Darkness Dictionary

A Yoga Dictionary from Abhyasa to Yukti.

From "Kundalini Yoga" by Sri Swami Sivananda

Space Usually the universe as perceived by our physical senses. It is disputed whether space exists apart from objects or is a property of objects, and also whether it is objective or subjective. Such difficulties arise from our attempt to abstract extension from the reality of which it is an aspect, just as we attempt to abstract matter and energy. The physical basis of our universe appears under these three aspects, and the attempt to conceive each of the three as separate existences and to construct the universe out of them is to court contradiction and to proceed in the inverse order.

In most arguments about the nature of space, space is unconsciously assumed at the outset of the inquiry, so that the reasoning becomes viciously circular. Is space the ultimate residue left after we have removed everything conceivable? In that case how can we define it in terms of anything which is supposed to be derived from it? We must either leave it undefined, as a primary postulate, or else define it in terms of something which lies beyond the physical plane altogether.

Again, the question whether the dimensions belong to space or to material objects arises from a false separation between these two, so that we speak of objects being in space, just as we speak of life as being in matter. We think of space as an absence of matter, as we think of darkness as an absence of light, and silence as absence of sound; and having thus created vacuums we proceed to fill them. In the view of occultism it would be nearer the truth to say that light is the absence of darkness, sound the absence of silence, and matter a form of the presence of space; and this is true in the sense that those things which appear to us most real are derived from those which seem to us most unreal, because not immediately physically perceivable. In theosophy, space is the infinite, eternal background of Being, Being itself, the ever-lasting substratum of, as well as the presence of, the universe; its apparent vacuity is due only to its lack of physical qualities to which our senses respond, and also to its perfect unity and uniformity. Space is living, incomprehensibly conscious, and hence a divinity; it is the only real world, while our manifested world born from and in it is a mayavi (illusory) one.

Theosophy, regarding the physical universe as merely one of many planes of kosmos, applies the term space to a much larger range. Yet it has the same characteristic meaning in all its applications: it figures, for instance, as one aspect of the trinity of space, energy, matter which is equivalent to the primordial unity. The fundamental hypostases are all derivative from ever-enduring, frontierless space, and Be-ness is symbolized by space, which no mind can either exclude nor conceive, and motion. In this conception are combined abstract space, motion, and duration.

Space is symbolized by the circle; a central point denotes spiritual monadic activity arising within abstract space. It is equivalent to akasa or aether, water or the waters; Chaos as the spatial deeps. Sometimes space in its manifestation is represented as a serpent with seven heads or as the great sea or deep. Occasionally called aupapaduka (parentless), because it is primary and the source of all, it is spoken of both as mulaprakriti and as parabrahman. In its manifested aspect it is bright space, son of dark space, the former being the ray dropped into cosmic depths. Parent space is the eternal ever-present cause of all -- the incomprehensible divinity, whose invisible robes are the mystic root of all matter and of the universe. Space is called Mother before its cosmic activity, and Father-Mother at the first stage of reawakening of manifestation.

In this connection a very clear distinction is drawn between abstract space, the limitless, frontierless, beginningless, and endless encompasser, container of all the various manifested spaces, which as individuals appear from and in its fathomless womb; and these latter spaces which are its offspring and which are collectively and individually the spatial ranges comprised within the boundaries of any manifested universe, such as a galaxy or solar system. Thus, we have the boundless spatial All or abstract space, and the innumerable universe or limited spaces arising within it. The former is absolute infinity and eternity; the later are the innumerable, relative spaces or universe scattered over the fields of the Boundless, called the spawn of the Great Mother.

Physical space is said to have six directions, the four cardinal points plus the zenith and nadir; or eight directions given by the axes joining the opposite corners of a cube. The six and the eight combine in the cube and octahedron. Nothing in the definition of geometrical space excludes the possibility of other spatial constructions, coexistent with our space and interblended with it and with each other. This helps in understanding such matters as chains of globes -- which, when we attempt to represent them by drawn diagrams, seem so confusing and contradictory -- and the manner in which other planes of consciousness and of objectivity may be related to the physical.

(See also: Space , Mysticism, Mysticism Dictionary)

Color From darkness comes white light; from white light comes color. These correspond to the unmanifest Logos, the manifest Logos, and the seven rays, and this cosmogonical scheme is repeated throughout the universe.

