Neolithic Man.

See CAVE DWELLERS

(See also: Neolithic Man , Mysticism, Mysticism Dictionary)

Agarthi:

Agarthi. Cave complex under the Himalayas from a ruined Gobi Desert civilization. Their traditions include: following the right hand path, being easy to understand, having a religious orthodoxy, being filled with superstitions, having a priest craft and using prayers of dubious value. See: Shambhala.

(See also: Agarthi , Tantra, Tantra Dictionary, Body Mind and Soul)

Rajagriha Rajagrha (Sanskrit) The ancient capital of Magadha, famous for its conversion to Buddhism in the days of the Buddhist kings. It was the royal residence from Bimbisara-raja to Asoka, and the seat of the first Synod or Buddhist Council held 510 BC.

The famous Saptaparna cave, in which the Buddha's select circle of arhats were initiated, was in this famous city.

(See also: Rajagriha, Rajagrha , Mysticism, Mysticism Dictionary)

Pict: A member of a people of the north of Scotland who are first noted in historical records in the late third century and who became amalgamated with the Scots (who migrated to Scotland from Ireland) in the mid-eighth century.

The Picts lacked many of the weapons more advanced peoples had, but they made up for it as warriors by going into a "battle frenzy." The Picts are the first tribal group to use blue woad body paint. They are also reported to have covered themselves with tattoos and gone naked into battle.

Some believe that the Picts and Celts were of the same origins, and they were related to the Basques (from DNA studies of Celtic bloodlines) which suggest descent from the people who did the wondrous cave paintings during the Stone Ages.

(See also: Pict , Magic, Shamanism, Paganism, Wicca)

Gimil (Scandianvian Norse). "The Cave of Gimil" or Wingolf. A kind of Heaven or Paradise, or perhaps a New Jerusalem, built by the "Strong and Mighty God" who remains nameless in the Edda, above the Field of Ida, and after the new earth rose out of the waters.

(See also: Gimil , Theosophy, Spirituality, Body mind and Soul, Spiritual Dictionary,)

LIFE COLUMN - megalithic symbol of life energy rising from the womb, cave or water. (NAD)

(See also: LIFE COLUMN , Wiccan Pagan, Paganism, Pagan Dictionary)

Orpheus (Greek) An early religious teacher and reformer in Greece about whom clustered so many legends that in course of time his historic existence came to be disputed. He was, however, an actual historic character, probably born in Thrace about the 13th century BC, lived and taught at Pimpleia on Mount Olympus, revived the ancient wisdom-religion, reformed the then degraded popular religion, and was killed -- according to the story -- because of it.

He gathered pupils or disciples about him, and founded a famous Mystery school from which in time emanated a vast literature, now perished with the exception of the Orphic Hymns, the Lithica (a poem on the nature of precious stones), the Argonautica (which recites the connection of Orpheus with the Argonautic expedition), and some other fugitive fragments -- and in our time these are supposed to be apocryphal or of a far later date than Orpheus himself, although certainly containing Orphic elements.

There appears to have been no question in antiquity as to the actual historical existence of a godlike man who founded the Orphic religion or Mysteries, and whose work was continued by others in direct line, some of whom took his name, for no less than six different teachers by the name of Orpheus were known. When we add to the historic account the story of Orpheus as the Magician-Bard, and the legends of his divinity, his marriage with Eurydice (esoteric wisdom), his teaching, his agony and passion, and finally his martyr's death -- legends almost identical with some of those attached to world-saviors such as Krishna, Buddha, Jesus, and Mithra -- it is clear that he was not only a great teacher in himself, but an important link in the Hermetic Chain of esoteric succession.

The legendary Orpheus was the son of Apollo, god of music and the sun, and of Calliope, muse of epic poetry. With his seven-stringed lyre, the symbol of the cosmic and human constitution, he became the magical musician: rocks moved, trees bent, flowers sprang forth, mountains bowed themselves before his song. He journeyed with the Argonauts on their quest for the Golden Fleece. His mystic union with Eurydice, like the Argonautic quest, is clearly allegorical. Orpheus won his mystic bride by the power of his music and after the mystic union returned to Pimpleia on Mount Olympus where he lived and taught in a cave (recorded also of other great teachers).

When Eurydice died from the bite of a venomous snake, Orpheus visited the Underworld to reclaim her, and his descent there is a veiled record of initiation. Orpheus was permitted to take Eurydice back with him on condition that he did not look back, symbolic of a stern condition for successfully traveling the mystic path. But Orpheus did look back and his union with the esoteric doctrine, personified as Eurydice, was broken. After mourning, he withdrew to Mount Rhodope, where a group of Maenads or Bacchanals tore him limb from limb.

