider true Satanism (mere Devil Worship, that is) to be shallow and ultimately self-defeating. Power and freedom accrue in direct proportion to the shedding of the ego, not to its inflation. Initiates see Satanism as a pathetic rebellion that merely exalts the other side of the coin of Xtianity. In any case, Satanism is more in the nature of a religion than a magical system, since it is based upon belief and worship. Seeing that Xtianity tars all variance from itself with the same brush, it has become necessary to discourage the childish triflers by labeling dark that which is most holy. Finally, for the last word on the subject, here is a graffito copied from a San Francisco sidewalk, circa 1987: White witchcraft which fools condemn. Turns to black and crushes them.
(See
also: BLACK MAGIC , Magick, Mysticism, Mysticism Dictionary, Body Mind
and Soul,)
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Spiritual - Theosophy
Dictionary on
Color
Color From darkness comes white light; from white light comes color. These correspond to the unmanifest Logos, the manifest Logos, and the seven rays, and this cosmogonical scheme is repeated throughout the universe. White light is in the physical world resolvable into a spectrum or band of colors, and color is defined as a quality of visual perception depending on the wavelength of light. But according to theosophy we could see no color at all unless we had it in our mind from the first, and thus recognized the color outside because of its identity with what is within us. Still less could we resolve the continuous band into seven colors, as even infants can do. The physical stimuli merely evokes what is already in us, the latter recognizing what is objective outside us, causing a phenomenon of cognition to pass along the plane of the physical senses. This becomes more evident when we remember that color sense is relative, depending largely on contrast. Colors are light or sight in its septenary aspect; and color, sight, and light are used almost interchangeably in speaking of the evolution of the senses and their corresponding planes of prakriti. Colors and sounds have great potency in practical magic, as cosmic powers can be evoked by an understanding use of the proper colors and sounds. The seven colors correspond with other septenates, such as the notes of the musical octave, the sacred planets, and the seven primary elements. It is the universal septenate viewed from a visual aspect as manifested light. Colors are one of the manifold manifestations of cosmic vitality, a septenary unity -- or a denary or duodenary unity, according to the manner of enumeration -- these cosmic forces are interchangeable, their incomprehensible aggregate being cosmic life; therefore, any form of this cosmic life has not only its particular keynote of sound, but likewise its particular keynote of color, etc.
(See also: Color , Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)
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Spiritual Theosophical
Dictionary on
Tum
Tum, or To?m The "Brothers of the Tum", a very ancient school of Initiation in Northern India in the days of Buddhist persecution. The "Turn B’hai" have now become the "Aum B’hai", spelt, however, differently at present, both schools having merged into one. The first was composed of Kshatriyas, the second of Brahmans. The word "Tum" has a double meaning, that of darkness (absolute darkness), which as absolute is higher than the highest and purest of lights, and a sense resting on the mystical greeting among Initiates, " Thou art thou, thyself ", equivalent to saying "Thou art one with the Infinite and the All".
(See also: Tum , Theosophy, Spirituality, Body mind and Soul,
Spiritual Dictionary,)
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Hindu -
Hinduism Dictionary on Evolution of the soul
evolution of the soul: Adhyatma prasara. In Saiva Siddhanta, the soul's evolution is a progressive unfoldment, growth and maturing toward its inherent, divine destiny, which is complete merger with Siva. In its essence, each soul is ever perfect. But as an individual soul body emanated by God Siva, it is like a small seed yet to develop. As an acorn needs to be planted in the dark underground to grow into a mighty oak tree, so must the soul unfold out of the darkness of the malas to full maturity and realization of its innate oneness with God. The soul is not created at the moment of conception of a physical body. Rather, it is created in the Sivaloka. It evolves by taking on denser and denser sheaths-cognitive, instinctive-intellectual and pranic-until finally it takes birth in physical form in the Bhuloka. Then it experiences many lives, maturing through the reincarnation process. Thus, from birth to birth, souls learn and mature. Evolution is the result of experience and the lessons derived from it. There are young souls just beginning to evolve, and old souls nearing the end of their earthly sojourn. In Saiva Siddhanta, evolution is understood as the removal of fetters which comes as a natural unfoldment, realization and expression of one's true, self-effulgent nature. This ripening or dropping away of the soul's bonds (mala) is called malaparipaka. The realization of the soul nature is termed svanubhuti (experience of the Self). Self Realization leads to moksha, liberation from the three malas and the reincarnation cycles. Then evolution continues in the celestial worlds until the soul finally merges fully and indistinguishably into Supreme God Siva, the Primal Soul, Parameshvara. In his Tirumantiram, Rishi Tirumular calls this merger vishvagrasa, "total absorption. The evolution of the soul is not a linear progression, but an intricate, circular, many-faceted mystery. Nor is it at all encompassed in the Darwinian theory of evolution, which explains the origins of the human form as descended from earlier primates. See: Darwin's theory, mala, moksha, reincarnation, samsara, vishvagrasa.