White light is in the physical world resolvable into a spectrum or band of colors, and color is defined as a quality of visual perception depending on the wavelength of light. But according to theosophy we could see no color at all unless we had it in our mind from the first, and thus recognized the color outside because of its identity with what is within us.

Still less could we resolve the continuous band into seven colors, as even infants can do. The physical stimuli merely evokes what is already in us, the latter recognizing what is objective outside us, causing a phenomenon of cognition to pass along the plane of the physical senses. This becomes more evident when we remember that color sense is relative, depending largely on contrast. Colors are light or sight in its septenary aspect; and color, sight, and light are used almost interchangeably in speaking of the evolution of the senses and their corresponding planes of prakriti.

Colors and sounds have great potency in practical magic, as cosmic powers can be evoked by an understanding use of the proper colors and sounds. The seven colors correspond with other septenates, such as the notes of the musical octave, the sacred planets, and the seven primary elements. It is the universal septenate viewed from a visual aspect as manifested light.

Colors are one of the manifold manifestations of cosmic vitality, a septenary unity -- or a denary or duodenary unity, according to the manner of enumeration -- these cosmic forces are interchangeable, their incomprehensible aggregate being cosmic life; therefore, any form of this cosmic life has not only its particular keynote of sound, but likewise its particular keynote of color, etc.

(See also: Color , Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

 Tamas:

darkness, inertia, ignorance

(See also:  Tamas , Body Mind and Soul)

Gnostic

"One who knows", adherent of an ancient Hellenistic way of life teaching transmigration of souls and a struggle between the forces of light and darkness

(See also: Gnostic , Body Mind and Soul)

PERICHORESIS

The word is Greek, as you might imagine: peri "around" + choreio "dance." But for the Greeks "dancing" wasn't the aimless shuffling we do. It was more like ballet. "Choreography" is a lot closer to the idea -- in which particular movements are carefully planned and executed. Travel from one dimension to another occurs simultaneously on all levels of reality. We travel in and out of the astral during sleep every night and think nothing of it. And, as you know, when the shaman interfaces with the earth by taking narcotic mushrooms or cacti into his system, he's moving deliberately and consciously between universes.

Parallel worlds stretch horizontally from sinister to dexter, or rather, from increasing shades of darkness to increasing degrees of light. Beings entering from the darkside are perceived by us not as merely ignorant but as demonic, whereas the wisdom of the beings from the lightside stands so far beyond our recognition that we see them simply as angelic beings. Depending on the level of reality that we happen to occupy, the dark and light worlds are perceived as more or less similar to the world we currently inhabit. On some levels of reality, the transfiguration is reversed and we perceive them as inhabiting regions above and below a horizontal plane of reality that stretches into inaccessible temporal limits of Past and Future. In such a world, reality is a given that is perceived as revealing itself only at such Past and Future vanishing points -- Alpha and Omega.

Everywhere horizontal parallel plane meets vertical parallel levels and an Aeon is established, symbolized by a cross. If the cross, however is not circumscribed by a circle (the familiar symbol of cross in circle, representing "earth"), there is no cohesion and the center does not hold. The so-called "extremes," in fact, are not extremes at all, but merely their own opposites in a spinning circle.

Because of the nature of infinity, we have to recognize that we may never stand at any of the four extremities, but always only at the exact center of the omniverse.

Notice also that in any formal religious painting, the god or saint is always placed in the exact center. If he is raised too high from the center, the lower world is given undue importance and power, because, after all, in completely "secular" pictures, the God has been raised so high as to have been left out of the picture altogether! Placing the God too far down divests him of his divinity because his intensity looks, on our level, simply grotesque. Likewise, if the God is placed too far to the left or right, an imbalance is also created.

Thus, uncircumscribed, the ends of the cross stretch unchecked into the infinite four directions and an uncontrollable wickedness is set forth into all manifestations. Without the "earthing" of the cross, there is no manifestation. The extremities lead only into infinite "otherness" and delusion. It is the inner being at the solar plexus that is the heart of the universe. When we nail (i.e., Christianize) the higher spirit of man to an ancient quadratic event, the center is blocked and closed forever. Moreover, the center has been locked in the past, away from the Eternal Now. Until the nail (Xtianity) has been pulled out, no further evolution is possible and Death will prevail.

