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Complexion | A Wisdom Archive on Complexion |  | Complexion A selection of articles related to Complexion |  |
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complexion, Complexion, skin, pigmentation, racism
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| ARTICLES RELATED TO Complexion |  |  |  | Complexion: Encyclopedia II - Fitz Hugh Ludlow - RosalieLudlow’s fictional stories often mirror with fair accuracy the events of his life. One can suppose that the child-like eighteen-year-old with brown hair and eyes and “a complexion, marble struck through with rose flush” who falls for the narrator of Our Queer Papa, a young magazine sub-editor described as a “good-looking gentleman with brains, who had published,” is the fictionalized Rosalie Osborne, who follows that description, and whom he would mar ...
See also:Fitz Hugh Ludlow, Fitz Hugh Ludlow - Early life, Fitz Hugh Ludlow - The college and the man, Fitz Hugh Ludlow - The hasheesh eater, Fitz Hugh Ludlow - Entering the New York literary scene, Fitz Hugh Ludlow - Rosalie, Fitz Hugh Ludlow - The heart of the continent, Fitz Hugh Ludlow - Racist opinions, Fitz Hugh Ludlow - San Francisco, Fitz Hugh Ludlow - New York stories, Fitz Hugh Ludlow - The Phial of Dread, Fitz Hugh Ludlow - The Music Essence, Fitz Hugh Ludlow - John Heathburn's Title, Fitz Hugh Ludlow - The Household Angel, Fitz Hugh Ludlow - Cinderella, Fitz Hugh Ludlow - E Pluribus Unum, Fitz Hugh Ludlow - Homes for the Friendless, Fitz Hugh Ludlow - An agony of seeking, Fitz Hugh Ludlow - Further reading material Read more here: » Fitz Hugh Ludlow: Encyclopedia II - Fitz Hugh Ludlow - Rosalie |
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Spiritual - Theosophy
Dictionary on
Yellow Race, Yellow Races Yellow Race, Yellow Races The intermingling of races is very complicated, and has been an ethnological fact for almost innumerable millennia in the past, so that we can only use the term in the plural and say yellow races, in reference to peoples in which a yellow or near-yellow skin is predominant and characteristic. Even during the fourth root-race on Atlantis "there were brown, red, yellow, white and black Atlanteans," "who represented several humanities, and almost a countless number of races and nations"; "The present yellow races are the descendants, however, of the early branches of the Fourth Race" (SD 2:433; 199). Certain European ethnologists say that three fundamental colors enter into the human complexion -- red, yellow, and black -- and that these mingle in various proportions, giving the numerous other shades. The first physical or "solid" race (in contradistinction to the previous ethereal or astral races) appeared after the middle of the third root-race after the fall into generation. In its very beginnings, its color was light yellow or golden cream. This race gave birth to the fourth, and Siva transformed that part of humanity which became black with sin into red-yellow, whose descendants are Amerindians and Mongolians; and finally into brown-white races, which together with the yellow races, form the great bulk of present humanity (SD 2:250). (See also: Yellow Race, Yellow Races, Mysticism, Mysticism Dictionary, Body mind and Soul)
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Spiritual - Theosophy
Dictionary on
Semitic, Semites, Shemitic, Shemites Semitic, Semites; Shemitic, Shemites Applied to a group of Asiatic and African languages, including Hebrew, Phoenician, Aramaic, Arabic, and Ethiopic, some of which are no longer spoken tongues. It was believed that the races speaking these languages were descended from the Biblical Shem (son of Noah), hence they were termed Shemites or Semites. Theosophy maintains that there is no fundamental racial division between the Aryans and the Semites, inasmuch as the latter are in fact later Aryans, belonging to the very earliest of the so-called Aryan racial strains although somewhat later in appearance than what is now called the Aryan stock. "The Aryan Hindu belongs to the oldest races now on earth; the Semite Hebrew to the latest. One is nearly one million years old; the other is a small sub-race some 8,000 years old and no more" (SD 2:470-1). Further, the Semites (which include the Jews) are the descendants of the primordial "red ancestors" (the red Adam) -- as narrated in the Hebrew Genesis: red here referring to the slow changing of human complexions, as a race evolves from the earliest light or moon-colored through various darker shades or tints until the chocolate or black is reached. (See also: Semitic, Semites, Shemitic, Shemites, Mysticism, Mysticism Dictionary)
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|  |  |  | Complexion: Encyclopedia II - Thomas Jefferson - Personal characteristics and views
Thomas Jefferson - Appearance and temperament.
