Winona Ryder: Encyclopedia II - Winona Ryder - Film career

Winona Ryder - Film career

Winona Ryder - 1985–1990

In 1985, Ryder sent a video audition to appear in the film Desert Bloom, but was rejected. However, David Seltzer, a writer and director, soon noticed her and cast her for his 1986 film Lucas for a role of a teenage outcast, falling in love, but ignored, by the main character. When asked how she wanted her name to appear in the credits, she suggested Ryder as a Mitch Ryder album of her father's played in the background.

Her next movie was Square Dance (1987) (called "a remarkable debut" by The Los Angeles Times), where her teenage character creates a bridge between two alien worlds/plot devices - a traditional farm in the middle of nowhere and a Big City. Her role concentrates on a profound question: how much of our behaviour perceived by the outside world is inherent to us and how much comes from acting the social role under pressure of the society, in a way that society considers "proper" and ethical implications coming from this classical conflict of interest, which she later had a chance to make perfect in The Age of Innocence.

Her breakthrough film is generally considered to be Tim Burton's 1988 film Beetlejuice, in which she played a goth teenager named Lydia suffering from depression induced by the extreme consumer worldview her parents represent, who comes to live in a haunted house (the haunting performed by Geena Davis, Alec Baldwin and Michael Keaton). She is the only human being among the players able to feel strong empathy and sympathy toward the ghosts and their drama of being captured in between the world of the living and the afterworld. The movie was a commercial and media success.

In 1989, she starred in a now cult movie - Heathers, which her agent thought was bad for her career. Her character is opposed to violence as a way to resolve conflicts and is able to express her views by stopping major violent accidents from happening. Again her character struggles, forced to choose between the will of mad society and her own heart - she wins that battle in a pat by choosing neither and playing all parties against themselves, so she can be left alone to decide about her life. In the same year she did Great Balls of Fire, playing the thirteen-year-old bride of Jerry Lee Lewis.

In 1990, Winona played a primary role in another Burton project, Edward Scissorhands, alongside her then-boyfriend Johnny Depp. It is her only movie, other than 2002's Mr. Deeds, in which one can admire her natural blond hair which she has dyed dark since childhood.

She withdrew from her role in Francis Ford Coppola's The Godfather, Part III, after feeling exhausted from recent roles — she finished two somewhat related movies Mermaids (with Cher, Christina Ricci, Bob Hoskins and Michael Schoeffling) and Welcome Home, Roxy Carmichael (with Jeff Daniels), both shot in 1990 and both stressing the motive of the ability of our own personal narrative changing our real life.

Winona Ryder - 1991–1995

In 1991, she played a taxi driver who wants to become a mechanic (Night on Earth), against the forced repertoire of roles selected for women by gender prejudices.

In 1992, she starred in the double role of Mina Harker and Princess Elisabeta, in Bram Stoker's Dracula.

The next year she appeared in The Age of Innocence (alongside Michelle Pfeiffer and Daniel Day-Lewis), a film based on a novel by Edith Wharton and helmed by director Martin Scorsese, whom Ryder considers the best director. She plays a young woman, captured in plots within plots within plots of the society where every sentence pronounced has at least three different meanings. The constant merciless war of countless conspiring factions is mirrored in the scenery, full of symbols and ciphered messages passed by secret agents of love trying to tell truth while avoiding the insane rage of organised madness around them. Her role in this movie won her a Golden Globe Award for Best Supporting Actress as well as an Academy Award nomination.

Next she starred in How to Make an American Quilt (1995) - again the character is forced to choose between a will of the "quilting bee" and her desires, followed by Boys, (1996), again fighting for her self against the whole world, with love as her only true friend and guide. The movie also featured the motive of confusion between subjective and objective interpretations of perceived reality, later exploited in Lost Souls. She received yet another nomination in 1994 with Little Women, based on the classic novel of the same name.

In the same year she starred in a cult movie, coined by the press "portrait of Generation X" - Reality Bites. Her character had to choose between the voice of reason and the voice of heart - two potential mates - a self-centered, half-educated, lacking empathy but successful man working as a producer in the business of garbage media played by Ben Stiller and a free-spirited, caring but also self-centered leader of a alternative band, permanently kicking himself out of his extremely boring jobs he has to take to earn for a living, played by Ethan Hawke. She is at the same time struggling with life in a world obsessed with money and brainwashing commercials, discarding anyone more interested in the deeds of intellect and spirit.

Winona Ryder - 1996–2000

In 1996 she starred in Al Pacino's debut as a director, Looking for Richard and The Crucible (1996), a movie concerning famous mass executions of innocent people in Salem triggered by anti-witchcraft hysteria of its Puritan population. The movie was praised by critics but failed to be a commercial success.

Soon afterward she accepted a role in the 1997 film Alien: Resurrection. Having grown up on the Alien franchise, she signed before having even read a script.

Celebrity (1998), her next work, contains an episode with a pun toward the character from the Night on Earth - an alternative path of life.

In 1999, she acted in and served as executive producer for Girl, Interrupted, based on the autobiography of Susanna Kaysen. Ryder was deeply attached to the film, considering it her "child of the heart"; she played the Kaysen character, who had a borderline personality disorder and was rather calm and subdued. In contrast, the supporting role performed by Angelina Jolie of a sociopath full of sexual energy and dramatic episodes, stole the attention of the public and the Academy.

She went on to portray the fragile, beautiful, young, talented and doomed love interest of Richard Gere's character in the 2000 romance Autumn in New York.

In the same year she played a sister (nun) of the secret society loosely connected to Catholic Church determined to prevent Armageddon - Lost Souls. The character struggles between the world (including the Church) laughing at the supernatural, her own beliefs based on personal experience and uncertainty between seemingly obvious empirical evidence and her doubts in her own sanity and ability to reason or even perceive correctly. The movie was not a success, lost in a myriad of others exploiting the Millennium FUD.

Winona Ryder - 2000–2005

In 2002, Ryder appeared in two films - a romantic comedy Mr. Deeds (alongside Adam Sandler), where she plays a cynical reporter for an unscrupulous television program, and an episodic role in S1m0ne, where she portrays an extravagant star, who is replaced by a computer simulated actress due to secret workings of a director, played by Al Pacino.

Winona Ryder - 2006

After a long dry spell, the actress is to appear in Finn Taylor's Darwin Awards with co-star Joseph Fiennes. She will also portray Donna Hawthorne in Richard Linklater's A Scanner Darkly, a futuristic movie based on Philip K. Dick's famous novel. The cast also includes Keanu Reeves, Robert Downey Jr and Woody Harrelson. Live action scenes have been transformed with rotoscope software and the film will be entirely animated.

Adapted from the Wikipedia article "Film career", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki