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Artists United Against Apartheid

A Wisdom Archive on Artists United Against Apartheid

Artists United Against Apartheid

A selection of articles related to Artists United Against Apartheid

More material related to Artists United Against Apartheid can be found here:
Index of Articles
related to
Artists United Against Ap...
Artists United Against Apartheid

ARTICLES RELATED TO Artists United Against Apartheid

Artists United Against Apartheid: Encyclopedia II - Artists United Against Apartheid - The recording

When Van Zandt was finished, he and Schechter spent the next several months searching for artists to participate in recording it. Van Zandt initially declined to invite Springsteen, not wanting to take advantage of their friendship, but Schechter had no problem asking himself; Springsteen accepted the invitation. Van Zandt was also shy about calling legendary jazz artist Miles Davis, whom Schechter also contacted; with minimal persuasion, Davis also accepted. Eventually, Van Zandt and Schechter would gather a wide array of artists, including ...

See also:

Artists United Against Apartheid, Artists United Against Apartheid - Sun City, Artists United Against Apartheid - The song, Artists United Against Apartheid - The recording, Artists United Against Apartheid - The release, Artists United Against Apartheid - The reaction, Artists United Against Apartheid - Post-apartheid, Artists United Against Apartheid - Track listing

Read more here: » Artists United Against Apartheid: Encyclopedia II - Artists United Against Apartheid - The recording

Artists United Against Apartheid: Encyclopedia II - Miles Davis - Life

Miles Davis - Early life 1926 to 1945. Miles Dewey Davis III was born into a relatively wealthy African-American family living in Alton, Illinois. His father, Miles Henry Davis, was a dentist, and in 1927 the family moved to a white neighbourhood in East St. Louis. They also owned a substantial ranch, and Davis learned to ride horses as a boy. Davis's mother, Cleota, wanted Davis to learn the violin—she was a capable blues pianist, but kept this hidden from her son, feeling that "negro" music was not suf ...

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Miles Davis, Miles Davis - Life, Miles Davis - Early life 1926 to 1945, Miles Davis - Bebop and the birth of the cool 1944 to 1955, Miles Davis - First quintet and sextet 1955 to 1958, Miles Davis - Recordings with Gil Evans 1957 to 1963, Miles Davis - Kind of Blue 1959 to 1964, Miles Davis - Second quintet 1965 to 1968, Miles Davis - Electric Miles 1969 to 1975, Miles Davis - Last Decade 1981 to 1991, Miles Davis - Music samples, Miles Davis - Discography, Miles Davis - Trivia

Read more here: » Miles Davis: Encyclopedia II - Miles Davis - Life

Artists United Against Apartheid: Encyclopedia II - E Street Band - Members

The E Street Band is considered to have started in October 1972, even though it wasn't officially billed and known as such until September 1974. [1] The original lineup included Clarence Clemons (saxophone), Danny Federici (keyboards, accordion), Vini "Mad Dog" Lopez (drums), David Sancious (keyboards), and Garry Tallent (bass). According to a legend, the band took its name from the street where Sancious' mother lived. She ...

See also:

E Street Band, E Street Band - Members, E Street Band - Greetings From Asbury Park, E Street Band - Glory Days, E Street Band - Southside Johnny Ronnie Spector and Gary U.S. Bonds, E Street Band - Courtesy of The E Street Band, E Street Band - The Split, E Street Band - The Reunion, E Street Band - Discography, E Street Band - Albums and singles featuring The E Street Band, E Street Band - Albums and singles featuring two or more individual band members only

Read more here: » E Street Band: Encyclopedia II - E Street Band - Members

Artists United Against Apartheid: Encyclopedia II - Empire Burlesque - The Recording Sessions

Before embarking on a European tour in the summer of 1984, Dylan had spent a substantial amount of time recording demos of new songs in his Malibu home, accompanied at times by other musicians. In rehearsals for the tour, Dylan attempted at least three of these new songs, and he occasionally found time to polish their lyrics during the tour. When the tour was over, Dylan returned to New York and began work on his next studio album. As Clinton Heylin reports, Dylan recorded in sporadic sessions, as had become his norm, rather th ...