Jefferson was six feet, two-and-one-half inches (189 cm) in height, large-boned, slender, erect and sinewy. He had angular features, very poor posture, a very ruddy complexion, strawberry blonde hair and hazel-flecked, grey eyes. In later years he was negligent in dress and loose in bearing.
There was grace, nevertheless, in his manners; and his frank and earnest address, his quick sympathy (though he seemed cold to strangers), and his vivacious, desultory, in ...
See also:Thomas Jefferson, Thomas Jefferson - Early life and education, Thomas Jefferson - Political career to 1800, Thomas Jefferson - Presidency, Thomas Jefferson - Inauguration, Thomas Jefferson - Events during his Presidency, Thomas Jefferson - Cabinet, Thomas Jefferson - Supreme Court appointments, Thomas Jefferson - States admitted to the Union, Thomas Jefferson - Father of a university, Thomas Jefferson - Jefferson's death, Thomas Jefferson - Personal characteristics and views, Thomas Jefferson - Appearance and temperament, Thomas Jefferson - Interests and activities, Thomas Jefferson - Political philosophy, Thomas Jefferson - Jeffersonian Democracy, Thomas Jefferson - Religious views, Thomas Jefferson - Jefferson and slavery, Thomas Jefferson - The Sally Hemings controversy, Thomas Jefferson - Monuments and memorials, Thomas Jefferson - Trivia Read more here: » Thomas Jefferson: Encyclopedia II - Thomas Jefferson - Personal characteristics and views |
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Spiritual Dictionary on Ascendant Ascendant: The ascendant or rising sign reflects your persona – what you choose to show to the world. Whereas the Sun sign is your individuality and does not change a great deal, you have the capacity to choose the nature and level of expression of your Ascendant. You can choose the most destructive expression, or you may choose to show a side of yourself to the world that is full of optimism and promise. The Ascendant is frequently useful in describing your physical characteristics and general health. Aside from geographical and ethnic realities, the rising sign shows complexion, hair and eye color, stature and weight. A Gemini would be rather taller than average, and Taurus might be on the stocky side, within the range of family tendencies. The Ascendant offers suggestions for what kind of clothing looks good, what colors will make you seem stronger. The general shape of the head and face are linked to the Ascendant. The sign also indicates a part of the body that you can show off to good advantage. It may not be your favorite part of yourself, but it is one that will respond to careful treatment in terms of clothing, movement, etc. The Taurus may not think about the throat very much, but this is a key area to focus on to create a strong effect on others. Aquarians can benefit from careful selection of shoes, as the ankles are “the thing.” As you learn about your Ascendant, you will find a whole array of new considerations for how to present yourself to the world. Should you be flippant or stern, gregarious or darkly serious? The rising sign can provide a wealth of imaginative possibilities. Because the Ascendant is the way others see you, physically and in every other way, it pays to understand what they are seeing. You can develop a whole range of clothing, movements, communication styles and general attitudes based on your rising sign. You can overcome limitations in other areas by emphasizing the positives here. In this way you actively participate in creating the impression you want others to have, and you become more influential as you project a well thought-out image. (See also: Ascendant, Magic, Shamanism, Paganism, Wicca)
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Spiritual Dictionary on Rising Sign Rising Sign: The ascendant or rising sign reflects your persona – what you choose to show to the world. Whereas the Sun sign is your individuality and does not change a great deal, you have the capacity to choose the nature and level of expression of your Ascendant. You can choose the most destructive expression, or you may choose to show a side of yourself to the world that is full of optimism and promise. The Ascendant is frequently useful in describing your physical characteristics and general health. Aside from geographical and ethnic realities, the rising sign shows complexion, hair and eye color, stature and weight. A Gemini would be rather taller than average, and Taurus might be on the stocky side, within the range of family