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Coline Serreau | A Wisdom Archive on Coline Serreau | | Coline Serreau A selection of articles related to Coline Serreau | |
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Coline Serreau
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ARTICLES RELATED TO Coline Serreau | |
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| | |  Coline Serreau: Encyclopedia II - Aishwarya Rai - Early lifeRai was born in Mangalore to Krishnaraj and Vrinda Rai, in the South Indian state of Karnataka; her mother tongue is Tulu.
In the 1994 Miss India Contest Rai placed second behind Sushmita Sen and went on to win the Miss World title.
As a professional model, Rai has appeared in many Indian fashion magazines, including the Indian Vogue; more recently she has featured in international ads for ...
See also:Aishwarya Rai, Aishwarya Rai - Early life, Aishwarya Rai - Bollywood breakthrough, Aishwarya Rai - International stardom, Aishwarya Rai - Personal life, Aishwarya Rai - Awards, Aishwarya Rai - Trivia, Aishwarya Rai - Filmography Read more here: » Aishwarya Rai: Encyclopedia II - Aishwarya Rai - Early life |
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| | | | Coline Serreau: Encyclopedia II - Women's cinema - Bibliography Books
Ally Acker, Reel Women. Pioneers of the Cinema. 1896 to the Present, London: B.T. Batsford 1991
Attwood, Lynne, Ed., Red Women on the Silver Screen: Soviet Women and Cinema from the Beginning to the End of the Communist Era, London: Pandora 1993
Jacqueline Bobo (ed.), Black Women Film and Video Artists (AFI Film Readers), Routledge 1998
Russell Campbell, Marked Women: Prostitutes and Prostitution in the Cinema University of Wisconsin Press 2005
Ellerson ...
See also:Women's cinema, Women's cinema - Silent films, Women's cinema - Classic Hollywood, Women's cinema - Experimental and avant-garde cinema, Women's cinema - Impact of second-wave feminism, Women's cinema - Representing sexuality, Women's cinema - Resisting violence and violent resistance, Women's cinema - Afro-American, Women's cinema - African, Women's cinema - Asian, Women's cinema - Latin American, Women's cinema - European, Women's cinema - Re-entering the mainstream?, Women's cinema - Bibliography, Women's cinema - Films small selection, Women's cinema - Films about women directors, Women's cinema - Film festivals Read more here: » Women's cinema: Encyclopedia II - Women's cinema - Bibliography |
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| | | | Coline Serreau: Encyclopedia II - Academy Award for Best Foreign Language Film - As a category in its own right
Academy Award for Best Foreign Language Film - 1950s.
1956 La Strada (Italy) - Ponti-De Laurentiis Cinematografica - Dino De Laurentiis and Carlo Ponti producers - Federico Fellini director
The Captain of Köpenick (Der Hauptmann von Köpenick) (Germany) - Real-Film GmbH - Gyula Trebitsch producer - Helmut Käutner director
Gervaise (France) - Agnes Delahaie Productions, C. I. C. C. Films, Silver Films - Annie Dorfmann producer - René Clément director
See also:Academy Award for Best Foreign Language Film, Academy Award for Best Foreign Language Film - As a Special Award, Academy Award for Best Foreign Language Film - As an Honorary Award, Academy Award for Best Foreign Language Film - As a category in its own right, Academy Award for Best Foreign Language Film - 1950s, Academy Award for Best Foreign Language Film - 1960s, Academy Award for Best Foreign Language Film - 1970s, Academy Award for Best Foreign Language Film - 1980s, Academy Award for Best Foreign Language Film - 1990s, Academy Award for Best Foreign Language Film - 2000s, Academy Award for Best Foreign Language Film - Nominations by Country Read more here: » Academy Award for Best Foreign Language Film: Encyclopedia II - Academy Award for Best Foreign Language Film - As a category in its own right |
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| | | | Coline Serreau: Encyclopedia II - Women's cinema - European Elvira Notari was a pioneer of Italian cinema.
