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Dance | A Wisdom Archive on Dance |  | Dance A selection of articles related to Dance |  |
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dance, Dance, Dance - Categories of dance, Dance - Choreography and notation, Dance - Dance and music, Dance - Dance studies, Dance - History of dance, Wikipedia:Dance basic topics, List of dance wikibooks, An American Ballroom Companion, Ballroom dance, Wikipedia:WikiProject Danceu
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| ARTICLES RELATED TO Dance | | |  |  |  | Dance: Feng Shui and the New Children
How does the ancient science and art of feng shui relate to the New Children? Due to their sensitivities, the New Children have often been likened to canaries being sent into the coal mine. Feng shui can be used to transform the coal mine - to create more harmony and balance in our physical spaces and surroundings. Since our homes and physical surroundings are comprised of endlessly transforming and interconnected energy fields, we must develop a conscious relationship with the vast dynamics contributing to these energy fields. See also Feng Shui
(See also: Indigo Children, What is Indigo
Children, Parenting Indigo Children, Adult Indigo, Indigo Children Channeling)
Read more here: » Indigo Children: Feng Shui and the New Children |
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New Age Spirituality
Dictionary on
Ghost Dance
Ghost Dance A new religious movement among Native Americans of the western United States. The Ghost Dance had two distinct phases, both of which originated in the visions of a Paiute shaman living in western Nevada. The Ghost Dance of 1870: Wodziwob (d. ca. 1872), the prophet of the 1870 dance, proclaimed that the world would soon be destroyed, then renewed; the dead would be brought back to life and game animals restored. He instructed his followers to dance a nocturnal circle dance. This dance was similar to both older Paiute traditions and an earlier regional movement, the Plateau Prophet Dance, but it addressed very present conditions of deprivation resulting from white incursions into tribal territories. It spread to California, Oregon, and Idaho but, with the death of Wodziwob and the nonfulfillment of his prophecies, died out within a few years. The Shoshone and Bannock of Fort Hall, Idaho, however, continued to perform the Ghost Dance at least intermittently up to 1890. The Ghost Dance of 1890: Wovoka (ca. 1856-1932), a Paiute Native American prophet, inaugurated the Ghost Dance of 1890 on the basis of a vision he had received during a total eclipse of the sun. His message was in direct continuity with the 1870 dance: there was to be an immanent renewal of the world in which dead Native Americans would be resurrected and the living would no longer be subject to sickness and old age, game animals would be restored to their former abundance, and the old way of life would once more flourish. Euro-Americans, by this time firmly in control, would be eliminated by supernatural means, such as a flood or earthquake. It is uncertain whether Wovoka announced a specific date for these events, but many expected them in the spring of 1891. Wovoka's message also contained ethical admonitions (e. g. , members of different tribes should live in peace with each other; they should cooperate with, not war against, the whites). In anticipation of the great event and to speed its arrival, Wovoka instructed his followers to perform circle dances periodically. They did so in large numbers, and (especially among Plains tribes) dancers often fell into trances, subsequently reporting that they had visited the spirit world and spoken with dead relatives, who were living a life like the one that had flourished before the coming of the whites. The 1890 dance spread mainly eastward along the length of the Rocky Mountains and Great Plains. In some tribes (e. g. , Paiute, Cheyenne, Shoshone, Pawnee) acceptance was almost unanimous; in others (like the Sioux) only segments of the population became believers. No Pueblo (except at Taos) or Navajo accepted it, the latter because of a culturally conditioned aversion to ghosts. As news of the Paiute prophet Wovoka began to spread, tribes sent delegations to the Walker Lake Reservation in western Nevada to see him. They returned with versions of his teachings that were sometimes shaped by the particular needs of their tribe. Among the Pawnee, the dance provided the basis for an important cultural renewal, for the visions of the dancers made possible the revival of old ceremonial activities