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Popular music - Theories of popular music

Popular music - Theories of popular music: Encyclopedia II - Popular music - Theories of popular music

Among scholars in the humanities, a broader range of definitions have been proposed. Frans Birrer (1985, p. 104) gives four conceptions or definitions of "popular" music: Normative definitions. Popular music is an inferior type. Negative definitions. Popular music is music that is not something else (usually 'folk' or 'art' music). Sociological definitions. Popular music is associated with (produced for or by) a particular social group. Technologico-economic definitions. Popular music is ...

Popular music: Encyclopedia II - Popular music - Theories of popular music

Popular music - Theories of popular music

Among scholars in the humanities, a broader range of definitions have been proposed.

Frans Birrer (1985, p. 104) gives four conceptions or definitions of "popular" music:

Normative definitions. Popular music is an inferior type.
Negative definitions. Popular music is music that is not something else (usually 'folk' or 'art' music).
Sociological definitions. Popular music is associated with (produced for or by) a particular social group.
Technologico-economic definitions. Popular music is disseminated by mass media and/or in a mass market.

All of these, according to Middleton (1990, p.4) "are interest-bound; none is satisfactory." According to Hall (1978, p.6-7), "The assumption...that you might know before you looked at cultural traditions in general what, at any particular time, was a part of the elite culture or of popular culture is untenable." Thus popular music must be comprehended in relation to the broader musical field (Middleton 1990, p.11).

Bennett (1980, p.153-218) distinguishes between 'primary' and 'secondary' popular culture, the first being mass product and the second being local re-production, discussed further below.

"While repetition is a feature of all music, of any sort, a high level of repetition may be a specific mark of 'the popular', enabling an inclusive rather than exclusive audience." (Middleton 1990, p.139)

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Adapted from the Wikipedia article "Theories of popular music", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki

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