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Dancing

A Wisdom Archive on Dancing

Dancing

A selection of articles related to Dancing

We recommend this article: Dancing - 1, and also this: Dancing - 2.
dancing, Dance, Dance - Categories of dance, Dance - Choreography and notation, Dance - Dance and music, Dance - Dance studies, Dance - History of dance, Wikipedia:Dance basic topics, List of dance wikibooks, An American Ballroom Companion, Ballroom dance, Wikipedia:WikiProject DanceSayingsgu


ARTICLES RELATED TO Dancing

Dancing: Mysticism Magick Dictionary on PERICHORESIS

PERICHORESIS

The word is Greek, as you might imagine: peri "around" + choreio "dance." But for the Greeks "dancing" wasn't the aimless shuffling we do. It was more like ballet. "Choreography" is a lot closer to the idea -- in which particular movements are carefully planned and executed. Travel from one dimension to another occurs simultaneously on all levels of reality. We travel in and out of the astral during sleep every night and think nothing of it. And, as you know, when the shaman interfaces with the earth by taking narcotic mushrooms or cacti into his system, he's moving deliberately and consciously between universes.

 

Parallel worlds stretch horizontally from sinister to dexter, or rather, from increasing shades of darkness to increasing degrees of light. Beings entering from the darkside are perceived by us not as merely ignorant but as demonic, whereas the wisdom of the beings from the lightside stands so far beyond our recognition that we see them simply as angelic beings. Depending on the level of reality that we happen to occupy, the dark and light worlds are perceived as more or less similar to the world we currently inhabit. On some levels of reality, the transfiguration is reversed and we perceive them as inhabiting regions above and below a horizontal plane of reality that stretches into inaccessible temporal limits of Past and Future. In such a world, reality is a given that is perceived as revealing itself only at such Past and Future vanishing points -- Alpha and Omega.

 

Everywhere horizontal parallel plane meets vertical parallel levels and an Aeon is established, symbolized by a cross. If the cross, however is not circumscribed by a circle (the familiar symbol of cross in circle, representing "earth"), there is no cohesion and the center does not hold. The so-called "extremes," in fact, are not extremes at all, but merely their own opposites in a spinning circle.

 

Because of the nature of infinity, we have to recognize that we may never stand at any of the four extremities, but always only at the exact center of the omniverse.

 

Notice also that in any formal religious painting, the god or saint is always placed in the exact center. If he is raised too high from the center, the lower world is given undue importance and power, because, after all, in completely "secular" pictures, the God has been raised so high as to have been left out of the picture altogether! Placing the God too far down divests him of his divinity because his intensity looks, on our level, simply grotesque. Likewise, if the God is placed too far to the left or right, an imbalance is also created.

 

Thus, uncircumscribed, the ends of the cross stretch unchecked into the infinite four directions and an uncontrollable wickedness is set forth into all manifestations. Without the "earthing" of the cross, there is no manifestation. The extremities lead only into infinite "otherness" and delusion. It is the inner being at the solar plexus that is the heart of the universe. When we nail (i.e., Christianize) the higher spirit of man to an ancient quadratic event, the center is blocked and closed forever. Moreover, the center has been locked in the past, away from the Eternal Now. Until the nail (Xtianity) has been pulled out, no further evolution is possible and Death will prevail.

 

The way out is toward the central, innermost point.

 

The parallel world-planes are accessible at all times. We move in and out of them constantly, but are mostly unaware of having done so. Occasionally we get the feeling that "things are suddenly different" or that "something is about to happen" and that means we've inadvertently stepped into a new probable world that is much different from the ones we've hitherto occupied. You can move back into the world you've just left, only if you do so at once.