that had fallen into disuse because knowledge of their correct performance had been lost. The Sioux, who had a number of current grievances against the government (e. g. , loss of reservation lands, cuts in rations), altered Wovoka's message in the direction of greater hostility toward the whites. Delegates like Short Bull and Kicking Bear advocated the use of "ghost shirts" (special garments that were supposed to make the wearer invulnerable to bullets) and spoke of the possibility of armed conflict with the government soldiers. During 1890, newspapers around the country carried often sensational stories about the "messiah craze" (Wovoka was often called the "Indian messiah") and the possibility of renewed warfare with the Sioux. Violence did erupt in December: during an attempt to arrest him, Chief Sitting Bull was shot to death, and Chief Big Foot and almost three hundred of his band were massacred by the cavalry at Wounded Knee. These events were more the result of government blunders than of a Sioux outbreak. Following the violence among the Sioux and the failure of the expected transformations the next spring, the popularity of the dance began to fade. However, it did not die out altogether. Wovoka remained active, but shifted his message in the direction of ethical admonitions. As late as 1896 some Kiowa were still dancing, and one of the early Northern Cheyenne delegates, Porcupine, led a brief revival of the dance in 1900. The movement continued elsewhere in a more substantive way. In the first decade of the twentieth century, Fred Robinson, an Assiniboin who had been instructed in the Ghost Dance by Kicking Bear and had corresponded with Wovoka, brought the dance to a small community of Sioux living in Saskatchewan. Combined with a traditional Medicine Feast, apocalyptic elements disappeared and the themes of ethical admonition and community solidarity predominated. Among the Wind River Shoshone (Wyoming), the Ghost Dance apparently combined with an earlier ceremony (the Father Dance) of thanksgiving to God for food. As a result, the annual renewal of nature took on a cosmic dimension: shamans reported dreams in which they saw the dead assembled in heaven waiting to return to earth at some unspecified time in the future. The people on earth anticipated this event and performed a dance thought to imitate that of the dead. In both these places the Ghost Dance continued to be performed into the 1950s. In the 1970s the dance was revived by the activist American Indian Movement. Even among persons and groups who no longer practice it, knowledge of the Ghost Dance has not died out and lessons are still derived from it. Thus ca. 1970 the Sioux medicine man Lame Deer reinterpreted an old Ghost Dance song about straightening arrows and killing and butchering buffalo to mean that individuals must live upright lives in order to help bring about a new earth.
(See also: Ghost Dance , New Age
Spirituality, Body
Mind and Soul)
For more dictionary entries, see » Dance Dictionary |
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Hindu -
Hinduism Dictionary on Mudra
mudra: (Sanskrit) "Seal." Esoteric hand gestures which express specific energies or powers. Usually accompanied by precise visualizations, mudras are a vital element of ritual worship (puja), dance and yoga. Among the bestknown mudras are: 1) abhaya mudra (gesture of fearlessness), in which the fingers are extended, palm facing forward; 2) anjali mudra (gesture of reverence); 3) jnana mudra (also known as chin mudra and yoga mudra), in which the thumb and index finger touch, forming a circle, with the other fingers extended; 4) dhyana mudra (seal of meditation), in which the two hands are open and relaxed with the palms up, resting on the folded legs, the right hand atop the left with the tips of the thumbs gently touching. See: abhaya mudra, anjali mudra, hatha yoga, namaskara.
(See
also: Mudra ,
Hinduism,
Body Mind and Soul)
For more dictionary entries, see » Dance Dictionary |
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| |  |  |  | Dance: A Salubrious Stage For Krishna - Vraja Vrindavan
The sage, Narad, visiting Krishna in Dwaraka, was surprised to find that his Lord’s favourite pastime was to hear the story of Vraja-Vrindavan , its people and His own activities there. It is a story set in a particular time and space - however, its nature cannot be bound by time and space. The beauty of Vrindavan lies in it being both the seed and the fullest manifestation of the tree contained in that seed. The theme of all the stories of this lila is only one, and that is prem , love.