(See
also: Evolution of the soul ,
Hinduism,
Body Mind and Soul)
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Spiritual - Theosophy
Dictionary on
Evil
Evil Good and evil are attributes of relativity in nature as cognized by the minds of percipient beings. "Esoteric philosophy admits neither good nor evil per se as existing independently in nature. The cause for both is found, as regards the Kosmos, in the necessity of contraries or contrasts, and with respect to man, in his human nature, his ignorance and passions. There is no devil or the utterly depraved, as there are no Angels absolutely perfect, though there may be spirits of Light and of Darkness . . ." (SD 2:162). Pythagorean philosophy regards the duad as evil, and the One as the only good; which symbolizes that manifested qualities are in pairs of opposites, so that contrast subsists not merely within the pair itself but also between the pair considered as a whole and the One which is superior to it. Since throughout nature we find such pairs of opposites, reconciled by a synthesizing unity, it follows that the words good and evil of necessity are used in a relative sense, and convey the notion of incompleteness as contrasted with an intuitively conceived perfection. We cannot suppose that things can be good or evil in themselves, except relatively, or even in their relations to other things.
(See also: Evil , Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)
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Spiritual
- Theosophy
Dictionary on Asita
Asita (Sanskrit) Dark in color, hence often used of dark blue and even black; krishna has more or less the same reference to darkness of tint such as is seen in indigo. As a proper noun, a name of the planet Saturn; the dark or waning fortnight of a lunar month; the name of a descendant of Kasyapa, composer of several of the hymns of the Rig-Veda (9:5-24), also named Devala or Asita-Devala (and likewise the name of several other individuals); a generalizing name for a being presiding over magic and darkness. As an adjective, dark-colored, or black. Asita may also signify unbound (from a not + sita from the verbal root si to bind)
(See also: Asita , Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)
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Spiritual - Theosophy
Dictionary on
Merkabah
Merkabah (Hebrew) A chariot, vehicle; used in two senses: first, as a chariot, the Qabbalists saying that the Supreme forms and then uses the ten Sephiroth as a chariot for descending through the various worlds enumerated in the Qabbalah. These worlds are the ten Sephiroth themselves, and 'Adam Qadmon (the Heavenly Man) is the same as the ten Sephiroth considered as a hierarchic entity permeated by and inspirited by the divine hierarch or Supreme. Here it is generally equivalent to the Sanskrit vahana. Second, it is secret wisdom or knowledge: "without the final initiation into the Mercaba the study of the Kabala will be ever incomplete, and the Mercaba can be taught only in 'darkness, in a deserted place, and after many and terrific trials.' Since the death of Simeon Ben-Iochai this hidden doctrine has remained an inviolate secret for the outside world. Delivered only as a mystery, it was communicated to the candidate orally, "face to face and mouth to ear'" (IU 2:349). The secret wisdom or knowledge is envisaged as a vehicle or chariot because what men call esoteric wisdom is the vehicle for the communication to human consciousness of the mysteries of the universe, and consequently of man.