 

Whatever can be imagined, exists, will exist or has existed. Whatever has existed or will exist continues to exist now because time is one of the four real dimensions of things. Alongside this Reality there are an infinite number of co-existent realities of equal "solidity" and "substance." There are also an infinite number of "probable" realities and an infinite number of "possible" worlds. A moment's reflection will show that if this is so, then, obviously, available access to them must not be merely possible, but inevitable. Jane Robert's Seth describes the infinite "probable worlds" stretching out in either direction from this one. The closest ones being hardly distinguishable from this, as we progress outward, the probable worlds become stranger, increasingly incomprehensible and frighteningly unpredictable. In the fifth dimensional world, four dimensional objects have their own much more complete and solid "substance" which we cannot perceive so long as we inhabit lower planes of being.

 

You can, however, willingly and deliberately get up and walk from this world into the nearest adjacency and from there to the next, and the next. The only problem is that you're playing roulette. There's no way of telling what kind of world you are moving into.

 

If you are seeking to avoid some trouble in this world, be advised that things could be a lot worse in the world next door. Moreover, if you leave unsolved problem behind, your karma will continue to take you back there in future lives until eventually you are forced to solve them. On top of that, if you leave muddy footprints behind you as you run through world after world, you'll have added onto your present karma the extra burden of going back to mop them up.

 

Actual entrance/exit sites are a matter of intuitive perception. Dimensional doorways are not likely, for instance, to be found in your living room. They need to be places you've never crossed before (except as interdimensional thresholds). It's best to look for two pillars to pass between -- a couple of tall trees in a forest or park make excellent pillars. The more difficult the access the better. And the direction and angle of entrance are crucial. Select a "picture" framed by the trees as most nearly representing the world you want to leave behind you and before you a picture of what intuitively or esthetically looks to be an improvement of that. Make sure that nothing passes across your line of vision as you are actually walking through. If necessary, keep your eyes closed or look down at your feet.

 

At first the difference between adjacent worlds is scarcely discernible. Variations only become immediately evident at some distance. But if you are observant, you will eventually begin to notice tiny, subtle changes for the better (or worse). By the time these changes become evident, it's already too late to go back where you came from. The metaphors of artistic symbolism, religion and magic can also assist in perichoretic travel. With the enhanced ability to will and to imagine, the human mind can perceive parts of alternate realities with increasing clarity and may begin to see how to transform the reality we normally inhabit. In fact, so many are the pathways to alternate experience, it's a wonder anyone still believes that reality has but a single face!

 

There is, to be sure, ultimately only the One Plenum in which everything else transpires, but that sphere transcends experience in the Void of Nirvana.

 

Although, as we've seen above, there are relatively easy methods of interplanary travel (between planes), the ability to discover significant doorways into alternate dimensions, advanced perichoresis, not only requires an out-of-the-ordinary state of consciousness, but is a difficult technique in its own right, mastered properly only by experienced shamans. For instance, travel through time in the past requires us to move "forward" (i.e., towards the Beginning of Time) simply by ignoring vast areas of experience and being -- as we also do in the present -- in order to maintain a strict continuity of our own. Travel from the future (i.e., the End of Time), however, even though employing the same declination, creates an ever-thickening wall behind us, preventing all possibility of return to the starting point.

 

Kenneth Grant (Outside the Circles of Time) provides us with insights into the sexual avenue of interdimensional perichoresis and at the same time describes the procedure for creating a "moonchild." In his system, the door to our world opens inward in order for us to receive extratellurian immigrants.

 

Bipolar human sexuality, explains Grant, parallels cosmogenesis and the sacred void corresponds to the female vagina. Everything comes out of and falls back into this same eternal darkness. The creative light is sucked into its bottomless depths where it is swallowed up by vampiric blackness. Therefore, the doorway to the vacuum or zero of space is a priestess who has been chosen for her "master of the art of dream control." By allowing herself to become a mirror of impression-reception, she is able to generate illusions, "for all form is fantasy, and exists only in the dreaming mirror of the mind."

 

A material looking glass is placed above her, slanted to receive the starlight. Now, by her psychic ability she can project whatever star morph the magician requires onto the looking glass. A second mirror, creating an infinite regression reflection is placed 11 feet away, eleven being the number of the famous 11th Pathway of Black Magic. The circle of Daath is the corresponding doorway in the Qabalah.