During the "golden age" of "Classical" French cinema Jacqueline Audry was the only woman to direct commercial movies. In 1959 writer Marguerite Duras wrote the script for Alain Resnais' Hiroshima mon Amour. She turned to directing with La Musica in 1966. Among the best known French women film makers are Agnes Varda, Claire Denis, Nelly Kaplan. The work of many more French women directors is rarely screened outside France.
German woman filmmaker Helke Sander was also one of the pioneers of the feminist movement. Other prominent women film makers include Marg ...
See also:Women's cinema, Women's cinema - Silent films, Women's cinema - Classic Hollywood, Women's cinema - Experimental and avant-garde cinema, Women's cinema - Impact of second-wave feminism, Women's cinema - Representing sexuality, Women's cinema - Resisting violence and violent resistance, Women's cinema - Afro-American, Women's cinema - African, Women's cinema - Asian, Women's cinema - Latin American, Women's cinema - European, Women's cinema - Re-entering the mainstream?, Women's cinema - Bibliography, Women's cinema - Films small selection, Women's cinema - Films about women directors, Women's cinema - Film festivals Read more here: » Women's cinema: Encyclopedia II - Women's cinema - European |
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| | | | Coline Serreau: Encyclopedia II - Women's cinema - Re-entering the mainstream? Since the beginning of sound cinema, with very few exceptions, the films of women had been absent from mainstream cinema fore more then half a century. Sometimes actresses enjoying a star status turned to directing (like Barbara Streisand). Thelma & Louise and The Color Purple showed the acceptability of feminist themes – when the director was a man. These films turned out to be rather isolated incidents whereas blatantly sexist fi ...
See also:Women's cinema, Women's cinema - Silent films, Women's cinema - Classic Hollywood, Women's cinema - Experimental and avant-garde cinema, Women's cinema - Impact of second-wave feminism, Women's cinema - Representing sexuality, Women's cinema - Resisting violence and violent resistance, Women's cinema - Afro-American, Women's cinema - African, Women's cinema - Asian, Women's cinema - Latin American, Women's cinema - European, Women's cinema - Re-entering the mainstream?, Women's cinema - Bibliography, Women's cinema - Films small selection, Women's cinema - Films about women directors, Women's cinema - Film festivals Read more here: » Women's cinema: Encyclopedia II - Women's cinema - Re-entering the mainstream? |
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| | | | Coline Serreau: Encyclopedia II - Women's cinema - Asian Before 1980 it had been virtually impossible for a woman in India to become a film maker. Now Mira Nair, Aparna Sen, Vijaya Metah, Sai Paranjpye, Kalpapana Lajmi, Deepa Mehta and Gurinder Chadha are among the best known indian women film makers. The portrayal of female sexuality, especially lesbian, is still very controversial in India.
In Japan for a long time Kinuyo Tanaka was the only woman to make feature films. She was able to do this against fierce resistance because she enjoyed a status as star actress. Using genre conventions her films showed women "with a humorous affection rare in Japan ...
See also:Women's cinema, Women's cinema - Silent films, Women's cinema - Classic Hollywood, Women's cinema - Experimental and avant-garde cinema, Women's cinema - Impact of second-wave feminism, Women's cinema - Representing sexuality, Women's cinema - Resisting violence and violent resistance, Women's cinema - Afro-American, Women's cinema - African, Women's cinema - Asian, Women's cinema - Latin American, Women's cinema - European, Women's cinema - Re-entering the mainstream?, Women's cinema - Bibliography, Women's cinema - Films small selection, Women's cinema - Films about women directors, Women's cinema - Film festivals Read more here: » Women's cinema: Encyclopedia II - Women's cinema - Asian |
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| | | | Coline Serreau: Encyclopedia II - Women's cinema - Experimental and avant-garde cinema Germaine Dulac was a leading member of the French Avantgarde film movement after World war I Maya Deren's visionary films belong to the classics of experimental cinema. The main focus of her interest moved from the political activities of her youth to dance and later to Vodoo which she explored passionately.
