Sibyl: Encyclopedia II - Sibyl - The later Sibyls

Sibyl - The later Sibyls

The Sibyls were also represented in publicly available art. Michelangelo fixed our image of the sibyls forever, in his powerful representations of them, seated, both aged and ageless, beyond mere femininity, in the frescos of the Sistine Chapel. Five sibyls were painted on the Sistine Chapel ceiling by Michelangelo; the Delphic Sibyl, Lybian Sibyl, Persian Sibyl, Cumaean Sibyl and the Erythraean Sibyl. The library of Pope Julius II in the Vatican has images of sibyls and they are in the pavement of the Siena Cathedral.

Late Gothic Sibyls, each with her emblem and a single line of prophecy, lettered on a fluttering banderole, were fixtures of Late Gothic illuminations, in 14th and 15th-century France and Germany[3].

Long after the oracles had been silenced by the Christians in the 4th century, the number of Sibyls was increased in the Middle Ages to as many as twelve, a magical number. See, for example, the Apennine Sibyl. Ten, for François Rabelais, was still the proverbial number: “How know we but that she may be an eleventh Sibyl or a second Cassandra?” (Gargantua and Pantagruel, iii. 16, noted in Brewer's Dictionary of Phrase and Fable, 1897.

The medieval, Christianized role for the Sibyls was as precursors, prophets of the New Dispensation, Christian allies in a Hellenistic world:

Adapted from the Wikipedia article "The later Sibyls", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki