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Mysticism
Magick Dictionary
on
AGE OF AQUARIUS
AGE OF AQUARIUS The (approximately) 2000 year cycle of the Precession of the Equinoxes and the end of the Piscean or Christian aeon. Characterized by Humanism as opposed to religious dogma. Its beginning is sometime in the 19th-21st Centuries. In the year 1995, Uranus , the ruler of Aquarius, after entering that sign for the first time since 1920, must remain there well into the 21st Century. According to some authorities, however, the Piscean Age did not begin until 80 A.D. and so we cannot observe effects of the New Aeon prior to 2068. Such a view ignores common sense, because macroscopic celestial events cannot be earth-synchronized precisely and all ages overlap considerably. Moreover, the signs of the zodiac do not correspond to the constellations and if we force astrology to conform to the positions of the constellations we jam it into an unbecoming strait-jacket. The signs were never intended to correspond to the positions of the constellations and are of uniform length to accommodate solar/lunar mansions within 360 degrees. As in determining degrees and aspects in a horoscope, so the Grand Horoscope of the Universe must be interpreted with wisdom as well as with mathematical exactitude. The Ages are derived from the fact that the Great Year, or Platonic Year, is 26,000 years long, which roughly divides into twelve periods, twelve being conveniently (though inaccurately) the number or zodiacal signs. A more accurate division, of course, would be 13. (See NEWTIME).
(See
also: AGE OF AQUARIUS , Magick, Mysticism, Mysticism Dictionary, Body Mind
and Soul,)
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New Age Spirituality
Dictionary on
Phoenix
Phoenix (Egyptian-House of Enoch) Egyptian mythological bird of gorgeous plumage, sacred to the sun, reborn from the ashes of the funeral pyre which it made for itself when each life span of 500 or 600 years was over. "At the top of a palm tree a bird's nest catches fire. It has been ignited by a spark struck from the hooves of celestial steeds drawing the chariot of Ra, the Egyptian sun god. Amid the flames a beautiful Arabian bird extends its golden neck and purple wings, but instead of flying off, it dances. Eventually, it is consumed by the fire and reduced to ashes. but this is not the end. Indeed, it is only the beginning - for 500 years later a new bird is reborn from the ashes. It seals the remains of the nest in myrrh, wraps it in aromatic leaves, and molds it into the shape of an egg. This it carries as a sacred offering to the temple of the sun at Heliopolis, then flies away to paradise. Five hundred years later it returns to earth, where it begins again the cycle of selfimmolation and resurrection - a process that continues forever. " The phoenix, originating in the mythology of ancient Egypt, has become a universal symbol of rebirth and the most famous of all fabulous birds. Clad in feathers of red and gold, the color of the rising sun, it had a melodious voice that became mournful with approuching death. Other creatures were then so overcome by its beauty and sadness that they themselves fell dead. According to legend, only one phoenix could live at a time. The Greek poet Hesiod, writing in the 8th century BC, said that the phoenix lived nine times the lifespan of the long-living raven. Other estimates went up to 97,200 years. When the bird felt death approaching, it built itself a pyre of wild cinnamon and died in the flames. But from the ashes there then arose a new phoenix, which tenderly encased its parent's remains in an egg of myrrh and flew with them to the Egyptian city of Heliopolis, where it laid them on the Altar of the Sun. These ashes were said to have the power of bringing a dead man back to life. The profligate Roman Emperor Elagabalus (AD 205-22) decided to eat phoenix meat in order to achieve immortality. He dined off a bird of paradise, sent in place of a phoenix, but the substitute did not work. He was then murdered shortly afterward. Scholars now think that the germ of the legend came from the Orient and was adopted by the sun-worshipping priests of Heliopolis as an allegory of the sun's daily setting and rebirth. Like all great myths, it stirs deep chords in man. In Christian art the resurrected phoenix became a popular symbol of Christ risen from the grave. Strangely, its name may come from a misunderstanding by Herodotus, the Greek historian of the 5th century BC. In his account of the bird he may have mistakenly given it the name "phoenix" because of the palm tree (Greek: phoinix) on which it was customarily pictured sitting in those days. In their attempts to identify the gorgeously plumed phoenix of Egyptian myth with a real bird, scientists tended to discount New Guinea's birds of paradise otherwise likely candidates because of the island's great distance from Egypt. In 1957, however, Australian zoologists discovered that New Guinea tribes had exported bird of paradise plumed skins for centuries and that among those visiting the island, as long ago as 1000 BC, had been traders from Phoenicia in the Middle East. Another significant discovery was that the tribespeople used to preserve the skins for export by sealing them in myrrh, molding them into an egg shape, and wrapping this in burned banana skins - a procedure that tallies almost exactly with the mythical bird's reputed treatment of its destroyed nest. Perhaps most significant of all is the fact that the brilliantly colored males of Count Raggi's bird of paradise are adorned with cascades of scarlet feathers that, during their courtship dance, they repeatedly raise aloft, while quivering intensely - a spectacle reminiscent of the phoenix dancing in its burning nest. On reaching the Middle East, descriptions of this spectacle, combined with the egg-like parcels of skins, may well have been sufficient to inspire the myth of the phoenix.