 

Thereupon the priest uses his penis as the intergalactic conduit of the astro-seminal energy. His vibrations and invocations encourage the dream-manipulating priestess to focus the desired star-morph entity onto the mirrors. In the ultimate orgasm of priest, priestess and dream-entity, the eldolon rises briefly to life and erupts from the mirror as its starseed transmission runs down from the star to impregnate her. The zygote achieved by this cosmocopulation is a unique blend of human and extraterrestrial "genes."

 

According to most students, monstrous beings invisible to ordinary consciousness are entering our universe in unprecedented numbers, through this same interdimensional sexual doorway. (Apparently our time is a vector of unique significance.) The fantasy film, Ghostbusters, was a facetious rendering of this understanding, but revealed a good deal more than most viewers realized. Kenneth Grant teaches a heterosexual tantrism by which one may ride out again through the same door on the back of one of these demonic beasts and thereby escape. He calls this, again, the 11th Pathway. Others propose that there are homosexual and even solitary practices what serve this purpose equally well.

 

Sex and death are the two most common and well-known methods of conveyance between worlds, but such exclusively Scorpionic merkabahs are by no means the only ones. All of these methods follow the horizontal direction of planes to left and right, from darkness into light, or vice versa. There is also travel in the vertical direction from layers of reality and consciousness above and below. These cris-crossing horizontal and vertical planes endlessly extend out and recede into the vastnesses. Some of the planes are commonly thought, by the average person, to be "schizophrenic" because they appear to leave the traveller suspended in his "own little world." But such planes are of great importance to the magician or yogin. Reality, we must understand, is entirely a matter of the manipulation of illusion. The teacher, Gurdjieff, once pointed out that there is only one thing in the entire universe, but it is repeated endlessly in order to provide the illusion of "difference." Even chemistry and physics bear this out. The difference between each element is simply a difference in the number of their atomic electrons: Hydrogen 1, Helium 2, Lithium 3...

 

Some writers believe that there are denizens of other dimensions who use various perichoretic chariots that resemble the astral projections of those whose time and locality they visit. For Ezekiel and Daniel it was a fiery wheel bearing the tetramorph. For the Dogons it was a star ship. For our great grandfathers in the 19th Century it was frequently an airship. But they aren't just psychic experiences, say the witnesses, ufo's leave evidence behind ... a burned-out circle on the lawn, a map with indecipherable writing, MIBs, etc.

 

My own interdimensional visits to "the Other Side" have been neither A.D.E.'s nor OOBE's. They have occurred either through true-dreaming or by psychotropic methods, i.e., strictly via astral travel. In all, I have several times visited the "conventional" Astral Plane -- or abode of the (after-dead) spirits, three or four times encountered higher beings (although only at a distance), dwelt in the All-Consciousness of All-Phyla and once visited a previous time. Lately I have begun experimenting with ordinary consciousness as a routine means of perichoresis. The occult path I've travelled (until now) has always been the lonely one of the hermit. The beings I've encountered have been the traditional custodians of the pathways, that is to say, those archetypes hovering somewhere between being and non-being. Else they comprise the angels, Gods and daimones of pantheons we already know. But I have increasingly come under the purview of something more important: the existence of what seems to be an infinite number of Eternal Doorways between worlds. These doorways are available to us, of course, under very special circumstances -- that is to say, in altered psychic states lying clearly outside normal consciousness: Yoga, Tantra, sex magic, primitive rites of passage, repetitive rhythms (micro-events), sensory deprivation or stimulation, pain, extreme trauma, trance, all the multifarious REM/sleep/hypnotic states, rushes of adrenaline or fatigue intoxication, epilepsy, metamorphic anomaly, drug intoxication, illness, psychosis proper, thanatolepsy and death. (See SOLIPSISM.)

 

 

 

(See also: PERICHORESIS , Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul,)

 

For more dictionary entries, see » Dancing Dictionary

Dancing: Shraddha In God Works Wonders  

Faith is a rare gift of God granted only to humans, and it forms the basis of human relationships. We need to repose faith in our parents that they will always think of our welfare; in our children that they will not let us down; in our colleagues and friends that they will remain loyal. Similarly, for a seeker of salvation, a prime requirement is faith or shraddha in God.