See also:

Empire Burlesque, Empire Burlesque - The Recording Sessions, Empire Burlesque - The Songs, Empire Burlesque - Outtakes, Empire Burlesque - Aftermath, Empire Burlesque - Track Listing, Empire Burlesque - Personnel

Read more here: » Empire Burlesque: Encyclopedia II - Empire Burlesque - The Recording Sessions

Artists United Against Apartheid: Encyclopedia II - The Fat Boys - History

Originally the group was known as The Disco Three. Apparently the group's name was changed after their manager Charles Stettler complained about how much the trio ate during an early European tour. Unlike many of the streetwise images of the genre, the Fat Boys were known for their offbeat and friendly style. Much of their material involved the pleasures of food and drink as well as partying and sexual escapades. Buffy, the Human Beatbox, was a pioneer in beatboxing (using his mouth to portray the typical hip hop percussion "sc ...

See also:

The Fat Boys, The Fat Boys - History, The Fat Boys - Discography, The Fat Boys - LPs, The Fat Boys - Singles As One-Time Appearances, The Fat Boys - Filmography

Read more here: » The Fat Boys: Encyclopedia II - The Fat Boys - History

Artists United Against Apartheid: Encyclopedia II - The Fat Boys - History

Originally the group was known as The Disco Three. Apparently the group's name was changed after their manager Charles Stettler complained about how much the trio ate during an early European tour. Unlike many of the streetwise images of the genre, the Fat Boys were known for their offbeat and friendly style. Much of their material involved the pleasures of food and drink as well as partying and sexual escapades. Buffy, the Human Beat Box, was a pioneer in beatboxing (using his mouth to portray the typical hip hop percussion "s ...

See also:

The Fat Boys, The Fat Boys - History, The Fat Boys - Discography, The Fat Boys - LPs, The Fat Boys - Singles As One-Time Appearances, The Fat Boys - Filmography

Read more here: » The Fat Boys: Encyclopedia II - The Fat Boys - History

Artists United Against Apartheid: Encyclopedia II - E Street Band - The Split

In 1989 Springsteen informed The E Street Band members that he would not be using their services for the foreseeable future. He had already recorded one completely solo album, Nebraska, and Tunnel Of Love, although featuring The E Street Band in parts, never saw the band reach full swing. The last full band activity had been Autumn 1988's Human Rights Now! Tour. The complete truth behind the split has yet to come out. There was likely some initial confusion and disbelief, as a steady, reliable source of income and professional satisfaction and acclaim had suddenly disappeared. However, Springsteen was repo ...

See also:

E Street Band, E Street Band - Members, E Street Band - Greetings From Asbury Park, E Street Band - Glory Days, E Street Band - Southside Johnny Ronnie Spector and Gary U.S. Bonds, E Street Band - Courtesy of The E Street Band, E Street Band - The Split, E Street Band - The Reunion, E Street Band - Discography, E Street Band - Albums and singles featuring The E Street Band, E Street Band - Albums and singles featuring two or more individual band members only

Read more here: » E Street Band: Encyclopedia II - E Street Band - The Split

Artists United Against Apartheid: Encyclopedia II - E Street Band - The Reunion

In 1995 Springsteen released Greatest Hits and The E Street Band was temporarily reunited to record four new songs. In 1998 he released Tracks, a box set collection of unreleased recordings dating back to 1972. Finally, in 1999 Springsteen and The E Street Band reunited on a more substantial basis, eleven years after he had dismissed them. They staged an extremely successful reunion tour, culminating in an HBO special and the collection Live In New York City. There seemed to have been no long-term animosity from t ...