Blavatsky identifies Orpheus with Arjuna, son of Indra and disciple of Krishna, who taught mankind, established Mysteries, and went to Patala (hell or the Antipodes) and there marries the daughter of the naga king (TG 242).

Orpheus may be regarded both as an ideal or as a man and teacher. In either case, whether cosmic or terrestrial, Orpheus corresponds to the unceasing attempts of the higher or spiritual ego to raise the lower ego out of the toils of matter, much as in the Gnostic story the Christos attempts to raises the Sophia, his own lower self or vehicle, out of the mire and toils of the inferior worlds. If the call of impersonal compassion be so strong that it become personal, in other words if Orpheus looks back to

See and becomes attracted to the lower planes, he loses his Eurydice. Eurydice means "wide judgment," the function of reason in the human constitution. Orpheus here would represent intuition, and Eurydice the reason: manas sunk in the earthly nature is raised to wisdom through budhi.

When the ideal Orpheus in the neophyte conjoins with Orpheus the struggling soul, then Orpheus becomes the initiate who during the trials in the Underworld secures the safety of mind (Eurydice) and thus becomes a son of the sun. Should, however, Orpheus look back -- should buddhi itself become entangled in the lower morass -- then Eurydice is not rescued, Orpheus is enchained, and the task must be essayed anew.

(See also: Orpheus , Mysticism, Mysticism Dictionary)

Sri Sankaracharya (Sanskrit). The great religious reformer of India, and teacher of the Vedanta philosophy - the greatest of all such teachers, regarded by the Adwaitas (Non-dualists) as an incarnation of Siva and a worker of miracles. He established many mathams (monasteries), and founded the most learned sect among Brahmans, called the Smartava. The legends about him are as numerous as his philosophical writings. At the age of thirty-two he went to Kashmir, and reaching Kedaranath in the Himalayas, entered a cave alone, whence he never returned. His followers claim that he did not die, but only retired from the world.

(See also: Sri Sankaracharya , Theosophy, Spirituality, Body mind and Soul, Spiritual Dictionary,)

Elephanta. An island near Bombay, India, on which are the well- preserved ruins of the cave-temple, of that name. It is one of the most ancient in the country and is certainly a Cyclopeian work, though the late J. Fergusson has refused it a great antiquity.

(See also: Elephanta , Theosophy, Spirituality, Body mind and Soul, Spiritual Dictionary,)

Zagreus, Zagreus-Dionysos (Greek) Dionysos was an earlier name for Bacchus. The mythos concerning Zagreus belongs to the cycle of teachings of the Orphic Mysteries rather than to mythology, so no references occur in the writings for the people, such as Homer and Hesiod. The references that have come down to our day occur principally in the manuscripts of the ancient Greek dramatists, poets, and in other ancient fragments.

As cosmic evolution was taught in the Orphic Mysteries by allegory, so was the evolution of the individual soul or microcosm, centering in the mythos of Zagreus, later Zagreus-Dionysos, the Greek savior, which the Greek Dionysian Mysteries sought to unfold in dramatic and veiled or symbolic literary form. "Dionysos is one with Osiris, with Krishna, and with Buddha (the heavenly wise), and with the coming (tenth) Avatar, the glorified Spiritual Christos . . ." (SD 2:420).

Zagreus has three distinct meanings: 1) the mighty hunter (the pilgrim-soul, hunting for the truth, its aeonic pilgrimage back to divinity); 2) he that takes many captives (the Lord of the Dead); and 3) the restorer or regenerator (King of the Reborn or initiates). Zagreus (later Bacchus or Iacchos) is the divine Son, the third of the Orphic Trinity, the other two being Zeus the Demiurge or divine All-father, and Demeter-Kore, the earth goddess in her twofold aspect as the divine Mother and the mortal maid.

The mythos relates that Zagreus, a favored son of Zeus, aroused the wrath of Hera, who plotted his destruction. First she released the dethroned titans from Tartaros to slay the newborn babe. They induced the child to give up the scepter and apple for the false toys which they held before him: a thyrsos or Bacchic wand (symbol of matter and rebirth into material life), a giddy spinning top, and a mirror (maya or illusion). As the child was gazing at himself in the mirror, they seized him, tore his body into seven or fourteen pieces (as in the Egyptian Mystery tale of Osiris); boiled and roasted and then devoured them. Discovered in this enormity by Zeus, the titans were blasted with his thunderbolt and from their ashes sprang the human race.

The titans with their false gifts symbolize the pursuing energies of the personal, material life, which enchain and delude the soul. They are earth powers which lead the soul from the path by the lure of things of sense. The dismembered body is first boiled in water -- symbol of the astral world; then roasted, "as gold is tried by fire," symbol of suffering and purification and the reascent of the victorious soul to bliss.