 

Faith in people is based on our practical experience of them. We have no such experience of God. Does our faith in Him, therefore, have to be blind? As the following story illustrates, faith in God must be reasoned.

 

(See also: Faith , God and Religion, Peace on Earth, Peace of Mind, Love and Happiness, Life and Beyond, Body Mind and Soul)

 

Read more here: » Faith: Shraddha In God Works Wonders  

Dancing: Ayurveda Ayurvedic Dictionary on Satwika Subtype Qualities

Satwika individuals are usually noble and spiritual in character, their nature determined as much by body type as their star constellation, having an element of kapha in their constitution.

 

Brahma

Free from passion, anger, greed, ignorance or jealousy, possessing knowledge and the power of discrimination.

 

Arsa

Excellent memory, purity, love and self -control, excellent intellectual frame of mind, free from pride, ego, ignorance, greed or anger. Possessing the power of understanding and retention.

 

Aindra

Devotion to sacred books, study rituals and oblations. Devotion to virtuous acts, far- sightedness and courage. Authoritative behaviour and speech. Able to perform sacred rituals.

 

Yamya

Free from mean and conflicting desires and acts. Having initiative, excellent memory and leadership. Free from emotional binds, hatred, ignorance and envy. The capacity for timely action.

 

Varuna

Free from mean acts. Exhibition of emotion in proper place. Observance of religious rights.

 

Kabera

Courage, patience, and hatred of impure thoughts. Liking for virtuous acts and purity. Pleasure in recreation.

 

Gandharva

Possession of wealth, attendants and luxuries. Expertise in poetry, stories and epics. Fondness for dancing singing and music. Takes pleasure in perfumes, garlands and flowers. Full of passion.

 

(See also: Sattva , Ayurveda, Ayurvedic Dictionary, Alternative Health, Body Mind and Soul)

 

For more dictionary entries, see » Dancing Dictionary

Dancing: Encyclopedia II - Aum - Aum in Hindu tradition

Aum - Origin. Found first in the Vedic scriptures of Hinduism, Aum has been seen as the first manifestation of the unmanifest Brahman (the single Divine Ground of Hinduism) that resulted in the phenomenal universe. Essentially, all the cosmos stems from the vibration of the sound 'Aum' in Hindu cosmology. Indeed, so sacred is it that it is prefixed and suffixed to all Hindu mantras and incantations. It is undoubted ...

See also:

Aum, Aum - The Significance of the Symbol Om, Aum - Aum in Hindu tradition, Aum - Origin, Aum - Philosophy of AUM, Aum - Om in Jain tradition, Aum - Om in Buddhist tradition, Aum - Om in Sikh tradition, Aum - When you pronounce AUM:, Aum - Some quotations from Hindu scriptures regarding AUM, Aum - Other traditions interpretations and understandings

Read more here: » Aum: Encyclopedia II - Aum - Aum in Hindu tradition

Dancing: Encyclopedia - Clogs

A clog is a type of shoe or sandal. Clogs were, and in some regions still are, widely worn by workers as protective clothing in factories, mines and farms. A form of tap dancing using clogs is called clogging. Traditional clogs were made out of willow or poplar wood and are associated with the Netherlands as part of the touristic "Holland" image, where they are seen as a form of national dress. Because of this, Dutch people are sometimes called cloggies, that is, clog-wearers. In Dutch clogs are known as klompen. Today, clogs are available in many tourist shops. Wearing clo ...

Read more here: » Clogs: Encyclopedia - Clogs

Dancing: Encyclopedia II - Serbs - Culture

Serbs - Contribution to humanity. Serbs have played a significant role in the development of the arts and sciences. Prominent individuals include the scientists Nikola Tesla, Mihajlo Pupin, Ruđer Bošković, Jovan Cvijić, Milutin Milanković and Mileva Marić; the renowned mathematicians Jovan Karamata, Mihailo Petrović, and Đuro Kurepa; the famous composers Stevan Mokranjac and Josif Runjanin; the celebrated authors Dositej Obradović, Miloš Crnjanski, and Ivo Andrić; the prolific inventor Ogneslav Kostovi ...

