Creativity - Dimensions of creativity

Home Forums Blogs Articles Photos Videos Contact FAQ

Dream Sharing Forum
at Global Oneness Community.
Share your dreams and let others help you with the interpretation!
Dream Sharing Forum

Creativity - Dimensions of creativity
A Wisdom Archive on Creativity - Dimensions of creativity

Creativity - Dimensions of creativity A selection of articles related to Creativity - Dimensions of creativity

We recommend this article: Creativity - Dimensions of creativity - 1, and also this: Creativity - Dimensions of creativity - 2.

More material related to Creativity can be found here:

Main Page
for
Creativity

YouTube Videos
related to
Creativity

Index of Articles
related to
Creativity

Index of Articles
related to
Creativity - Dimensions o...

Glossary
related to
Creativity

Dream Dictionary
related to
Creativity

Creativity, Creativity - Dimensions of creativity, Creativity - Fostering creativity, Creativity - Measuring creativity, Creativity - Periods and Personalities, Creativity - Scope, Creativity - Social attitudes to creativity, Creativity - Types of creativity and creatives, Art, Creative accounting, Creative writing, Creativity techniques, Design, Flow, Intelligence (trait), Innovation, Raison d'être

ARTICLES RELATED TO Creativity - Dimensions of creativity

Creativity - Dimensions of creativity: Encyclopedia II - Creativity - Types of creativity and creatives

In The Act of Creation, Arthur Koestler (1964 and various imprints) lists three types of creative individual — the Artist, the Sage and the Jester. Believers in this trinity hold all three elements necessary in business and can identify them in all in "truly creative" companies as well. One can also categorise creativity by where and how it arises. ...

Including:

Creativity - Scope

Creativity - Dimensions of creativity

Creativity - Types of creativity and creatives

Creativity - Measuring creativity

Creativity - Social attitudes to creativity

Creativity - Fostering creativity

Creativity - Periods and Personalities

Creativity - Dimensions of creativity: A Message from Mayan Elder Hunbatz Men

Maya Elder, Hunbatz Men sent a message to me, and ask that I share it. In the message is a clue to how we can bridge the gaps between the dimensions easily and safely. It also shares how humanity can help keep the creative spirit/essence alive for Mother Earth, the plants and animals by honoring and respecting the things we can not yet see. As creators of our reality it is up to us to "do the work" as Hunbatz puts it. It is up to us to work with Hunab K'u, giver of movement and measure, and honoring spirit so it does not disappear and consequently our beautiful physical reality too.

John Kostura

Creativity - Dimensions of creativity: Encyclopedia II - The Super Dimension Fortress Macross - Production staff

Japanese Staff Original Design: Studio Nue, in cooperation with Artland Series Coordinator: Ken'ichi Matsuzaki Character Designs: Haruhiko Mikimoto Mechanical Designs: Kazutaka Miyatake, Shoji Kawamori Creative Supervisor: Eiji Kurokawa Background Art: Kikuko Tada, Kazuko Masai Music: Kentarō Haneda Recording Director: Yasunori Honda Chief Director: Noboru Ishiguro < ...

Creativity - Dimensions of creativity: Mysticism Magick Dictionary on NOTHING

NOTHING

The ultimate origin of the universe. The entire panoply of the manifest world is but an expression or eversion of the primordial vacuum. Nothing always equals something, so the underside of non-existence is existence. ("The reference of things in existence is preformed in the realm of non-existence.") Anything can be considered a universe, so the same thing that allowed the universe to come out of nothing applies to anything else coming out of nothing. Nothingness, of course, is the creative element in rooms, boxes, wombs, vacuums, empty sheets of paper, etc.

Contrasting is an important aspect of Nothing. To understand a thing, its opposite must be brought to bear. To add dark and light results in Nothing. To subtract one equality from the other eliminates both minuend and subtrahend. All opposites extend into nothing. Thus, the opposite of multiplication by tens is the infinitesimals. The zero could have been used to measure the dimensions of minus reality.