(See also: Vraja-Vrindavan , God and Religion,
Peace on Earth, Peace of Mind, Love and Happiness, Life and Beyond, Body Mind
and Soul)
Read more here: » Vraja-Vrindavan: A Salubrious Stage For Krishna - Vraja Vrindavan |
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|  |  |  | Dance: : Hindu Hinduism Sitemap I -
D
This is a sitemap for topic pages related
to Hinduism. Click on a link and you will find
multiple articles related to the topic:
Hinduism Dictionary - D Dakshina, Dakshinamurti, Dampati, Dana, Dance, Danda, Darshana, Darwin's theory, Dasa marga, Dashama bhaga vrata, Dashamamsha, Dashanami, Daurmanasya, Daya, Death, Deceit, Decentralized, Decentralized, Decked, Decked, Deeksha, Defiled, Deformity, Deha, Deism, Deity, Delineate, Delude, Delusion, Denial, Denomination, Denote, Deplore, Deportment, Depraved, Desirous, Despair, Despise, Destiny, Destroyer, Deva, Devaloka, Devamandira, Devanagari, Devi, Devi Bhagavata Purana, Devi Gita, Devi Upanishad, Devikalottara Agama, Devoid, Devonic, Devotee, Dhammapada, Dhanurveda, Dharana, Dharma, Dharma Shastra, Dharmasabha, Dhoti, Dhriti, Dhvaja, Dhvajastambha, Dhyana, Dichotomy, Dieu Siva est amour omniprsent et Ralit transcendante, Differentiation, Diksha, Dipavali, Dipolar, Discordant, Discrimination, Disheveled, Dismay, Dispassionate, Dispatch, Dispel, Dissolution, Distort, Divergent, Divine incarnation, Divine Mother, Dominion, Don, Door of Brahman, Dormant, Dosha, Dr S Radhakrishnan, Dross, Dualism, Duality, Duly, Durga, Durvasas, Dvaita-advaita, Dvaitic Siddhanta,
Hinduism
Dictionary ,
Hinduism
Dictionary - A-Z, Hinduism
Dictionary - A, Hinduism
Dictionary - B, Hinduism
Dictionary - C , Hinduism
Dictionary - D, Hinduism
Dictionary - E, Hinduism
Dictionary - F , Hinduism
Dictionary - G, Hinduism
Dictionary - H, Hinduism
Dictionary - I , Hinduism
Dictionary - J, Hinduism
Dictionary - K, Hinduism
Dictionary - L , Hinduism
Dictionary - M, Hinduism
Dictionary - N, Hinduism
Dictionary - O , Hinduism
Dictionary - P, Hinduism Dictionary
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Dictionary - R , Hinduism
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Dictionary - Y, Hinduism
Dictionary - Z,
Also see these pages:
Hinduism
Dictionary , Buddhism
Dictionary, Spiritual
Dictionary, Sanskrit
Dictionary , Parapsychology
Dictionary, Paganism
Dictionary, Mysticism
Dictionary , Theosophy
Dictionary , Alternative
Health Dictionary ,
Read more here: » Hindu Hinduism Sitemap I -
D |
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|  |  |  | Dance:
Alternative
Health Dictionary on Paneurhythmy
Paneurhythmy: sacred circle dance created by Beinsa Douno, a Bulgarian mystic of the early twentieth century. It has individual and universal healing properties and nourishes the auric field. According to proponents, the word paneurhythmy is partially interpretable as cosmic core or cosmic essence.
(See
also: Paneurhythmy ,
Body
Mind and Soul, Alternative Health, Alternative Health Dictionary)
For more dictionary entries, see » Dance Dictionary |
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| | |  |  |  | Dance: Bihu, the Unifying Festival of Assam
Nearly 80 per cent of the people of Assam are dependent on agriculture and spontaneous celebration of festivities is associated with the beginning and end of the harvest season. Bihu from the Sanskrit Vishu, is the harvest festival of Assam and is celebrated thrice in a year. The festival at the beginning of the spring season is Bohag Bihu, associated with the Vernal equinox in Chaitra Sankranti. The Kati Bihu is associated with the Autumnal equinox in Ashwina Sankranti. People often call the Kati Bihu as Kangali Bihu as there is nothing much to eat during that period. People welcome budding paddy crops. The Magh Bihu or Bhogali Bihu associated with the winter solstice is celebrated with food and drinks after harvest, in Pausa Sankranti.