See also:

Serbs, Serbs - Population, Serbs - Culture, Serbs - Contribution to humanity, Serbs - Language, Serbs - Surnames, Serbs - Religion, Serbs - Symbols, Serbs - Customs, Serbs - Name, Serbs - History, Serbs - Subgroups, Serbs - Cognate peoples

Read more here: » Serbs: Encyclopedia II - Serbs - Culture

Dancing: Encyclopedia - Crowd surfing

Crowd surfing describes the process whereby a person is passed from person to person, transferring the person from one part of the concert venue to another, above everyone's heads, with everyone's hands supporting the person's weight. At most concerts and festivals the crowd surfer will be passed towards a barrier in front of the stage by the crowd, where they will be pulled off and put onto their feet by the security stewards. Following this they will be sent back to the side or rear of the crowd at the end of the barrier or t ...

Including:

Read more here: » Crowd surfing: Encyclopedia - Crowd surfing

Dancing: Encyclopedia - Caller dancing

A caller is a person who calls dance figures in such dances as line dance, square dance, and contra dance. The caller might be one of the participating dancers, though in modern country dance circles this is rare. In round dance a person who performs this function is called a cuer. Their role is fundamentally the same as a caller, in that they tell dancers what to do in a given dance, though they differ on several smaller points. Caller dancing - Comparing Callers and Cuers. Callers and cuers ...

Including:

Read more here: » Caller dancing: Encyclopedia - Caller dancing

Dancing: Dream Interpretation - Wedding

 

Wedding

Obviously, one would want to examine possible trigger events, such as other weddings in waking life, before too much interpretive work goes into this dream. This dream may be simple wish-fulfilment or personal anticipation. However, if you aren't in the midst of such activities, other scenarios may exist.

 

Initially, it is worth examining other commitments in your life. Are you becoming over-committed, or on the brink of making a major commitment to an employer, romantic partner, or other relationship? This dream may be commenting on how appropriate the commitment is for you. If the wedding goes well, you may see yourself as entering a sound union. If the wedding is a catastrophe, or your role in it is unclear, you may need to re-examine your commitments.

 

See also Dancing

 

Source: iVillage, http://www.ivillage.co.uk

 

(See also: Dream Archives, Meaning of Dreams, Dream Interpretation, Dream Dictionary, Dream Dictionary - Wedding , Meaning of Dreams about Wedding , Dream Interpretation Wedding )

 

For more dictionary entries, see » Dancing Dictionary

Dancing: Encyclopedia - Stimulant

A stimulant is a drug that increases the activity of the sympathetic nervous system and produces a sense of euphoria or the feeling of being more awake. Stimulants can be used as recreational drugs or therapeutic drugs to increase alertness. They are also used and sometimes abused to boost endurance and productivity as well as to suppress appetite. Examples of stimulants are caffeine, amphetamines, ecstasy and cocaine. Amphetamines are synthetic stimulants. They were first discovered in the 1800s, but their medical uses were no ...

Read more here: » Stimulant: Encyclopedia - Stimulant

Dancing: Encyclopedia II - Joan Crawford - Early life

She was born Lucille Fay LeSueur in San Antonio, Texas, the third child of Thomas E. LeSueur (1868-1938) and Anna Bell Johnson (1884-1958), who was of Irish and Scandinavian descent. Her older siblings were Daisy LeSueur, who died as a very young child, and Hal LeSueur. Her father, who was born in Tennessee, was of distant French Huguenot extraction. His ancestors immigrated from London, England, in the early 1700s to Virginia, where they lived for several generations. LeSueur was said to have abandoned the family in Texas; Crawford later said she had been ...

See also:

Joan Crawford, Joan Crawford - Early life, Joan Crawford - Career, Joan Crawford - Marriages, Joan Crawford - Adopted children, Joan Crawford - Religion, Joan Crawford - Work at Pepsi, Joan Crawford - Final Years, Joan Crawford - Legacy, Joan Crawford - In pop culture, Joan Crawford - Filmography

Read more here: » Joan Crawford: Encyclopedia II - Joan Crawford - Early life

Dancing: Encyclopedia II - List of past Disneyland attractions - Tomorrowland

1955-1966, Clock of the World 1955-1966, Monsanto Hall of Chemistry 1965-1966, Monsanto's Fashions and Fabrics through the Years 1955-1960, Space Station X-1, renamed Satellite View of America in 1958 1955-1966, Rocket to the Moon  Inside a building under a tall futuristic-looking rocket ship, the audience sat in seats around central viewing screens (top and bottom of the center of the room) so that they could see where ...

See also:

List of past Disneyland attractions, List of past Disneyland attractions - Main Street U.S.A., List of past Disneyland attractions - Tomorrowland, List of past Disneyland attractions - Fantasyland, List of past Disneyland attractions - Frontierland, List of past Disneyland attractions - Adventureland, List of past Disneyland attractions - New Orleans Square, List of past Disneyland attractions - Bear Country, List of past Disneyland attractions - Mickey's Toontown

Read more here: » List of past Disneyland attractions: Encyclopedia II - List of past Disneyland attractions - Tomorrowland

Dancing: Encyclopedia II - Mami Wata - Cult

Followers of traditional African religions, Santeria, and Voodoo comprise Mami Wata's devotees. Her worship is therefore as diverse as her worshippers, though there are many parallels. Groups of people may gather in her name, but the goddess is much more prone to interacting with followers on a one-on-one basis. She thus has many priests and mediums in both Africa and the Caribbean who are specifically devoted to her. Followers typically wear red and white clothing, as these colours represent the goddess's dual nature. Especially in I ...

See also:

Mami Wata, Mami Wata - Appearance, Mami Wata - Cult, Mami Wata - Attributes, Mami Wata - Water, Mami Wata - Sex, Mami Wata - Healing and fertility, Mami Wata - Other associations, Mami Wata - Origins and development, Mami Wata - Spread through Africa, Mami Wata - Modern development, Mami Wata - Across the Atlantic, Mami Wata - Mami Wata in popular culture, Mami Wata - Other names

Read more here: » Mami Wata: Encyclopedia II - Mami Wata - Cult

Dancing: Encyclopedia II - Julia Stiles - Career

Julia Stiles - Television career. Stiles began her acting career in television roles. After two appearances as the computer punk "Erica" on the PBS series Ghostwriter in 1993 and 1994, she appeared as a guest star on the medical drama Chicago Hope. She has been seen in two made-for-TV movies: in Before Women Had Wings (1997) on CBS, she played opposite Ellen Burstyn and Oprah Winfrey in an adaptation of the novel by Connie May Fowler; and she played a teenage girl who finds herself pregnant a ...

See also:

Julia Stiles, Julia Stiles - Personal life, Julia Stiles - Career, Julia Stiles - Television career, Julia Stiles - Film career, Julia Stiles - Other work, Julia Stiles - Filmography

Read more here: » Julia Stiles: Encyclopedia II - Julia Stiles - Career

Dancing: An Agnostic's View Of Life and Death

The one principle that should be at the core of any religious belief is ahimsa or non-violence - not to hurt any life, human or otherwise.

 

Killing is not right. Killing animals to eat them is not a civilised thing to do, but carnivores exist in nature and in many places, humans have to subsist on non-vegetarian food for reasons beyond their control. But wherever possible, vegetarianism must be practised.

 

(See also: Life and Death, Life and Beyond, Death and Dying, Body Mind and Soul)

 

Read more here: » Life and Death: An Agnostic's View Of Life and Death

Dancing: Encyclopedia II - Hare Krishna - Hare Krishna movement

"Hare Krishna" brings to mind, to many, the famous Hare Krishna devotees, who first hit the streets of Western cities in the 1960s and 1970s, dancing and chanting with drums and cymbals, wearing saffron dhotis or saris, and selling Bhagavad Gita As It Is and other books. These devotees were members of the International Society for Krishna Consciousness (ISKCON) founded by A.C. Bhaktivedanta Swami Prabhupada. ISKCON was the first organised Vaishnava group to make a large impression outside of India, now a number of such Vaishnava group ...