Shirley Clarke was a leading figure of the independent American film scene in New York in the fifties. Her work is rather unique insofar as she directed outstanding experimental and feature films as well as documentaries. Joyce Wi ...
See also:Women's cinema, Women's cinema - Silent films, Women's cinema - Classic Hollywood, Women's cinema - Experimental and avant-garde cinema, Women's cinema - Impact of second-wave feminism, Women's cinema - Representing sexuality, Women's cinema - Resisting violence and violent resistance, Women's cinema - Afro-American, Women's cinema - African, Women's cinema - Asian, Women's cinema - Latin American, Women's cinema - European, Women's cinema - Re-entering the mainstream?, Women's cinema - Bibliography, Women's cinema - Films small selection, Women's cinema - Films about women directors, Women's cinema - Film festivals Read more here: » Women's cinema: Encyclopedia II - Women's cinema - Experimental and avant-garde cinema |
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| | | | Coline Serreau: Encyclopedia II - Aishwarya Rai - Awards Aishwarya Rai has won two Filmfare Awards to date:
2000, Filmfare Best Actress Award, Hum Dil De Chuke Sanam
2003, Filmfare Best Actress Award, Devdas
She has been nominated four times in the Best Actress category and once in the Best Supporting Actress category.
She has also won three IIFA Awards, three Z-Gold Awards, four Screen Awards, one Filmgoers Award, three Z ...
See also:Aishwarya Rai, Aishwarya Rai - Early life, Aishwarya Rai - Bollywood breakthrough, Aishwarya Rai - International stardom, Aishwarya Rai - Personal life, Aishwarya Rai - Awards, Aishwarya Rai - Trivia, Aishwarya Rai - Filmography Read more here: » Aishwarya Rai: Encyclopedia II - Aishwarya Rai - Awards |
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| | | | Coline Serreau: Encyclopedia II - Aishwarya Rai - International stardom Devdas, in which Aishwarya joined Bollywood superstars Shah Rukh Khan and Madhuri Dixit, was a huge hit, lavishly produced as it was. The film attracted overseas attention as well, receiving a special screening at the Cannes Film Festival.
Rai was becoming an international star rather than simply a Bollywood one. In 2003, Rai was a member of the jury at Cannes. In 2004, she was chosen by TIME Magazine's Asian Edition as one of Asia's "100 Most Influential People." Rai was the subject of a 60 Minutes profile on Jan ...
See also:Aishwarya Rai, Aishwarya Rai - Early life, Aishwarya Rai - Bollywood breakthrough, Aishwarya Rai - International stardom, Aishwarya Rai - Personal life, Aishwarya Rai - Awards, Aishwarya Rai - Trivia, Aishwarya Rai - Filmography Read more here: » Aishwarya Rai: Encyclopedia II - Aishwarya Rai - International stardom |
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| | | | Coline Serreau: Encyclopedia II - Aishwarya Rai - Bollywood breakthrough The first film she acted in was the popular Tamil movie Iruvar in (1997), directed by Mani Ratnam. Rai's earliest films made money, but Rai herself did not impress critics -- they commented that her performances were stilted, as if she were still modeling.
Her breakthrough came with Sanjay Leela Bhansali's film Hum Dil De Chuke Sanam. Later successes include Taal and Devdas. Rai has also acted in other Tamil films such as Jeans, Kandukondain Kanduk ...
See also:Aishwarya Rai, Aishwarya Rai - Early life, Aishwarya Rai - Bollywood breakthrough, Aishwarya Rai - International stardom, Aishwarya Rai - Personal life, Aishwarya Rai - Awards, Aishwarya Rai - Trivia, Aishwarya Rai - Filmography Read more here: » Aishwarya Rai: Encyclopedia II - Aishwarya Rai - Bollywood breakthrough |
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