Importance and dominance are a function of location and position rather than of substance per se.

(See also: NOTHING, Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul, )

Creativity - Dimensions of creativity: Massage Bodywork Dictionary on HOLOTROPIC BREATHWORK

HOLOTROPIC BREATHWORK

Developed by Dr. Stanislov Grof, a psychiatrist working with people in non-ordinary states of consciousness, and by Christina Grof, a transpersonal teacher, this is a simple, yet powerful technique for self-exploration and healing based on combined insights from modern consciousness research, depth psychology, and perennial spiritual practices.

The method activates non-ordinary states of consciousness which mobilize the spontaneous healing potential of the psyche. Sustained effective breathing, evocative music, focused energy work, and mandala drawing are components of this subjective journey.

Holotropic literally means moving toward wholeness. Virtually all ancient and native traditions recognize the psychological and spiritual healing potential of states of consciousness that differ from what we call ordinary.

Holotropic Breathwork is a powerful method of self-exploration and healing. This work can be useful for artists wishing to facilitate their creativity, persons seeking a deep level of healing, those seeking to explore their inner self and/or the transpersonal dimensions, and it can lead to a spiritual opening and transformation.

Creativity - Dimensions of creativity: Pagan Denominations Dictionary on Council of American Witches

Council of American Witches PRINCIPLES OF BELIEF

The Council of American Witches finds it necessary to define modern Witchcraft in terms of the American experience & needs.

We are not bound by traditions from other times & other cultures, & owe no allegiance to any person or power greater than the Divinity manifest through our own being.

As American Witches, we welcome & respect all life-affirming teachings & traditions, & seek to learn from all & to share our learning within our Council.

It is in this spirit of welcome & cooperation that we adopt these few principles of Wiccan belief. In seeking to be inclusive, we do not wish to open ourselves to the destruction of our group by those on self-serving power trips, or to philosophies & practices contradictory to these principles. In seeking to exclude those whose ways are contradictory to ours, we do not want to deny participation with us to any who are sincerely interested in our knowledge & beliefs, regardless of race, color, sex, age, national or cultural origins, or sexual preference.

We therefore ask only that those who seek to identify with us accept these few basic principles:

We practice rites to attune ourselves with the natural rhythm of life forces marked by the phases of the Moon & the seasonal quarters & cross-quarters.

We recognize that our intelligence gives us unique responsibility toward our environment. We seek to live in harmony with Nature, in ecological balance offering fulfillment to life & consciousness within an evolutionary concept.

We acknowledge a depth of power far greater than is apparent to the average person. Because it is far greater than ordinary, it is sometimes called "supernatural," but we see it as lying within that which is naturally potential to all.

We conceive of the Creative Power in the Universe as manifesting through polarity - as masculine & feminine - & that this same creative Power lives in all people, & functions through the interaction of the masculine & feminine. We value neither above the other, knowing each to be supportive of the other. We value sexuality as pleasure, as the symbol & embodiment of Life, & as one of the sources of energies used in magickal practices & religious worship.

We recognize both outer worlds & inner, or psychological worlds sometimes known as the Spiritual World, the Collective Unconscious & Inner Planes, etc. & we see in the interaction of these two dimensions the basis for paranormal phenomena & magickal exercises. We neglect neither dimension for the other, seeing both as necessary for our fulfillment.

We do not recognize any authoritarian hierarchy, but do honor those who teach, respect those who share their greater knowledge & wisdom, & acknowledge those who have courageously given of themselves in leadership.

We see religion, magick, & wisdom-in-living as being united in the way one views the world & lives within it - a world view & philosophy of life, which we identify as Witchcraft or the Wiccan Way.

Calling oneself "Witch" does not make a Witch - but neither does heredity itself, or the collecting of titles, degrees & initiations. A Witch seeks to control the forces within herself/himself that makes life possible in order to live wisely & well, without harm to others, & in harmony with Nature.

We acknowledge that it is the affirmation & fulfillment of life, in a continuation of evolution & development of consciousness, that gives meaning to the Universe we know, & to our personal role within it.

Our only animosity toward Christianity, or toward any other religion or philosophy-of-life, is to the extent that its institutions have claimed to be "the one true right & only way" & have sought to deny freedom to others & to suppress other ways of religious practices & belief.

As American Witches, we are not threatened by debates on the history of the Craft, the origins of various terms, the legitimacy of various aspects of different traditions. We are concerned with our present, & our future.

We do not accept the concept of "absolute evil," nor do we worship any entity known as "Satan" or "the Devil" as defined by Christian Tradition. We do not seek power through the suffering of others, nor do we accept the concept that personal benefits can only be derived by denial to another.

We work within Nature for that which is contributory to our health & well-being.

Creativity - Dimensions of creativity: Mysticism Magick Dictionary on PERICHORESIS

PERICHORESIS

The word is Greek, as you might imagine: peri "around" + choreio "dance." But for the Greeks "dancing" wasn't the aimless shuffling we do. It was more like ballet. "Choreography" is a lot closer to the idea -- in which particular movements are carefully planned and executed. Travel from one dimension to another occurs simultaneously on all levels of reality. We travel in and out of the astral during sleep every night and think nothing of it. And, as you know, when the shaman interfaces with the earth by taking narcotic mushrooms or cacti into his system, he's moving deliberately and consciously between universes.

Parallel worlds stretch horizontally from sinister to dexter, or rather, from increasing shades of darkness to increasing degrees of light. Beings entering from the darkside are perceived by us not as merely ignorant but as demonic, whereas the wisdom of the beings from the lightside stands so far beyond our recognition that we see them simply as angelic beings. Depending on the level of reality that we happen to occupy, the dark and light worlds are perceived as more or less similar to the world we currently inhabit. On some levels of reality, the transfiguration is reversed and we perceive them as inhabiting regions above and below a horizontal plane of reality that stretches into inaccessible temporal limits of Past and Future. In such a world, reality is a given that is perceived as revealing itself only at such Past and Future vanishing points -- Alpha and Omega.

Everywhere horizontal parallel plane meets vertical parallel levels and an Aeon is established, symbolized by a cross. If the cross, however is not circumscribed by a circle (the familiar symbol of cross in circle, representing "earth"), there is no cohesion and the center does not hold. The so-called "extremes," in fact, are not extremes at all, but merely their own opposites in a spinning circle.

Because of the nature of infinity, we have to recognize that we may never stand at any of the four extremities, but always only at the exact center of the omniverse.

Notice also that in any formal religious painting, the god or saint is always placed in the exact center. If he is raised too high from the center, the lower world is given undue importance and power, because, after all, in completely "secular" pictures, the God has been raised so high as to have been left out of the picture altogether! Placing the God too far down divests him of his divinity because his intensity looks, on our level, simply grotesque. Likewise, if the God is placed too far to the left or right, an imbalance is also created.

Thus, uncircumscribed, the ends of the cross stretch unchecked into the infinite four directions and an uncontrollable wickedness is set forth into all manifestations. Without the "earthing" of the cross, there is no manifestation. The extremities lead only into infinite "otherness" and delusion. It is the inner being at the solar plexus that is the heart of the universe. When we nail (i.e., Christianize) the higher spirit of man to an ancient quadratic event, the center is blocked and closed forever. Moreover, the center has been locked in the past, away from the Eternal Now. Until the nail (Xtianity) has been pulled out, no further evolution is possible and Death will prevail.

The way out is toward the central, innermost point.

The parallel world-planes are accessible at all times. We move in and out of them constantly, but are mostly unaware of having done so. Occasionally we get the feeling that "things are suddenly different" or that "something is about to happen" and that means we've inadvertently stepped into a new probable world that is much different from the ones we've hitherto occupied. You can move back into the world you've just left, only if you do so at once.