See also:

E Street Band, E Street Band - Members, E Street Band - Greetings From Asbury Park, E Street Band - Glory Days, E Street Band - Southside Johnny Ronnie Spector and Gary U.S. Bonds, E Street Band - Courtesy of The E Street Band, E Street Band - The Split, E Street Band - The Reunion, E Street Band - Discography, E Street Band - Albums and singles featuring The E Street Band, E Street Band - Albums and singles featuring two or more individual band members only

Read more here: » E Street Band: Encyclopedia II - E Street Band - The Reunion

Artists United Against Apartheid: Encyclopedia II - The Fat Boys - Discography

The Fat Boys - LPs. 1984 - Fat Boys - (Sutra) 1985 - The Fat Boys Are Back! - (Sutra) 1986 - Big & Beautiful - (Sutra) 1987 - Greatest Hits: The Best Part of the Fat Boys - (Sutra) 1987 - Crushin’ - (Tin Pan Apple/Polydor); reached #8 on Billboard’s Pop chart and #4 on R&B 1988 - Coming Back Hard Again - (Tin Pan Apple/Polydor); reached #33 on Billboard’s Pop chart and #21 on R&B) ...

See also:

The Fat Boys, The Fat Boys - History, The Fat Boys - Discography, The Fat Boys - LPs, The Fat Boys - Singles As One-Time Appearances, The Fat Boys - Filmography

Read more here: » The Fat Boys: Encyclopedia II - The Fat Boys - Discography

Artists United Against Apartheid: Encyclopedia II - E Street Band - Courtesy of The E Street Band

Other artists had also begun to recognize their talents and the band members were never out of work. Producer/songwriter Jim Steinman used Bittan and Weinberg on Meat Loaf's Bat Out Of Hell and Dead Ringer, on his own Bad For Good and on Bonnie Tyler's Faster Than The Speed Of Light and Secret Dreams and Forbidden Fire. Bittan, Weinberg and Tallent, along with Mick Ronson, recorded a hidden gem with Ian Hunter, wonderfully titled You're Never Alone With A Schizophrenic. Bittan and Federici also provi ...

See also:

E Street Band, E Street Band - Members, E Street Band - Greetings From Asbury Park, E Street Band - Glory Days, E Street Band - Southside Johnny Ronnie Spector and Gary U.S. Bonds, E Street Band - Courtesy of The E Street Band, E Street Band - The Split, E Street Band - The Reunion, E Street Band - Discography, E Street Band - Albums and singles featuring The E Street Band, E Street Band - Albums and singles featuring two or more individual band members only

Read more here: » E Street Band: Encyclopedia II - E Street Band - Courtesy of The E Street Band

Artists United Against Apartheid: Encyclopedia II - E Street Band - Southside Johnny Ronnie Spector and Gary U.S. Bonds

Meanwhile Van Zandt also began to establish himself a reputation as a producer/songwriter. Apart from helping out with production on Springsteen albums, he also worked with his "other band", Southside Johnny & The Asbury Jukes, as well as Ronnie Spector and Gary U.S. Bonds before he launched his own solo career as Little Steven. The E Street Band and Springsteen regularly helped out on all these projects. In 1977 they recorded a single with Ronnie Spector featuring a cover of the Billy Joel song, "Say Goodbye To Hollywood" and a Van Zand ...

See also:

E Street Band, E Street Band - Members, E Street Band - Greetings From Asbury Park, E Street Band - Glory Days, E Street Band - Southside Johnny Ronnie Spector and Gary U.S. Bonds, E Street Band - Courtesy of The E Street Band, E Street Band - The Split, E Street Band - The Reunion, E Street Band - Discography, E Street Band - Albums and singles featuring The E Street Band, E Street Band - Albums and singles featuring two or more individual band members only

Read more here: » E Street Band: Encyclopedia II - E Street Band - Southside Johnny Ronnie Spector and Gary U.S. Bonds

Artists United Against Apartheid: Encyclopedia II - Empire Burlesque - The Songs

The opening track, "Tight Connection To My Heart," was originally recorded for 1983's Infidels. It was re-written and re-recorded several times before finding its way on to Empire Burlesque. A lushly produced pop song riding a reggae groove courtesty of Robbie Shakespeare and Sly Dunbar (better known as Sly & Robbie), the love song was singled out as the best track on the album by the most recent edition of The Rolling Stone Album Guide. It was also chosen as ...