tendencies. The Ascendant offers suggestions for what kind of clothing looks good, what colors will make you seem stronger. The general shape of the head and face are linked to the Ascendant. The sign also indicates a part of the body that you can show off to good advantage. It may not be your favorite part of yourself, but it is one that will respond to careful treatment in terms of clothing, movement, etc. The Taurus may not think about the throat very much, but this is a key area to focus on to create a strong effect on others. Aquarians can benefit from careful selection of shoes, as the ankles are "the thing." As you learn about your Ascendant, you will find a whole array of new considerations for how to present yourself to the world. Should you be flippant or stern, gregarious or darkly serious? The rising sign can provide a wealth of imaginative possibilities. Because the Ascendant is the way others see you, physically and in every other way, it pays to understand what they are seeing. You can develop a whole range of clothing, movements, communication styles and general attitudes based on your rising sign. You can overcome limitations in other areas by emphasizing the positives here. In this way you actively participate in creating the impression you want others to have, and you become more influential as you project a well thought-out image. (See also: Rising Sign, Magic, Shamanism, Paganism, Wicca)
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Ayurveda Ayurvedic Dictionary on Ten Fold Examination Process Examination Process Ten (Dash) fold (Bidha) Examination (Pariksha) Related to the patient. Covers body constitution, pathological state, tissue vitality, physical build, body measurement, adaptability, psychic constitution, capacities for digestion & exercise and age. 1 Body Constitution (prakriti): Determined by relative predominance of doshas during foetal development the prakriti can be any of vatika, paittika, kaphaja, vata paittika, vata kaphaja, pitta kaphaja or samdoshaja. 2 Pathological State (vikruti): Related to the biological history of the diseases in its entirety, it enables physicians to consider the signs & symptoms of the disease in order to assess the strength of the disease, the causes, the doshas, the affected body elements, body constitution, time and strength of an individual. 3 Tissue Vitality (sara): Broadly speaking, there are seven vital tissues, namely lymph (rasa), blood (rakta), muscle (mamsa), adipose (meda), bone (asthi), bone marrow (majja) and reproductive tissue (sukra). Lymph in the skin is assessed by its smoothness, softness, clearness, thinness and whether the skin is covered with short, deep rooted and delicate hair. Percentage of blood in body is evaluated from the condition of the eyes, mouth, tongue, lips, nails and soles of the feet. When muscles are in perfect condition, the temples, forehead, nape of the neck, shoulders, belly, arms, chest, joints of the body, jaws and cheeks are covered firmly with the skin. People with healthy adipose tissue have oily skin and healthy hair, nails, voice and teeth. The health of bones is determined by pliable but firm forearms, chin, nails, teeth, ankles, knees and other joints of the body. Healthy bone marrow leads to good complexion and stout, long, round & stable joints. Those in whom the semen is perfectly healthy, are strong and cheerful. 4 Physical Build (samhanana): Body examination is carried out by direct perception – a healthy body being well- built with symmetrical bones, strong & stable joints and enough flesh & blood. 5 Body Measurement (pramana): In Ayurveda, body measurement is given in terms of finger breadth and any person in close proximity to the ideal measurements is termed as normal and healthy. 6 Adaptibility (satmya): Indicating substances intrinsic to the body, it refers to two types of people - those that are strong, adjust easily to difficulties and have excellent digestive capacity and those that are generally weak, intolerant to change and can have only few food options. 7 Psychic Constitution (satwa): Refers to the mind which controls the body in contact with the soul (atma). Depending on degree of mental strength, it is considered to be high, moderate or low. 8 Digestive Capacity (ahara sakti) This has to be judged from the individual’s capacity to ingest and digest food substances. 9 Capacity for Exercise (vyayama shakti) Assessed by capacity for hard work, it is either low, moderate or high. 10 Age (vaya) Broadly categorised into childhood, middle age and old age, it provides vital clues for the diagnosis & treatment and is a must consideration in clinical examinations. (See also: Ten Fold Examination Process, Ayurveda, Ayurvedic Dictionary, Alternative Health, Body Mind and Soul)