Whatever can be imagined, exists, will exist or has existed. Whatever has existed or will exist continues to exist now because time is one of the four real dimensions of things. Alongside this Reality there are an infinite number of co-existent realities of equal "solidity" and "substance." There are also an infinite number of "probable" realities and an infinite number of "possible" worlds. A moment's reflection will show that if this is so, then, obviously, available access to them must not be merely possible, but inevitable. Jane Robert's Seth describes the infinite "probable worlds" stretching out in either direction from this one. The closest ones being hardly distinguishable from this, as we progress outward, the probable worlds become stranger, increasingly incomprehensible and frighteningly unpredictable. In the fifth dimensional world, four dimensional objects have their own much more complete and solid "substance" which we cannot perceive so long as we inhabit lower planes of being.

You can, however, willingly and deliberately get up and walk from this world into the nearest adjacency and from there to the next, and the next. The only problem is that you're playing roulette. There's no way of telling what kind of world you are moving into.

If you are seeking to avoid some trouble in this world, be advised that things could be a lot worse in the world next door. Moreover, if you leave unsolved problem behind, your karma will continue to take you back there in future lives until eventually you are forced to solve them. On top of that, if you leave muddy footprints behind you as you run through world after world, you'll have added onto your present karma the extra burden of going back to mop them up.

Actual entrance/exit sites are a matter of intuitive perception. Dimensional doorways are not likely, for instance, to be found in your living room. They need to be places you've never crossed before (except as interdimensional thresholds). It's best to look for two pillars to pass between -- a couple of tall trees in a forest or park make excellent pillars. The more difficult the access the better. And the direction and angle of entrance are crucial. Select a "picture" framed by the trees as most nearly representing the world you want to leave behind you and before you a picture of what intuitively or esthetically looks to be an improvement of that. Make sure that nothing passes across your line of vision as you are actually walking through. If necessary, keep your eyes closed or look down at your feet.

At first the difference between adjacent worlds is scarcely discernible. Variations only become immediately evident at some distance. But if you are observant, you will eventually begin to notice tiny, subtle changes for the better (or worse). By the time these changes become evident, it's already too late to go back where you came from. The metaphors of artistic symbolism, religion and magic can also assist in perichoretic travel. With the enhanced ability to will and to imagine, the human mind can perceive parts of alternate realities with increasing clarity and may begin to see how to transform the reality we normally inhabit. In fact, so many are the pathways to alternate experience, it's a wonder anyone still believes that reality has but a single face!

There is, to be sure, ultimately only the One Plenum in which everything else transpires, but that sphere transcends experience in the Void of Nirvana.

Although, as we've seen above, there are relatively easy methods of interplanary travel (between planes), the ability to discover significant doorways into alternate dimensions, advanced perichoresis, not only requires an out-of-the-ordinary state of consciousness, but is a difficult technique in its own right, mastered properly only by experienced shamans. For instance, travel through time in the past requires us to move "forward" (i.e., towards the Beginning of Time) simply by ignoring vast areas of experience and being -- as we also do in the present -- in order to maintain a strict continuity of our own. Travel from the future (i.e., the End of Time), however, even though employing the same declination, creates an ever-thickening wall behind us, preventing all possibility of return to the starting point.

Kenneth Grant (Outside the Circles of Time) provides us with insights into the sexual avenue of interdimensional perichoresis and at the same time describes the procedure for creating a "moonchild." In his system, the door to our world opens inward in order for us to receive extratellurian immigrants.

Bipolar human sexuality, explains Grant, parallels cosmogenesis and the sacred void corresponds to the female vagina. Everything comes out of and falls back into this same eternal darkness. The creative light is sucked into its bottomless depths where it is swallowed up by vampiric blackness. Therefore, the doorway to the vacuum or zero of space is a priestess who has been chosen for her "master of the art of dream control." By allowing herself to become a mirror of impression-reception, she is able to generate illusions, "for all form is fantasy, and exists only in the dreaming mirror of the mind."