The way out is toward the central, innermost point.

The parallel world-planes are accessible at all times. We move in and out of them constantly, but are mostly unaware of having done so. Occasionally we get the feeling that "things are suddenly different" or that "something is about to happen" and that means we've inadvertently stepped into a new probable world that is much different from the ones we've hitherto occupied. You can move back into the world you've just left, only if you do so at once.

Whatever can be imagined, exists, will exist or has existed. Whatever has existed or will exist continues to exist now because time is one of the four real dimensions of things. Alongside this Reality there are an infinite number of co-existent realities of equal "solidity" and "substance." There are also an infinite number of "probable" realities and an infinite number of "possible" worlds. A moment's reflection will show that if this is so, then, obviously, available access to them must not be merely possible, but inevitable. Jane Robert's Seth describes the infinite "probable worlds" stretching out in either direction from this one. The closest ones being hardly distinguishable from this, as we progress outward, the probable worlds become stranger, increasingly incomprehensible and frighteningly unpredictable. In the fifth dimensional world, four dimensional objects have their own much more complete and solid "substance" which we cannot perceive so long as we inhabit lower planes of being.

You can, however, willingly and deliberately get up and walk from this world into the nearest adjacency and from there to the next, and the next. The only problem is that you're playing roulette. There's no way of telling what kind of world you are moving into.

If you are seeking to avoid some trouble in this world, be advised that things could be a lot worse in the world next door. Moreover, if you leave unsolved problem behind, your karma will continue to take you back there in future lives until eventually you are forced to solve them. On top of that, if you leave muddy footprints behind you as you run through world after world, you'll have added onto your present karma the extra burden of going back to mop them up.

Actual entrance/exit sites are a matter of intuitive perception. Dimensional doorways are not likely, for instance, to be found in your living room. They need to be places you've never crossed before (except as interdimensional thresholds). It's best to look for two pillars to pass between -- a couple of tall trees in a forest or park make excellent pillars. The more difficult the access the better. And the direction and angle of entrance are crucial. Select a "picture" framed by the trees as most nearly representing the world you want to leave behind you and before you a picture of what intuitively or esthetically looks to be an improvement of that. Make sure that nothing passes across your line of vision as you are actually walking through. If necessary, keep your eyes closed or look down at your feet.

At first the difference between adjacent worlds is scarcely discernible. Variations only become immediately evident at some distance. But if you are observant, you will eventually begin to notice tiny, subtle changes for the better (or worse). By the time these changes become evident, it's already too late to go back where you came from. The metaphors of artistic symbolism, religion and magic can also assist in perichoretic travel. With the enhanced ability to will and to imagine, the human mind can perceive parts of alternate realities with increasing clarity and may begin to see how to transform the reality we normally inhabit. In fact, so many are the pathways to alternate experience, it's a wonder anyone still believes that reality has but a single face!

There is, to be sure, ultimately only the One Plenum in which everything else transpires, but that sphere transcends experience in the Void of Nirvana.

Although, as we've seen above, there are relatively easy methods of interplanary travel (between planes), the ability to discover significant doorways into alternate dimensions, advanced perichoresis, not only requires an out-of-the-ordinary state of consciousness, but is a difficult technique in its own right, mastered properly only by experienced shamans. For instance, travel through time in the past requires us to move "forward" (i.e., towards the Beginning of Time) simply by ignoring vast areas of experience and being -- as we also do in the present -- in order to maintain a strict continuity of our own. Travel from the future (i.e., the End of Time), however, even though employing the same declination, creates an ever-thickening wall behind us, preventing all possibility of return to the starting point.

Kenneth Grant (Outside the Circles of Time) provides us with insights into the sexual avenue of interdimensional perichoresis and at the same time describes the procedure for creating a "moonchild." In his system, the door to our world opens inward in order for us to receive extratellurian immigrants.