(See also: Bihu , Indian Festivals,
Spiritual Guidance, God and Religion, Peace on Earth, Peace of Mind, Love and
Happiness, Life and Beyond, Body Mind and Soul)
Read more here: » Bihu: Bihu, the Unifying Festival of Assam |
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Natural
Health Therapy Dictionary on Dance therapy
DANCE THERAPY: Dance therapy is a non-verbal, action-oriented method of helping people become aware of their feelings by experiencing the direct sensation of movement. The goal of dance therapy is to improve or restore the integration of body and mind, and to help an individual regain a sense of identity, and build self-esteem. It is used to aid and support verbal psychotherapy, physical therapy, and medical therapy.
(See also: Dance therapy ,
Alternative Health, Body
Mind and Soul)
For more dictionary entries, see » Dance Dictionary |
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Craft Witchcraft Dictionary on CIRCLE DANCE
CIRCLE DANCE: a ceremonial or recreational dance wherein the members of a grove or coven link hands and move deosil within a ceremonial area. The basic grapevine circle step is "right foot cross over, left foot sidestep, right foot cross back, left foot sidestep, etc.
(See also:
CIRCLE DANCE , Witchcraft, Wicca, Paganism, Pagan Dictionary)
For more dictionary entries, see » Dance Dictionary |
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|  |  |  | Dance: Holistic
Health Dictionary on
DANCE THERAPY
DANCE THERAPY Dance/Movement therapy is the psychotherapeutic use of movement as a process to assist in the emotional, cognitive, social and physical integration of the individual. Dance/Movement therapists help a wide range of people, from ill children to seniors in their declining years, from the mentally ill to normal people who have lost touch with their inner truth. When words alone are not enough, dance/movement therapists are there to help. Dance therapists are employed in psychiatric hospitals, clinics, day care, community mental health centers, developmental centers, correctional facilities, special schools and rehabilitation facilities. From young children to the elderly, regardless of their illness, all benefit from the joys that come from simple gentle movement and dance.
(See also: DANCE THERAPY ,
Alternative Health, Holistic
Health, Body Mind and Soul)
For more dictionary entries, see » Dance Dictionary |
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The ras leela - the frenzied and uninhibited dance of the gopi s with Krishna - never becomes an orgy. Why? The obvious answer would be that Krishna is divinity; he is immaculate. But the reasons are more philosophical than theological. The dance symbolises the soul's unceasing struggle to break clear of the constraints of the body, to make contact with the supra-reality it sees out there. This intensely private struggle is an abstraction, but so compulsively felt by the soul straining within the body as to become an obsession. The indulgence of any obsession is a behind-the-scene, secret activity, for it has undertones of guilt.
(See also: Love and Happiness, Life and Beyond,
Body Mind and Soul)
Read more here: » Love and Happiness: Krishna's Ras Leela is Not an Orgy |
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|  |  |  | Dance: Lohri Celebrates the Spirit of Life
The festival of Lohri marks the beginning of the end of winter and the coming of spring and the new year. The fires lit at night, the hand-warming, the song and dance and the coming together of an otherwise atomised community, are only some of the features of this festival. The Lohri of north India coincides with Pongal in Tamil Nadu, Samkranti in Bengal, Magha Bihu in Assam, Tai Pongal in Kerala, all celebrated on the auspicious day of Makar Sankranti .
(See also: Lohri , Indian Festivals,
Spiritual Guidance, God and Religion, Peace on Earth, Peace of Mind, Love and
Happiness, Life and Beyond, Body Mind and Soul)
Read more here: » Lohri: Lohri Celebrates the Spirit of Life |
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|  |  |  | Dance: Evolutionary Ideas Of Sri Aurobindo
Sri Aurobindo's insight and analysis of evolution are now part of the scientific and cultural landscape. But few scientists and artists know his evolutionary theories that are being proved true by modern science. While probing frontiers of science, physicists have discovered the limitation of the Newtonian mechanistic model at the level of galaxies and electrons. These discoveries have no doubt given the first glimmering of the new paradigm that matter and consciousness are the primary forces in the universe.