(See also: Phoenix , New Age
Spirituality, Body
Mind and Soul)
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Bhakti Yoga Dictionary II on Naimisha (-aranya)
Naimisha (-aranya) A sacred forest located exactly in the center of the universe, where the discus of Lord Vishnu once struck the earth. At the beginning of Kali-yuga, the chief sages of the universe assembled there to perform a thousand-year-long Soma sacrifice to counteract the bad effects of the age. During the sacrifice they heard Puranas and epics from Ugrashrava Suta, including the Mahabharata and Srimad-Bhagavatam.
(See also:
Naimisha , Bhakti, Bhakti Yoga, Bhakti Dictionary, Body Mind
and Soul)
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Dictionary on Ramayana
Ramayana "The most ancient Sanskrit epic poem, written by the sage Valmiki. It is estimated to have been composed about 500 B.C., and contains approximately 50,000 lines. The Ramayana describes the life of Sri Rama: his banishment from Ayodhya; life in the forest with his faithful wife Sita; Sita's abduction by Ravana; the war of Rama and his allies against Ravana; defeat of Ravana and rescue of Sita; Rama's return to Ayodhya as ruler; slander of Sita by the people of Ayodhya and her banishment from the kingdom; her subsequent exoneration and final ascent to heaven, where she is joined by Rama." -- Ramakrishna-Vedanta Wordbook "The Ramayana is a work of the same essential kind as the Mahabharata; it differs only by a greater simplicity of plan, a more delicate ideal temperament and a finer glow of poetic warmth and colour. The main bulk of the poem in spite of much accretion is evidently by a single hand and has a less complex and more obvious unity of structure. There is less of the philosophic, more of the purely poetic mind, more of the artist, less of the builder. The whole story is from beginning to end of one piece and there is no deviation from the stream of the narrative. At the same time there is a like vastness of vision, an even more wide-winged flight of epic sublimity in the conception and sustained richness of minute execution in the detail. ...The eopic poet has taken here also as his subject an Itihasa, an ancient tale or legend associated with an old Indian dynasty and filled it in with detail from myth and folklore, but has exalted all into a scale of grandiose epic figure that it may bear more worthily the high intention and significance. The subject is the same as in the Mahabharata,, the strife of the divine with the titanic forces in the life of the earth, but in more purely ideal forms, in frankly supernatural dimensions and an imaginative heightening of both the good and the evil in human character. On one side is portrayed an ideal manhood, a divine beauty of virtue and ethical order, a civilization founded on the Dharma and realising an exaltation of the moral ideal which is presented with a singularly strong appeal of aesthetic grace and harmony and sweetness; on the other are wild and anarchic and almost amorphous forces of superhuman egoism and self-will and exultant violence, and the two ideas and powers of mental nature living and embodied are brought into conflict and led to a decisive issue of the victory of the divine man over the Rakshasa. All shade and complexity are omitted which would diminish the single urity of the idea, the representative force in the outline of the figures, the significance of the temperamental colour and only so much admitte as is sufficient to humanise the appeal and the significance. The poet makes us conscious of the immense forces that are behind our life and sets his action in a magnificent epic scenery, the great imperial city, the mountains and ocean, the forest and wilderness, described with such a largeness as to make us feel as if the whole world were the scene of his poem and its subject the whole divine and titanic possibility of man imaged in a few great or monstrous figures. The ethical and the aesthetic mind of India have here fused themselves into a harmonious unity and reached an unexampled pure wideness and beauty of self-expression. The Ramayana embodied for the Indian imagination its highest and tenderest human ideals of character, made strength and courage and gentleness and purity and fidelity and self-sacrifice familiar to it in the suavest and most harmonious forms..." -- Sri Aurobindo, The Foundations of Indian Culture, SABCL Vol 14 pp. 289-90
(See also: Ramayana , Hinduism,
Vedic Scriptures, Yoga, Body Mind and Soul)