(See also: Merkabah , Mysticism, Mysticism Dictionary)
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Spiritual - Theosophy
Dictionary on
Silence
Silence Like darkness and space, used in attempts to express the ineffable. To our minds they often seem negative qualities, yet if we ordinarily call silence the absence of sound, it is also possible to call sound the absence of silence. A maxim bids us learn the fullness of the seeming void, the voidness of the seeming full; and, applying this, we may name silence as a mighty positive power, not a mere emptiness. Silence is that in which sound becomes manifest; it is the container of sound, the privation of sound. It means the rest of all the senses, both external and internal. To the personal man such silence may seem an unutterable horror, or a ring-pass-not; but it must be faced if he is to win to the sublimities beyond. All these words are used mystically: thus, what is a silence to our ears, and on higher planes a silence to our soul, may in either instance be celestial harmonies which our grosser nature cannot take in. The early Gnostics mystically said that the gnosis rests upon a square whose corners are silence (sige), depth (bythos), divine mind (nous), and truth (aletheia). In the system of Simon Magus, the one root from which the aeons proceed is called silence; in Valentinus' system, silence and sempiternal depth proceed from the one root, depth. The Marcosians viewed God under four aspects: the ineffable, the silence, the father, the truth. The Stanzas of Dzyan (2:2) speak of a time when there was neither silence nor sound; for these constitute a duality, and before this all was cosmic oneness.
(See also: Silence , Mysticism, Mysticism Dictionary)
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Spiritual Theosophical
Dictionary on
Nanna
Nanna (Scandianvian Norse). The beautiful bride of Baldur, who fought with the blind Hodur (" he who rules over darkness ") and received his death from the latter by magic art. Baldur is the personification of Day, Hodur of Night, and the lovely Nanna of Dawn.
(See also: Nanna , Theosophy, Spirituality, Body mind and Soul,
Spiritual Dictionary,)
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Sai Baba Dictionary on Agneyastra
Agneyastra:
Agneyastra: A fire-arrow used by Rama to 'destroy' the darkness which was caused by the Rakshasas Akampa and Athikaya through their magical skill (RRV2-8a)
(See
also: Agneyastra , Hinduism, Hinduism Dictionary, Sanskrit
Dictionary, Body Mind and Soul)
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Dictionary on Mahabharata
Mahabharata "[The Mahabharata] is...probably the longest single poem in the world's literature. Traditionally the author of the poem was the sage Vyasa, who is said to have taught it to his pupil Vaisampayana. The latter, according to tradition, recited it in public for the first time at a great sacrifice held by King Janamejaya, the great grandson of Arjuna, one of the heroes of the story. ...the poem tells of the great civil war in the kingdom of the Kurus, in the region about the modern Delhi, then known as Kuruksetra." -- A.L. Basham, The Wonder That Was India, p. 407 "The Mahabharata is the creation and expression not of a single individual mind, but of a whole people. ...The whole poem has been built like a vast national temple unrolling slowly its immense and complex idea from chanber to chamber, crowded with significant groups and sculptures and inscriptions, the grouped figures carved in divine or semi-divine proportions, a humanity aggrandised and half-uplifted to super-humanity and yet always true to the human motive and idea and feeling, the strain of the real constantly raised by the tones of the ideal, the life of this world amply portrayed but subjected to the conscious influence and presence of the powers of the worlds behind it, and the whole unified by the long embodied procession of a consistent idea worked out in the wide steps of the poetic story." "The leading motive is the Indian idea of the Dharma. Here the Vedic notion of the struggle between the godheads of truth and light and unity and the powers of darkness and division and falsehood is brought out from the spiritual and religious and internal into the outer intellectual, ethical and vital plane. It takes there in the figure of the story a double form of a personal and a political struggle, the personal a conflict between typical and representative personalities embodying the greater ethical ideals of the Indian Dharma and others who are embodiments of Asuric egoism and self-will and misuse of the Dharma, the political a battle in which the personal struggle culminates, an international clash ending in the establishment of a new rule of righteiousness and justice, a kingdom or rather an empire of the Dharma uniting warring races and substituting for the ambitious arrogance of kings and aristocratic clans the supremacy, the calm and peace of a just and humane empire. It is the old struggle of Deva and Asura, God and Titan, but represented in the terms of human life." -- Sri Aurobindo, The Foundations of Indian Culture, SABCL Vol.14 pp. 287-88
(See also: Mahabharata , Hinduism,
Vedic Scriptures, Yoga, Body Mind and Soul)
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Spiritual Theosophical
Dictionary on
Esir
Esir (Scandianvian Norse). The same as Ases, the creative Forces personified. The gods who created the black dwarfs or the Elves of Darkness in Asgard. The divine Esir, the Ases are the Elves of Light. An allegory bringing together darkness which comes from light, and matter born of spirit.