(See also: Sri Aurobindo , Spiritual Guidance,
God and Religion, Peace on Earth, Peace of Mind, Love and Happiness, Life and
Beyond, Body Mind and Soul)
Read more here: » Sri Aurobindo: Evolutionary Ideas Of Sri Aurobindo |
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|  |  |  | Dance: Baisakhi Is Both Sacred And Secular
The traditional festivals of the Indian diaspora all reflect the ancient concept of the Utsav Mela, which encouraged everyone to congregate, meet and mix amid festivity and pageantry. In fact, the word mela (fair) is derived from the word mil , meaning 'to meet'. Baisakhi epitomises the mela notion of convergence for it brings together people of all castes and communities on the first day of Vaisakha, the beginning of the traditional Indian New Year. Basically a harvest festival, Baisakhi marks the ripening of the Rabi harvest, especially in the Punjab. It is called the Naba Barsha celebrations in Bengal, Rongali Bihu in Assam, Puthandu in Tamil Nadu and Pooram (Vishu) in Kerala.
(See also: Baisakhi , Indian Festivals,
Spiritual Guidance, God and Religion, Peace on Earth, Peace of Mind, Love and
Happiness, Life and Beyond, Body Mind and Soul)
Read more here: » Baisakhi: Baisakhi Is Both Sacred And Secular |
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Spiritual - Theosophy
Dictionary on
Bel
Bel (Greek, Latin) Ba`al (Chaldean) (from Semitic ba`al chief, lord) Lord, chief; one of the supreme gods of the Chaldeo- or Assyro-Babylonian pantheon: the second of the triad composed of Anu, Bel, and Ea. Assyriologists have assumed that Bel was simply the title of a deity, which they have designated as En-lil (the mighty lord). In the division of the universe into heaven, earth, and water, Bel was considered as the lord of the land, and his temple at Nippur was called E-kur (the mountain house), just as Ea's was the watery house. There have been many Bels, which may be one of the reasons that in The Secret Doctrine Bel is made equivalent to the Sun, Jupiter, Saturn, and Mercury. As Bel or Ba`al means Lord, the title becomes applicable to any of the important celestial bodies. According to one account, the creation of the world and especially of mankind is ascribed to Bel. He is also called father of the gods; and his consort, Belit, is called mother of the gods. His eldest son in Sin, god of the Moon. Bel also brings about the deluge which destroys humanity, showing his dual aspect of evolver and destroyer. Bel has been associated with the Phoenician Baal, the supreme god of the Canaanites, conceived also as the protective power of generation and fertility, connected with the moon. His female counterpart, Ashtoreth (Astarte, Ishtar) was considered as the receptive goddess, also a lunar divinity. In later times the rites connected with these deities became degraded into licentious orgies; sacrifices were made, apparently even human sacrifices, but at one time Ba`al was worshiped as a sun god. His various names in the Old and New Testaments demonstrate the various aspects in which he was regarded. Thus in Exodus he was named Ba`al-Tsephon, the god of the crypt. He was likewise named Seth or Sheth, signifying a pillar (phallus); and it was owing to these associations that he was considered a hid god, similar to Ammon of Egypt. Among the Ammonites, a people of East Palestine, he was known as Moloch (the king); at Tyre he was called Melcarth. The worship of Ba`al was introduced into Israel under Ahab, his wife being a Phoenician princess. "Typhon, called Set, who was a great god in Egypt during the early dynasties, is an aspect of Baal and Ammon as also of Siva, Jehovah and other gods. Baal is the all-devouring Sun, in one sense, the fiery Moloch" (TG 47). As to the leaping of the prophets of Ba`al, mentioned in the Bible (1 Kings 18:26), Blavatsky writes: "It was simply a characteristic of the Sabean worship, for it denoted the motion of the planets round the sun. That the dance was a Bacchic frenzy is apparent. Sistra were used on the occasion" (IU 2:45). Bel is also the name for the sun with the Gauls.
(See also: Bel , Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)
For more dictionary entries, see » Dance Dictionary |
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