Bipolar human sexuality, explains Grant, parallels cosmogenesis and the sacred void corresponds to the female vagina. Everything comes out of and falls back into this same eternal darkness. The creative light is sucked into its bottomless depths where it is swallowed up by vampiric blackness. Therefore, the doorway to the vacuum or zero of space is a priestess who has been chosen for her "master of the art of dream control." By allowing herself to become a mirror of impression-reception, she is able to generate illusions, "for all form is fantasy, and exists only in the dreaming mirror of the mind."

A material looking glass is placed above her, slanted to receive the starlight. Now, by her psychic ability she can project whatever star morph the magician requires onto the looking glass. A second mirror, creating an infinite regression reflection is placed 11 feet away, eleven being the number of the famous 11th Pathway of Black Magic. The circle of Daath is the corresponding doorway in the Qabalah.

Thereupon the priest uses his penis as the intergalactic conduit of the astro-seminal energy. His vibrations and invocations encourage the dream-manipulating priestess to focus the desired star-morph entity onto the mirrors. In the ultimate orgasm of priest, priestess and dream-entity, the eldolon rises briefly to life and erupts from the mirror as its starseed transmission runs down from the star to impregnate her. The zygote achieved by this cosmocopulation is a unique blend of human and extraterrestrial "genes."

According to most students, monstrous beings invisible to ordinary consciousness are entering our universe in unprecedented numbers, through this same interdimensional sexual doorway. (Apparently our time is a vector of unique significance.) The fantasy film, Ghostbusters, was a facetious rendering of this understanding, but revealed a good deal more than most viewers realized. Kenneth Grant teaches a heterosexual tantrism by which one may ride out again through the same door on the back of one of these demonic beasts and thereby escape. He calls this, again, the 11th Pathway. Others propose that there are homosexual and even solitary practices what serve this purpose equally well.

Sex and death are the two most common and well-known methods of conveyance between worlds, but such exclusively Scorpionic merkabahs are by no means the only ones. All of these methods follow the horizontal direction of planes to left and right, from darkness into light, or vice versa. There is also travel in the vertical direction from layers of reality and consciousness above and below. These cris-crossing horizontal and vertical planes endlessly extend out and recede into the vastnesses. Some of the planes are commonly thought, by the average person, to be "schizophrenic" because they appear to leave the traveller suspended in his "own little world." But such planes are of great importance to the magician or yogin. Reality, we must understand, is entirely a matter of the manipulation of illusion. The teacher, Gurdjieff, once pointed out that there is only one thing in the entire universe, but it is repeated endlessly in order to provide the illusion of "difference." Even chemistry and physics bear this out. The difference between each element is simply a difference in the number of their atomic electrons: Hydrogen 1, Helium 2, Lithium 3...

Some writers believe that there are denizens of other dimensions who use various perichoretic chariots that resemble the astral projections of those whose time and locality they visit. For Ezekiel and Daniel it was a fiery wheel bearing the tetramorph. For the Dogons it was a star ship. For our great grandfathers in the 19th Century it was frequently an airship. But they aren't just psychic experiences, say the witnesses, ufo's leave evidence behind ... a burned-out circle on the lawn, a map with indecipherable writing, MIBs, etc.

My own interdimensional visits to "the Other Side" have been neither A.D.E.'s nor OOBE's. They have occurred either through true-dreaming or by psychotropic methods, i.e., strictly via astral travel. In all, I have several times visited the "conventional" Astral Plane -- or abode of the (after-dead) spirits, three or four times encountered higher beings (although only at a distance), dwelt in the All-Consciousness of All-Phyla and once visited a previous time. Lately I have begun experimenting with ordinary consciousness as a routine means of perichoresis. The occult path I've travelled (until now) has always been the lonely one of the hermit. The beings I've encountered have been the traditional custodians of the pathways, that is to say, those archetypes hovering somewhere between being and non-being. Else they comprise the angels, Gods and daimones of pantheons we already know. But I have increasingly come under the purview of something more important: the existence of what seems to be an infinite number of Eternal Doorways between worlds. These doorways are available to us, of course, under very special circumstances -- that is to say, in altered psychic states lying clearly outside normal consciousness: Yoga, Tantra, sex magic, primitive rites of passage, repetitive rhythms (micro-events), sensory deprivation or stimulation, pain, extreme trauma, trance, all the multifarious REM/sleep/hypnotic states, rushes of adrenaline or fatigue intoxication, epilepsy, metamorphic anomaly, drug intoxication, illness, psychosis proper, thanatolepsy and death. (See SOLIPSISM.)

