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In 1937 (or late in 1936), Bacon moved from 71 Royal Hospital Road to the top floor of 1 Glebe Place, Chelsea, which Eric Hall had rented (and kept until 1943). Patrick White had moved to London, into a small flat in Ebury Street, in 1936, and, on meeting de Maistre in his groundfloor studio there, quickly fell in love with him. The following year, White moved to the top two floors of the building where de Maistre now had his studio, on Eccleston Street, and commissioned from Bacon, who was by now a friend, a writing desk (with wide drawers and a red linoleum top). White a ...

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Francis Bacon painter, Francis Bacon painter - Early life, Francis Bacon painter - Abbeyleix, Francis Bacon painter - London Berlin and Paris, Francis Bacon painter - Berlin, Francis Bacon painter - Chantilly, Francis Bacon painter - 17 Queensberry Mews West, Francis Bacon painter - 'The 1930 Look in British Decoration', Francis Bacon painter - 'Paintings and rugs by Francis Bacon', Francis Bacon painter - Fulham Road, Francis Bacon painter - 71 Royal Hospital Road, Francis Bacon painter - Crucifixion 1933, Francis Bacon painter - Wound for a Crucifixion, Francis Bacon painter - 1 Glebe Place and Petersfield, Francis Bacon painter - Abstraction Abstraction from the Human Form, Francis Bacon painter - Figure Getting Out of a Car c. 1939 - 1940, Francis Bacon painter - The Millais House studio 7 Cromwell Place: 1943 - 1951, Francis Bacon painter - Three Studies for Figures at the Base of a Crucifixion, Francis Bacon painter - Figure in a landscape 1945, Francis Bacon painter - Painting 1946, Francis Bacon painter - Head I Head II - Head VI, Francis Bacon painter - The Colony Room, Francis Bacon painter - Study after Velázquez, Francis Bacon painter - After 7 Cromwell Place 1951 - 1953, Francis Bacon painter - Study for Crouching Nude, Francis Bacon painter - Dog 1952, Francis Bacon painter - Study of a Nude 1952–1953, Francis Bacon painter - Study after Velázquez's Portrait of Pope Innocent X, Francis Bacon painter - Study for Portrait I - VIII 1953, Francis Bacon painter - Notes, Francis Bacon painter - Influences, Francis Bacon painter - Later life, Francis Bacon painter - The Estate, Francis Bacon painter - ELEMENTS OF DESIGN, Francis Bacon painter - Conclusion, Francis Bacon painter - Motion picture

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In April 1933, Bacon moved to 71 Royal Hospital Road, Chelsea (just across Pimlico Road from Ebury Street, where de Maistre had his temporary studio). The studio there was in a converted garage (like the Queensberry Mews West studio), a friend, the interior designer (and property developer) Arundell Clarke, had had his showroom there before moving on to Mayfair. Francis Bacon painter - Crucifixion 1933. Douglas Cooper, then curator (and part owner/co-director with Fred Mayor) of the Mayor Gallery, in Cork Street, arranged for one of Bacon's paintings Women in the Sunlight (des ...

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Francis Bacon painter, Francis Bacon painter - Early life, Francis Bacon painter - Abbeyleix, Francis Bacon painter - London Berlin and Paris, Francis Bacon painter - Berlin, Francis Bacon painter - Chantilly, Francis Bacon painter - 17 Queensberry Mews West, Francis Bacon painter - 'The 1930 Look in British Decoration', Francis Bacon painter - 'Paintings and rugs by Francis Bacon', Francis Bacon painter - Fulham Road, Francis Bacon painter - 71 Royal Hospital Road, Francis Bacon painter - Crucifixion 1933, Francis Bacon painter - Wound for a Crucifixion, Francis Bacon painter - 1 Glebe Place and Petersfield, Francis Bacon painter - Abstraction Abstraction from the Human Form, Francis Bacon painter - Figure Getting Out of a Car c. 1939 - 1940, Francis Bacon painter - The Millais House studio 7 Cromwell Place: 1943 - 1951, Francis Bacon painter - Three Studies for Figures at the Base of a Crucifixion, Francis Bacon painter - Figure in a landscape 1945, Francis Bacon painter - Painting 1946, Francis Bacon painter - Head I Head II - Head VI, Francis Bacon painter - The Colony Room, Francis Bacon painter - Study after Velázquez, Francis Bacon painter - After 7 Cromwell Place 1951 - 1953, Francis Bacon painter - Study for Crouching Nude, Francis Bacon painter - Dog 1952, Francis Bacon painter - Study of a Nude 1952–1953, Francis Bacon painter - Study after Velázquez's Portrait of Pope Innocent X, Francis Bacon painter - Study for Portrait I - VIII 1953, Francis Bacon painter - Notes, Francis Bacon painter - Influences, Francis Bacon painter - Later life, Francis Bacon painter - The Estate, Francis Bacon painter - ELEMENTS OF DESIGN, Francis Bacon painter - Conclusion, Francis Bacon painter - Motion picture