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Ayurveda Ayurvedic Dictionary on Role of Taste Role of Taste It is as important to realise that every food's unique combination of attributes will influence its taste and the action it causes in the body. With every taste having a different action – as detailed below. Astanga Hrdayam clearly describes the characteristics of each of the six tastes and problems that might be experienced from its habitual over-consumption. Most foods being a combination of two or more of these tastes e.g. coffee is bitter and pungent. Sour Comprised of the elements earth & fire, it increases pitta and kapha and is good for heart and digestion. Stimulates agni, moves inactive Vata energy down the pelvic cavity, sets the teeth on edge and increases salivation. Excess use may cause looseness and flabbiness, loss of strength, giddiness, itching, irritation, a whitish yellow pallor, herpetiform lesions, swelling thirsts and fever, and diseases arising from excess pitta and kapha. Sweet Related to earth & water, it mitigates pitta and vata, producing greater strength in the tissues and of value to the aged, wounded, emaciated and children. Universally liked, it often adheres to the inside of the mouth, giving a feeling of pleasure, contentment and comfort. Good for the complexion, hair, senses and ojas, it also increases breast milk and helps unite broke parts like bones. By its virtue it prolongs life and helps life activities. In excess however it may cause diseases arising from fat and excess kapha e.g. obesity, dyspepsia, unconsciousness, diabetes, enlargement of neck glands or malignant tumors. Salt The water & fire in salty taste increases pitta and kapha. It clears obstruction of channels and pores and increases the digestive activity and salivation. Also responsible for lubrication and sweating, it penetrates the tissues. An excess of it may cause baldness and graying of the hair, wrinkles, thirst, skin diseases, blood disorders, herpetiform leisons and loss of body strength Pungent Fire & air in pungent increases vata and pitta and mitigates kapha. Increases hunger, is digestive, causes irritation, brings secretion from the eyes, nose & mouth, and gives a burning sensation to the mouth. Dilating the channels and breaking up the hard masses. But an excess use of it may cause thirst, depletion of reproductive tissue and strength, fainting, contracture, tremors, pain in the waist and back, and other disorders related to excess of pitta and kapha. Bitter Air & space being its elements, it mitigates pitta and kapha. Drying up moisture from fat, muscles, faeces and urine. It cleans the mouth and destroys the perception of taste. It is said to cure anorexia, worms, bacteria, parasites, thirst, skin diseases, loss of consciousness, fever, nausea, burning sensation. But in excess, it increases vata, causing diseases of vata origin and depletion of tissues. Astringent Air & earth increases vata and mitigates increased pitta and kapha. It cleans the blood and causes healing of ulcers. Like bitter, it too dries up moisture from fat. It absorbs water, causing constipation and hindering digestion of undigested food. Its excess use causes stasis of food without digestion, flatulance, pain in the cardiac region, emaciation, loss of virility, obstruction of channels and constipation. (See also: Diet, Ayurveda, Ayurvedic Dictionary, Alternative Health, Body Mind and Soul)
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Ayurveda Ayurvedic Dictionary on Tridoshas The Tridoshas The Tridoshas (tri meaning three and doshas being the basic physical energies) are the primary and essential factors of the human body that govern our entire physical structure and function. Derived from the Panchmahabhutas, each dosha – which like the elements cannot be detected with our senses but their qualities can be – is a combination of any two of the five bhutas with the predominance of one. Called Vata, Pitta and Kapha in Sanskrit, these three are responsible for all the physiological and psychological processes within the body and mind – dynamic forces that determine growth and decay. Every physical characteristic, mental capacity and the emotional tendency of a human being can therefore be explained in