Apollo or the Muses, at the command of Zeus, gathered the scattered fragments and interred them near the Omphalos (navel of the earth) at Delphi. The coffin was inscribed: "Here lies dead, the body of Dionysos, son of Semele," as the Zagreus myth was known only to those initiated into the Orphic Mysteries; and the Semele myth was popularly known. The exoteric myth represents the divine Son as the son of Zeus by the mortal maid Semele, Demeter-Kore in the guise of a mortal woman, to whom the still beating heart of Zagreus was entrusted when he was slain, that she might become its mother-guardian.

Hera, however, poisoned the mind of Semele with suspicion when the new-forming body of Zagreus within her reached the seventh month of gestation, and Semele impelled Zeus to reveal himself to her in his true form, whereupon the mortal body of Semele was destroyed by the divine fire. The holy babe was saved from death by Zeus, who sewed the child up in his own thigh until "the life that formerly was Zagreus, was reborn as Dionysos," the risen Savior, at Easter (the spring equinox), while as Zagreus he had been born at Semele's death at the winter solstice. Here we

See the myth's solar significance.

The nymphs of Mount Nysa reared him safely in a cave, and when he reached manhood, Hera forced him to wander over the earth. He overcame all opposition and was successful in establishing Mystery schools wherever he went. After his triumph in the world of men, Dionysos descended into the underworld and led forth his mother, now rechristened as Semele-Thyone (Semele the Inspired), to take her place among the Olympian divinities as the divine mother and radiant queen, and later, with Dionysos, to ascend to heaven.

Zagreus as Dionysos is known as the god of many names, most of which refer to his twofold character as the suffering mortal Zagreus, and the immortal or reborn god-man. Many titles also refer to him as the mystic savior. He is the All-potent, the Permanent, the Life-blood of the World, the majesty in the forest, in fruit, in the hum of the bee, in the flowing of the stream, etc., the earth in its changes -- the list runs on indefinitely, and is strikingly similar to the passage in which Krishna, the Hindu avatara, instructs Arjuna how he shall know him completely: "I am the taste in water, the light in the sun and moon," etc. (BG ch 7).

The philosophers, dramatists, and historians who held the Dionysian mythos to be purely allegorical and symbolic take in the great names of antiquity, including Plato, Pythagoras, all the Neoplatonists, the greatest historians, and a few of the early Christian Fathers, notably Clement of Alexandria; Eusebius, Tertullian, Justin, and Augustine, also write of it.

The exoteric literature of Orphism is scanty, while the esoteric teachings were never committed to writing. Outside of the Orphic Tablets and Orphic Hymns, no original material has been discovered to date. Scholars judging from the Homeric Hymn to Demeter, have held that the Eleusinian Mystery-drama was based solely on the story of Persephone; but later researches indicate that, under the influence of Epimenides and Onomakritos, both deep students of Orphism, the Orphic Mystery tale of Zagreus-Dionysos was incorporated in the Eleusian ritual, the divine son Iacchos becoming thus identified with the Orphic god-man, Zagreus-Dionysos.

Cosmically this highly esoteric story refers to the cosmic Logos building the universe and becoming thereby not only its inspiriting and invigorating soul, but likewise the divinity guiding manifestation from Chaos to complete fullness of evolutionary grandeur; and in the case of mankind, the legend refers to the origin, peregrinations, and destiny of the human monad, itself a spiritual consciousness-center, from unself-consciousness as a god-spark, through the wanderings of destiny until becoming a fully self-conscious god. The key to the symbolism of Zagreus-Dionysos is given by Plato in the Cratylus: "The Spirit within us is the true image of Dionysos. He therefore who acts erroneously in regard to It . . . sins against Dionysos Himself," i.e., the inner god, the divinity in man. The legend thus contains not only past cosmic as well as human history, but contains as a prophecy what will come to pass in the distant future.

(See also: Zagreus, Zagreus-Dionysos , Mysticism, Mysticism Dictionary, Body mind and Soul)

What is so special about Kriya yoga? It expands your consciousness; it enables you to move up from the ridiculous to the sublime - from say, matters of state, politics and (Cauvery) disputes to a deeper understanding of nature of the Self.

I got this divine intuition some days ago which prompted me to travel to Babaji's cave in Uttaranchal - he used to meditate there. I've been initiated into practising Kriya yoga through divine dispensation. I'd been through hardly a year's basic training before my intuition took me to Babaji's cave...