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The Telegraph is known for its right-wing politics. Within this classification it takes a roughly central position on the authoritarian/libertarian axis. It is less traditionalist and more libertarian than The Spectator but more traditionalist and less libertarian than The Economist. Personal links between the editorial team and the leadership of the Conservative Party (the Tories) vary in strength but the combination of these links with the paper's influence over Conservative activists result in the paper often being jokingly referred to as the Daily Torygraph.

The Daily Telegraph, The Daily Telegraph - Editorial history, The Daily Telegraph - Editors, The Daily Telegraph - Founding history, The Daily Telegraph - The Sunday Telegraph, The Daily Telegraph - Editors, The Daily Telegraph - Recent history, The Daily Telegraph - Notable mistakes, The Daily Telegraph - Notes

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Bacon took a place in Carlyle Studios Chelsea near the King's Road and, for a time, Bacon worked at the Royal College of Art, in a studio lent by Rodrigo Moynihan. Head (1951), Figure with Monkey (1951), Study for Nude (1951), Portrait of Lucian Freud (1951), and a series of three popes Pope I (1951), Pope II (1951) and Pope III (1951) were shown a ...

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Francis Bacon painter, Francis Bacon painter - Early life, Francis Bacon painter - Abbeyleix, Francis Bacon painter - London Berlin and Paris, Francis Bacon painter - Berlin, Francis Bacon painter - Chantilly, Francis Bacon painter - 17 Queensberry Mews West, Francis Bacon painter - 'The 1930 Look in British Decoration', Francis Bacon painter - 'Paintings and rugs by Francis Bacon', Francis Bacon painter - Fulham Road, Francis Bacon painter - 71 Royal Hospital Road, Francis Bacon painter - Crucifixion 1933, Francis Bacon painter - Wound for a Crucifixion, Francis Bacon painter - 1 Glebe Place and Petersfield, Francis Bacon painter - Abstraction Abstraction from the Human Form, Francis Bacon painter - Figure Getting Out of a Car c. 1939 - 1940, Francis Bacon painter - The Millais House studio 7 Cromwell Place: 1943 - 1951, Francis Bacon painter - Three Studies for Figures at the Base of a Crucifixion, Francis Bacon painter - Figure in a landscape 1945, Francis Bacon painter - Painting 1946, Francis Bacon painter - Head I Head II - Head VI, Francis Bacon painter - The Colony Room, Francis Bacon painter - Study after Velázquez, Francis Bacon painter - After 7 Cromwell Place 1951 - 1953, Francis Bacon painter - Study for Crouching Nude, Francis Bacon painter - Dog 1952, Francis Bacon painter - Study of a Nude 1952–1953, Francis Bacon painter - Study after Velázquez's Portrait of Pope Innocent X, Francis Bacon painter - Study for Portrait I - VIII 1953, Francis Bacon painter - Notes, Francis Bacon painter - Influences, Francis Bacon painter - Later life, Francis Bacon painter - The Estate, Francis Bacon painter - ELEMENTS OF DESIGN, Francis Bacon painter - Conclusion, Francis Bacon painter - Motion picture

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Bacon was well known for his taste for gambling and alcohol. In 1964, he began a friendship with Eastender George Dyer, who he met (he claimed) while the latter was burgling his apartment. Their relationship was stormy and in 1971, on the eve of Bacon's major retrospective at the Grand Palais, Paris, Dyer committed suicide. In 1974, Bacon met John Edwards, a young, handsome East-Ender with whom he formed an enduring, paternal relati ...

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Francis Bacon painter, Francis Bacon painter - Early life, Francis Bacon painter - Abbeyleix, Francis Bacon painter - London Berlin and Paris, Francis Bacon painter - Berlin, Francis Bacon painter - Chantilly, Francis Bacon painter - 17 Queensberry Mews West, Francis Bacon painter - 'The 1930 Look in British Decoration', Francis Bacon painter - 'Paintings and rugs by Francis Bacon', Francis Bacon painter - Fulham Road, Francis Bacon painter - 71 Royal Hospital Road, Francis Bacon painter - Crucifixion 1933, Francis Bacon painter - Wound for a Crucifixion, Francis Bacon painter - 1 Glebe Place and Petersfield, Francis Bacon painter - Abstraction Abstraction from the Human Form, Francis Bacon painter - Figure Getting Out of a Car c. 1939 - 1940, Francis Bacon painter - The Millais House studio 7 Cromwell Place: 1943 - 1951, Francis Bacon painter - Three Studies for Figures at the Base of a Crucifixion, Francis Bacon painter - Figure in a landscape 1945, Francis Bacon painter - Painting 1946, Francis Bacon painter - Head I Head II - Head VI, Francis Bacon painter - The Colony Room, Francis Bacon painter - Study after Velázquez, Francis Bacon painter - After 7 Cromwell Place 1951 - 1953, Francis Bacon painter - Study for Crouching Nude, Francis Bacon painter - Dog 1952, Francis Bacon painter - Study of a Nude 1952–1953, Francis Bacon painter - Study after Velázquez's Portrait of Pope Innocent X, Francis Bacon painter - Study for Portrait I - VIII 1953, Francis Bacon painter - Notes, Francis Bacon painter - Influences, Francis Bacon painter - Later life, Francis Bacon painter - The Estate, Francis Bacon painter - ELEMENTS OF DESIGN, Francis Bacon painter - Conclusion, Francis Bacon painter - Motion picture

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Bacon left the Queensberry Mews West studio in 1931, and was not to have a settled space for some years. Bacon probably shared a studio with Roy de Maistre, about 1931/1932, at Carlyle Studios, (just off the King's Road), in Chelsea. Portrait (1932) and Portrait (c.1931 - 1932) (the latter bought by Diana Watson) both show a round-faced youth with diseased skin (painted after Bacon saw Ibsen's Ghosts), and d ...

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Francis Bacon painter, Francis Bacon painter - Early life, Francis Bacon painter - Abbeyleix, Francis Bacon painter - London Berlin and Paris, Francis Bacon painter - Berlin, Francis Bacon painter - Chantilly, Francis Bacon painter - 17 Queensberry Mews West, Francis Bacon painter - 'The 1930 Look in British Decoration', Francis Bacon painter - 'Paintings and rugs by Francis Bacon', Francis Bacon painter - Fulham Road, Francis Bacon painter - 71 Royal Hospital Road, Francis Bacon painter - Crucifixion 1933, Francis Bacon painter - Wound for a Crucifixion, Francis Bacon painter - 1 Glebe Place and Petersfield, Francis Bacon painter - Abstraction Abstraction from the Human Form, Francis Bacon painter - Figure Getting Out of a Car c. 1939 - 1940, Francis Bacon painter - The Millais House studio 7 Cromwell Place: 1943 - 1951, Francis Bacon painter - Three Studies for Figures at the Base of a Crucifixion, Francis Bacon painter - Figure in a landscape 1945, Francis Bacon painter - Painting 1946, Francis Bacon painter - Head I Head II - Head VI, Francis Bacon painter - The Colony Room, Francis Bacon painter - Study after Velázquez, Francis Bacon painter - After 7 Cromwell Place 1951 - 1953, Francis Bacon painter - Study for Crouching Nude, Francis Bacon painter - Dog 1952, Francis Bacon painter - Study of a Nude 1952–1953, Francis Bacon painter - Study after Velázquez's Portrait of Pope Innocent X, Francis Bacon painter - Study for Portrait I - VIII 1953, Francis Bacon painter - Notes, Francis Bacon painter - Influences, Francis Bacon painter - Later life, Francis Bacon painter - The Estate, Francis Bacon painter - ELEMENTS OF DESIGN, Francis Bacon painter - Conclusion, Francis Bacon painter - Motion picture

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Bacon returned to London in late 1928 or early 1929, and started work as an interior designer. He took a studio in a converted garage, 17 Queensberry Mews West, South Kensington, and shared the upper floor with Eric Alden, who was to be his first collector. By 1929, his nanny, Jessie Lightfoot, had joined Bacon and Alden at Queensberry Mews West. In the first issue of Cahiers d'Art for 1929, Bacon saw Picasso's painted biomorphic figures reproduced, in an article by the editor Christian Zervos: Picasso à Dinard, Été 1928. (L ...

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Francis Bacon painter, Francis Bacon painter - Early life, Francis Bacon painter - Abbeyleix, Francis Bacon painter - London Berlin and Paris, Francis Bacon painter - Berlin, Francis Bacon painter - Chantilly, Francis Bacon painter - 17 Queensberry Mews West, Francis Bacon painter - 'The 1930 Look in British Decoration', Francis Bacon painter - 'Paintings and rugs by Francis Bacon', Francis Bacon painter - Fulham Road, Francis Bacon painter - 71 Royal Hospital Road, Francis Bacon painter - Crucifixion 1933, Francis Bacon painter - Wound for a Crucifixion, Francis Bacon painter - 1 Glebe Place and Petersfield, Francis Bacon painter - Abstraction Abstraction from the Human Form, Francis Bacon painter - Figure Getting Out of a Car c. 1939 - 1940, Francis Bacon painter - The Millais House studio 7 Cromwell Place: 1943 - 1951, Francis Bacon painter - Three Studies for Figures at the Base of a Crucifixion, Francis Bacon painter - Figure in a landscape 1945, Francis Bacon painter - Painting 1946, Francis Bacon painter - Head I Head II - Head VI, Francis Bacon painter - The Colony Room, Francis Bacon painter - Study after Velázquez, Francis Bacon painter - After 7 Cromwell Place 1951 - 1953, Francis Bacon painter - Study for Crouching Nude, Francis Bacon painter - Dog 1952, Francis Bacon painter - Study of a Nude 1952–1953, Francis Bacon painter - Study after Velázquez's Portrait of Pope Innocent X, Francis Bacon painter - Study for Portrait I - VIII 1953, Francis Bacon painter - Notes, Francis Bacon painter - Influences, Francis Bacon painter - Later life, Francis Bacon painter - The Estate, Francis Bacon painter - ELEMENTS OF DESIGN, Francis Bacon painter - Conclusion, Francis Bacon painter - Motion picture

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The Daily Telegraph was established on June 29, 1855 by Colonel Arthur B. Sleigh. He controlled it only briefly before selling it to his printer, Joseph Moses Levy, father of the 1st Baron Burnham. Levy appointed his sons as editors and relaunched the paper on September 17. His most significant and successful move was reducing the price of the paper to a penny, the first of the penny press. Within twel ...

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The Daily Telegraph, The Daily Telegraph - Editorial history, The Daily Telegraph - Editors, The Daily Telegraph - Founding history, The Daily Telegraph - The Sunday Telegraph, The Daily Telegraph - Editors, The Daily Telegraph - Recent history, The Daily Telegraph - Notable mistakes, The Daily Telegraph - Notes

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Powell said "I have set and always will set my face like flint against making any difference between one citizen of this country and another on grounds of his origin." The public tend to agree with this statement. The Trial of Enoch Powell, a Channel 4 television broadcast on the thirtieth anniversary of his Birmingham speech (and two months after his death) saw a vote of the studio audience yielded a 64% 'not a racist' result. Powell's detractors often assert that he was 'far-right', 'proto-fascist' or 'racist'. The first two ...

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Enoch Powell, Enoch Powell - Life, Enoch Powell - Early years, Enoch Powell - War years, Enoch Powell - Conservative Party, Enoch Powell - Rivers of Blood speech, Enoch Powell - An unusual Conservative?, Enoch Powell - Ulster Unionist Party, Enoch Powell - Personality, Enoch Powell - Racist demagogue or lost Prime Minister?, Enoch Powell - Bibliography, Enoch Powell - Powell's writings

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The appropriate use of the term eurosceptic is sometimes disputed by those on both sides of the pro-/anti-EU debate. Eurosceptics who feel that their position should emphasise a desire for greater national and parliamentary independence over specific criticisms of the EU sometimes argue that the positive-sounding antonym pro-European contrasts with the more negative eurosceptic, giving a rhetorical advanta ...

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Euroscepticism, Euroscepticism - Eurosceptic influences on European politics, Euroscepticism - Eurosceptic issues, Euroscepticism - Centralisation, Euroscepticism - Compromising sovereignty, Euroscepticism - Harmonising of justice and home affairs, Euroscepticism - Euroscepticism in France, Euroscepticism - 1970s, Euroscepticism - Recent events, Euroscepticism - Euroscepticism in the United Kingdom, Euroscepticism - Eurosceptic views in the UK today, Euroscepticism - Eurosceptics in UK political parties, Euroscepticism - Eurosceptic British press, Euroscepticism - Euroscepticism in Denmark, Euroscepticism - Euroscepticism in Central and Eastern Europe, Euroscepticism - Eurosceptics in the European Parliament, Euroscepticism - Terminology, Euroscepticism - Criticism of the European Union by non-Europeans

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Francis Bacon was born at 63 Lower Baggot Street, a nursing home in Dublin, Ireland to English parents - Eddy Bacon, forty, a retired Captain in the Hussars turned thoroughbred racehorse-trainer, and Winnie Bacon (née Firth), twenty six. His brother Harley was four. Francis was cared for by Jessie Lightfoot, age thirty nine, the family nurse. Bacon was a sickly child, with asthma, and a violent allergy to dogs and horses. He was given morphine to ease his suffering during attacks. The family moved back and forth between Irelan ...