A material looking glass is placed above her, slanted to receive the starlight. Now, by her psychic ability she can project whatever star morph the magician requires onto the looking glass. A second mirror, creating an infinite regression reflection is placed 11 feet away, eleven being the number of the famous 11th Pathway of Black Magic. The circle of Daath is the corresponding doorway in the Qabalah.

Thereupon the priest uses his penis as the intergalactic conduit of the astro-seminal energy. His vibrations and invocations encourage the dream-manipulating priestess to focus the desired star-morph entity onto the mirrors. In the ultimate orgasm of priest, priestess and dream-entity, the eldolon rises briefly to life and erupts from the mirror as its starseed transmission runs down from the star to impregnate her. The zygote achieved by this cosmocopulation is a unique blend of human and extraterrestrial "genes."

According to most students, monstrous beings invisible to ordinary consciousness are entering our universe in unprecedented numbers, through this same interdimensional sexual doorway. (Apparently our time is a vector of unique significance.) The fantasy film, Ghostbusters, was a facetious rendering of this understanding, but revealed a good deal more than most viewers realized. Kenneth Grant teaches a heterosexual tantrism by which one may ride out again through the same door on the back of one of these demonic beasts and thereby escape. He calls this, again, the 11th Pathway. Others propose that there are homosexual and even solitary practices what serve this purpose equally well.

Sex and death are the two most common and well-known methods of conveyance between worlds, but such exclusively Scorpionic merkabahs are by no means the only ones. All of these methods follow the horizontal direction of planes to left and right, from darkness into light, or vice versa. There is also travel in the vertical direction from layers of reality and consciousness above and below. These cris-crossing horizontal and vertical planes endlessly extend out and recede into the vastnesses. Some of the planes are commonly thought, by the average person, to be "schizophrenic" because they appear to leave the traveller suspended in his "own little world." But such planes are of great importance to the magician or yogin. Reality, we must understand, is entirely a matter of the manipulation of illusion. The teacher, Gurdjieff, once pointed out that there is only one thing in the entire universe, but it is repeated endlessly in order to provide the illusion of "difference." Even chemistry and physics bear this out. The difference between each element is simply a difference in the number of their atomic electrons: Hydrogen 1, Helium 2, Lithium 3...

Some writers believe that there are denizens of other dimensions who use various perichoretic chariots that resemble the astral projections of those whose time and locality they visit. For Ezekiel and Daniel it was a fiery wheel bearing the tetramorph. For the Dogons it was a star ship. For our great grandfathers in the 19th Century it was frequently an airship. But they aren't just psychic experiences, say the witnesses, ufo's leave evidence behind ... a burned-out circle on the lawn, a map with indecipherable writing, MIBs, etc.

My own interdimensional visits to "the Other Side" have been neither A.D.E.'s nor OOBE's. They have occurred either through true-dreaming or by psychotropic methods, i.e., strictly via astral travel. In all, I have several times visited the "conventional" Astral Plane -- or abode of the (after-dead) spirits, three or four times encountered higher beings (although only at a distance), dwelt in the All-Consciousness of All-Phyla and once visited a previous time. Lately I have begun experimenting with ordinary consciousness as a routine means of perichoresis. The occult path I've travelled (until now) has always been the lonely one of the hermit. The beings I've encountered have been the traditional custodians of the pathways, that is to say, those archetypes hovering somewhere between being and non-being. Else they comprise the angels, Gods and daimones of pantheons we already know. But I have increasingly come under the purview of something more important: the existence of what seems to be an infinite number of Eternal Doorways between worlds. These doorways are available to us, of course, under very special circumstances -- that is to say, in altered psychic states lying clearly outside normal consciousness: Yoga, Tantra, sex magic, primitive rites of passage, repetitive rhythms (micro-events), sensory deprivation or stimulation, pain, extreme trauma, trance, all the multifarious REM/sleep/hypnotic states, rushes of adrenaline or fatigue intoxication, epilepsy, metamorphic anomaly, drug intoxication, illness, psychosis proper, thanatolepsy and death. (See SOLIPSISM.)