terms of the tridoshas. Most of the physical phenomena ascribed to the nervous system by modern physiology for example, can be identified with Vata. Just as the entire chemical process operating in the human body can be attributed to Pitta, including enzymes, hormones and the complete nutritional system. And the activities of the skeletal and the anabolic system, actually the entire physical volume of an organism, can be considered as Kapha. Each dosha thus shares a quality with another (although there remain slight differences in the nature of shared quality), the third having just the opposite quality. Also, each has an inherent ability to regulate and balance itself, coming from the antagonistic qualities that arise from the doshas constituent elements. When the doshas are in balance i.e. in a state of equilibrium, we remain healthy. As Charaka, the great ayurvedic sage, explained: "Vata, pitta and kapha maintain the integrity of the living human organism in their normal state and combine so as to make the man a complete being with his indriyas (sense organs) possessed of strength, good complexion and assured of longevity." It is only when that there is imbalance within the three that disease is caused. And since it is the strongest dosha in the constitution that usually has the greatest tendency to increase, one is most susceptible to illnesses associated with an increase of the same. It is important to realise that these three are forces and not substances. Kapha is not mucus; it is the force that causes mucus to arise. Similarly pitta is not bile; but that which causes bile to be produced. And they are called doshas – literally meaning `faults’ or `out of whack’- as they indicate the fault lines along which the system can become imbalanced. It is equally important to understand that the three doshas within any person keep changing constantly, due to the doshic qualities of specific lifestyle and environment, such as time and season. And that these three are not separate energies but different aspects of the same energy, present together in an infinite variety of combinations, wherein their qualities overlap and interrelate. Ayurveda however considers only three types of constitution – in monotypes just one dosha predominates, in duo types two have near similar strength, and in the very rarely found third type all three are equally powerful. Within this broad classification, there are in the first category various sub-types that are listed below for easier reference. (See also: Tridoshas, Ayurveda, Ayurvedic Dictionary, Alternative Health, Body Mind and Soul)
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Spiritual - Theosophy
Dictionary on
Chenresi Chenresi spyan ras gzigs (chen-re-zi, or chen-re-si) (Tibetan) (short for spyan ras gzigs dbang phyug (chen-re-zi-wang-chung) from spyan ras penetrating vision (cf Sanskrit avalokita) + gzigs forms (cf Sanskrit rupa) + dbang phyug lord (cf Sanskrit isvara)) The Lord who sees forms with his penetrating vision; translation of Sanskrit Avalokitesvara. Exoterically Chenresi is the greatest protector of Asia in general and Tibet in particular, mystically considered to have eleven heads and a thousand arms, each with an eye in the palm of the hand, these arms radiating from his body like a forest of rays: the thousand eyes representing him as on the outlook to discover distress and to succor the troubled. In this form his name is Chantong (he of the thousand eyes) and Jigtengonpo (protector and savior against evil). "Even the exoteric appearance of Dhyani Chenresi is suggestive of the esoteric teaching. He is evidently, like Daksha, the synthesis of all the preceding Races and the progenitor of all the human Races after the Third, the first complete one, and thus is represented as the culmination of the four primeval races in his eleven-faced form. It is a column built in four rows, each series having three faces or heads of different complexions: the three faces for each race being typical of its three fundamental physiological transformations. The first is white (moon-coloured); the second is yellow, the third, red-brown; the fourth, in which are only two faces -- the third face being left a blank -- (a reference to the untimely end of the Atlanteans) is brown-black. Padmapani (Daksha) is seated on the column, and forms the apex" (SD 2:178). Exoterically the Dalai Lama is often regarded as an incarnation of Chenresi, as a popular legend says that whenever faith begins to die out in the world, Padmapani-Chenresi