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Francis Bacon painter, Francis Bacon painter - Early life, Francis Bacon painter - Abbeyleix, Francis Bacon painter - London Berlin and Paris, Francis Bacon painter - Berlin, Francis Bacon painter - Chantilly, Francis Bacon painter - 17 Queensberry Mews West, Francis Bacon painter - 'The 1930 Look in British Decoration', Francis Bacon painter - 'Paintings and rugs by Francis Bacon', Francis Bacon painter - Fulham Road, Francis Bacon painter - 71 Royal Hospital Road, Francis Bacon painter - Crucifixion 1933, Francis Bacon painter - Wound for a Crucifixion, Francis Bacon painter - 1 Glebe Place and Petersfield, Francis Bacon painter - Abstraction Abstraction from the Human Form, Francis Bacon painter - Figure Getting Out of a Car c. 1939 - 1940, Francis Bacon painter - The Millais House studio 7 Cromwell Place: 1943 - 1951, Francis Bacon painter - Three Studies for Figures at the Base of a Crucifixion, Francis Bacon painter - Figure in a landscape 1945, Francis Bacon painter - Painting 1946, Francis Bacon painter - Head I Head II - Head VI, Francis Bacon painter - The Colony Room, Francis Bacon painter - Study after Velázquez, Francis Bacon painter - After 7 Cromwell Place 1951 - 1953, Francis Bacon painter - Study for Crouching Nude, Francis Bacon painter - Dog 1952, Francis Bacon painter - Study of a Nude 1952–1953, Francis Bacon painter - Study after Velázquez's Portrait of Pope Innocent X, Francis Bacon painter - Study for Portrait I - VIII 1953, Francis Bacon painter - Notes, Francis Bacon painter - Influences, Francis Bacon painter - Later life, Francis Bacon painter - The Estate, Francis Bacon painter - ELEMENTS OF DESIGN, Francis Bacon painter - Conclusion, Francis Bacon painter - Motion picture

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Bacon spent the Autumn and Winter of 1926 in London, with the help of an allowance of £3 a week from his mother's trust fund, living on his instincts, simply 'drifting', and reading Nietzsche. When he was broke, Bacon found that, by the very simple expedient of rent-dodging and petty theft, he could manage a reasonable economy. To supplement his income, Bacon very briefly tried domestic service, but, although he enjoyed cooking, quickly became bored, and resigned. He was sacked from a job answering the telephone for a shop in Poland Street, Soho, that sold women's clo ...

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Francis Bacon painter, Francis Bacon painter - Early life, Francis Bacon painter - Abbeyleix, Francis Bacon painter - London Berlin and Paris, Francis Bacon painter - Berlin, Francis Bacon painter - Chantilly, Francis Bacon painter - 17 Queensberry Mews West, Francis Bacon painter - 'The 1930 Look in British Decoration', Francis Bacon painter - 'Paintings and rugs by Francis Bacon', Francis Bacon painter - Fulham Road, Francis Bacon painter - 71 Royal Hospital Road, Francis Bacon painter - Crucifixion 1933, Francis Bacon painter - Wound for a Crucifixion, Francis Bacon painter - 1 Glebe Place and Petersfield, Francis Bacon painter - Abstraction Abstraction from the Human Form, Francis Bacon painter - Figure Getting Out of a Car c. 1939 - 1940, Francis Bacon painter - The Millais House studio 7 Cromwell Place: 1943 - 1951, Francis Bacon painter - Three Studies for Figures at the Base of a Crucifixion, Francis Bacon painter - Figure in a landscape 1945, Francis Bacon painter - Painting 1946, Francis Bacon painter - Head I Head II - Head VI, Francis Bacon painter - The Colony Room, Francis Bacon painter - Study after Velázquez, Francis Bacon painter - After 7 Cromwell Place 1951 - 1953, Francis Bacon painter - Study for Crouching Nude, Francis Bacon painter - Dog 1952, Francis Bacon painter - Study of a Nude 1952–1953, Francis Bacon painter - Study after Velázquez's Portrait of Pope Innocent X, Francis Bacon painter - Study for Portrait I - VIII 1953, Francis Bacon painter - Notes, Francis Bacon painter - Influences, Francis Bacon painter - Later life, Francis Bacon painter - The Estate, Francis Bacon painter - ELEMENTS OF DESIGN, Francis Bacon painter - Conclusion, Francis Bacon painter - Motion picture

