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Yuri Vizbor - Political Context |  | Yuri Vizbor - Political Context: Encyclopedia II - Yuri Vizbor - Political Context |  | Vizbor composed at a time when the rules regarding censorship were still in place yet were not as vigilantly enforced as in the past. Vizbor's songs and writings rarely had an overt politcal content. His style could more accurately be described as anti-political.
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See also:Yuri Vizbor, Yuri Vizbor - Summary, Yuri Vizbor - Early Years, Yuri Vizbor - Professional Activities, Yuri Vizbor - Music, Yuri Vizbor - Political Context, Yuri Vizbor - Illness and Death, Yuri Vizbor - Films |  | | Yuri Vizbor, Yuri Vizbor - Early Years, Yuri Vizbor - Films, Yuri Vizbor - Illness and Death, Yuri Vizbor - Music, Yuri Vizbor - Political Context, Yuri Vizbor - Professional Activities, Yuri Vizbor - Summary |  | |
|  |  | Yuri Vizbor: Encyclopedia II - Yuri Vizbor - Political Context
Yuri Vizbor - Political Context
Vizbor composed at a time when the rules regarding censorship were still in place yet were not as vigilantly enforced as in the past. Vizbor's songs and writings rarely had an overt politcal content. His style could more accurately be described as anti-political.
Other related archives1934, 1984, Brezhnev, Bulat Okudzhava, June 20, Martin Bormann, Moscow, Nazi, Perestroika, Russian, September 17, Seventeen Moments of Spring, Soviet, Vladimir Vysotsky, ballad, bard, censorship, seven string guitar
 Adapted from the Wikipedia article "Political Context", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki |
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