emits a brilliant ray of light, and forthwith incarnates himself in one of the two great Lamas -- the Dalai and Tashi Lamas. Esoterically he is called Bodhisattva Chenresi Vanchug (the powerful and all-seeing). Chenresi or Avalokitesvara "is the great Logos in its higher aspect and in the divine regions. But in the manifested planes, he is, like Daksha, the progenitor (in a spiritual sense) of men" (ibid.). In China, Chenresi becomes the great goddess of mercy, Kwan-yin, represented by a female figure bearing a child in her arms. The true significance of Chenresi is the Third Logos of our solar system and the buddhi-manas of the individual human being, the active aspect of the human spiritual monad. The efflux or influence emanating from Chenresi and permeating the lower parts of the human constitution is Padmapani (the lotus-handed); Padmapani therefore is the bodhisattva of Avalokitesvara or Chenresi, and whether cosmically or psychologically the equivalent of the manifested potency of Brahma. (See also: Chenresi, Mysticism, Mysticism Dictionary, Occultism, Occultism Dictionary)
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Spiritual - Theosophy
Dictionary on
Siva, Shiva Siva, Shiva (Sanskrit) The third god of the Hindu Trimurti (trinity): Brahma the evolver; Vishnu the preserver; and Siva the regenerator or destroyer. Siva is one of the three loftiest divinities of our solar system, and in his character of destroyer stands higher than Vishnu for he is "the destroying deity, evolution and PROGRESS personified, who is the regenerator at the same time; who destroys things under one form but to recall them to life under another more perfect type" (SD 2:182). As the destroyer of outward forms he is called Vamadeva. Endowed with so many powers and attributes, Siva possesses a great number of names, and is represented under a corresponding variety of forms. He corresponds to the Palestinian Ba`al or Moloch, Saturn, the Phoenician El, the Egyptian Seth, and the Biblical Chiun of Amos, and Greek Typhon. "In the Rig Veda the name Siva is unknown, but the god is called Rudra, which is a word used for Agni, the fire god . . ."; "In the Vedas he is the divine Ego aspiring to return to its pure, deific state, and at the same time that divine ego imprisoned in earthly form, whose fierce passions make of him the 'roarer,' the 'terrible' " (SD 2:613, 548). Siva is often spoken of as the patron deity of esotericists, occultists, and ascetics; he is called the Mahayogin (the great ascetic), from whom the highest spiritual knowledge is acquired, and union with the great spirit of the universe is eventually gained. Here he is "the howling and terrific destroyer of human passions and physical senses, which are ever in the way of the development of the higher spiritual perceptions and the growth of the inner eternal man -- mystically . . . Siva-Rudra is the Destroyer, as Vishnu is the preserver; and both are the regenerators of spiritual as well as of physical nature. To live as a plant, the seed must die. To live as a conscious entity in the Eternity, the passions and senses of man must first die before his body does. 'To live is to die and to die is to live,' has been too little understood in the West. Siva, the destroyer, is the creator and the Saviour of Spiritual man, as he is the good gardener of nature. He weeds out the plants, human and cosmic, and kills the passions of the physical, to call to life the perceptions of the spiritual, man" (SD 1:459&n). Though Siva is often called Maha-kala (great time) which, while being the great formative factor in manvantara is also the great dissolving power, to the Hindu mind destruction implies reproduction; so Siva is also called Sankara (the auspicious), for he is the reproductive power which is perpetually restoring that which has been dissolved, and hence is also called Mahadeva (the great god). Under this character of restorer he was often represented by the symbol of the linga or phallus: "the Lingham and Yoni of Siva-worship stand too high philosophically, its modern degeneration notwithstanding, to be called a simple phallic worship" (SD 2:588). It is under the form of the linga, either alone or combined with the yoni (female organ, the representative of his sakti or female energy), that Siva is so often worshiped today in India. In the Linga-Purana, Siva is said to take repeated births, in one kalpa possessing a white complexion, in another that of a black color, in still another that of a red color, after