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Main article:The Estate of Francis Bacon Bacon bequeathed his entire estate (then valued at £11 million) to John Edwards after his death. Edwards, in turn, donated the contents of Francis Bacon's chaotic studio at 7 Reece Mews, South Kensington, to the Hugh Lane gallery in Dublin. Bacon's studio contents were moved and the studio carefully reconstructed in the gallery. Bacon was disdainful of his early works and destroyed the majority of it. He also destroyed an unknown number of works throughout his lifetime, and fragm ...

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Francis Bacon painter, Francis Bacon painter - Early life, Francis Bacon painter - Abbeyleix, Francis Bacon painter - London Berlin and Paris, Francis Bacon painter - Berlin, Francis Bacon painter - Chantilly, Francis Bacon painter - 17 Queensberry Mews West, Francis Bacon painter - 'The 1930 Look in British Decoration', Francis Bacon painter - 'Paintings and rugs by Francis Bacon', Francis Bacon painter - Fulham Road, Francis Bacon painter - 71 Royal Hospital Road, Francis Bacon painter - Crucifixion 1933, Francis Bacon painter - Wound for a Crucifixion, Francis Bacon painter - 1 Glebe Place and Petersfield, Francis Bacon painter - Abstraction Abstraction from the Human Form, Francis Bacon painter - Figure Getting Out of a Car c. 1939 - 1940, Francis Bacon painter - The Millais House studio 7 Cromwell Place: 1943 - 1951, Francis Bacon painter - Three Studies for Figures at the Base of a Crucifixion, Francis Bacon painter - Figure in a landscape 1945, Francis Bacon painter - Painting 1946, Francis Bacon painter - Head I Head II - Head VI, Francis Bacon painter - The Colony Room, Francis Bacon painter - Study after Velázquez, Francis Bacon painter - After 7 Cromwell Place 1951 - 1953, Francis Bacon painter - Study for Crouching Nude, Francis Bacon painter - Dog 1952, Francis Bacon painter - Study of a Nude 1952–1953, Francis Bacon painter - Study after Velázquez's Portrait of Pope Innocent X, Francis Bacon painter - Study for Portrait I - VIII 1953, Francis Bacon painter - Notes, Francis Bacon painter - Influences, Francis Bacon painter - Later life, Francis Bacon painter - The Estate, Francis Bacon painter - ELEMENTS OF DESIGN, Francis Bacon painter - Conclusion, Francis Bacon painter - Motion picture

Read more here: » Francis Bacon painter: Encyclopedia II - Francis Bacon painter - The Estate

The Sunday Mirror is a Sunday newspaper with the same ownership as and a similar style to The Daily Mirror. The current editor is Tina Weaver. ...

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The Daily Mirror, The Daily Mirror - Early years, The Daily Mirror - The Mirror transformed, The Daily Mirror - Toppled by Murdoch, The Daily Mirror - The Mirror today, The Daily Mirror - The Sunday Mirror, The Daily Mirror - Fake abuse photos

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History of Doctor Who - The UNIT years. Sherwin's first choice to replace Troughton was actor Ron Moody, star of the musical Oliver!, but when he turned the part down, comic actor Jon Pertwee, another candidate from Sherwin's shortlist, was cast instead. Sherwin had hoped that Pertwee would bring much of his comic acting skill to the part, but he was keen to establish himself as a serious dramatic actor as well as a comedian. Although some lighter touches were visible throughout Pertwee's era, he essential ...

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History of Doctor Who, History of Doctor Who - Origins, History of Doctor Who - The 1960s, History of Doctor Who - Adventures in time and space, History of Doctor Who - The cosmic hobo, History of Doctor Who - The 1970s, History of Doctor Who - The UNIT years, History of Doctor Who - The bohemian wanderer, History of Doctor Who - The 1980s, History of Doctor Who - The JNT John Nathan-Turner era, History of Doctor Who - A younger Doctor, History of Doctor Who - Trials of a Time Lord, History of Doctor Who - The dark side, History of Doctor Who - The 1990s, History of Doctor Who - The television movie, History of Doctor Who - Back to the BBC, History of Doctor Who - The 2000s, History of Doctor Who - The fortieth anniversary, History of Doctor Who - The new series, History of Doctor Who - Departure and renewal

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With Cecil King (Rothermere's nephew) in charge of the paper's business side and Guy Bartholomew in charge of the editorial side, the Mirror in the late 1930s transformed itself from a gently declining, respectable, right-wing, middle-class newspaper into a sensationalist left-wing paper for the working class that was a runaway business success. The Mirror was the first UK paper to adopt the appearance of the New York tabloids and the only popular paper to campaign consistently against the appeasement o ...