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Spiritual - Theosophy
Dictionary on
Parabrahman
Parabrahman (Sanskrit) [from para beyond + Brahman (neuter) universal self or spirit] That which is beyond Brahman; the self-enduring, eternal, self-sufficient cause of all, the one essence of everything in the kosmos. It is before all things in the kosmos, and is the one sole limitless life-consciousness-substance from which starts into existence a center of force which may be called the Logos. In the Vedic cycle of writing it is referred to as tat (that) as opposed to the world of manifestation called idam (this). "Parabrahman is intimately connected with Mulaprakriti. Their interaction and intermingling cause the first nebulous thrilling, if the words will pass, of the Universal Life when spiritual desire first arose in it in the beginnings of things. . . . Parabrahman is no entity, is no individual, or individualized being. It is a convenient technical word with conveniently vague philosophical significancy, implying whatever is beyond the Absolute or Brahman of any hierarchy. Just as Brahman is the summit of a kosmic Hierarchy, so, following the same line of thought, the Parabrahman is 'whatever is beyond Brahman' " (OG 121). The parabrahman of the Vedantists is likewise conceived of as an eternal and periodical law which causes an active and creative force to emanate from the ever-concealed and incomprehensible one principle at the beginning of every mahamanvantara or new cycle of cosmic life. "Parabrahmam is an unconditioned and absolute reality, and Mulaprakriti is a sort of veil thrown over it. Parabrahmam by itself cannot be seen as it is. It is seen by the Logos with a veil thrown over it, and that veil is the mighty expanse of cosmic matter. It is the basis of material manifestations in the cosmos" (Notes on BG 21). Parabrahman has the same relation to the Logos as our atman does to our karana-sarira; and parabrahman is the very foundation of the highest self. Parabrahman is identical with the 'eyn-soph of the Chaldean Qabbalah.
(See also: Parabrahman , Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)
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Spiritual - Theosophy
Dictionary on
Brahman
Brahman (Sanskrit) (from brih to expand) Sometimes Brahma or Brahm. The one reality, "the impersonal, supreme and uncognizable Principle of the Universe from the essence of which all emanates, and into which all returns, which is incorporeal, immaterial, unborn, eternal, beginningless and endless. It is all-pervading, animating the highest god as well as the smallest mineral atom" (TG 62). It involves both essential consciousness and substance, and is the spiritual background of the kosmos, the Cause of all Causes, what is commonly called the Unmanifest Logos: "Brahma, the Noumenon, never rests, as IT never changes and ever IS, though IT cannot be said to be anywhere" (SD 1:374). As the fundamental cosmic fountain of consciousness and spiritual substance, Brahman is the fundamental or cosmic self which, in the case of an individual being, becomes the kshetrajna, the spiritual sun within the individual. Thus the essential self of every being or entity from cosmos to physical atom is this Brahman itself, which is the cause of the familiar saying "tat tvam asi" (you are that). Through and from Brahman derive the various cosmic Brahmas, the expansion of the One into the many. Brahman does not put forth evolution itself nor create, but exhibits various aspects of itself by means of emanative evolution. The Hindu Puranas say that Brahma, Vishnu, and Siva are the primordial energies of Brahman, the divine neuter. There is a clear distinction between the impersonal, supreme, all-pervading, immanent, beginningless, and endless cosmic principle, whose essence is consciousness-life-substance, and the various Brahmas; for these latter are the periodic manifestations of the highest energies flowing forth at the beginning of each manvantara from the neuter Brahman, and into which these various Brahmas are ingathered again when the cosmic cycle reaches its close and pralaya ensues. Philosophically, as the supreme cosmic principle of any universe, Brahman is enclosed within its veil or sakti, called pradhana; just as Brahma is similarly infolded within its inseparable sakti called prakriti, and on a still vaster plane mulaprakriti enfolds parabrahman. We have thus: parabrahman-mulaprakriti, Brahman-pradhana, and Brahma- or Purusha-prakriti.
(See also: Brahman , Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)
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Spiritual - Theosophy
Dictionary on
Brahma
Brahma (Sanskrit) (from the verbal root brih to expand, grow, fructify) The first god of the Hindu Trimurti or triad, consisting of Brahma, the emanator, evolver, and creator; Vishnu, the sustainer or preserver; and Siva, the regenerator or destroyer. Brahma is the vivifying expansive force of nature in its eternally periodic manvantaras. He stands for the spiritual evolving or developing energy-consciousness of a solar system which is also called the Egg of Brahma (brahmanda). Brahma is called the creator or Logos, but in the theosophic philosophy creator is simply an abstract term or idea, like army. In Burnouf's words: "Having evolved himself from the soul of the world, once separated from the first cause, he evaporates with, and emanates all nature out of himself. He does not stand above it, but is mixed up with it; Brahma and the universe form one Being, each particle of which is in its essence Brahma himself, who proceeded out of himself" (q SD 1:380n). The Vishnu-Purana explains that created beings "although they are destroyed (in their individual forms) at the periods of dissolution, yet being affected by the good or evil acts of former existences, are never exempted from their consequences. And when Brahma produces the world anew, they are the progeny of his will . . ." (q SD 1:456n). Brahman is both masculine and neuter, and therefore has two meanings. In the masculine (Brahma) it is the evolving energy of the cosmic egg, as distinguished from the neuter (Brahman). Brahma is the vehicle or sheath of Brahman. The Vishnu-Purana says that Brahma in its totality has essentially the aspect of prakriti, both evolved and unevolved (mulaprakriti), and also the aspects of spirit and of time. "Brahma, as 'the germ of unknown Darkness,' is the material from which all evolves and develops 'as the web from the spider, as foam from the water,' etc. This is only graphic and true, if Brahma the 'Creator' is, as a term, derived from the root brih, to increase or expand. Brahma 'expands' and becomes the Universe woven out of his own substance" (SD 1:83). Again, "Here we find, as in all genuine philosophical systems, even the 'Egg' or the Circle (or Zero), boundless Infinity, referred to as It, and Brahma, the first unit only, referred to as the male god, i.e., the fructifying Principle. It is or 10 (ten) the Decade. On the plane of the Septenary or our World only, it is called Brahma. On that of the Unified Decade in the realm of Reality, this male Brahma is an illusion" (SD 1:333). According to the Aitareya-Brahmana, Brahma as Prajapati (lord of beings) manifests himself first of all as twelve bodies or attributes, which are represented by the twelve gods, symbolizing 1) fire; 2) the sun; 3) soma, which gives omniscience; 4) all living beings; 5) vayu, or ether; 6) death, or breath of destruction -- Siva; 7) earth; 8) heaven; 9) Agni, the immaterial fire; 10) Aditya, the immaterial and invisible sun; 11) mind; and 12) the great infinite cycle, "which is not to be stopped." Brahma in one of his phases therefore is the visible universe, every atom of which is essentially himself. Brahma "symbolizes personally the collective creators of the World and Men -- the universe with all its numberless productions of things movable and (seemingly) immovable. He is collectively the Prajapatis, the Lords of Being; and the four bodies typify the four classes of creative powers or Dhyan Chohans . . ." (SD 2:60), these four bodies being ratri (night) associated with the creation of the asuras; ahan (day) associated with the gods; sandhya (evening twilight) associated with the pitris; and jyotsna (dawn or light) associated with the creation of men. In the beginning Brahma was Purusha (spirit) and also prakriti (matter). It is later that he separated himself into two halves -- Brahma-Vach (female) and Brahma-Viraj (male). The term Brahma is not found in the Vedas. Blavatsky correlates Adam-Qadmon, Brahma, and Mars as symbols for primitive or initial generative and creative powers typifying water and earth; also all three are associated with the color red (cf SD 2:43, 124-5). See also BRAHMA'S DAY
(See also: Brahma , Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)
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Spiritual - Theosophy
Dictionary on
Will
Will The ensouling creative essence of abstract, eternal motion throughout the kosmos. As an eternal principle it is neither spirit nor substance but everlasting ideation. In its abstract sense, it is a hierarchy of intelligent forces emanating from the aggregate of the hosts of beings, visible and invisible, which are nature itself. The so-called laws of nature are the action and interaction of the combined consciousnesses and wills which pervade the kosmos. The will pours forth in floods of light and life from the primal Logos. These floods, following the pathways of universal circulation, come to us from the central heart of the solar system -- insofar as our solar universe is concerned. They thus descend, plane by plane and cycle by cycle, into the depths of matter, from which finally they arise again towards their primal source. In this progressive descent and ascent, will is made to manifest in keeping with each plane or state of consciousness which it enters. There is, therefore, the one fundamental kosmic will-ideation, breaking into innumerable streams of willing entities during periods of manifestation, and thus it operates in myriad ways, in every round of the endless ladder of life. Divine or universal thought and will come into manifestation through the collective hosts of