See also:

Hare Krishna, Hare Krishna - The mantra, Hare Krishna - History, Hare Krishna - Hare Krishna movement, Hare Krishna - Hippie culture, Hare Krishna - Other scriptural references, Hare Krishna - Notes

Read more here: » Hare Krishna: Encyclopedia II - Hare Krishna - Hare Krishna movement

Dancing: Encyclopedia II - Arrested Development - Music

Besides the short ukulele-based theme song composed by David Schwartz, which is also used as Lindsay's cell phone ringtone, a couple of other songs are featured prominently in Arrested Development. GOB uses Europe's 1986 hit single, "The Final Countdown" in his magic acts, attempting to increase the audience's excitement through improvised dancing and rapid-fire magic tricks. The dramatic, synthesized chords, combined with GOB's high energy and overacting are a clear parody of modern magic acts. ...

See also:

Arrested Development, Arrested Development - Origins, Arrested Development - Characters, Arrested Development - Casting, Arrested Development - Plot synopsis, Arrested Development - First season, Arrested Development - Second season, Arrested Development - Third season, Arrested Development - Themes and other characteristics, Arrested Development - Unique presentation, Arrested Development - Intertextuality and reflexivity, Arrested Development - Topicality, Arrested Development - Continuity, Arrested Development - Music, Arrested Development - Response, Arrested Development - Ratings, Arrested Development - Future, Arrested Development - Critical reviews, Arrested Development - Nominations and awards, Arrested Development - Broadcast history, Arrested Development - DVD release, Arrested Development - Episode list, Arrested Development - Trivia, Arrested Development - Celebrity guests, Arrested Development - Recurring roles, Arrested Development - Cameo appearances, Arrested Development - Broadcasters

Read more here: » Arrested Development: Encyclopedia II - Arrested Development - Music

Dancing: Encyclopedia II - Triumph of the Will - Response

Triumph of the Will premiered on March 28, 1935 at the Berlin Ufa Palace Theater and was an instant success. Within two months the film had earned 815,000 Reichsmarks, and the Ufa considered it one of the three most profitable films of that year.[3] Hitler praised the film as being an "incomparable glorification of the power and beauty of our Movement." For her efforts, Riefenstahl was rewarded with the German Film Prize (Deutscher Filmpreis), a gold medal at the 1935 V ...

See also:

Triumph of the Will, Triumph of the Will - Plot, Triumph of the Will - Origins, Triumph of the Will - Filmmaking, Triumph of the Will - Response, Triumph of the Will - Themes, Triumph of the Will - Controversy, Triumph of the Will - Wehrmacht objections, Triumph of the Will - Influences and legacy, Triumph of the Will - Footnotes

Read more here: » Triumph of the Will: Encyclopedia II - Triumph of the Will - Response

Dancing: Encyclopedia II - The Rocky Horror Picture Show - Cult following

In spite of (or perhaps because of) its initial luke-warm critical and commercial reception, the film developed a cult following and it began playing at midnight at the Waverly Theater in New York City. People began shouting responses to the characters' statements on the screen. These mostly include melodramatic abuse of the characters or actors, vulgar sex jokes, puns, or pop culture references. Other audience participation includes dancing the Time Warp, throwing toast, water, toilet paper, hot dogs, and rice at the appropriate poin ...