(See also: PERICHORESIS, Magick, Mysticism, Mysticism Dictionary, Body Mind and Soul, )

Creativity - Dimensions of creativity: Dreams Interpretation Dictionary - Colors

COLORS

Red

May symbolize passion, anger, sexuality, revolution, danger. As the colour of blood, red is the symbol of life (which is why Hindu and Chinese brides wear red); but blood, or course may also mean death (see meaning od death).

Orange

(1) May symbolize aggressiveness.

(2) Because it is the colour of the sun, it may symbolize life, or consciousness.

(3) If you are depressed, orange may symbolize the dawn of a new attitude of optimism and proper self-love.

Yellow

Yellow may symbolize cowardice ("yellow streak"); consciousness, awareness or intelligence; or Dream Symbols:

particularily if golden Dream Symbols:

a promise of something good and life-enhancing, or an intimation of your true self.

Green

Green commonly symbolizes the fertility of Nature (as in the Green Man, the spirit of fecundity). In your dreams, therefore, it may indicate personal growth, some new development in your personality.

Grey

(1) The colour may represent old age, death (see meaning of death), depression.

(2) As intermediate between black and white, and as the colour of mist, grey may symbolize an unclear state of mind where distinctions are blurred, or where you have difficulty in seeing where you are going or have lost all sense of direction.

Blue

(1) Blue may sometimes symbolize the universal or collective unconscious (as distinct from the individual unconscious). Perhaps the dream is asking you to base your life on intuitions that come from a deep source within your psyche.

(2) Alternatively, blue may represent the power of the conscious mind, particularly if it is the blue of the sky.

(3) Darm blue may be associated with depression Dream Symbols:

'the blues".

(4) Blue clothing may symbolize masculinity. Tony Crisp (in his Dream Dictionary) observes that women sometimes dream of threatening men dressed in blue Dream Symbols:

dark blue or navy. Such a dream should motivate the dreamer to get in touch with her animus (the masculine side of her own psyche). and enter into a dialog with it, with a view to establishing a more positive relationship both with the masculine in herself and also with real men in the extrenal world. Perhaps examining her relationship with her father wil be the key to understanding her negative attitude towards men and masculinity.

(5) The blue sea may symbolize the unconscious or the feminine (anima, mother, or Great Mother, the wise self).

(6) At an advanced level of mystical awareness, blue may represent the primal energy from which the universal life-force comes. (In mythology the primevil ocean is not itself a thing: it is without form or shape but contains the potential for all forms and shapes Dream Symbols:

a description that fits God).

Purple

May symbolize mystery and therefore represent, in psychological terms, deep intuition or awareness of some type as yet unexplored dimension of the self.

Black

(1)A black hole or dark depths Dream Symbols:

for example, an unlit cellar or a deep well or oceanic deoths Dream Symbols:

may represent the unconscious. This blackness may be frightening, so long as the unconscious remains alien and unfamiliar. However, black can also be warm and comforting Dream Symbols:

which is hwy insomniacs are sometimes advised to close their eyes and imagine themselves wrapped round in black velvet. If you begin to trust your unconscious (which means trusting Nature, your human Nature), each previously horrifying or disgusting part of your unconscious will show itself in a new light, as something you need for personal fulfillment. Putting your consciousness into the unconscious Dream Symbols:

becoming aware of it Dream Symbols:

means putting more and more light into the darkness. If a star or other bright light appears in the blackness, this may be seen as a "light at the end of the tunnel", that is, as a symbol of the "illumination" Dream Symbols:

new wisdom or insight Dream Symbols:

that may be achieved by dwelling a while in the unconscious and making its better acquaintance.