spiritual beings, the dhyani-chohans, who are the vehicles through which the unmanifested appears. "They are the Intelligent Forces that give to and enact in Nature her 'laws,' while themselves acting according to laws imposed upon them in a similar manner by still higher Powers; but they are not 'the personifications' of the powers of Nature, as erroneously thought" (SD 1:38). The natural law which preserves the balanced motion of planetary rotation was explained by Herschel's saying "that there is a will needed to impart a circular motion and another will to restrain it" (SD 1:503). In the composite human being -- the microcosm -- there are the divine, spiritual, intellectual, emotional, animal, astral, and even physical wills. The old maxim "behind will stands desire" accounts for the paradoxical influence of this colorless force which is used to energize both good and evil motives. Thus, as it operates through the intermediate human nature, the individual consciously and unconsciously gives it a right or wrong direction, according to his use of free will in choosing his course of conduct. The divine will is expressed in the sublime, impersonal desires of lofty celestial deities; while at the opposite pole, selfish, sensual, animal desires too often direct the action of the human will. The origin of good and evil lies respectively in the harmony and the conflict of wills in the kosmos. The special physical organ of the human will is the pituitary gland. The brain and body show the different action of the conscious, positive, volitional will and of the negative, automatic, vegetative will. The latter energizes the mysteries of organic functions carried on by various conscious or semiconscious elemental entities who themselves act instinctively under the intelligent, harmonious laws of nature for the body's welfare. Will power is a mighty, colorless force or energy which can be set in motion by one who has the power and knowledge to do so. In India, in combination with abstract desire, it is mentioned as one of six primary powers (ichchhasakti) by which the adept accomplishes many of his wonders. "The ancients held that any idea will manifest itself externally, if one's attention (and Will) is deeply concentrated upon it; similarly, an intense volition will be followed by the desired result . . . For creation is but the result of will acting on phenomenal matter, the calling forth out of the primordial divine Light and eternal Life "(SD 2:173). The occult power of will explains many scientific problems of animate and inanimate matter. In human beings, it may consciously and unconsciously act upon other human wills and upon that of beasts; likewise, it may act upon physical and astral substance to produce various phenomena such as levitation, fire-walking, birthmarks, etc. "Paracelsus teaches that 'determined will is the beginning of all magical operations. It is because men do not perfectly imagine and believe the result, that the (occult) arts are so uncertain, while they might be perfectly certain' " (TG 370).
(See also: Will , Mysticism, Mysticism Dictionary,
Body mind and Soul)
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Spiritual - Theosophy
Dictionary on
Holy Ghost
Holy of Holies Equivalent to the Latin Sanctum sanctorum, referring to the sacred place in temples or churches from which all but the chief priest or hierophant were excluded. In pre-Christian times the ancient temples each had its especial sanctuary, in which was placed an altar or receptacle of some kind, be it ark, box, or some similar thing, perhaps even a sarcophagus. The Holy of Holies in theory was the seat, residence, or sanctuary of the god or goddess to whom the temple had been consecrated; and piety always considered that the divine power was present there. A similar series of ideas clothes the chancel and its contained altar in Christian Churches even today. The Holy of Holies, however, must not be confused with initiation chambers also contained in many temples and caves of antiquity, in which during the rites of initiation the neophyte entered, was initiated, and thereafter left the sacred precincts as reborn. In ancient Egypt the holy of holies par excellence of this latter type was the King's Chamber in the Great Pyramid; and the coffer there was the sarcophagus used for initiation purposes. The sarcophagus was symbolic of the female principle, as from the feminine principle of nature, as a mother, was born the new "child" or disciple, now become a twice-born. The idea of the twice-born was that the physical birth came from the human mother, while the mystic birth took place from the womb of nature, of which the initiation chamber was the emblem. Hence at a much later date arose the phallic idea of the Jews that the human female womb was the maqom (the place). Although part of the Hindu ceremonies necessitated a passing through the golden cow, as an emblem of Mother Nature, the neophyte did this in the same stooping position that was done in passing through the gallery in the ancient pyramids of Egypt. "The ceremony of passing through the Holy of Holies (now symbolized by the cow), in the beginning through the temple Hiranya gharba (the radiant Egg) -- in itself a symbol of Universal, abstract nature -- meant spiritual conception and birth, or rather the re-birth of the individual and his regeneration: the stooping man at the entrance of the Sanctum Sanctorum, ready to pass through the matrix of mother nature, or the physical creature ready to re-become the original spiritual Being, pre-natal Man" (SD 2:469-70). Holy of Holies has a specific meaning in connection with the Jewish tabernacle, as explained in Exodus, referring to the inner part, the western division of the tabernacle. Three of the