(See also: Kriya yoga , God and Religion, Peace on Earth, Peace of Mind, Love and Happiness, Life and Beyond, Body Mind and Soul)

Read more here: » Kriya yoga: From The Ridiculous To the Sublime  

In this first chapter of Kiara Windriders new book; “Enlightenment 2012: Kalki and the Golden Age”, Kiara is giving the background and characteristics of his own spiritual search. Described in a personal way from a personal perspective, it becomes even more universal. The search for inner harmony is probably a trait of all human beings, the exact path is however always individual.

Read more here: » Enlightenment 2012: Kalki and the Golden Age – Chapter 1: The Search

Since prehistoric times sacred places have exerted a mysterious attraction on billions of people around the world. Ancient legends and modern day reports tell of extraordinary things that have happened to people while visiting these places. Different sacred sites have the power to heal the body, enlighten the mind, increase creativity, develop psychic abilities, and awaken the soul to a knowing of its true purpose in life.

Normally, when one thinks of such places, the mind imagines terrestrial locations, fixed and unmoving, such as mountains, lands and caves. But the planet is a water place too with more than 70% of the surface of the earth covered with water. Many sacred sites are connected to water.

Read more here: » Sacred Sites: Sacred waters around the World.

Hinduism Lexicon on B

From backbiting to buddhi chitta.

Read more here: » Hinduism: Hinduism Lexicon on B

Mudras, the science of hand and finger postures, can help you to cure bodily ailments in a wonderful manner. It actually helps in balancing the five elements ( panch-tattvas ) in the human system to their optimal levels. The elements can even be increased or decreased to cure appropriate ailments. When the elements are completely balanced, the yoga (unison) of mind, body and soul with the Supreme Soul can be achieved!

Read more here: » Mudras: Mudras - the science of hand and finger postures

Quran - Koran: Qur'an Revealed During Ramzan

Prophet Muhammad would often sit alone in the cave of Hira, near Mecca, to pray and meditate, asking the Creator of the Heavens and earth for answers to the questions that surged through his mind. What is man's true role in life?

What does the Lord require of us? From where does man come, and where will he go after death? The Prophet would meditate alone, surrounded by nature, seeking answers to all these profound questions.

Read more here: » Quran - Koran: Qur'an Revealed During Ramzan

Feng Shui and the flow of Qi: This article by the experienced Feng Shui teacher & practioner Siou Foon Lee explain how we may enhance our lives by understanding the flow of Qi, that, according to the ancient masters, is the force that enlivens the universe.

Read more here: » Feng Shui: Opening the Door to Qi

Art is a collaboration between God and man, raising him to the exclusive band of creators and taking him deeply within and around his handiwork. It is a unique result of a unique temperament with its beauty derived from mutable disconcern of his environment. Leela Ganapathy, retired Professor of Arts, share her vivid knowledge about the Indian Arts and Dance are recognised as a bridge between the divine and our day to day life and our society.

Read more here: » Spiritual Dance: Dance in Spiritual Indian Art

Indian dance cannot be isolated from the art of literature, painting sculpture and music. Indian dance has a unique body of myths and legend to support the view that the art occupied a central place in the society and religion of the people of India.

The dance styles of Traditional Indian Dance are known as Bharathanatiyam, KathaKali , Kuchipodi , Manipuri, Orrissi and Kathak of each evolved it's own individual vocabulary of movement. Indian Dance is a spiritual practice and a "collaboration with God".

Read more here: » Spiritual Dance: Traditional Indian Dance

In India we find the oldest continually operating pilgrimage tradition in the entire world. The practice of pilgrimage in India is so deeply embedded in the cultural psyche and the number of pilgrimage sites is so large that the entire subcontinent may actually be regarded as one grand and continuous sacred space. Martin Gray spent the last 20 years visiting more than thousand sacred sites around the world and he guides us to some of the sacred sites of India.

Read more here: » Sacred Places: Sacred Sites, places and temples in India

In literature, art and cinema, death has been almost always depicted as a terrible thing, the final end, although in reality it is merely a release from the burden of the physical body.

Every religious tradition recognises that to reach the final truth, one must pass through death. This is the meaning behind Aanea's descent to the underworld in Virgil, of Dante's descent into hell in the Divine Comedy and the Christian baptism: “You were baptised into the death of Christ”.

(See also: Life and Death, Life and Beyond, Death and Dying, Body Mind and Soul)

Read more here: » Life and Death: Finality of Death Is a Myth

There are many types of women in our society, but the one that cries out for the healing the loudest is the Female Warrior. She longs to transform herself into the Goddess and yet doesn't even know it. Nor does she know how.

Who is the Warrior? The Warrior is powerful, independent, self-reliant and successful --because she has to be. Yet, she resents all of the responsibility and obligation that goes with her role. She's the only one around who can get things done, and get things done fast enough and perfectly enough.

Read more here: » Women's Spirituality: Warrior to Goddess - How to Transform the Feminine