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The Daily Mirror, The Daily Mirror - Early years, The Daily Mirror - The Mirror transformed, The Daily Mirror - Toppled by Murdoch, The Daily Mirror - The Mirror today, The Daily Mirror - The Sunday Mirror, The Daily Mirror - Fake abuse photos

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History of Doctor Who - The television movie. Although in-house production had ceased, the BBC were hopeful of finding an independent production company to re-launch the show and had been approached for such a venture by Philip Segal, a British expatriate who worked for Columbia Pictures' television arm in the United States. Segal's negotiations dragged on for several years, and followed him from Columbia to Steven Spielberg's Amblin Entertainment company and finally to Universal Studios' television arm. A ...

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History of Doctor Who, History of Doctor Who - Origins, History of Doctor Who - The 1960s, History of Doctor Who - Adventures in time and space, History of Doctor Who - The cosmic hobo, History of Doctor Who - The 1970s, History of Doctor Who - The UNIT years, History of Doctor Who - The bohemian wanderer, History of Doctor Who - The 1980s, History of Doctor Who - The JNT John Nathan-Turner era, History of Doctor Who - A younger Doctor, History of Doctor Who - Trials of a Time Lord, History of Doctor Who - The dark side, History of Doctor Who - The 1990s, History of Doctor Who - The television movie, History of Doctor Who - Back to the BBC, History of Doctor Who - The 2000s, History of Doctor Who - The fortieth anniversary, History of Doctor Who - The new series, History of Doctor Who - Departure and renewal

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I'm Sorry I Haven't a Clue developed from the long running radio sketch show I'm Sorry I'll Read That Again. The writers of this show — John Cleese, Jo Kendall, David Hatch, Bill Oddie, Tim Brooke-Taylor and especially Graeme Garden — found that writing a radio series was a lot of work for little reward, and so happened upon the idea of an unscripted show. It was decided that this would take the form of a parody panel game with Garden, Brooke-Taylor, Oddie and Kendall as the panelists, with occasional appearances from other ...

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I'm Sorry I Haven't a Clue, I'm Sorry I Haven't a Clue - History, I'm Sorry I Haven't a Clue - Participants, I'm Sorry I Haven't a Clue - Chairman, I'm Sorry I Haven't a Clue - Panellists, I'm Sorry I Haven't a Clue - Musical Accompaniment, I'm Sorry I Haven't a Clue - Commentary, I'm Sorry I Haven't a Clue - Scorers, I'm Sorry I Haven't a Clue - Humour, I'm Sorry I Haven't a Clue - Format, I'm Sorry I Haven't a Clue - Games, I'm Sorry I Haven't a Clue - Uxbridge English Dictionary formerly New Definitions, I'm Sorry I Haven't a Clue - Historical headlines, I'm Sorry I Haven't a Clue - One Song to the Tune of Another, I'm Sorry I Haven't a Clue - Cheddar Gorge, I'm Sorry I Haven't a Clue - Pick-up Song, I'm Sorry I Haven't a Clue - Straight face, I'm Sorry I Haven't a Clue - Limerick improvisation, I'm Sorry I Haven't a Clue - Word for Word, I'm Sorry I Haven't a Clue - Sound Charades, I'm Sorry I Haven't a Clue - Censored song, I'm Sorry I Haven't a Clue - Quote... Misquote formerly Complete Quotes, I'm Sorry I Haven't a Clue - Mornington Crescent, I'm Sorry I Haven't a Clue - Swanee-Kazoo, I'm Sorry I Haven't a Clue - Themed film/book club, I'm Sorry I Haven't a Clue - Late arrivals at a society ball

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Many of the games are inherently humorous and even those theoretically capable of being taken seriously are played for laughs. I'm Sorry I Haven't a Clue's humour is mostly derived from wordplay of one kind or another[1] such as puns or mocking other styles of speech. For example, in a round based on suggesting television programmes from biblical times 'They Think It's All Jehovah', 'I Love Lucifer' and 'The Exodus Files' were all suggested (as plays on They Think It's All Over, ...