(See also: PERICHORESIS , Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul,)

SATAN:

1) means an opponent or adversary in Hebrew. Ha-satan designates a supreme evil entity; Greek: diabolos.

2) This is a Christian concept. The Prince of Darkness; Evil incarnate; The negative side of the Good, Evil duality; Pagans and Witches do not believe in this being, nor do they worship such a concept.

(See also: SATAN , Witchcraft, Wicca, Paganism, Pagan Dictionary)

Anubis (Greek) Anpu (Egyptian) The Egyptian jackal-headed deity, lord of the Silent Land of the West (the underworld). To him with Thoth was entrusted the psychopompic leading of the dead. In the judgment after death, Anubis tests the balance in the scene of the weighing of the heart. His offices were likewise those of the embalmer, mystically speaking.

Originally the god of the underworld, he was later replaced by Osiris. In Heliopolis during the later dynasties he was identified with Horus, for he was often regarded as the son of Osiris and Isis -- more often of Osiris and Nephthys (Neith). Plutarch writes: "By Anubis they understand the horizontal circle, which divides the invisible part of the world, which they call Nephthys, from the visible, to which they give the name of Isis; and as this circle equally touches upon the confines of both light and darkness, it may be looked upon as common to them both . . . Others again are of opinion that by Anubis is meant Time . . . " (On Isis and Osiris, sec 44).

The mysteries of Osiris and Isis were revived in Rome, and Apuleius (2nd century) in The Golden Ass tells of the Procession of Isis, in which the dual aspect of Anubis was portrayed: "that messenger between heaven and hell displaying alternately a face black as night, and golden as the day; in his left the caduceus, in his right waving aloft the green palm branch" (Gods of the Egyptians, Budge 2:264-5). In most of his attributes, Anubis is a lunar power, Plutarch connecting him with the Grecian Hecate, one of the names for the moon; and this is further emphasized by his being a guide of the dead. Also identified with Hermes as psychopomp.

See also Hermanubis

(See also: Anubis , Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

Agathodaemon, Agathodaimon (Greek) The good genius (represented as a youth holding a horn of plenty and a bowl, or a poppy and ears of corn) to whom at Athens a cup of pure wine was drunk at dinner; in one of his many forms, the kosmic Christos, the serpent of eternity -- which in the human mind becomes the serpent of Genesis -- which after the fall of Mediterranean civilizations became Satan. Brahma, in order to create hierarchies, becomes fourfold and emanates successively daemons, angels, pitris, and men.

Agathodaimon refers to the first of these emanations, sons of kosmic darkness, signifying incomprehensible light which is prior to manifested light. Christian theology has recognized this in making Satan's host the first sons of God, but has unconsciously perverted their descent in order to enlighten man into a rebellion against Almighty Power. Thus in later times Agathodaimon became the enemy of divine goodness. The same has happened in the case of the asuras in India, and of the kosmic serpent. In Gnostic gems it appears under the name Chnouphis or Chnoubis.

Clement of Alexandria, as an initiated Neoplatonist, knew that Agathodaimon was the kosmic Christos and the true spiritual savior of mankind, like Prometheus -- an early form of the Agathodaimon teaching applied to the enlightening of the human race through the influence of an incarnating spiritual power. Opposite to him stands a Kakodaimon, the evil genius or lower serpent, the Satan who bids Christ worship him and "I will give thee all the kingdoms of the earth." Kakodaimon is the nether or inferior aspect of Agathodaimon, kama-manas the deluder as opposed to buddhi-manas the redeemer.

(See also: Agathodaemon, Agathodaimon , Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

Lunar Gods. Called in India the Fathers, "Pitris" or the lunar ancestors.

They are subdivided, like the rest, into seven classes or Hierarchies, In Egypt although the moon received less worship than in Chaldea or India, still Isis stands as the representative of Luna-Lunus, "the celestial Hermaphrodite". Strange enough while the modern connect the moon only with lunacy and generation, the ancient nations, who knew better, have, individually and collectively, connected their "wisdom gods" with it. Thus in Egypt the lunar gods are Thoth, Hermes and Chons; in India it is Budha, the Son of Soma, the moon; in Chaldea Nebo is the lunar god of Secret Wisdom, etc., etc.