which he becomes four youths of a yellow color. This allegory is an ethnological account of the different races of mankind and their varying types and colors (cf SD 1:324). Siva is known under more than a thousand names or titles and is represented under many different forms in Hindu writings. As the god of generation and of justice, he is represented riding a white bull; his own color, as well as that of the bull, is generally white, referring probably to the unsullied purity of abstract justice. He is sometimes seen with two hands, sometimes with four, eight, or ten; and with five faces, representing among other things his power over the five elements. He has three eyes, one placed in the centre of his forehead, and shaped as a vertical oval. These three eyes are said to denote his view of the three divisions of time: past, present, and future. He holds a trident in his hand to denote his three great attributes of emanator, destroyer, and regenerator, thus combining all the usual qualities or functions attributed to the Trimurti. In his character of time, he not only presides over its beginning and its extinction, but also over its present functioning as represented in astronomical and astrological calculations. A crescent or half-moon on his forehead indicates time measured by the phases of the moon; a serpent forms one of his necklaces to denote the measure of time by cycles, and a second necklace of human skulls signifies the extinction and succession of the races of mankind. He is often pictures as entirely covered with serpents, which are at once emblems of spiritual immortality and his standing as the patron of the nagas or initiates. He is often mystically personated by Mount Meru, which esoterically is both the cosmic and terrestrial axis with their respective poles. According to the belief of most Advaita-Vedantists, Sankaracharya, the great Indian philosopher and sage, is held to be an avatara of Siva. See also Shiva, Siva (See also: Siva, Shiva, Mysticism, Mysticism Dictionary)
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|  |  |  | Complexion: Encyclopedia II - Veil - HistoryFor many centuries (until around 1175) Anglo-Saxon and then Anglo-Norman women, with the exception of young unmarried girls, wore veils that entirely covered their hair, and often their necks up to their chins. It was not until the Tudor period (1485), when hoods became increasingly popular, that veils of this type became less common.
For centuries, women have worn sheer veils, but only under certain circumstances. Sometimes a veil of this type was draped over and pinned to the bonnet or hat of a woman in mourning, especially at the f ...
See also:Veil, Veil - History, Veil - Veils with hats, Veil - Nuns' headdresses, Veil - Muslim women, Veil - Wedding veils, Veil - Courtesans, Veil - In West Africa Read more here: » Veil: Encyclopedia II - Veil - History |
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| | |  |  |  | Complexion: Encyclopedia II - 6teen - Main Characters6teen centers around six main characters who work in the Galleria Mall, as well as several secondary characters. It is rumoured the mall is based on the West Edmonton Mall.
Jen Masterson – An athletic girl who used to work at The Big Squeeze, before giving the job to Caitlin. She enjoys working at The Penalty Box, but usually winds up in the penalty box, the store’s method of punishment. She's the sporty one of the group, and is considered by the others as the lawful and good one. She used to date Coach Halder ...
See also:6teen, 6teen - Main Characters, 6teen - Reocurring Characters, 6teen - Main Cast, 6teen - Episode Summaries, 6teen - Season One, 6teen - Season Two, 6teen - Specials, 6teen - Trivia, 6teen - Related Links Read more here: » 6teen: Encyclopedia II - 6teen - Main Characters |
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|  |  |  | Complexion: Encyclopedia II - Arsenic - HistoryThe word arsenic is borrowed from the Persian word زرنيخ Zarnik meaning "yellow orpiment". Zarnik was borrowed by Greek as arsenikon. Arsenic has been known and used in Persia and elsewhere since ancient times. As the symptoms of arsenic poisoning were somewhat ill-defined, it was frequently used for murder until the advent of the Marsh test, a sensitive chemical test for its presence. (Another less sensitive but more general test is the Reinsch test.) Due to its use by the ruling class to bump each other off and its incredible potency and discreetness, arsenic has been called the Poison of ...