sides of the holy place were the walls of the tabernacle itself, while the fourth or eastern end of the sanctum was closed by a curtain or veil -- upon which were the figures of the cherubim -- suspended from four pillars of shittim wood overlaid with gold. The intention was to have this Holy of Holies in the shape of a perfect cube, the length, breath, and height being each ten cubits. In this sanctuary was placed the Ark of the Covenant or Testament, made of shittim wood overlaid with gold. Upon the Ark was the golden mercy-seat (the kapporeth), also two golden cherubim facing towards the center. Instead of being a "sarcophagus (the symbol of the matrix of Nature and resurrection) as in the Sanctum sanctorum of the pagans, they had the ark made still more realistic in its construction by the two cherubs set up on the coffer or ark of the covenant, facing each other, with their wings spread in such a manner as to form a perfect yoni (as now seen in India). Besides which, this generative symbol had its significance enforced by the four mystic letters of Jehovah's name, namely ; or meaning Jod (membrum Virile, see Kabala); (He, the womb); (Vau, a crook or a hook, a nail), and again, meaning also 'an opening'; the whole forming the perfect bisexual emblem or symbol or Y(e)H(o)V(a)H, the male and female symbol" (SD 2:460). However, "the worship of the 'god in the ark' dates only from David; and for a thousand years Israel knew of no phallic Jehovah" (SD 2:469). See also ARK
(See also: Holy Ghost , Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)
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Spiritual - Theosophy
Dictionary on
Fourth Round
Fourth Round The circling of each life-wave around the globes of a planetary chain for the fourth time is its fourth round. The midpoint of the fourth round is the turning point for this planetary manvantara. Before this point the monadic hosts pursue their gyrations downwards on the descending arc, karmically evolving material vestures from within the womb of spirit. During the fourth round on globe D, during the fourth root-race, the midway point of this manvantara is reached, for the lowest point in the descent of the life-waves then takes place, and thereafter the monads begin evolving upwards on the ascending arc: the involution or matter and evolution of spirit. What are termed the geologic eras are the product of nature's evolutionary forces at work during our present fourth round; and every one of the globes of the chain, including globe D, was of characteristically somewhat different aspect and consistency during each of the three previous rounds. Each round develops a cosmic principle, and the fourth principle, earth, is in process of developing during the fourth round (the three previous rounds having developed fire, air, and water) -- these elements are not to be understood in their popular meaning, but in the sense in which they are used in archaic philosophy. Thus the fourth round "transformed the gaseous fluids and plastic form of our globe into the hard, crusted, grossly material sphere we are living on" (SD 1:260). Naturally the geologic changes which the globe underwent up to our own time, took many, many millions of years; for example, sedimentation on globe D in this round began more than 320 million years ago. Sedimentation refers to the appearance of the mineral life-wave on globe D after preliminary work during the fourth round had been accomplished by the three preceding elemental kingdoms. After the mineral kingdom had run through its septenary cycling, then its surplus of life passed to the succeeding globe E, and the life-wave of the vegetable kingdom made its appearance on globe D; after the vegetable life-wave came the animal; and after the animal appeared the human, which in its turn will be followed by the life-waves of the three dhyani-chohanic kingdoms. At the beginning of the human stage of the fourth round on globe D, the lunar pitris or human monads projected their astral doubles from the bodies which these pitris had evolved during the third round, and "it is this subtle, finer form, which serves as the model round which Nature builds physical man" (SD 1:180). The human life-wave has completed its fourth root-race on this globe and has now reached the midpoint of its fifth root-race. The point of man's grossest physical development has already been passed and his body henceforth will evolve along the lines of increasing refinements and ethereality. During the fourth round the fourth principle kama (desire) will be fully developed, both in man and in the world. Man became truly human with the intellectual enlightenment of early mankind in this round through the descent of the manasaputras. This great event occurred during the third root-race. In regard to the beast kingdom, at the midway point in the manvantara, the "door" to the human kingdom automatically closed, for then began the ascending arc: i.e., all monads not reaching the evolutionary status where they were able to pursue their evolution by entering the human kingdom must thereafter remain in the lower kingdoms for the three and one-half rounds still to come. The mammalian beasts all appeared in this round, but the first mammal on this globe was man himself, as the mammalian beasts were very early off-throwings or specializations from offthrowings originating in the human stock. As to the vegetable kingdom, vegetation began in its ethereal form before what is termed the Primordial Epoch, continuing on through the Primary Era, during which it condensed, to our own time. It reached its fullest physical efflorescence in the early part of the Secondary, and probably even during the middle and later Primary, where the great coal deposits are now found.