See also:

Empire Burlesque, Empire Burlesque - The Recording Sessions, Empire Burlesque - The Songs, Empire Burlesque - Outtakes, Empire Burlesque - Aftermath, Empire Burlesque - Track Listing, Empire Burlesque - Personnel

Read more here: » Empire Burlesque: Encyclopedia II - Empire Burlesque - The Songs

Artists United Against Apartheid: Encyclopedia II - Empire Burlesque - Aftermath

Empire Burlesque received its share of positive reviews, most notably a full-page review in Time Magazine, but overall the critical reception was mixed. Members of the press accused Dylan of trying to achieve a then-contemporary sound on Empire Burlesque; Dylan jokingly replied that he didn't know anything about new music, adding "I still listen to Charley Patton." In his Consumer Guide column for The Village Voice, critic Robert Christgau wrote, "At best [Dylan]'s achieved the professionalism ...

See also:

Empire Burlesque, Empire Burlesque - The Recording Sessions, Empire Burlesque - The Songs, Empire Burlesque - Outtakes, Empire Burlesque - Aftermath, Empire Burlesque - Track Listing, Empire Burlesque - Personnel

Read more here: » Empire Burlesque: Encyclopedia II - Empire Burlesque - Aftermath

Artists United Against Apartheid: Encyclopedia II - Empire Burlesque - Outtakes

As with most Dylan albums, outtakes and rough mixes from Empire Burlesque were eventually bootlegged, the most notable being "New Danville Girl." A satirical epic co-written with playwright Sam Shepard, it was originally an attempt at answering Lou Reed's song, "Doin' The Things That We Want To." (Reed was inspired to write "Doin' The Things That We Want To" after seeing one of Shepard's plays.) "It has to do with a guy standing on line and waiting to see an old Gregory Peck movie [called The Gunfighter] that he can't qu ...

See also:

Empire Burlesque, Empire Burlesque - The Recording Sessions, Empire Burlesque - The Songs, Empire Burlesque - Outtakes, Empire Burlesque - Aftermath, Empire Burlesque - Track Listing, Empire Burlesque - Personnel

Read more here: » Empire Burlesque: Encyclopedia II - Empire Burlesque - Outtakes

Artists United Against Apartheid: Encyclopedia II - Empire Burlesque - Track Listing

All songs by Bob Dylan. "Tight Connection to My Heart (Has Anyone Seen My Love?)" - 5:19 "Seeing the Real You at Last" - 4:18 "I'll Remember You" - 4:12 "Clean Cut Kid" - 4:14 "Never Gonna Be the Same Again" - 3:06 "Trust Yourself" - 3:26 "Emotionally Yours" - 4:36 "When the Night Comes Falling from the Sky" - 7:18 "Something's Burning, Baby" - 4:5 ...

See also:

Empire Burlesque, Empire Burlesque - The Recording Sessions, Empire Burlesque - The Songs, Empire Burlesque - Outtakes, Empire Burlesque - Aftermath, Empire Burlesque - Track Listing, Empire Burlesque - Personnel

Read more here: » Empire Burlesque: Encyclopedia II - Empire Burlesque - Track Listing

Artists United Against Apartheid: Encyclopedia II - E Street Band - Glory Days

The E Street Band's reputation as studio musicians was established in the 1970s and the 1980s with their significant contribution to the Springsteen albums Born to Run, Darkness on the Edge of Town, The River, and Born in the U.S.A.. However, unlike other backing bands such as The Silver Bullet Band or The Heartbreakers the band was never given a full credit on any Springteen studio album. Only individual band members are credited. Even though the band did all or almost all of the playing on these albums, they wer ...