(2) Black (particularly for white people) may symbolize evil. If so, bear in mind that, as a general rule, what appears in your dreams is always some part of you, and that the so-called "evil" (and therefore repressed) parts of you are really evil only if, because of neglect, they become rebellious, or if you let them take control away from your conscious self. These " evil" things are transformed into good things Dream Symbols:

creative, and bringing fuller life, happiness and wholeness Dream Symbols:

when conscious and unconscious interact and establish a harmonious working relationship.

(3) A person dressed in black may represent your shadow .

(4) A black-skinned person (if you are white-skinned) may represent either the shadow or closeness to Nature.

(5) A black animal probably represents some unconscious repressed drive or emotion. If the animal is fierce, this possibly means that something you have repressed is now urgently pressing you to give it your conscious attention and let it have some expression in your waking life.

(6) Blackness (as in black night, etc.) may simply signify diminished visibility, in which case the meaning of the dream may have something to do with a loss of orientation in your life. Do you feel you don't know which way to go; or that you don't have the energy or will to go in any direction? If so, make a pact with your unconscious to the effect that, it will tell you where you have the potential Dream Symbols:

and the need Dream Symbols:

togo, you will respond accordingly in your life. Then pay close attention to the dreams that follow. (If you go the next few nights without dreaming Dream Symbols:

or, more precisely, without recalling your dreams Dream Symbols:

this probably means that you are backing out of the pact and setting up a defence against what you fear your unconscious might have to tell you).

(7) Black may symbolize dispair or deep depression. If so, follow the advice given in (6) above.

(8) In many parts of the world black is associated with death. It is possible, therefore, that this what the colour signifies in your dream. Bear in mind, however, that death in a dream may refer to something internal: the "death" Dream Symbols:

or the giving up Dream Symbols:

of something within you (for example, some irrational fear, or other negative attitude or emotion).

Brown

(1) Brown is an earthly colour and may, therefore, symbolize the instinctive or the sensuous.

(2) Brown is also an autumnal colour and as such may signify a (feeling of ) decline; low spirits or depression.

White

White may signify pure and innocence, peace happines, joy; but in the East it is associated with death and mourning. (See meaning of death)

Gold

(1) Symbolically, the colour gold has connections with the sun and may represent new life, self-renewal; some new development in your psyche.

(2) Gold, as something valuable, may symbolize either your true self, as distinct from your conscious ego, or some faculity in your psyche which, if accepted and activated, could bring you closer to your real self.

(3) Gold fruit (like the golden fleece) features in mythology as a hero's prize for overcoming monster or other evils. This symbolizes the rewards of facing up to the contents of the unconscious, taming those that Dream Symbols:

through neglect Dream Symbols:

have become wild or aggressive, and intergrating them into your conscious life.

Silver

(1) Silver may symbolize something of value with regard to your personal development.

(2) Silver has associations with the moon, and may therefore symbolize the feminine; intuition; or the unconscious.

Reference: Eric Ackroyd

(Source: Myths - Dreams - Symbols)

Colors, Colour, Color, Colors, Red, Orange, Yellow, Green, Grey, Blue, Purple, Black, Brown

Creativity - Dimensions of creativity: Encyclopedia II - Creativity - Scope

For some people, the word creativity conjures up associations strictly with artistic endeavours and with the writing of literature. Some other have also linked creativity with moments of sudden scientific or engineering insight since at least the time of Archimedes in Ancient Greece. Pop psychology sometimes associates it with right or forehead brain activity or even specifically with lateral thinking. Within the different modes of artistic expression, one can postulate a continuum extending from "interpretation" to "inn ...

Dream Sharing Forum

Creativity - Dimensions of creativity

A Wisdom Archive on Creativity - Dimensions of creativity

ARTICLES RELATED TO Creativity - Dimensions of creativity

See also:

See also:

See also:

Including:

See also:

See also:

See also:

See also:

See also:

See also:

Rate this archive!