The wife of Thoth, Sifix, the lunar goddess, holds a pole with five rays or the five-pointed star, symbol of man, the Microcosm, in distinction from the Septenary Macrocosm. As in all theogonies a goddess precedes a god, on the principle most likely that the chick can hardly precede its egg, in Chaldea the moon was held as older and more venerable than the Sun, because, as they said, darkness precedes light at every periodical rebirth (or "creation") of the universe. Osiris although connected with the Sun and a Solar god is, nevertheless, born on Mount Sinai, because Sin is the Chaldeo-Assyrian word for the moon; so was Dio-Nysos, god of Nyssi or Nisi, which latter appelation was that of Sinai in Egypt, where it was called Mount Nissa.

The crescent is not - as proven by many writers - an ensign of the Turks, but was adopted by Christians for their symbol before the Mahommedans. For ages the crescent was the emblem of the Chaldean Astarte, the Egyptian Isis, and the Greek Diana, all of them Queens of Heaven, and finally became the emblem of Mary the Virgin. "The Greek Christian Empire of Constantinople held it as their palladium. Upon the conquest by the Turks, the Sultan adopted it . . . and since that, the crescent has been made to oppose the idea of the cross". (Eg. Belief.)

(See also: Lunar Gods , Theosophy, Spirituality, Body mind and Soul, Spiritual Dictionary,)

Pythia or Pythoness (Ancient Greek). Modern dictionaries inform us that the term means one who delivered the oracles at the temple of Delphi, and "any female supposed to have the spirit of divination in her - a witch" (Webster).

This is neither true, just nor correct. On the authority of Iamblichus, Plutarch and others, a Pythia was a priestess chosen among the sensitives of the poorer classes, and placed in a temple where oracular powers were exercised. There she had a room secluded from all but the chief Hierophant and Seer, and once admitted, was, like a nun, lost to the world. Sitting on a tripod of brass placed over a fissure in the ground, through which arose intoxicating vapours, these subterranean exhalations, penetrating her whole system, produced the prophetic mania, in which abnormal state she delivered oracles. Aristophanes in Vestas " I., reg. 28, calls the Pythia ventriloqua vates or the "ventriloquial prophetess", on account of her stomach-voice.

The ancients placed the soul of man (the lower Manas) or his personal self-consciousness, in the pit of his stomach. We find in the fourth verse of the second Nabhanedishta hymn of the Brahmans: "Hear, 0 sons of the gods, one who speaks through his name (nabha), for he hails you in your dwellings!" This is a modern somnambulic phenomenon.

The navel was regarded in antiquity as "the circle of the sun", the seat of divine internal light. Therefore was the oracle of Apollo at Delphi, the city of Delphus, the womb or abdomen - while the seat of the temple was called the omphalos, navel. As well-known, a number of mesmerized subjects can read letters, hear, smell and see through that part of their body. In India there exists to this day a belief (also among the Parsis) that adepts have flames in their navels, which enlighten for them all darkness and unveil the spiritual world. It is called with the Zoroastrians the lamp of Deshtur or the "High Priest"; and the light or radiance of the Dikshita (the initiate) with the Hindus.

(See also: Pythia, Pythoness , Theosophy, Spirituality, Body mind and Soul, Spiritual Dictionary,)

Dove Bird symbols play a prominent part in cosmogonic systems. In the Biblical deluge, as a blend of cosmic and precosmic allegories, Noah sends out first a raven, symbolizing darkness which was regarded as prior to light; and then a dove.

In the Chaldean version, Noah is represented by Ishtar or Ashtoreth -- a lunar goddess corresponding in some respects to Artemis and in others to Venus -- and the dove is a symbol of Venus, which is also found in Greek mythology. In several nations the dove also symbolizes the soul.

In Christianity, the dove is a symbol of the Holy Ghost, who appears in that form to Jesus at his baptism. It is also often one of the four sacred animals which denote four important human principles along with the bull, the eagle, and the lion.

These four animals in Greek mystic mythology are symbols respectively of the planets Venus, the Moon, Mercury (or Jupiter), and the Sun; but it is more properly here a seraph or cherub, the fiery-winged serpent or Agathodaimon. As a symbol of gentleness and love it is frequent in the Hebrew scriptures.

