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Tango music - Tango nuevo | | Tango music - Tango nuevo: Encyclopedia II - Tango music - Tango nuevo | | The later age of tango has been dominated by Ástor Piazzolla, who became famous after Carlos Gardel's El dia que me quieras was released. During the 1950s, Piazzolla consciously tried to make a pop form of tango, earning the derision of purists and old-time performers. The 1970s saw Buenos Aires developed a fusion of jazz and tango, alongside tango-rock, mixing tango with rock and roll. Litto Nebbia and Siglo XX were especially popular in this development. In recent years is important the work of argentine band 020 (zero2zero), whose epic album "End of Illusions" mixed pop and ...
See also:Tango music, Tango music - Origins, Tango music - 1920s and 1930s Carlos Gardel, Tango music - Golden Age, Tango music - Tango nuevo, Tango music - Neo-tango, Tango music - Musical impact | | | Tango music, Tango music - 1920s and 1930s Carlos Gardel, Tango music - Golden Age, Tango music - Musical impact, Tango music - Neo-tango, Tango music - Origins, Tango music - Tango nuevo, Argentina, Music of Argentina, Orquesta tipica, Tango (dance), Dodompa (a Japanese style of tango music) | | |
| | | Tango music: Encyclopedia II - Tango music - Tango nuevo
Tango music - Tango nuevo
The later age of tango has been dominated by Ástor Piazzolla, who became famous after Carlos Gardel's El dia que me quieras was released. During the 1950s, Piazzolla consciously tried to make a pop form of tango, earning the derision of purists and old-time performers. The 1970s saw Buenos Aires developed a fusion of jazz and tango, alongside tango-rock, mixing tango with rock and roll. Litto Nebbia and Siglo XX were especially popular in this development. In recent years is important the work of argentine band 020 (zero2zero), whose epic album "End of Illusions" mixed pop and rock in the british style with nuevo tango.
The so-called post-Piazzolla generation (1980-) includes musicians such as Dino Saluzzi, Rodolfo Mederos, Enrique Martin Entenza and Juan María Solare. Piazzolla and his followers developed Nuevo Tango, which incorporated jazz and classical influences into a more experimental style.
Other related archives1914, 1920s, 1950s, 1970s, 1999, 19th century, 2000, Aníbal Troilo, Argentina, BBC, Buenos Aires, CDs, Carlos Gardel, Carlos di Sarli, Colombia, Daniel Barenboim, Francisco Canaro, Germany, Gidon Kremer, Gilles Peterson, Gotan Project, Hybrid Tango, Japanese, Jorge Chaminé, Juan D'Arienzo, Juan María Solare, Martha Argerich, Munich, Music of Argentina, Orquesta tipica, Osvaldo Pugliese, Plácido Domingo, Rodolfo Biagi, Rudolph Valentino, Tanghetto, Tango (dance), Tangophobia Vol. 1, Tangos, United States, World War I, Yo-Yo Ma, bandoneon, bandoneón, big band, double bass, flute, guitar, jazz, milonga, milongas, music of Argentina, orquesta típica, piano, rock and roll, sex symbol, tango dance, violin, zero2zero, Ástor Piazzolla
 Adapted from the Wikipedia article "Tango nuevo", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki |
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