Death poem

He held the position of Poet Laureate from 1850 until his death, turning out appropriate but mediocre verse, such as a poem of greeting to Alexandra of Denmark when she arrived in Britain to marry the future King Edward VII. In 1855, Tennyson produced one of his best known works, The Charge of the Light Brigade, a dramatic tribute to the British cavalrymen involved in an ill-advised charge on October 25, 1854, during the Crimean War. Other works written as Laureate include Ode on the Death of the Duke of Wellington ...

Read more here: » Alfred Tennyson 1st Baron Tennyson: Encyclopedia II - Alfred Tennyson 1st Baron Tennyson - The Poet Laureate

A poem on rebirth.

The death and dying and the life after death has always fascinated man. This is an excerpt from the book What Becomes Of The Soul After Death by Sri Swami Sivananda.

Read more here: » Rebirth: A poem on Rebirth

The soul accompanied by the chief vital air (Mukhya Prana), the sense-organs and the mind and taking with itself Avidya, good and evil actions and the impressions left by his previous existence, leaves its former body and obtains a new body.

The death and dying and the life after death has always fascinated man. This is an excerpt from the book What Becomes Of The Soul After Death by Sri Swami Sivananda.

Read more here: » Soul’s Journey After Death: Soul’s Journey After Death

A poem about life and death.

The death and dying and the life after death has always fascinated man. This is an excerpt from the book What Becomes Of The Soul After Death by Sri Swami_Sivananda.

Read more here: » Poem about life: What is real life?

The death and dying and the life after death has always fascinated man. We want to now the truth behind near death experiences and become certain that there really is a life after death.

What Becomes Of The Soul After Death by Swami Sivanandaji Maharaj is a departure from the usual line in that it is based, to a great extent, upon authoritative scriptural texts and upon knowledge derived through reasoning, deep reflection and personal meditation. It throws a flood of light upon all aspects of life after death not adequately dealt with in other works. The book also gives valuable information about the different beliefs on this subject, of the various races and religions.

The book is dealing with rebirth, the soul, reincarnation, moksha, heaven and hell, karma and different lokas,. It even includes death poems and death poetry, giving a complete picture and a new face of death.

Read more here: » Life after death: What Becomes Of The Soul After Death

A poem about birth and death.

The death and dying and the life after death has always fascinated man. This is an excerpt from the book What Becomes Of The Soul After Death by Sri Swami Sivananda.

Read more here: » Death Poem: Birth and Death

A poem about death.

The death and dying and the life after death has always fascinated man. This is an excerpt from the book What Becomes Of The Soul After Death by Sri Swami Sivananda.

Read more here: » Death Poetry: What is real death?

A death poem from Isavasya Upanisha.

The death and dying and the life after death has always fascinated man. This is an excerpt from the book What Becomes Of The Soul After Death by Sri Swami Sivananda.

Read more here: » Death Poem: Prayer of a dying man

Death poetry!

The death and dying and the life after death has always fascinated man. This is an excerpt from the book What Becomes Of The Soul After Death by Sri Swami Sivananda.

Read more here: » Death Poetry: Ode to Death

A death poem (辞世の句: jisei no ku) is a poem written near the time of one's own death. It is a tradition for literate persons to write one in a number of different cultures, especially in Japan. Poetry has long been a core part of Japanese tradition, in strong relation to religious practice. The poem should be graceful, natural, and about neutral emotions adhering to the teachings of Buddhism and Shinto (and possibly Christianity). Except the earliest works of this tradition, it has been considered to be rude to me ...

Read more here: » Death poem: Encyclopedia - Death poem

Ragnarok (Icelandic) [from ragna plural of regin ruler + rok sentence, judgment, reason, ground, origin]
 
In Norse mythology, the time when the ruling powers (gods) return to their ground, are reabsorbed in their divine origin. The judgment is their evaluation of the life that has just been completed. Ragnarok has commonly been called the twilight of the gods, probably because of confusion with rokkr (twilight). It has also been interpreted as they age of fire and smoke, because in Swedish rok means smoke. However, in Icelandic it has a more sacred meaning referring to wonders and signs, and the departure of the gods to their home ground, the source of their being.
 
On the cosmic scale Ragnarok brings to a close a universal cycle of activity. When a world dies the god Heimdal, guardian of the rainbow bridge between the realms of the gods and Midgard, domain of humanity, blows the Gjallarhorn, summoning the gods of life to the final battle against the forces of destruction. Lesser judgments take place when single world systems reach their term, as recorded in the "Lay of Odin''s Corpse" (Odins Korpgalder), which deals with a death of one planet, and relates the deities'' efforts to elicit from the planetary soul an accounting of its past cycle of activity.
 