(See also: Dove , Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)

Mahabharata

"[The Mahabharata] is...probably the longest single poem in the world's literature. Traditionally the author of the poem was the sage Vyasa, who is said to have taught it to his pupil Vaisampayana. The latter, according to tradition, recited it in public for the first time at a great sacrifice held by King Janamejaya, the great grandson of Arjuna, one of the heroes of the story. ...the poem tells of the great civil war in the kingdom of the Kurus, in the region about the modern Delhi, then known as Kuruksetra."

-- A.L. Basham, The Wonder That Was India, p. 407

"The Mahabharata is the creation and expression not of a single individual mind, but of a whole people. ...The whole poem has been built like a vast national temple unrolling slowly its immense and complex idea from chanber to chamber, crowded with significant groups and sculptures and inscriptions, the grouped figures carved in divine or semi-divine proportions, a humanity aggrandised and half-uplifted to super-humanity and yet always true to the human motive and idea and feeling, the strain of the real constantly raised by the tones of the ideal, the life of this world amply portrayed but subjected to the conscious influence and presence of the powers of the worlds behind it, and the whole unified by the long embodied procession of a consistent idea worked out in the wide steps of the poetic story."

"The leading motive is the Indian idea of the Dharma. Here the Vedic notion of the struggle between the godheads of truth and light and unity and the powers of darkness and division and falsehood is brought out from the spiritual and religious and internal into the outer intellectual, ethical and vital plane. It takes there in the figure of the story a double form of a personal and a political struggle, the personal a conflict between typical and representative personalities embodying the greater ethical ideals of the Indian Dharma and others who are embodiments of Asuric egoism and self-will and misuse of the Dharma, the political a battle in which the personal struggle culminates, an international clash ending in the establishment of a new rule of righteiousness and justice, a kingdom or rather an empire of the Dharma uniting warring races and substituting for the ambitious arrogance of kings and aristocratic clans the supremacy, the calm and peace of a just and humane empire. It is the old struggle of Deva and Asura, God and Titan, but represented in the terms of human life."

-- Sri Aurobindo, The Foundations of Indian Culture, SABCL Vol.14 pp. 287-88

(See also: Mahabharata , Hinduism, Vedic Scriptures, Yoga, Body Mind and Soul)

guru: (Sanskrit) "Weighty one," indicating an authority of great knowledge or skill.

A title for a teacher or guide in any subject, such as music, dance, sculpture, but especially religion.

For clarity, the term is often preceded by a qualifying prefix. Hence, terms such as

• kulaguru (family teacher),
• vinaguru (vina teacher) and
• satguru (spiritual preceptor).

In Hindu astrology, guru names the planet Jupiter, also known as Brihaspati. According to the Advayataraka Upanishad (1418), guru means "dispeller (gu) of darkness (ru)."

See: guru-shishya system, satguru.

(See also: Guru , Hinduism, Body Mind and Soul)

MOON

Arcanum number 18. Hebrew letter Qoph (meaning the "back of the head" or the seat of sexual energies). The reason Diana is the goddess of chastity is that the Moon's monthly visible link to ovulation serves as proof of virginity. But the Moon also symbolizes Occult Truth and witchcraft, the so-called "left-hand path." As one of the three manifestations of Divine Light, however, there can be no evil in it. It is the light of Khephra about to rise, that is, it is the lux tenebris, the light we call darkness. It is also the Subconscious Mind.

Astrophysically the moon is a "corpse". But then most of the planets are "dead" worlds. The greenhouse effect on Venus is horrific, the atmosphere of Jupiter is poisonous, the outer worlds are frozen solid and so on. We might say that the Sun is "alive", but if so, it is much too alive for us, certainly, with its nuclear explosions and temperatures upwards of millions of degrees Fahrenheit. No, we must, as Genesis instructs, think of the lights in the heavens as "illuminators" and "signs", rather than as possible human abodes. By that token, the Moon is not a "dead world" but Diana's silvern lamp!