(See also: Fourth Round , Mysticism, Mysticism Dictionary)
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|  |  |  | Dream Dictionary beginning: Why the Creation Cycles do not end December 21, 2012, but October 28, 2011Over the decades much discussion has focussed on finding the exact correlation between the Mayan Long Count and the Gregorian calendar. Most researchers in the field have now come to agree that the so-called GMT correlation, placing the beginning of the Long Count 4 Ahau 8 Cumku on the Julian day 584 283, August 11, 3114 BC, is correct. This means by consequence that it will end on December 21, 2012 and most, such as Jose Arguelles, John Jenkins and Terence McKenna, who have taken an interest in the calendar of the Maya, have endorsed this date as the end of the current cycle. Read more here: » Mayan Calendar: Why the Creation Cycles do not end December 21, 2012, but October 28, 2011 |
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Spiritual - Theosophy
Dictionary on
Visvakarman
Visvakarman (Sanskrit) The omnificent, the all-worker; in the Rig-Veda, the highest and oldest of the cosmic architects, and hence the father, initiator, or teacher of the hierarchies of later gods under him. As a collective name, he corresponds in many respects to the Greek cosmocratores, in some to the Third Logos. He is spoken of as the divine artist and carpenter, the architect of the universe, the creative god, father of the creative fire, the builder and artificer of the gods, and the great patron of initiates. "The Secret Doctrine teaches that 'He who is the first to appear at Renovation will be the last to come before Re-absorption (pralaya).' Thus the logoi of all nations, from the Vedic Visvakarma of the Mysteries down to the Saviour of the present civilised nations, are the 'Word' who was 'in the beginning' (or the reawakening of the energising powers of Nature) with the One Absolute. Born of Fire and Water, before these became distinct elements, It was the 'Maker' (fashioner or modeller) of all things . . . who finally may be called, as he ever has been, the Alpha and the Omega of manifested Nature" (SD 1:470). In the Rig-Veda, Visvakarman is said to sacrifice himself to himself. This refers, among other things, to the fact that when manvantara opens, in order for its vast content of worlds and hierarchies to appear, the originating entities must -- because of karmic mandate or impulse -- themselves form the beginnings of things from themselves, thus sacrificing themselves to themselves so that the cosmos may appear in manifestation. Another significance of the statement is the reference to the spiritual resurrection at the end of the manvantara or, in the case of man, to the choice to be spiritual rather than material, to rise self-consciously from material existence into the one Life. "Then he ascends into heaven indeed; where, plunged into the incomprehensible absolute Being and Bliss of Paranirvana, he reigns unconditionally, and whence he will re-descend again at the next 'coming,' which one portion of humanity expects in its dead-letter sense as the second advent, and the other as the last 'Kalki Avatar' " (SD 1:268). His mother Yoga-Siddha (striving to become one with the inner god) and his daughter Sanjna (spiritual consciousness) show his mystic character, for no actual mother or daughter is here intended, but the ideas of human spiritual and intellectual reformation taking place within himself from yoga-siddha, from which is brought forth the spiritual consciousness which is the fruit or daughter of perfect achievement. From another viewpoint, he represents spiritual humanity collectively and is equivalent to Purusha, synonymous in the Epic and Puranic period with Tvashtri, he is also called Karu (worker, builder) or Takshaka (carpenter, etc.).
(See also: Visvakarman , Mysticism, Mysticism Dictionary,
Body mind and Soul)
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Spiritual - Theosophy
Dictionary on
Eve, Hawwah
Eve Hawwah (Hebrew) (from hawah to breathe, live) Mystically the mother of all living, an allegorical yet actual figure in all archaic cosmogonies. Genesis describes three Eves: 1) the archetypal Eve, the feminine aspect of the divine androgyne which is on the one hand `Adam Qadmon, and on the other hand Sephirah-Eve (ch. l); 2) the Eve of the early third root-race, after the separation of the sexes but before the awakening of mind (ch. 2); and 3) Eve the mother of Abel and of Seth, here beginning the course of human history after the awakening of mind. The first Eve was no woman but, like the first Adam, the spiritual feminine aspect of an archetypal spiritual host; the second was no woman but womankind; while the third was woman and mother as now known. They companion and correspond to the three Adams: the first, the spiritual albeit masculine type of the archetypal host; the second, the mindless first human race; and the third, "the race that (had fully) separated, whose eyes are opened" (SD 2:46n). Between the Eve of Genesis and Eve the mother of Seth (Genesis 4) passed long ages, involving millions of years during which the archetypal preparation of the globe for human habitation was followed by distinct root-races and three Edens, with millions of years between even these latter. The original from which the Hebrew Genesis was later compiled is lost. Yet even as the latter has reached us -- first veiled, then probably remodeled by Ezra with shiftings that confuse the chronology -- despite important words and clauses mistranslated by European scholars, its resemblance to the esoteric account is unmistakable. For Jehovah, who gave the human body and (physical) breath of life, is the hyparxis of Saturn and an earthly, not a celestial, hierarchy. The human mind and spirit are essentially emanations from the immortal spiritual monad coeval with the universe, and subsequent human evolutionary development was both from and aided by the elohim, a spiritual host. Adam and Eve, once mind appeared in them, enter the path of self-directed evolution, a reference to the second and third Eves mentioned above. The eating of the fruit of the tree is the awakening or lighting of mind in man. It shows Eve as consorting with spiritual, not demoniacal, forces and incidentally reconciles the two creation stories. Like the serpent, the tree is an ancient and universal symbol of sacred and esoteric knowledge. To eat of its fruit is to acquire the knowledge that only the gods possess, and the possession confers immortality under the law. There is neither relationship nor historic nor philosophic resemblance between Eve and Lilith, Adam's "first wife."