(See also: Esir , Theosophy, Spirituality, Body mind and Soul,
Spiritual Dictionary,)
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|  |  |  | Dream Dictionary Darkness: Darkness To Light - Guru As Awakener
The full-moon day in the month of Ashada , is celebraated as Guru Purnima . On this day disciples come together to express their gratitude to their beloved guru , venerated as the embodiment of sage Veda Vyasa. We worship Vyasa as an apostle of truth and wisdom, for having systematised the divine utterances in the form of the four Vedas , the eighteen puranas and the Mahabharata . Guru Purnima is a special occasion to commemorate Vyasa's service to humanity, and to resolve to follow the path of learning and knowledge.
(See also: Guru Purnima , Spiritual Guidance,
God and Religion, Peace on Earth, Peace of Mind, Love and Happiness, Life and
Beyond, Body Mind and Soul)
Read more here: » Guru Purnima: Darkness To Light - Guru As Awakener |
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|  |  |  | Dream Dictionary Darkness: Darkness Before Dawn In Cycle of Yugas
The Brahmakumaris practise Raja Yoga, particularly the trataka form of meditation in order to achieve union with God. It involves keeping your eyes open and fixing your gaze on a tiny red spot with total attention. Raja Yoga gives knowledge of self and enables one to attain peace, purity and harmony. Dawn is preceded by the darkest hour of the night. The Brahmakumaris consider the present time as the most critical period. This will be followed by a new age - the dawn in the great cycle of time. The agent of transition may be the person possessing knowledge of the true self, of a positive soul. One who reaches the highest stage of this knowledge becomes Brahma. The supreme divine being is Shiva, who is an embodiment of knowledge, peace, purity and harmony.
(See also: Peace on Earth, Peace of Mind, Love and
Happiness, Life and Beyond, Body Mind and Soul)
Read more here: » Peace on Earth: Darkness Before Dawn In Cycle of Yugas |
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Diwali is a time of the year when families, friends and communities come together in a spirit of celebration and joy. Diwali is the time, according to the version popular north of Vindhyas, when Lord Rama returned to Ayodhya after spending 14 years in exile. However, the deeper meaning of Diwali is celebration of the message of Lord Rama's life of sacrifice and dharma.
(See also: Diwali , Indian Festivals,
Spiritual Guidance, God and Religion, Peace on Earth, Peace of Mind, Love and
Happiness, Life and Beyond, Body Mind and Soul)
Read more here: » Diwali: The Significance of Celebrating Diwali |
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|  |  |  | Dream Dictionary Darkness: 2005 - The Year Of Spiritual Awakening
The year 2005 comes under the banner of 'Spirituality' and is ruled by the strongest God Force represented by number 7. In Western Astrology, this number is associated with the watery planet Neptune and in Hindu Astrology it swings to the moods of the half-planet Ketu. It is said that during our time, which is in 'kaliyug' (the era of darkness), Rahu, Ketu and Saturn have become more powerful and active than other planets and exert maximum influence on mankind and the earth as a whole.
(See also: Spiritual Awakening , Indian Festivals,
Spiritual Guidance, God and Religion, Peace on Earth, Peace of Mind, Love and
Happiness, Life and Beyond, Body Mind and Soul)
Read more here: » Spiritual Awakening: 2005 - The Year Of Spiritual Awakening |
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|  |  |  | Dream Dictionary Darkness: Peace Is More Than No War
Most world leaders, international organisations and so-called peace summits tend to define peace in the shadow of war, as 'a situation where there is no war"between nations. By doing so they are actually taking a negative view. By viewing the positive element in contrast to the negative, we will end up underrating the former'spotential. By defining light as the 'absence of darkness"or, life as the 'absence of death", we assign greater importance to the powers of darkness and death, or in the case of peace, to war, rather than peace.
(See also: Peace on Earth, Peace of Mind, Love and
Happiness, Life and Beyond, Body Mind and Soul)
Read more here: » Peace on Earth: Peace Is More Than No War |
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