The end of the world is vividly portrayed in the foremost poem of the Elder Edda, Voluspa, which depicts horrors presaging the departure of the gods from this sphere of life. However, this is by no means the end for it is followed by a new creation, when a reborn earth is seen arising in serene beauty and contentment.
 
Ragnarok has sometimes been personified as a world-destroying monster which is held in check until its proper time. Its approach is heralded by an overwhelming preponderance of evil which presages the end of the gods'' reign. This is another way of depicting the withdrawal of the beneficent powers to their supernal realms, leaving matter in a condition of entropy.
 
Ragnarok is succeeded by the Fimbulvetr or Fimbulvinter -- the long winter of nonbeing, when nothing exists (in the relevant portion of space) for their are no energies (gods) to organize matter. At the appropriate time Heimdal will once more summon the beneficent powers with his Gjallarhorn for a new tour of duty.

 
(See also: Ragnarok, Mysticism, Mysticism Dictionary )

For more dictionary entries, see » Death Poem Dictionary

Yama (Sanskrit) [from the verbal root yam to subdue, control]
 
A curb, rein, bridle; hence the act of curbing, suppression, self-control. Especially prominent in yoga as self-restraint: it is the first of the eight angas or means of attaining mental concentration.
 
As a proper name, the deity who rules over the shades of the dead in the Rig-Veda, corresponding to the Greek Hades or Roman Pluto. Hence Yama is the personification of the third root-race, because these were the first to taste death -- the first self-consciously intellectual humans who died and departed after death to devachan. Hence also the ascription in Hindu mythology to Yama as the ruler of the pitris. In the Mahabharata, he is described as dressed in blood-red garments, with a glittering form, a crown on his head, glowing eyes and, like Varuna, he holds a noose with which he binds the spirit after drawing it from the body after death.
 
"Yama is represented as the son of Vivaswat (the Sun). He had a twin-sister named Yami, who was ever urging him, according to another hymn, to take her for his wife, in order to perpetuate the species" (TG 375-6). Yama and his twin sister is a distinct reference to the androgynous character of the human race from the middle of the third root-race forward.
 
The Rig-Veda "nowhere shows Yama ''as having anything to do with the punishment of the wicked.'' As king and judge of the dead, a Pluto in short, Yama is a far later creation. One has to study the true character of Yama-Yami throughout more than one hymn and epic poem, and collect the various accounts scattered in dozens of ancient works, and then he will obtain a consensus of allegorical statements which will be found to corroborate and justify the Esoteric teaching, that Yama-Yami is the symbol of the dual Manas, in one of its mystical meanings.
 
For instance, Yama-Yami is always represented of a green colour and clothed with red, and as dwelling in a palace of copper and iron. Students of Occultism know to which of the human ''principles'' the green and the red colours, and by correspondence the iron and copper, are to be applied. The ''twofold-ruler'' -- the epithet of Yama-Yami -- is regarded in the exoteric teachings of the Chino-Buddhists as both judge and criminal, the restrainer of his own evil doings and the evil-doer himself. In the Hindu epic poems Yama-Yami is the twin-child of the Sun (the deity) by Sanjna (spiritual consciousness); but while Yama is the Aryan ''lord of the day,'' appearing as the symbol of spirit in the East, Yami is the queen of the night (darkness, ignorance) ''who opens to mortals the path to the West'' -- the emblem of evil and matter. In the Puranas Yama has many wives (many Yamis) who force him to dwell in the lower world (Patala, Myalba, etc., etc.); and an allegory represents him with his foot lifted, to kick Chhaya, the handmaiden of his father (the astral body of his mother, Sanjna, a metaphysical aspect of Buddhi or Alaya).
 
As stated in the Hindu Scriptures, a soul when it quits its mortal frame, repairs to its abode in the lower regions (Kamaloka or Hades). Once there, the Recorder, the Karmic messenger called Chitragupta (hidden or concealed brightness), reads out his account from the Great Register, wherein during the life of the human being, every deed and thought are indelibly impressed -- and, according to the sentence pronounced, the ''soul'' either ascends to the abode of the Pitris (Devachan), descends to a ''hell'' (Kamaloka), or is reborn on earth in another human form" (TG 376).

 
(See also: Yama, Mysticism, Mysticism Dictionary, Body mind and Soul )

For more dictionary entries, see » Death Poem Dictionary