Some astrologers say the Moon is the Personality, whose chief characteristics are "protection and envy. What they mean is that it is the archetypal Anima (as the Sun is the archetypal Animus) and the ruler of the emotions, moods, feelings, desires, etc. The actual "New" Moon is not the conjunction of the Sun and Moon in the same sign - that phase is known as the "Dark of the Moon". The fine crescent of the "New Moon" occurs in the sign just following the conjunction. It is the beginning of the lunar month and known as Sahar Dag. It occurs five twelve-hour periods after the listed new moon.

The Atu corresponds to Khephra about to rise, says Crowley, hence is one of the three sacred "lights" and cannot be evil. It is also the realm of Yesod on the Tree of Life.

(See also: MOON , Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul,)

AKASHA

The fifth tattwa (Hindu Element). The black egg of the spirit, i.e. the ether, whereby everything is written down. In the Akashic records, found on every plane, no event, however insignificant, goes unmarked. If time be not a closed, self-repeating cycle, then the Akashic Records are of infinite length, having no beginning. The Guardians of the Akashic records have been equated with Thoth and Hermes as well as with Mnemosyne and the Muses. These were the guardians of the Well of Memory, from which the initiate must drink. In Norse mythology, the Guardian of the Well of knowledge, beside the root of the world-tree, Yggdrasil, was Mimir (to whom Odin paid his eye).

HPB describes Akasha as "The Second Differentiation of evolving substance Chaos, Aether, Matter of the Monadic Plane...often used where chaos or aether would be indicated. Akasha is located in the sphere of Vibratory Sound, whence all auras derive.

Lest those who feel they have contributed positively or negatively to the Akashic records be prideful on the one hand or discouraged on the other, it should be understood that all such actions are dualistic and the expansion of the darkness automatically ensures the expansion of the light and vice-versa.

(See also: AKASHA , Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul,)

A Christian theological definition of Theodicy according to CARM - The Christian Apologetics & Research Ministry:

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Theodicy

See also: Theodicy , Christianity, Body Mind and Soul

guna: (Sanskrit) "Strand; quality." The three constituent principles of prakriti, primal nature. The three gunas are as follows.

• sattva: Quiescent, rarified, translucent, pervasive, reflecting the light of Pure Consciousness.
• rajas: "Passion," inherent in energy, movement, action, emotion, life. -
• tamas: "Darkness," inertia, density, the force of contraction, resistance and dissolution. The gunas are integral to Hindu thought, as all things are composed of the combination of these qualities of nature, including ayurveda, arts, environments and personalities.

See: ayurveda, prakriti, tattva.

(See also: Guna , Hinduism, Body Mind and Soul)

Dark, Darkness

• To dream of darkness overtaking you on a journey, augurs ill for any work you may attempt, unless the sun breaks through before the journey ends, then faults will be overcome.
• To lose your friend, or child, in the darkness, portends many provocations to wrath. Try to remain under control after dreaming of darkness, for trials in business and love will beset you.

Source: 10 000 Dream Interpretations, by Gustavus Hindman Miller

(See also: Dream Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Dark , Dreams - Meaning of Dream about Dark , Dream Interpretation Dark )

Meaning of dream including the meaning of dreams about: Dagger, Dahlia, Dairy, Daisy, Damask Rose, Damson, Dance, Dancing Master, Dandelion, Danger, Dark, Dates, Daughter, Daughter-in-law, David, Day, Daybreak, Dead, Death, Debt, December, Deck, Decorate, Deed, Deer, Delay,

For more dream interpretation, see: Meaning of Dreams or Dream Dictionary

For articles about dreams, see: Dreams

Read more here: » Meaning of a Dream: Meaning of Dream from; Dagger to Dead / Death

Dream Interpretation including the meaning of dreams about: Dagger, Dahlia, Dairy, Daisy, Damask Rose, Damson, Dance, Dancing Master, Dandelion, Danger, Dark, Dates, Daughter, Daughter-in-law, David, Day, Daybreak, Dead, Death, Debt, December, Deck, Decorate, Deed, Deer, Delay,

Dream Dictionary Index including links to 10.000 dream interpretations: Dream Dictionary Index

For more dream interpretation, see: Meaning of Dreams or Dream Dictionary

For articles about dreams, see: Dreams

Read more here: » Dream Interpretation: Dream Interpretation from; Dagger to Dead / Death