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I'm Sorry I Haven't a Clue, I'm Sorry I Haven't a Clue - History, I'm Sorry I Haven't a Clue - Participants, I'm Sorry I Haven't a Clue - Chairman, I'm Sorry I Haven't a Clue - Panellists, I'm Sorry I Haven't a Clue - Musical Accompaniment, I'm Sorry I Haven't a Clue - Commentary, I'm Sorry I Haven't a Clue - Scorers, I'm Sorry I Haven't a Clue - Humour, I'm Sorry I Haven't a Clue - Format, I'm Sorry I Haven't a Clue - Games, I'm Sorry I Haven't a Clue - Uxbridge English Dictionary formerly New Definitions, I'm Sorry I Haven't a Clue - Historical headlines, I'm Sorry I Haven't a Clue - One Song to the Tune of Another, I'm Sorry I Haven't a Clue - Cheddar Gorge, I'm Sorry I Haven't a Clue - Pick-up Song, I'm Sorry I Haven't a Clue - Straight face, I'm Sorry I Haven't a Clue - Limerick improvisation, I'm Sorry I Haven't a Clue - Word for Word, I'm Sorry I Haven't a Clue - Sound Charades, I'm Sorry I Haven't a Clue - Censored song, I'm Sorry I Haven't a Clue - Quote... Misquote formerly Complete Quotes, I'm Sorry I Haven't a Clue - Mornington Crescent, I'm Sorry I Haven't a Clue - Swanee-Kazoo, I'm Sorry I Haven't a Clue - Themed film/book club, I'm Sorry I Haven't a Clue - Late arrivals at a society ball

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In March 1962, Eric Maschwitz, the Head of Light Entertainment at BBC Television, asked Donald Wilson, the Head of the Script Department, to have his department's Survey Group prepare a study on the feasibility of producing a new science-fiction series on the BBC. The report was prepared by staff members Alice Frick and Donald Bull, and delivered the following month, much to the commendation of Wilson, Maschwitz and the BBC's Assistant Controller of Programmes Donald Baverstock. A follow-up report into specific ideas for the format of such a ...

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History of Doctor Who, History of Doctor Who - Origins, History of Doctor Who - The 1960s, History of Doctor Who - Adventures in time and space, History of Doctor Who - The cosmic hobo, History of Doctor Who - The 1970s, History of Doctor Who - The UNIT years, History of Doctor Who - The bohemian wanderer, History of Doctor Who - The 1980s, History of Doctor Who - The JNT John Nathan-Turner era, History of Doctor Who - A younger Doctor, History of Doctor Who - Trials of a Time Lord, History of Doctor Who - The dark side, History of Doctor Who - The 1990s, History of Doctor Who - The television movie, History of Doctor Who - Back to the BBC, History of Doctor Who - The 2000s, History of Doctor Who - The fortieth anniversary, History of Doctor Who - The new series, History of Doctor Who - Departure and renewal

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Many guests have appeared on the programme more than once, and, since the departure of Deayton, many celebrities have acted as guest presenters on the show. (List complete up to the end of series 30, broadcast 2005) Have I Got News For You - Most appearances in total. 8 appearances Germaine Greer Will Self 7 appearances Clive Anderson Charles Kennedy Ken Livingstone 6 appearances Alexander Armstrong Martin C ...

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Have I Got News For You, Have I Got News For You - Format, Have I Got News For You - Choice moments, Have I Got News For You - Running gags, Have I Got News For You - Controversy and litigation, Have I Got News For You - DVD, Have I Got News For You - Appearances and guest presenters, Have I Got News For You - Most appearances in total, Have I Got News For You - Guest presenters, Have I Got News For You - TV shows elsewhere based on the HIGNFY format

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Trinity Mirror is based at One Canada Square — the focal building in London's Canary Wharf development. In 1978, the paper announced its support for a United Ireland. During the 1990s the paper was accused of dumbing-down in an attempt to poach readers from Rupert Murdoch's Sun, although judging by their relative sales figures this was unsuccessful. Also in 2002 the Mirror changed its logo from red to black (attempting to dissociate the paper from the term "red top", meaning a sensationalist mass-market tabloid, ...

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The Daily Mirror, The Daily Mirror - Early years, The Daily Mirror - The Mirror transformed, The Daily Mirror - Toppled by Murdoch, The Daily Mirror - The Mirror today, The Daily Mirror - The Sunday Mirror, The Daily Mirror - Fake abuse photos

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