See also:

The Rocky Horror Picture Show, The Rocky Horror Picture Show - Plot outline, The Rocky Horror Picture Show - Songs, The Rocky Horror Picture Show - Critical response, The Rocky Horror Picture Show - Cult following, The Rocky Horror Picture Show - Sexual connotation, The Rocky Horror Picture Show - Presentation, The Rocky Horror Picture Show - Sequels, The Rocky Horror Picture Show - Trivia

Read more here: » The Rocky Horror Picture Show: Encyclopedia II - The Rocky Horror Picture Show - Cult following

Dancing: Encyclopedia II - Joan Crawford - Marriages

In 1929 at the time she wed her first husband, Douglas Fairbanks Jr., Crawford bought a mansion at 426 North Bristol Avenue in Brentwood, midway between Beverly Hills and the Pacific Ocean, which was her primary dwelling for the next 26 years. Over the years she had her home decorated and redecorated by William Haines, her former silent movie co-star and lifelong friend, who was much in demand as an interior designer ...

See also:

Joan Crawford, Joan Crawford - Early life, Joan Crawford - Career, Joan Crawford - Marriages, Joan Crawford - Adopted children, Joan Crawford - Religion, Joan Crawford - Work at Pepsi, Joan Crawford - Final Years, Joan Crawford - Legacy, Joan Crawford - In pop culture, Joan Crawford - Filmography

Read more here: » Joan Crawford: Encyclopedia II - Joan Crawford - Marriages

Dancing: Encyclopedia II - Culture of Israel - Film and theatre

Culture of Israel - Repertory theater companies. Habima HaKameri Beit Lessin Gesher HaKhan Haifa Theater Beer-Sheba Theater Culture of Israel - Filmmakers. Boaz Davidson Assi Dayan - Givat Halfon Eina Ona (Halfon Hill does not respond), The life according to Agfa, A Whale in Sharton beach Eytan Fox - Yossi & Jagger Amos Gitay - Kadosh ...

See also:

Culture of Israel, Culture of Israel - Background, Culture of Israel - Artist colonies, Culture of Israel - Poetry and literature, Culture of Israel - Noted poets, Culture of Israel - Prose authors, Culture of Israel - Fine Arts, Culture of Israel - Museums, Culture of Israel - Jerusalem, Culture of Israel - Tel Aviv, Culture of Israel - Haifa, Culture of Israel - Music, Culture of Israel - Film and theatre, Culture of Israel - Repertory theater companies, Culture of Israel - Filmmakers, Culture of Israel - Playwrights, Culture of Israel - Actors, Culture of Israel - Comedy and satire, Culture of Israel - Animal rights in Israel

Read more here: » Culture of Israel: Encyclopedia II - Culture of Israel - Film and theatre

Dancing: Encyclopedia II - Rastafari movement - Ceremonies

There are two types of Rasta religious ceremonies. A reasoning is a simple event where the Rastas gather; smoke "ganja" (marijuana); and discuss ethical, social and religious issues. The person honored by being allowed to light the herb says a short prayer before doing so, and it is always passed in a clockwise fashion. A binghi or grounation is a holiday; the word binghi is believed to refer originally to an ancient, and now extinct, order of militant blacks in eastern Africa that vowed to end oppression. Binghis are marked by much dancing, singing, feasting and the ...

See also:

Rastafari movement, Rastafari movement - Doctrines, Rastafari movement - Afrocentrism, Rastafari movement - Haile Selassie and the Bible, Rastafari movement - Repatriation and Race, Rastafari movement - Church and The Holy Trinity, Rastafari movement - Physical Immortality, Rastafari movement - Homosexuality, Rastafari movement - Reggae Music Expressing Rasta Doctrine, Rastafari movement - Politics, Rastafari movement - Language, Rastafari movement - -isms, Rastafari movement - Ceremonies, Rastafari movement - Symbols, Rastafari movement - Dreadlocks, Rastafari movement - Ganja, Rastafari movement - History of the Rastafari movement, Rastafari movement - Marcus Garvey, Rastafari movement - Early written foundations, Rastafari movement - Early years, Rastafari movement - Visit of Selassie I to Jamaica, Rastafari movement - Walter Rodney, Rastafari movement - Music, Rastafari movement - Popularization and recording, Rastafari movement - Reggae, Rastafari movement - Rastafari Today

Read more here: » Rastafari movement: Encyclopedia II - Rastafari movement - Ceremonies






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