A Wisdom Archive on Concerto For Orchestra

The closing rondo has a cheerful refrain, with episodes either echoing this mood or recalling the darker colours of the first movement. It is a blend of sonata and rondo forms that Mozart developed in his piano concertos, most noticeably the A major Piano Concerto. The opening refrain (bars 1-56) features the soloist in dialog with the orchestra, much more so than in his piano concertos. In many ways, this is a dialog of one-upmanship -- the more definitive the ...

Read more here: » Clarinet Concerto Mozart: Encyclopedia II - Clarinet Concerto Mozart - Third movement: Rondo: Allegro

Possibly the most well-known part of this concerto, the beautiful and profound Adagio opens with the soloist playing the movement's theme, marked espressivo. The descending notes of the answering theme are more elegiac, and are, like the first, repeated by the orchestra. The development, in which the solo part is always to the fore, exploits both the chalumeau and clarion registers, and is invariably performed with a final cadenza. The first theme and its answer recur, l ...

Read more here: » Clarinet Concerto Mozart: Encyclopedia II - Clarinet Concerto Mozart - Second Movement: Adagio

Particularly in the early part of the century, many composers wrote music which was an extension of 19th century Romantic music. Harmony, though sometimes complex, was tonal, and traditional instrumental groupings such as the orchestra and string quartet remained the most usual. Traditional forms such as the symphony and concerto remained in use. (See Romantic Music) Many prominent composers — among them Dmitri Kabalevsky, Dmitri Shostakovich and Benjamin Britten — made significant advances in style and technique while still emplo ...

Read more here: » 20th century classical music: Encyclopedia II - 20th century classical music - Romantic style

Aaron Copland (November 14, 1900 – December 2, 1990) was an American composer of concert and film music. Instrumental in forging a uniquely American style of composition, he was widely known as "the dean of American composers." Copland's music achieved a difficult balance between modern music and American folk styles, and the open, slowly changing harmonies of many of his works are said to evoke the vast American landscape. He incorporated percussive orchestration, changing meter, polyrhythms, polychords and tone rows. Outside of co ... Including:

• Aaron Copland - Biography
• Aaron Copland - Selected works
• Aaron Copland - Films

Read more here: » Aaron Copland: Encyclopedia - Aaron Copland

Louis Farrakhan (born Louis Eugene Walcott, May 11, 1933 in Bronx, New York), is the leader of the largely black Nation of Islam. Walcott was raised within the West Indian community in the Roxbury section of Boston. His mother had emigrated from the Caribbean island of Saint Kitts in the 1920s; his father was a Jamaican cab driver from New York but was not involved in his upbringing. As a child, he received training as a violinist. At the age of six, he was given his first violin and by the age of 13, he had playe ... Including:

• Louis Farrakhan - Controversy
• Louis Farrakhan - Farrakhan and classical music
• Louis Farrakhan - Farrakhan parodies

Read more here: » Louis Farrakhan: Encyclopedia - Louis Farrakhan

0 1 2 3 4 5 6 7 8 9 >> List of numbers -- Integers 0 10 20 30 40 50 60 70 80 90 >> uni- (from Latin) 1 (one) is a number, numeral, and the name of the glyph representing that number. It is the natural number following 0 and preceding 2. It represents a single entity. One is sometimes referred to as unity, and unit is sometimes used as an adjective in this sense. (For example, a line segment of "unit length" is a line segment of ... Including:

• 1 number - History
• 1 number - In mathematics
• 1 number - The Arabic glyph
• 1 number - In science
• 1 number - In human society
• 1 number - In film
• 1 number - In music
• 1 number - In religion
• 1 number - In sports
• 1 number - In technology
• 1 number - In other fields

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4′33″ is a musical work by avant-garde composer John Cage, often described (somewhat erroneously) as "four and a half minutes of silence." The piece was composed for piano and is structured in three movements. 4′33″ - Background and influences. In the late 1940s, Cage visited the anechoic chamber at Harvard University. An anechoic chamber is a room designed in such a way that the walls, ceiling and floor will absorb all sounds made in the room, rather than bouncing them back as echoes. They a ... Including:

• 4′33″ - Background and influences
• 4′33″ - Performances
• 4′33″ - Recordings
• 4′33″ - Other cultural references
• 4′33″ - 4'33 No. 2
• 4′33″ - Source

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Barenboim started piano lessons at the age of five with his mother, continuing to study with his father Enrique, who remained his only teacher. In August 1950, when he was only seven years old, he gave his first formal concert in Buenos Aires. In 1952, the Barenboim family moved to Israel. Two years later, in the summer of 1954, his parents brought him to Salzburg to take part in Igor Markevich's conducting classes. During that summer he also met and played for Wilhelm Furtwängler. In 1955 he studied harmony and ...

Read more here: » Daniel Barenboim: Encyclopedia II - Daniel Barenboim - Career

In 1967, former Searchers drummer Chris Curtis contacted London businessman Tony Edwards in the hope that he would manage a new group he was putting together. Curtis’ idea was that the members of the group would get on and off a musical roundabout, and suitably impressed, Edwards agreed to finance the venture with a couple of business partners, John Coletta and Ron Hire (Hire-Edwards-Coletta – HEC Enterprises). Curtis then set about building up the group, to be known as Roundabout. His first encounter was with Hammond organ ...

Read more here: » Deep Purple: Encyclopedia II - Deep Purple - The Dawn of Purple

In May 2004, Barenboim was awarded the Wolf Prize at a ceremony at the Israeli Knesset. He took the opportunity to express his opinions on the political situation: "With pain in my heart, I ask today whether a situation of conquest and control can be reconciled with Israel's Declaration of Independence? Is there logic to the independence of one people if the cost is a blow to the fundamental rights of another people? Can the Jewish people, whose history is full of suffering and persecution, allow itself to be apathetic about the ...

Read more here: » Daniel Barenboim: Encyclopedia II - Daniel Barenboim - Wolf Prize