See also:

E Street Band, E Street Band - Members, E Street Band - Greetings From Asbury Park, E Street Band - Glory Days, E Street Band - Southside Johnny Ronnie Spector and Gary U.S. Bonds, E Street Band - Courtesy of The E Street Band, E Street Band - The Split, E Street Band - The Reunion, E Street Band - Discography, E Street Band - Albums and singles featuring The E Street Band, E Street Band - Albums and singles featuring two or more individual band members only

Read more here: » E Street Band: Encyclopedia II - E Street Band - Glory Days

Artists United Against Apartheid: Encyclopedia II - Artists United Against Apartheid - Post-apartheid

With the end of the apartheid regime in 1994 and the reintegration of Sun City and other former nominally-independent regions into the South African state, "Sun City" ceased to be a contemporary protest and became a historical document; any pledge to boycott Sun City or other similar places in South Africa became superfluous. In 1997, in a somewhat bizarre twist of history, the man who created Sun City, Sol Kerzner, c ...

See also:

Artists United Against Apartheid, Artists United Against Apartheid - Sun City, Artists United Against Apartheid - The song, Artists United Against Apartheid - The recording, Artists United Against Apartheid - The release, Artists United Against Apartheid - The reaction, Artists United Against Apartheid - Post-apartheid, Artists United Against Apartheid - Track listing

Read more here: » Artists United Against Apartheid: Encyclopedia II - Artists United Against Apartheid - Post-apartheid

Artists United Against Apartheid: Encyclopedia II - Artists United Against Apartheid - The reaction

Unfortunately, only about half of American radio stations played "Sun City," with some objecting to the lyrics' explicit criticism of President Ronald Reagan's policy of "constructive engagement." R&B stations felt it was too rock-oriented, while rock stations considered it too steeped in hip-hop and R&B. Not surprisingly, the song was banned in South Africa. Van Zandt and Schechter also struggled to get the documentary seen. PBS refused to air the non-profit film The Making of "Sun City" even though it won the Internat ...

See also:

Artists United Against Apartheid, Artists United Against Apartheid - Sun City, Artists United Against Apartheid - The song, Artists United Against Apartheid - The recording, Artists United Against Apartheid - The release, Artists United Against Apartheid - The reaction, Artists United Against Apartheid - Post-apartheid, Artists United Against Apartheid - Track listing

Read more here: » Artists United Against Apartheid: Encyclopedia II - Artists United Against Apartheid - The reaction

Artists United Against Apartheid: Encyclopedia II - Artists United Against Apartheid - The release

For a time, they were making the record without a record company or any outside financial support. Van Zandt financed much of it while producer Arthur Baker (New Order) donated studio time. Manhattan Records, under Bruce Lundvall's direction, came on board, acquiring the record and enabling them to pay some of the bills. A committed record company attorney, the late Rick Dutka, also donated his time, as well as Van Zandt's assistant, Zöe Yanakis. Schechter's connections with ABC News posed some risks. "I couldn't tell ABC what I was ...

See also:

Artists United Against Apartheid, Artists United Against Apartheid - Sun City, Artists United Against Apartheid - The song, Artists United Against Apartheid - The recording, Artists United Against Apartheid - The release, Artists United Against Apartheid - The reaction, Artists United Against Apartheid - Post-apartheid, Artists United Against Apartheid - Track listing

Read more here: » Artists United Against Apartheid: Encyclopedia II - Artists United Against Apartheid - The release

Artists United Against Apartheid: Encyclopedia II - Artists United Against Apartheid - The song

Van Zandt was interested in writing a song about Sun City to make parallels with the plight of native Americans. Danny Schechter, a journalist who was then working with ABC News' 20/20, suggested turning the song into a different kind of "We Are the World", or as Schechter explains, "a song about change not charity, freedom not famine."[2] As Van Zandt was writing it, Schechter suggested that he include the names of the artists who had ...

See also:

Artists United Against Apartheid, Artists United Against Apartheid - Sun City, Artists United Against Apartheid - The song, Artists United Against Apartheid - The recording, Artists United Against Apartheid - The release, Artists United Against Apartheid - The reaction, Artists United Against Apartheid - Post-apartheid, Artists United Against Apartheid - Track listing

Read more here: » Artists United Against Apartheid: Encyclopedia II - Artists United Against Apartheid - The song

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