See also:Arsenic, Arsenic - Notable characteristics, Arsenic - Applications, Arsenic - History, Arsenic - Occurrence, Arsenic - Precautions, Arsenic - Compounds, Arsenic - Endnotes Read more here: » Arsenic: Encyclopedia II - Arsenic - History |
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| |  |  |  | Complexion: Encyclopedia II - Chinese Filipino - Chinese MestizosSee also: Mestizos in the Philippines.
Chinese mestizos are those in the Philippines of mixed Chinese and either Filipino or Spanish (or both) ancestry. They make up about another 20% of the country's total population (those who are pure Chinese make up 2% of the population). A number of Chinese mestizos have surnames that reflect their heritage, mostly two or three syllables that have Chinese roots (e.g., the full name of a Chinese ancestor) with a Spanish phonetic spelling. The Chinese mestizos may also be known as Chinoys or Chinitos, although these terms ...
See also:Chinese Filipino, Chinese Filipino - General Information, Chinese Filipino - Ethnicism, Chinese Filipino - Terminology, Chinese Filipino - Lifestyle, Chinese Filipino - Language, Chinese Filipino - History, Chinese Filipino - Religion, Chinese Filipino - Chinese Mestizos, Chinese Filipino - List of Famous Chinese Filipinos or Chinese Mestizos, Chinese Filipino - Future Read more here: » Chinese Filipino: Encyclopedia II - Chinese Filipino - Chinese Mestizos |
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| |  |  |  | Complexion: Encyclopedia II - Petrus Josephus Zoetmulder - Japanese Occupation and Post-World War IIAfter his arrival in Jakarta, Zoetmulder was offered a post in the Linguistics Department of the University of Indonesia. However, his strong desire to further his study of Javanese drove him to choose to reside in Yogyakarta. He then taught at the AMS, and counted among his students Prof. Dr. Koentjaraningrat, Dr. Sukmono and Dr. S. Supomo.
When Japanese forces entered Indonesia in 1942, Zoetmulder was interned as a citizen of the Netherlands. He was fortunate to be allowed to bring his books and pens as a prisoner. When he was trans ...
See also:Petrus Josephus Zoetmulder, Petrus Josephus Zoetmulder - Childhood, Petrus Josephus Zoetmulder - Departure to Java, Petrus Josephus Zoetmulder - Continuing Education, Petrus Josephus Zoetmulder - Japanese Occupation and Post-World War II, Petrus Josephus Zoetmulder - Academic Career, Petrus Josephus Zoetmulder - Death, Petrus Josephus Zoetmulder - Miscellaneous, Petrus Josephus Zoetmulder - Quotes, Petrus Josephus Zoetmulder - Bibliography Read more here: » Petrus Josephus Zoetmulder: Encyclopedia II - Petrus Josephus Zoetmulder - Japanese Occupation and Post-World War II |
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| |  |  |  | Complexion: Encyclopedia II - Erzsébet Báthory - MotivesHer deviation might have had genetic reasons, because many of both her father’s and her mother’s ancestors were very brutal individuals (e. g. the Transylvanian ruler Sigismund Báthory who liked to have his retainers killed). Alternatively, it is believed that the Báthory family was inbred and that this may have helped cause various psychotic disorders that the family was known to have.
Only later legends say that she was killing the girls in order to bathe in their blood and, thus, ...
See also:Erzsébet Báthory, Erzsébet Báthory - The Báthory lineage, Erzsébet Báthory - Life, Erzsébet Báthory - Guilt, Erzsébet Báthory - Motives, Erzsébet Báthory - Collaborators, Erzsébet Báthory - Legends, Erzsébet Báthory - Torture, Erzsébet Báthory - Satanism, Erzsébet Báthory - Bloodbath, Erzsébet Báthory - Lesbianism, Erzsébet Báthory - References in music, Erzsébet Báthory - References in literature Read more here: » Erzsébet Báthory: Encyclopedia II - Erzsébet Báthory - Motives |
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