(See also: Eve, Hawwah , Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)
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Spiritual - Theosophy
Dictionary on
Taliesin
Taliesin (Welsh) He of the radiant brow; a transformation of Gwion, eaten as a barley-grain by Ceridwen as an old black hen. She bore him nine months in her womb, and when he was born, set him afloat in a basket of rushes on the Teifi River where Elphin found him and named him Taliesin. Seventy-seven poems attributed to Taliesin come down, supposedly from the 6th century, though critics maintain that they are forgeries of the 12th or 13th. But the poetry of the later centuries is exceedingly different from the poetry of the Cynfeirdd -- Talesin, Myrddin Gwyllt, Llywarch Hen, and Aneurin -- said to have lived in the 6th century. Of these four, the first two are mystical and Druidical. The verse forms are simple, the rhythm is lofty: the thought, when it is apparent -- for the language is exceedingly archaic and difficult -- is in the grand manner. Twelfth and 13th century poetry on the other hand is ultra-tortuous in form -- the extreme old age of a literature, when thought and inspiration are gone, and only delight in curious form remains -- while the subject matter is practically always the Bard's praise of his chieftain. Purely literary criticism would most certainly place the Cynfeirdd many centuries earlier than the 12th century poets. The note of the real Taliesin is pagan, that after-centuries were so desperate to make a Christian: I have been in many a shape Before I attained a congenial form I have been a word in a book I have been a drop in the air. I have born a banner Before Alexander I was in Canaan Before Absolom was slain I was on the high cross Of the merciful Son of God. My original country Is the region of the summer stars: I am a marvel Whose origin is not known Nine months was I then In the womb of Ceridwen I was Gwion the Little; Now I am Taliesin. Not of father and mother My creator created me, But of nine-formed faculties Of the fruit of fruits Of the god of the Beginning Of primroses and hill blooms Of the blossoms of nettles Of the ninth wave's water. I was enchanted by Math Before I became immortal: (Then) I was enchanted by Gwydion The Initiator of the Britons, Of Eurwys, of Euron, Of Euron, of Modron, Of five battalions of Adepts Teachers, the Children of Math. Math fab Mathonwy was a famous enchanter; in the madinogi he is the teacher of Gwydion. Men are "enchanted by Math before" they "become immortal," then by Gwydion the Initiator. A great deal of what is too obscure to be intelligible, breaking now and again into bursts of great poetry, wherein deep esoteric meanings are apparent: such are the 77 poems of Taliesin.
(See also: Taliesin , Mysticism, Mysticism Dictionary,
Body mind and Soul)
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|  |  |  | Dream Dictionary beginning: January 31 - February Eve -
ImbolcJanuary 31 - February Eve - Imbolc
Actually, this holiday is most usually celebrated
beginning at sundown on February 1, continuing through the day of February 2.
'Imbolc' means 'in the belly (of the Mother)' because that is where seeds are
beginning to stir. It is Spring. Another name for the holiday is 'Oimelc',
meaning 'milk of ewes', since it is lambing season. It was especially sacred to
the Celtic Fire Goddess, Brigit, patron of smithcraft, healing (midwifery), and
poetry. A Coven's High Priestess may wear a crown of lights (candles) to
symbolize the return of the Goddess to her Maiden aspect, just as the Sun God
has reached puberty. Weather lore associated with this sabbat is retained by
the folk holiday of 'Groundhog's Day'. The Christian religion adopted a number
of these themes, as follows. February 1 became 'St. Brigit's Day', and February
2 became 'Candlemas', the day to make and bless candles for the liturgical
year. The 'Feast of the Purification of the Blessed Virgin Mary' adapts the
Maiden Goddess theme. The alternative date of February 14 ( 'Old Candlemas',
Christianized as 'Valentine's Day') is employed by some Covens.
Read more here: » Wiccan Holidays: January 31 - February Eve -
Imbolc |
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|  |  |  | Dream Dictionary beginning: The Spiritual Sword Of Self-denial
Where is your brother, God asked, at the beginning of Biblical history. The original context was that of bloodshed: Brother killing brother, which is what every murder really is. Within the vision of vasudaiva kutumbakam , can anyone, even the most abhorred enemy, be less than a brother? The Cain-Abel story provides deep insight into religion-related tensions: First, it is in the context of religion that brother kills brother. The very purpose of religion is being largely misunderstood. The purpose of religion is to enable us to be keepers rather than killers of each other, protectors rather than predators of life and nature. The ascendancy of vested interests in religion, however, degrades it into a licence for murder and mayhem, as has happened in the history of all religions.
(See also: Religion , God and Religion,
Peace on Earth, Peace of Mind, Love and Happiness, Life and Beyond, Body Mind
and Soul)
Read more here: » Religion: The Spiritual Sword Of Self-denial |
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